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PlayStation™ | ANICORN – Play Symbol - Dark Mode A Dynamic Display, Feature with Oil Injection Each watch features an oil-injected display, creating a smooth, distortion-free reading experience that feels alive on the wrist. At the center of this floating visual field, the classic △〇×□ symbols animate with every... show more

ANICORN

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22,198 просмотров • 10 месяцев назад •via X (Twitter)

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PlayStation™ | ANICORN – The First PlayStation Limited Edition Mechanical Watch - (Limited to 300 pcs) The top cover showcases the logo of PlayStation, a symbol of innovation that has captured the hearts of gamers worldwide for three decades. Every glance at this timepiece evokes memories of countless gaming adventures and milestones achieved in the virtual realm. The crown of the timepiece ingeniously features the power button icon with the word "Power" engraved, a subtle nod to the excitement of turning on a PlayStation console and immersing oneself in a world of limitless possibilities. PlayStation ANICORN Built for creators, collectors, and gamers who grew up pressing “Power” . Coming Soon - 10PM EST - 18 DEC 2025 . #PlayStation #PS #PlayStation30 #Anicorn #TimeDifferent #GamerLife

ANICORN

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PlayStation™ | ANICORN – The First PlayStation Limited Edition Mechanical Watch - (Limited to 300 pcs) A tribute to the original PlayStation™ that revolutionized the gaming industry in 1994, this anniversary timepiece that encapsulates the essence of gaming nostalgia. The dial and strap are adorned with the four iconic △〇×□, while the hands are decorated with the Start & Select from the PlayStation controller, serving as a visual homage to the controller that has become synonymous with gaming excellence. PlayStation ANICORN Built for creators, collectors, and gamers who grew up pressing “Power” . Coming Soon - 10PM EST - 18 DEC 2025 . #PlayStation #PS #PlayStation30 #Anicorn #TimeDifferent #GamerLife

PlayStation™ | ANICORN – The First PlayStation Limited Edition Mechanical Watch - (Limited to 300 pcs) A tribute to the original PlayStation™ that revolutionized the gaming industry in 1994, this anniversary timepiece that encapsulates the essence of gaming nostalgia. The dial and strap are adorned with the four iconic △〇×□, while the hands are decorated with the Start & Select from the PlayStation controller, serving as a visual homage to the controller that has become synonymous with gaming excellence. PlayStation ANICORN Built for creators, collectors, and gamers who grew up pressing “Power” . Coming Soon - 10PM EST - 18 DEC 2025 . #PlayStation #PS #PlayStation30 #Anicorn #TimeDifferent #GamerLife

ANICORN

23,244 просмотров • 10 месяцев назад

LUDENS X Watch Set by KOJIMA PRODUCTIONS × ANICORN (Limited Edition) Created to celebrate the 10th anniversary of KOJIMA PRODUCTIONS, the timepiece is supervised by Hideo Kojima & Yoji Shinkawa and inspired by the Ludens EVA Creative Suit. The watch features a black case, dark technical dial, gold-tone accents, exposed screws and layered, mechanically inspired panels, creating the feeling of a sci-fi artifact made for the wrist. Paired with the timepiece is the LUDENS X Black Cuff Bracelet. Finished in black with gold-tone engraved details, the cuff extends the mecha and space-armour language of Ludens beyond the watch. The Black Cuff Bracelet is exclusive to the Watch Set. Completing the set is a special metal printed warranty card, created as part of the 10th-anniversary collector experience. Presented in a sealed display case, the card features KOJIMA PRODUCTIONS × ANICORN branding, anniversary details, Ludens-inspired artwork and an individual number unique to each set. The LUDENS X Watch Set includes: 1.LUDENS X timepiece 2.LUDENS X black cuff bracelet 3.Individually numbered Metal Print warranty card with sealed display case BEYOND THE STRAND. INTO OUTER SPACE. 小島秀夫 KOJIMA PRODUCTIONS HIDEO_KOJIMA KOJIMA PRODUCTIONS_EN Coming Soon 10PM EDT— 5 Aug, 2026 10AM HKT— 6 Aug, 2026 11AM JST — 6 Aug, 2026 Exclusively on #LUDENSX #KojimaProductions #ANICORN #TimeDifferent

LUDENS X Watch Set by KOJIMA PRODUCTIONS × ANICORN (Limited Edition) Created to celebrate the 10th anniversary of KOJIMA PRODUCTIONS, the timepiece is supervised by Hideo Kojima & Yoji Shinkawa and inspired by the Ludens EVA Creative Suit. The watch features a black case, dark technical dial, gold-tone accents, exposed screws and layered, mechanically inspired panels, creating the feeling of a sci-fi artifact made for the wrist. Paired with the timepiece is the LUDENS X Black Cuff Bracelet. Finished in black with gold-tone engraved details, the cuff extends the mecha and space-armour language of Ludens beyond the watch. The Black Cuff Bracelet is exclusive to the Watch Set. Completing the set is a special metal printed warranty card, created as part of the 10th-anniversary collector experience. Presented in a sealed display case, the card features KOJIMA PRODUCTIONS × ANICORN branding, anniversary details, Ludens-inspired artwork and an individual number unique to each set. The LUDENS X Watch Set includes: 1.LUDENS X timepiece 2.LUDENS X black cuff bracelet 3.Individually numbered Metal Print warranty card with sealed display case BEYOND THE STRAND. INTO OUTER SPACE. 小島秀夫 KOJIMA PRODUCTIONS HIDEO_KOJIMA KOJIMA PRODUCTIONS_EN Coming Soon 10PM EDT— 5 Aug, 2026 10AM HKT— 6 Aug, 2026 11AM JST — 6 Aug, 2026 Exclusively on #LUDENSX #KojimaProductions #ANICORN #TimeDifferent

ANICORN

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This doesn’t feel AI-generated… it feels like a fantasy movie trailer. Seedance 2.5 is seriously leveling up cinematic AI video creation. From massive ice kingdoms to high-speed dragon battles, every shot feels alive. The character stays consistent even through intense sword-fighting sequences. Camera movement feels smooth, dynamic, and built for blockbuster action. Particles, sparks, glowing energy, and environmental effects add real depth to every scene. And that moment when the dragon takes flight? Pure cinematic scale. Fast motion still keeps the action readable instead of turning into visual chaos. The transitions between combat, fantasy landscapes, and aerial shots feel surprisingly natural. This is where strong prompting + Seedance 2.5 can turn one idea into an entire world. AI video is moving way beyond simple clips… we’re getting closer to creating our own movies. Would you watch a full fantasy film made like this?

This doesn’t feel AI-generated… it feels like a fantasy movie trailer. Seedance 2.5 is seriously leveling up cinematic AI video creation. From massive ice kingdoms to high-speed dragon battles, every shot feels alive. The character stays consistent even through intense sword-fighting sequences. Camera movement feels smooth, dynamic, and built for blockbuster action. Particles, sparks, glowing energy, and environmental effects add real depth to every scene. And that moment when the dragon takes flight? Pure cinematic scale. Fast motion still keeps the action readable instead of turning into visual chaos. The transitions between combat, fantasy landscapes, and aerial shots feel surprisingly natural. This is where strong prompting + Seedance 2.5 can turn one idea into an entire world. AI video is moving way beyond simple clips… we’re getting closer to creating our own movies. Would you watch a full fantasy film made like this?

Shoaib AI

53,759 просмотров • 1 месяц назад

Some songs deserve more than just visuals — they deserve a whole cinematic world. I turned this concept into a dark, cinematic music video filled with atmospheric night scenes, mysterious characters, dramatic lighting, and a story-driven visual style. Creating this with MVLAND Music to Video Studio Mode made it possible to turn an idea into a complete visual experience. I love how the mood, camera movement, characters, and cinematic atmosphere can come together to make the music feel like a real movie. From dark city streets to powerful group shots, every scene was built to match the energy and emotion of the music. The result feels like a cinematic music video straight out of a film. Turn your music into a story. #MVLAND #mvlandstudiomode #DirectYourMusicVideo #aimusicvideo #aimvgenerator

Some songs deserve more than just visuals — they deserve a whole cinematic world. I turned this concept into a dark, cinematic music video filled with atmospheric night scenes, mysterious characters, dramatic lighting, and a story-driven visual style. Creating this with MVLAND Music to Video Studio Mode made it possible to turn an idea into a complete visual experience. I love how the mood, camera movement, characters, and cinematic atmosphere can come together to make the music feel like a real movie. From dark city streets to powerful group shots, every scene was built to match the energy and emotion of the music. The result feels like a cinematic music video straight out of a film. Turn your music into a story. #MVLAND #mvlandstudiomode #DirectYourMusicVideo #aimusicvideo #aimvgenerator

Steve

2,495,939 просмотров • 16 дней назад

CLAUDE DESIGN SKILLS CAN TURN A $20 PLAN INTO A JUNIOR DESIGN SYSTEM ASSISTANT A blank prompt makes Claude judge design like a generalist, one screen at a time, with too much room for random taste and vague feedback Design Skills give it a repeatable way to look at interface work: spacing, hierarchy, contrast, component consistency, states, layout rhythm, and the small visual rules that make a product feel finished That is where it becomes useful for a designer, it can review a rough screen, catch what feels off, suggest a cleaner structure, keep repeated components aligned, and explain the changes in a way that feels closer to a design lead than a prompt response The value is not that Claude becomes "creative" and the value is that its judgment becomes repeatable, so the same design standards can be applied across every screen instead of being rebuilt from scratch in every chat Check the full article about cowork and skills below

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Penguin

10,349 просмотров • 3 месяцев назад

Update 8 is one of the biggest yet for MindsEye, with the addition of multiplayer and a new mode: Grenade Football. It also deepens the single-player experience and expands the possibilities of player creation through new features and improvements. With this summer’s football fever still running high, we couldn't sit out. Grenade Football is a fast-paced multiplayer mode that gives the classic game an explosive twist. Players swap their boots for launchers and bring the firepower to the pitch, where teamwork, timing, and skill decide the winner. Finding your squad is easy. New social features let you connect with friends, create parties, communicate through voice and text chat, and take on multiplayer experiences together across PlayStation 5, Xbox Series X|S, and PC. Multiplayer supports full cross-play: one shared player pool across every platform. For solo players, the Silva E-Series: Summer Circuits Time Trial delivers a new challenge to master. Perfect your racing line, chase the fastest lap, and climb the global leaderboards. A milestone we have been building toward: ARCADIA’s player-created content arrives on consoles for the first time. Every game and experience the PC community has built is now in the hands of PlayStation and Xbox players. As always, this update includes continued polish and refinements across gameplay, audio, visuals, and stability. Please continue sharing your feedback through the usual channels. detailed patch notes on steam and discord. Thanks, The MindsEye Team

Update 8 is one of the biggest yet for MindsEye, with the addition of multiplayer and a new mode: Grenade Football. It also deepens the single-player experience and expands the possibilities of player creation through new features and improvements. With this summer’s football fever still running high, we couldn't sit out. Grenade Football is a fast-paced multiplayer mode that gives the classic game an explosive twist. Players swap their boots for launchers and bring the firepower to the pitch, where teamwork, timing, and skill decide the winner. Finding your squad is easy. New social features let you connect with friends, create parties, communicate through voice and text chat, and take on multiplayer experiences together across PlayStation 5, Xbox Series X|S, and PC. Multiplayer supports full cross-play: one shared player pool across every platform. For solo players, the Silva E-Series: Summer Circuits Time Trial delivers a new challenge to master. Perfect your racing line, chase the fastest lap, and climb the global leaderboards. A milestone we have been building toward: ARCADIA’s player-created content arrives on consoles for the first time. Every game and experience the PC community has built is now in the hands of PlayStation and Xbox players. As always, this update includes continued polish and refinements across gameplay, audio, visuals, and stability. Please continue sharing your feedback through the usual channels. detailed patch notes on steam and discord. Thanks, The MindsEye Team

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152,720 просмотров • 2 месяцев назад

🚨 PORTAL SPOTLIGHT 🚨 Tyree Holloway | WR | West Florida 2 Years of Eligibility Remaining 2025 Stats: 34 Catches • 661 Yards • 8 TDs One of the Gulf South Conference’s most explosive receivers is officially in the portal. Tyree Holloway brings big-play production, elite acceleration, and true game-changing ability every time he steps on the field. Tyree holloway is a smooth, dynamic route runner with the speed to stack defenders, the body control to win downfield, and the ball skills to finish in traffic. With 661 yards and 8 touchdowns this past season, he showcased exactly why he’s considered a threat to score every time he touches the ball — a receiver who can flip a drive, a quarter, or an entire game in one play. A next-level playmaker with two years of impact ahead of him, Holloway enters the portal as one of the most dangerous and complete wideouts available. #TransferPortal #Tier1Recruiting

🚨 PORTAL SPOTLIGHT 🚨 Tyree Holloway | WR | West Florida 2 Years of Eligibility Remaining 2025 Stats: 34 Catches • 661 Yards • 8 TDs One of the Gulf South Conference’s most explosive receivers is officially in the portal. Tyree Holloway brings big-play production, elite acceleration, and true game-changing ability every time he steps on the field. Tyree holloway is a smooth, dynamic route runner with the speed to stack defenders, the body control to win downfield, and the ball skills to finish in traffic. With 661 yards and 8 touchdowns this past season, he showcased exactly why he’s considered a threat to score every time he touches the ball — a receiver who can flip a drive, a quarter, or an entire game in one play. A next-level playmaker with two years of impact ahead of him, Holloway enters the portal as one of the most dangerous and complete wideouts available. #TransferPortal #Tier1Recruiting

Tier1Recruiting

45,537 просмотров • 10 месяцев назад

AI video is quietly shifting from generation to direction. After testing Ray 3.2 on a restaurant launch concept, that became pretty obvious. I started with two static images: one exterior shot, one interior dining scene. A few minutes later, I had a cinematic sequence that actually felt connected. The biggest improvement isn't just realism. It's control. Most AI video workflows still look like this: prompt → generate → regenerate → regenerate again. You're mostly hoping the model understands what you want. Ray 3.2 feels different. Instead of generating isolated clips, you can guide how one scene evolves into the next. You can shape transitions, control camera movement, preserve visual consistency, and build sequences that feel intentionally directed. For a simple restaurant commercial, that makes a huge difference. The exterior naturally flows into the dining experience. The pacing feels deliberate. The motion feels cinematic. The story feels connected. And that's what stood out to me most. For the first time, AI video felt less like prompting and more like directing. Every frame, yours to direct. Try Luma today using my link:

AI video is quietly shifting from generation to direction. After testing Ray 3.2 on a restaurant launch concept, that became pretty obvious. I started with two static images: one exterior shot, one interior dining scene. A few minutes later, I had a cinematic sequence that actually felt connected. The biggest improvement isn't just realism. It's control. Most AI video workflows still look like this: prompt → generate → regenerate → regenerate again. You're mostly hoping the model understands what you want. Ray 3.2 feels different. Instead of generating isolated clips, you can guide how one scene evolves into the next. You can shape transitions, control camera movement, preserve visual consistency, and build sequences that feel intentionally directed. For a simple restaurant commercial, that makes a huge difference. The exterior naturally flows into the dining experience. The pacing feels deliberate. The motion feels cinematic. The story feels connected. And that's what stood out to me most. For the first time, AI video felt less like prompting and more like directing. Every frame, yours to direct. Try Luma today using my link:

SONIA

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I've been working on a passion project with Opus 5.5 and the UE 5.8 MCP: tearing down a house with an excavator. What a time to be alive :-) The game itself isn't novel. What I want to share is how I adjusted my workflow during development to manage the complexity. After several rounds of random asks and tasks, it was hard to get a feel for the impact of all the decisions I'd made (or hadn't made because Opus made them for me). So I asked Opus 5.5 to turn all the .md files it had been creating into a website and treat it as the source of truth going forward. The result is visual product documentation that serves as the authoritative spec. It's kept up to date and is fleshed out, and I iterate on it to iterate on the game. This feels like a better flow for projects with lots of visuals, and a more intuitive way to get familiar with a project. Fast-forward a few steps into an ideal future and the engine, spec, and project start merging. You edit the project from within the visual spec via agents... and we've reinvented the editor ;-) The difference is how that editor arranges context. LLMs would dynamically tailor the views, content, and tooling to the task at hand, including generating tools as needed. It becomes a mix of project documentation with live editing embedded etc. The beauty of this approach is that exploring the project sparks joy in a way that reading plain .md files or browsing documents does not. Opus' ability to create compelling visuals and flows with taste is a game changer.

I've been working on a passion project with Opus 5.5 and the UE 5.8 MCP: tearing down a house with an excavator. What a time to be alive :-) The game itself isn't novel. What I want to share is how I adjusted my workflow during development to manage the complexity. After several rounds of random asks and tasks, it was hard to get a feel for the impact of all the decisions I'd made (or hadn't made because Opus made them for me). So I asked Opus 5.5 to turn all the .md files it had been creating into a website and treat it as the source of truth going forward. The result is visual product documentation that serves as the authoritative spec. It's kept up to date and is fleshed out, and I iterate on it to iterate on the game. This feels like a better flow for projects with lots of visuals, and a more intuitive way to get familiar with a project. Fast-forward a few steps into an ideal future and the engine, spec, and project start merging. You edit the project from within the visual spec via agents... and we've reinvented the editor ;-) The difference is how that editor arranges context. LLMs would dynamically tailor the views, content, and tooling to the task at hand, including generating tools as needed. It becomes a mix of project documentation with live editing embedded etc. The beauty of this approach is that exploring the project sparks joy in a way that reading plain .md files or browsing documents does not. Opus' ability to create compelling visuals and flows with taste is a game changer.

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25,060 просмотров • 6 дней назад

The biggest marketplace on Earth won't be the assets humans own. It'll be the data AI needs. Everything that can be digitised is getting pulled in to train the next models. Every scientific dataset, every piece of research sitting in a university, every sensor reading off every John Deere tractor in a field. All of it feeds the machine, and almost none of it is visible to us. What comes out is an agentic economy running at machine speed. You plug your data into a vault, and agents monetise it on your behalf, trading with other agents in real time, in a marketplace we never see. The company sitting on proprietary data becomes part of it without even knowing. This is what the Economic Singularity actually looks like from the inside. The real economy stops being the one we can see and price, and moves somewhere we can't follow. You own a piece of it, or you get priced out of it. Jordi Visser.

The biggest marketplace on Earth won't be the assets humans own. It'll be the data AI needs. Everything that can be digitised is getting pulled in to train the next models. Every scientific dataset, every piece of research sitting in a university, every sensor reading off every John Deere tractor in a field. All of it feeds the machine, and almost none of it is visible to us. What comes out is an agentic economy running at machine speed. You plug your data into a vault, and agents monetise it on your behalf, trading with other agents in real time, in a marketplace we never see. The company sitting on proprietary data becomes part of it without even knowing. This is what the Economic Singularity actually looks like from the inside. The real economy stops being the one we can see and price, and moves somewhere we can't follow. You own a piece of it, or you get priced out of it. Jordi Visser.

Raoul Pal

79,047 просмотров • 2 месяцев назад

I kept thinking about one thing while creating this video… What happens when the world’s biggest sports event collides with a decentralized prediction market built for real-time participation? Not just watching football anymore. Not just reacting after matches anymore. But millions of people moving with the same moments together in real time through liquidity, probability, strategy, and market participation. I wanted this video to feel like a glimpse into what that future could actually look like. The 2026 World Cup is coming. POTS MARKET is launching soon. And honestly… this feels bigger than a normal prediction platform. This feels like football, market psychology, and Web3 infrastructure all colliding at the same moment. “Same World Cup. Different Game.” Explore more about the future of prediction markets here: Now take a few minutes to watch the video carefully from start to finish 👇 #PotsMarket #WorldCup2026 #PredictionMarkets

I kept thinking about one thing while creating this video… What happens when the world’s biggest sports event collides with a decentralized prediction market built for real-time participation? Not just watching football anymore. Not just reacting after matches anymore. But millions of people moving with the same moments together in real time through liquidity, probability, strategy, and market participation. I wanted this video to feel like a glimpse into what that future could actually look like. The 2026 World Cup is coming. POTS MARKET is launching soon. And honestly… this feels bigger than a normal prediction platform. This feels like football, market psychology, and Web3 infrastructure all colliding at the same moment. “Same World Cup. Different Game.” Explore more about the future of prediction markets here: Now take a few minutes to watch the video carefully from start to finish 👇 #PotsMarket #WorldCup2026 #PredictionMarkets

𝗠𝗜𝗥𝗘𝗟 𝗩𝗘𝗚𝗔𝗥

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Infinity Nikki Gameplay Overview Trailer - Unfold Your Whim💫 Set your imagination free across the vast expanse of Miraland, and explore the beautiful world that feels uniquely yours. Each daring adventure, every moment of exploration, and each step forward becomes an expression of who you are. With the magic of whim, every choice you make will bloom into a one-of-a-kind masterpiece. ♥️ Infinity Nikki has reached 30 million global pre-registrations! Dive into our new gameplay trailer, "Unfold Your Whim." Stylists, come along and be part of this cozy open-world adventure! 🎁Follow us and share this post for a chance to win cash prizes! We'll select 5 stylists to give away $50 each! —————— The Coziest Open-World Game ➤ Pre-register Now: ➤ Join us on Discord: #InfinityNikki

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Infinity Nikki Gameplay Overview Trailer - Unfold Your Whim💫 Set your imagination free across the vast expanse of Miraland, and explore the beautiful world that feels uniquely yours. Each daring adventure, every moment of exploration, and each step forward becomes an expression of who you are. With the magic of whim, every choice you make will bloom into a one-of-a-kind masterpiece. ♥️ Infinity Nikki has reached 30 million global pre-registrations! Dive into our new gameplay trailer, "Unfold Your Whim." Stylists, come along and be part of this cozy open-world adventure! 🎁Follow us and share this post for a chance to win cash prizes! We'll select 5 stylists to give away $50 each! —————— The Coziest Open-World Game ➤ Pre-register Now: ➤ Join us on Discord: #InfinityNikki

Infinity Nikki

108,284 просмотров • 1 год назад

My first thought every time i watch the "Pink Elephants on Parade" scene is that it’s such a masterclass in visual storytelling and the ultimate "animation isn't just for kids" moment. By ditching the circus tents for that pitch-black void, the artists force you into this raw, psychological headspace that feels way too real for a 1940s Disney flick. The art here is lightyears ahead of its time. Watching the elephants reassemble into these weird geometric shapes is abstract expressionism on acid. It’s more than just "trippy" the way everything morphs and flows feels like a literal representation of someone losing their grip on reality. Instead of a typical sad scene, Disney gave us a neon fever dream. It’s the perfect pivot, Dumbo’s old, broken self has to dissolve in all that avant-garde chaos so he can finally learn to fly. It’s basically a high-art horror short hidden in a family movie, and I’m still obsessed with it.

My first thought every time i watch the "Pink Elephants on Parade" scene is that it’s such a masterclass in visual storytelling and the ultimate "animation isn't just for kids" moment. By ditching the circus tents for that pitch-black void, the artists force you into this raw, psychological headspace that feels way too real for a 1940s Disney flick. The art here is lightyears ahead of its time. Watching the elephants reassemble into these weird geometric shapes is abstract expressionism on acid. It’s more than just "trippy" the way everything morphs and flows feels like a literal representation of someone losing their grip on reality. Instead of a typical sad scene, Disney gave us a neon fever dream. It’s the perfect pivot, Dumbo’s old, broken self has to dissolve in all that avant-garde chaos so he can finally learn to fly. It’s basically a high-art horror short hidden in a family movie, and I’m still obsessed with it.

old toons

49,542 просмотров • 6 месяцев назад

In Ridge Racer Type 4 (R4), Namco didn't just make a racing game; they created a mood. Ditching the primary colors of the arcade for a sleek, "neo-Tokyo at sunset" aesthetic, it combined the smoothest drift physics on the PSX with a surprisingly deep story mode that made you care about your racing team’s internal drama. The "Two Schools" of Racing: The game splits its 320 unlockable cars into two categories: Drift (where you tap the brake to slide) and Grip (where you slow down and steer precisely). Depending on which "constructor" you choose, the game feels like two completely different racers. The Real Racing Roots: Unlike earlier titles, R4 features a "Grand Prix" mode with four distinct teams—R.C. Micro Mouse Mappy, Pac-Man Racing, Bossot, and Dig Racing Team. Each has its own difficulty level and a unique storyline involving your team manager. The "JogCon" Revolution: The special edition of the game came bundled with the JogCon, a unique controller featuring a force-feedback dial in the center. It attempted to simulate a steering wheel’s resistance, making it one of the weirdest (and coolest) peripherals in PlayStation history. The 60FPS Bonus: The Japanese and North American versions often included a "Bonus Disc" containing a high-frame-rate version of the original Ridge Racer. It was Namco’s way of showing off exactly how much they had mastered the PSX hardware.

In Ridge Racer Type 4 (R4), Namco didn't just make a racing game; they created a mood. Ditching the primary colors of the arcade for a sleek, "neo-Tokyo at sunset" aesthetic, it combined the smoothest drift physics on the PSX with a surprisingly deep story mode that made you care about your racing team’s internal drama. The "Two Schools" of Racing: The game splits its 320 unlockable cars into two categories: Drift (where you tap the brake to slide) and Grip (where you slow down and steer precisely). Depending on which "constructor" you choose, the game feels like two completely different racers. The Real Racing Roots: Unlike earlier titles, R4 features a "Grand Prix" mode with four distinct teams—R.C. Micro Mouse Mappy, Pac-Man Racing, Bossot, and Dig Racing Team. Each has its own difficulty level and a unique storyline involving your team manager. The "JogCon" Revolution: The special edition of the game came bundled with the JogCon, a unique controller featuring a force-feedback dial in the center. It attempted to simulate a steering wheel’s resistance, making it one of the weirdest (and coolest) peripherals in PlayStation history. The 60FPS Bonus: The Japanese and North American versions often included a "Bonus Disc" containing a high-frame-rate version of the original Ridge Racer. It was Namco’s way of showing off exactly how much they had mastered the PSX hardware.

Pixel Cherry Ninja

17,572 просмотров • 6 месяцев назад

‼️MY REACTION TO Jesse Ridgway TURNING HIS ABORTION DECISION INTO CONTENT: The one thing missing from the discussion was the person. The child. The human being at the center of it all. And I couldn't stop thinking about something. What would a person with Down syndrome think reading that tweet? Having children is one of the most selfless acts a human being can undertake. You are voluntarily accepting uncertainty. The entire journey of parenthood is an exercise in loving someone whose future you cannot control. That's the deal. But somewhere along the way we've started treating children like consumer products. We ask whether the child fits our plans. Whether the child matches our expectations. Whether the child will provide the experience we envisioned. And when a diagnosis arrives that changes those expectations, the conversation often becomes about whether the child still meets the standard. That isn't parenthood. That's consumerism. And then there is one final thing I can't shake. The need to announce it. Not to close friends. Not to family. To the entire world. To a bunch of strangers online. Maybe that's the part that disturbs me most. Because we've entered a strange moment in our culture. Every private experience must become content. Every tragedy becomes a post. Every intimate decision becomes engagement. Every deeply personal moment becomes public consumption. And I found myself wondering: Was today the day that aborting your child became content? As Christians, we believe every person is made in the image of God. Every person. Join me tonight in praying for both this couple, and the sweet soul that they sent to Heaven way too early.

‼️MY REACTION TO Jesse Ridgway TURNING HIS ABORTION DECISION INTO CONTENT: The one thing missing from the discussion was the person. The child. The human being at the center of it all. And I couldn't stop thinking about something. What would a person with Down syndrome think reading that tweet? Having children is one of the most selfless acts a human being can undertake. You are voluntarily accepting uncertainty. The entire journey of parenthood is an exercise in loving someone whose future you cannot control. That's the deal. But somewhere along the way we've started treating children like consumer products. We ask whether the child fits our plans. Whether the child matches our expectations. Whether the child will provide the experience we envisioned. And when a diagnosis arrives that changes those expectations, the conversation often becomes about whether the child still meets the standard. That isn't parenthood. That's consumerism. And then there is one final thing I can't shake. The need to announce it. Not to close friends. Not to family. To the entire world. To a bunch of strangers online. Maybe that's the part that disturbs me most. Because we've entered a strange moment in our culture. Every private experience must become content. Every tragedy becomes a post. Every intimate decision becomes engagement. Every deeply personal moment becomes public consumption. And I found myself wondering: Was today the day that aborting your child became content? As Christians, we believe every person is made in the image of God. Every person. Join me tonight in praying for both this couple, and the sweet soul that they sent to Heaven way too early.

Gates Garcia

261,108 просмотров • 4 месяцев назад

The Galaxy S26 Ultra display looks like absolute garbage next to the iQOO 16. Honestly, it looks like shit. The S26 Ultra uses M14 OLED, while the iQOO 16 has moved on to the newer M16 OLED, so the latter already has an advantage at the panel level. But the real disaster is Samsung’s privacy display design. Look at this comparison. The moment you tilt the S26 Ultra, the woman’s skin tone starts turning yellow and green. At wider angles, she almost looks like a ghost. Meanwhile, the iQOO 16 keeps her skin tone remarkably accurate, with excellent clarity and color consistency even from extreme angles. And please pay attention to this: I did NOT enable Privacy Display. This is the S26 Ultra in its normal display mode. The privacy feature is completely off, yet the viewing angles are already this bad. That means even if you never use Privacy Display at all, you still have to live with the side effects of this optical structure every single day. Tilt the phone a little and colors shift. Skin tones collapse. A flagship display that cannot even maintain basic color consistency at normal viewing angles is simply unacceptable. The first thing I checked after getting the iQOO 16 was its viewing angle performance, because this issue matters a lot to me. And honestly, I was so happy. This finally feels like a proper flagship OLED again. Then I looked back at my S26 Ultra and almost wanted to cry. Samsung has some of the best OLED technology in the world, and M14 OLED itself is perfectly capable of looking excellent. Yet Samsung sacrificed viewing angles, transparency, and color consistency for a privacy feature that most people will only use occasionally. Ruining hours of daily viewing quality for a feature you may need for a few minutes is absurd. I really hope other smartphone brands do not blindly copy this trend. Privacy protection can be achieved with software, accessories, or other solutions. Do not destroy the fundamentals of a great display for it. And this is exactly why I am already worried about the S27 Ultra. Even if Samsung upgrades it to M16 OLED, if it keeps the same privacy display structure, I do not expect it to match the clean, transparent, and consistent color performance of the iQOO 16. A great display should first get the basics right: accurate color, clarity, and viewing angles. If a normal human face turns yellow green the moment you tilt the phone, no advanced OLED material can save it.

The Galaxy S26 Ultra display looks like absolute garbage next to the iQOO 16. Honestly, it looks like shit. The S26 Ultra uses M14 OLED, while the iQOO 16 has moved on to the newer M16 OLED, so the latter already has an advantage at the panel level. But the real disaster is Samsung’s privacy display design. Look at this comparison. The moment you tilt the S26 Ultra, the woman’s skin tone starts turning yellow and green. At wider angles, she almost looks like a ghost. Meanwhile, the iQOO 16 keeps her skin tone remarkably accurate, with excellent clarity and color consistency even from extreme angles. And please pay attention to this: I did NOT enable Privacy Display. This is the S26 Ultra in its normal display mode. The privacy feature is completely off, yet the viewing angles are already this bad. That means even if you never use Privacy Display at all, you still have to live with the side effects of this optical structure every single day. Tilt the phone a little and colors shift. Skin tones collapse. A flagship display that cannot even maintain basic color consistency at normal viewing angles is simply unacceptable. The first thing I checked after getting the iQOO 16 was its viewing angle performance, because this issue matters a lot to me. And honestly, I was so happy. This finally feels like a proper flagship OLED again. Then I looked back at my S26 Ultra and almost wanted to cry. Samsung has some of the best OLED technology in the world, and M14 OLED itself is perfectly capable of looking excellent. Yet Samsung sacrificed viewing angles, transparency, and color consistency for a privacy feature that most people will only use occasionally. Ruining hours of daily viewing quality for a feature you may need for a few minutes is absurd. I really hope other smartphone brands do not blindly copy this trend. Privacy protection can be achieved with software, accessories, or other solutions. Do not destroy the fundamentals of a great display for it. And this is exactly why I am already worried about the S27 Ultra. Even if Samsung upgrades it to M16 OLED, if it keeps the same privacy display structure, I do not expect it to match the clean, transparent, and consistent color performance of the iQOO 16. A great display should first get the basics right: accurate color, clarity, and viewing angles. If a normal human face turns yellow green the moment you tilt the phone, no advanced OLED material can save it.

Ice Universe

381,636 просмотров • 29 дней назад

Nick Wright says everything about Wemby feels tenuous and a little scary, it’s why he’s so special: “The flip side of the coin of we’ve never seen a guy be able to tip dunk his own missed three, we’ve never seen a guy be able to protect the paint while guarding the three point line. Is what goes along with having a body that size is just more times your going to say I’ve never seen it. Normally it’s amazing and then the other night it was, I’ve never seen a NBA player fall quite like that and this sounds like a ridiculous thing to say, I don’t know the actual math on this, but just visual because I’ve seen guys fall like that and I’ve seen guys fall like that and hit their face on the ground it felt to me because of the extra length of torso almost that by the time his head hit the ground it was just going a little bit faster it gained more velocity. And it wasn’t lost on me that the highlight of game one, the on where they showed Duncan and Robinson going like “ Oh my God” was when Wemby took the ball at half court did the spin move in the paint and then dunked. That was almost exact same thing he was trying to do on this play. And like when, it’s the size plus the style. He’s not just planting himself in the paint, like he’s out there moving. And it is the elephant in the room on any of the, how many MVPs? How many championships? It’s like, man. How nervous are you going to be every time this giant of a man falls.” (Via What’s Wright? with Nick Wright)

Nick Wright says everything about Wemby feels tenuous and a little scary, it’s why he’s so special: “The flip side of the coin of we’ve never seen a guy be able to tip dunk his own missed three, we’ve never seen a guy be able to protect the paint while guarding the three point line. Is what goes along with having a body that size is just more times your going to say I’ve never seen it. Normally it’s amazing and then the other night it was, I’ve never seen a NBA player fall quite like that and this sounds like a ridiculous thing to say, I don’t know the actual math on this, but just visual because I’ve seen guys fall like that and I’ve seen guys fall like that and hit their face on the ground it felt to me because of the extra length of torso almost that by the time his head hit the ground it was just going a little bit faster it gained more velocity. And it wasn’t lost on me that the highlight of game one, the on where they showed Duncan and Robinson going like “ Oh my God” was when Wemby took the ball at half court did the spin move in the paint and then dunked. That was almost exact same thing he was trying to do on this play. And like when, it’s the size plus the style. He’s not just planting himself in the paint, like he’s out there moving. And it is the elephant in the room on any of the, how many MVPs? How many championships? It’s like, man. How nervous are you going to be every time this giant of a man falls.” (Via What’s Wright? with Nick Wright)

NBA Courtside

13,651 просмотров • 5 месяцев назад

#WATCH | New York, USA: At the Asia Society event, External Affairs Minister Dr. S. Jaishankar says, "..If you look at these two conflicts, the Ukraine and the Iran-Gulf conflict, they've actually had a devastating impact on Global South economies. We are particularly concerned about the energy situation, because the market is very tight. On top of that, if people play politics with it, it adds to the market complications. It will drive up prices at a time when people should be stabilizing prices. A part of it is the security of oil supplies, and another is the politics of oil supplies. They are feeding into each other. They're creating a double crisis or an aggravated crisis..." He adds, "...When it comes to food, we are looking at a situation today where some of the major grain exporters will not be able to send out their shipments... We are looking at significant fertilizer shortages... On top of it, we are looking at Super El Niño. There is going to be a major food crisis, probably in the coming months..."

#WATCH | New York, USA: At the Asia Society event, External Affairs Minister Dr. S. Jaishankar says, "..If you look at these two conflicts, the Ukraine and the Iran-Gulf conflict, they've actually had a devastating impact on Global South economies. We are particularly concerned about the energy situation, because the market is very tight. On top of that, if people play politics with it, it adds to the market complications. It will drive up prices at a time when people should be stabilizing prices. A part of it is the security of oil supplies, and another is the politics of oil supplies. They are feeding into each other. They're creating a double crisis or an aggravated crisis..." He adds, "...When it comes to food, we are looking at a situation today where some of the major grain exporters will not be able to send out their shipments... We are looking at significant fertilizer shortages... On top of it, we are looking at Super El Niño. There is going to be a major food crisis, probably in the coming months..."

ANI

17,602 просмотров • 15 дней назад

I didn’t expect Crimson Desert to grow on me this much, but here we are. 🫢 After putting more hours into Crimson Desert and getting close to the ten hour mark, I’ll be honest: my opinion of the game has shifted in a much more positive direction. Combat feels significantly better now that I’ve unlocked more skills, exploration is a ton of fun, and while the story is basically nonexistent, I personally don’t mind since I’m not the type of player who needs heavy narrative to enjoy a game. I’ve also done a few puzzles, and so far I’m really enjoying them. I genuinely appreciate that the game does not hold your hand. Enough with the yellow paint in every modern game. Developers should just force us to actually think 🤣 I’m constantly unlocking or discovering something new every couple of minutes. The game is absolutely massive. On the technical side, most of the visual issues I had are now gone after turning off DLSS and playing at native resolution, along with lowering lighting from Max to Cinematic. One of these changes, or maybe both, made the game far more stable, and visually it now looks phenomenal. I still find myself stopping just to admire how beautiful it is. My rating has gone from a 7-7.5 to an 8.5-9, and based on what I’ve played so far, that jump feels completely justified. The overall takeaway is that Crimson Desert does not fully click until you unlock more of its systems. The early hours undersell it, but once combat, exploration, puzzles and the world open up, the experience becomes dramatically better. I also love this intro when you start the game or load a save. It gives the whole experience a special feeling and sets the tone perfectly every single time. :)

I didn’t expect Crimson Desert to grow on me this much, but here we are. 🫢 After putting more hours into Crimson Desert and getting close to the ten hour mark, I’ll be honest: my opinion of the game has shifted in a much more positive direction. Combat feels significantly better now that I’ve unlocked more skills, exploration is a ton of fun, and while the story is basically nonexistent, I personally don’t mind since I’m not the type of player who needs heavy narrative to enjoy a game. I’ve also done a few puzzles, and so far I’m really enjoying them. I genuinely appreciate that the game does not hold your hand. Enough with the yellow paint in every modern game. Developers should just force us to actually think 🤣 I’m constantly unlocking or discovering something new every couple of minutes. The game is absolutely massive. On the technical side, most of the visual issues I had are now gone after turning off DLSS and playing at native resolution, along with lowering lighting from Max to Cinematic. One of these changes, or maybe both, made the game far more stable, and visually it now looks phenomenal. I still find myself stopping just to admire how beautiful it is. My rating has gone from a 7-7.5 to an 8.5-9, and based on what I’ve played so far, that jump feels completely justified. The overall takeaway is that Crimson Desert does not fully click until you unlock more of its systems. The early hours undersell it, but once combat, exploration, puzzles and the world open up, the experience becomes dramatically better. I also love this intro when you start the game or load a save. It gives the whole experience a special feeling and sets the tone perfectly every single time. :)

𝑨𝒔𝒉𝒆𝒏 𝑶𝒏𝒆

26,852 просмотров • 6 месяцев назад