Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Playing time✨with my tie👔 #suited #master #findom #suit #tie #dapper #executive #tribute #money #cashmaster #outfit #trajeado #silk #menswear

4 Yorum

Suitfetish99 profil fotoğrafı
Suitfetish992 ay önce

Very elegant 🔥👔

Suited Gentl profil fotoğrafı
Suited Gentl2 ay önce

Gracias!

Ritchie Barrón profil fotoğrafı
Ritchie Barrón2 ay önce

Quiero ser tu putita

Suited Gentl profil fotoğrafı
Suited Gentl2 ay önce

Tributa esclavo!

Benzer Videolar

Audrey Hepburn in “Funny Face” (1957). Designers Hubert de Givenchy and Edith Head were responsible for Hepburn’s fashions though Givenchy was given an exclusive rein of her couture selections in the film. He would later oversee her fashion design wear in the 1961 film ― Breakfast at Tiffany’s. Truman Capote, writer of the original novella upon which the film was based, wanted Marilyn Monroe for the role. Monroe turned it down. Concerns the character was a prostitute was the reason. Givenchy’s designing in the film Funny Face ― is nothing short of fine constructive artistry. Full of restraint but aesthetically pronounced as Hepburn looks utterly divine. The first piece is a white and pink evening gown. It is a refined floor-length silk dress with rare short-sleeved pink blazer with a fastened train of fabric which adds to the garment’s silhouette. This is paired with a set of white gloves, diamond tiara and diamond earrings. The second piece is a floral summer dress. Her richly coloured dress bears proportions of an Impressionist painting by Monet or even a post-Impressionist work by Cezanne. It is a full circle skirt, fitted bodice, with a pair of light yellow gloves ― oversized straw hat with matched flowers in hat and hair. The third piece is a two-piece dress suit with a knee length tan coloured dress, matching coat, fur hat, dark brown heels and gloves with a fur coat over arm. The fourth piece ― features a full skirted white circle dress. Paired with her white gloves, white low heeled pumps, and draped in a royal emerald coloured coat with matching hair tie. Exquisite regality. A fifth piece is the French chic outfit. Her white slacks and white blazer with a silk pink waist tie of fabric, a straw hat and pink flats. Very modern look. The sixth piece is a floral off the shoulder ball gown ― fitted at the waist, and a full flouncing skirt with patterned embroidery. Highly detailed. The look finished off with silver flat shoes. Givenchy’s final design is a silk tube evening gown with a long train of fabric ― and a matching red silk wrap, colour contrasted with white gloves, with a statement necklace and matching earrings.

Hollywood Golden Age of Cinema

52,384 görüntüleme • 9 ay önce

Hilda Baci live IG: Seyi Vibez, you have the aud@city to call 0ut Dapper with the way you sing? I tried listening to one song from your album, but couldn't b£ar it for more than five seconds. Your voice is t£rribl£ and you can't speak proper English. Is this the project spent years working on , and you were expecting a huge payout From dapper? Don't you realize you contribut£ nothing to Dapper? No r£as@nable person can vibe to your album for an hour. Honestly, I r£gret playing it for even five seconds — it still sounds awf!ul in my ears even after I paused it. If Dapper gives you more than what you received, he is running at a l@ss. Frankly, I see nothing good about your projects, Seyi Vibez. You should qu!t music because it feels like you are f@rcing yourself to be a musician. There are other things you can do. We know you are br@ke, but you got a little cash that can start a business. My advice is for you to use it to start something m£aningful because your music is a no for everyone. Can't you see your colleagues in the industry like Rema and Asake? I can listen to their projects and songs and even vibe to their old releases, but I can't say the same about you. Honestly, you are w@st!ng your time in music. Look at Asake and Rema their garages are filled with expensive cars and they are making real money, but you're still driving the same car you bought while you were signed to Dapper. That alone shows you are m@king nothing.Seyi Vibez, you look unk£mp!t and you need to buckl£ up. You have spent over six years in the industry with no t@ngibl£ achievement to show for it. You can't b@ast of any real acc@mplishm£nt, yet you think you are t@lented. You need to understand that you have not att@in£d that level yet; you still have a l@ng way to go. All your mates have surp@ssed you in music.

dangerous baby

103,773 görüntüleme • 1 gün önce

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

Caden Flux

30,445 görüntüleme • 1 ay önce

Pavel Durov owns 100% of Telegram, a company used by over a billion people and has hundreds of millions in the bank. He doesn't own a house. No jet. No yacht. No real estate. Nothing. Tucker Carlson was visibly stunned: "I've never heard of that before." So why? Durov's answer cuts straight to his core philosophy: "My number one priority in life is my freedom. And once you start buying things, it will tie you down to a physical location." It goes deeper than minimalism. He explains that the reason he never took venture capital even as Telegram scaled to a billion users was independence: "We knew that our mission and our goals are not necessarily consistent with the goals of funds that could be investing into us." Most founders take the money. The valuation goes up. The cap table fills with names. And slowly, almost invisibly, the mission starts bending toward returns. Durov refused to let that happen. And the same logic applies to his personal life. Every asset you own doesn't just cost money, it costs attention. He puts it plainly: "I know that if I buy a house, I buy a jet, something like that, I would be spending time on trying to make it nice. This will require a lot of time and effort." Tucker jokingly asks: "Would you go with leather seats or velvet seats?" Durov laughs, then delivers the line that says everything: "For me, I would rather make decisions that would influence how a billion people communicate rather than choosing the color of seats in a house that only I and my relatives and a bunch of my friends will see." That's the trade-off he's made deliberately, consciously, and completely. No distractions. No investors pulling him sideways. No assets demanding his calendar. Just the product, the mission, and the freedom to pursue both on his own terms.

Business Nerd

418,485 görüntüleme • 2 ay önce