Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

Picnic at Hanging Rock (1975) / Peter Weir

cinematicfella.

63,395 subscribers

53,080 views • 2 years ago •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

6 Comments

Claudia2 years ago

Beautiful film 🧡

Super Normaled2 years ago

I always saw this as a form of ghost story.

Emily Levine2 years ago

One of my all-time favorite films. “Everything begins and ends at the exactly right time and place.”

Heinrich R2 years ago

@DannyDrinksWine 🎥💪😍

Claudia Zago2 years ago

Beautiful film !

crotchman. mood: GOTO WORLD CHAMP 20252 years ago

Just had my mind destroyed by the ending of this film. Peter Weir is one of the all-timers.

Related Videos

Happy 80th birthday, Peter Weir! Picnic at Hanging Rock (1975) Director: Peter Weir

Happy 80th birthday, Peter Weir! Picnic at Hanging Rock (1975) Director: Peter Weir

DepressedBergman

83,772 views • 1 year ago

50th Anniversary 4K restoration trailer for Peter Weir's New Wave thriller PICNIC AT HANGING ROCK!

50th Anniversary 4K restoration trailer for Peter Weir's New Wave thriller PICNIC AT HANGING ROCK!

Janus Films

81,915 views • 1 year ago

50 años de PICNIC AT HANGING ROCK, una de las influencias reconocidas de #WEAPONS, la obra maestra de horror telúrico de Peter Weir, sobre la desaparición de un grupo de chicas de un internado femenino que hizo creer que adaptaba un suceso paranormal real

50 años de PICNIC AT HANGING ROCK, una de las influencias reconocidas de #WEAPONS, la obra maestra de horror telúrico de Peter Weir, sobre la desaparición de un grupo de chicas de un internado femenino que hizo creer que adaptaba un suceso paranormal real

Horror Losers

47,039 views • 11 months ago

Rock star Bobby Weir ! #gratefuldead #bobweir #jerrygarcia #livemusic

Rock star Bobby Weir ! #gratefuldead #bobweir #jerrygarcia #livemusic

Christopher Hazard

12,709 views • 1 month ago

The ultimate dad movie rant. The Mosquito Coast (1986) dir. Peter Weir

The ultimate dad movie rant. The Mosquito Coast (1986) dir. Peter Weir

Men on Film Pod

337,002 views • 3 months ago

THE BLACKBYRDS ROCK CREEK PARK (1975)

THE BLACKBYRDS ROCK CREEK PARK (1975)

Michael Warburton

167,921 views • 4 months ago

Pub Rock at it's Very Best 😍 Dr. Feelgood - She Does it Right (Live 1975) ▶️

Pub Rock at it's Very Best 😍 Dr. Feelgood - She Does it Right (Live 1975) ▶️

Martin's Music

28,250 views • 3 months ago

If Peter Rogers had made JAWS 1975)

If Peter Rogers had made JAWS 1975)

Michael Warburton

13,778 views • 3 months ago

Lebron James reposts Jay Z’s recent performance at the Roots Picnic festival & says “ITS THE ROCK 💎”

Lebron James reposts Jay Z’s recent performance at the Roots Picnic festival & says “ITS THE ROCK 💎”

2Cool2Blog

482,899 views • 1 month ago

"Şiir, güzellik, aşk, sevgi... biz bunlar için hayattayız.” Dead Poets Society, Peter Weir (1989)

"Şiir, güzellik, aşk, sevgi... biz bunlar için hayattayız.” Dead Poets Society, Peter Weir (1989)

Bubi' Sanat

238,360 views • 3 years ago

"Rock Creek Park" — live with The Blackbyrds, 1975. #TheBlackbyrds #RockCreekPark #JazzIsDead

"Rock Creek Park" — live with The Blackbyrds, 1975. #TheBlackbyrds #RockCreekPark #JazzIsDead

Jazz Is Dead

34,932 views • 7 months ago

Sweet's "Fox on the Run" is a 1975 glam rock banger!

Sweet's "Fox on the Run" is a 1975 glam rock banger!

Music and lyrics! 🎙️🎵🎸🎼🎹🤘

27,999 views • 5 months ago

Great craic at picnic

Great craic at picnic

The Blindboy Podcast

70,034 views • 1 year ago

Peter Weir explains the techniques he employed to make "Picnic at Hanging Rock" (1975) feel unique & disassociated from time & place: "Interviewer: I’ve been surprised to hear of classes of schoolgirls today dressing up and going on Picnic at Hanging Rock picnics: I had the feeling that the film’s point of view was that of an outside observer—almost a voyeur—looking at schoolgirls, rather than coming in any way out of a schoolgirl’s sense of herself. Weir: Films viewed at different times and different places can seem very different—shorter, longer, better, worse, didn’t ever know it was so funny. This film is obviously viewed very differently now from then, and by schoolgirls with a different view from others. It is a simple and emotive series of images that obviously are still going to touch some people, perhaps young schoolgirls in particular. It is often hard to remember what you intended at the time—the more powerful and ingrained memory is the difficulty you face with each project. With much of Picnic at Hanging Rock it was clearly dangerous ground I was treading on, given the audience’s preconditioning, with a mystery that had no solution. I had to supply an ambience so powerful that it would turn the audience’s attention from following the steps of the police investigation into another kind of film. I began some technical experiments (which I continued in 'The Last Wave' (1977)) with camera speeds for example. So within a dialogue scene I would shoot the character talking in the normal twenty-four frames a second, then I would shoot the character listening in forty-eight frames, or thirty-two frames. I would ask the character listening not to blink or make any extreme movement so that you didn’t pick up the slow motion, then I’d intercut those reactions and you would get a stillness in the face of the listener. These things were not discernible to the eye, but you would get this feeling, as you sat in your theatre seat, that you were watching something very different. With the soundtrack I used white noise, or sounds that were inaudible to the human ear, but were constantly here on the track. I’ve used earthquakes quite a lot, for example, slowed down or sometimes mixed with something else. I’ve had comments from people on both 'Picnic' and 'Last Wave' saying that there were odd moments during the film when they felt a strange disassociation from time and place. Those technical tricks contributed to that." (Peter Weir's interview with Susan Mathews, 1985)

Peter Weir explains the techniques he employed to make "Picnic at Hanging Rock" (1975) feel unique & disassociated from time & place: "Interviewer: I’ve been surprised to hear of classes of schoolgirls today dressing up and going on Picnic at Hanging Rock picnics: I had the feeling that the film’s point of view was that of an outside observer—almost a voyeur—looking at schoolgirls, rather than coming in any way out of a schoolgirl’s sense of herself. Weir: Films viewed at different times and different places can seem very different—shorter, longer, better, worse, didn’t ever know it was so funny. This film is obviously viewed very differently now from then, and by schoolgirls with a different view from others. It is a simple and emotive series of images that obviously are still going to touch some people, perhaps young schoolgirls in particular. It is often hard to remember what you intended at the time—the more powerful and ingrained memory is the difficulty you face with each project. With much of Picnic at Hanging Rock it was clearly dangerous ground I was treading on, given the audience’s preconditioning, with a mystery that had no solution. I had to supply an ambience so powerful that it would turn the audience’s attention from following the steps of the police investigation into another kind of film. I began some technical experiments (which I continued in 'The Last Wave' (1977)) with camera speeds for example. So within a dialogue scene I would shoot the character talking in the normal twenty-four frames a second, then I would shoot the character listening in forty-eight frames, or thirty-two frames. I would ask the character listening not to blink or make any extreme movement so that you didn’t pick up the slow motion, then I’d intercut those reactions and you would get a stillness in the face of the listener. These things were not discernible to the eye, but you would get this feeling, as you sat in your theatre seat, that you were watching something very different. With the soundtrack I used white noise, or sounds that were inaudible to the human ear, but were constantly here on the track. I’ve used earthquakes quite a lot, for example, slowed down or sometimes mixed with something else. I’ve had comments from people on both 'Picnic' and 'Last Wave' saying that there were odd moments during the film when they felt a strange disassociation from time and place. Those technical tricks contributed to that." (Peter Weir's interview with Susan Mathews, 1985)

DepressedBergman

65,830 views • 6 months ago

Fallingforyou Vote for The 1975 to Win Best Rock / Alternative Act at @brits 2023. You can vote 10 times each day until Thursday 2nd Feb #BRITS

Fallingforyou Vote for The 1975 to Win Best Rock / Alternative Act at @brits 2023. You can vote 10 times each day until Thursday 2nd Feb #BRITS

The 1975

310,084 views • 3 years ago

Unbothered 👀 Chrisean Rock seen hanging out with Ryan Garcia 💯

Unbothered 👀 Chrisean Rock seen hanging out with Ryan Garcia 💯

streetaddictz.net

62,520 views • 7 months ago