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♠️Pode continuar gritando e resmungando de prazer, aqui ninguém pode te ouvir! ♠️You can continue screaming and mumbling with pleasure, no one can hear you here. #bbc #interracial #goon #gooner #crossdresser #whiteboi #whiteboy #sissy #sissification #bundaawards #feminization

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N: I want to get up. I want to go home. E: Look what happened to you, Nisan. Why are you trying to get up? This is your home too. Relax. You’re not going anywhere. N: I can’t do it here. E: You can, you can. You will. N: Eşref, why are you coming at me like this? E: But you’re acting like a child, Nisan. If I say you’re staying here, you’re staying here. The subject is closed. E: No huffing and puffing. H: Here, I brought some breakfast. E: Thanks. H: Enjoy! E: Yes... all of this will be finished. N: Do you have any other orders, my Pasha? E: If I have any other orders, I’ll tell you. N: How are you talking to me like this? Don't drive me crazy in my sick state. Look, Eşref, your "macho" act doesn't work on me, just so you know. E: Oh, really? N: Yes, really! If you talk and act like this, you’ll get this kind of response. You have no idea how to talk to women. Your practice... maybe you have none at all. What happened? Why aren't you answering? You shut up when it doesn’t suit you. But I’ll teach you, don’t you worry. People understand each other by talking. E: Be careful, don’t let your stitches burst. N: Look, I’m the one who's going to burst now! I’m going to burst! E: I think I’m good for you. Look, you’ve perked up already. You should continue staying here. N: You’re so funny. I’m dying of laughter right now. E: That's how it is. We'll see. N: I won't eat it. H: Eşref, Hıdır is here. E:Anne, stay with her and make sure she finishes it all. H: Okay. #EşrefRüya #EşSan

𝖀𝖓𝖐𝖓𝖔𝖜𝖓

21,755 次观看 • 7 个月前

Eu assisti os 23 minutos de apresentação da Strategy lançada hoje para que você não precise. Aqui está tudo que foi dito. Mas a parte mais INSANA? Michael Saylor acabou de dizer que VAI VENDER BITCOIN. Deixa eu te explicar: O "green dot" que ele mencionou ontem foi revelado hoje: Uma reserva de DÓLARES de $1,44 BILHÃO. Não é mais só bitcoin. A Strategy agora opera com DUAS reservas: → BTC Reserve (o que já conhecemos) → USD Reserve (novidade de hoje) A mecânica é simples: Essa quantia de $1,44B cobre 21 meses dos dividendos das ações preferenciais (STRF, STRC, STRK, STRD, STRE). São aproximadamente $800 milhões por ano em obrigações. O objetivo? Dar tempo pro management decidir sem pressão. Mas aqui está o plot twist que NINGUÉM esperava: Saylor foi CLARO: "Se for preciso, iremos VENDER BITCOIN SIM." O cara que se popularizou dizendo "You never sell your bitcoin" acabou de anunciar que pode, e VAI, vender. Pensa nisso. E ele explicou EXATAMENTE como vão cobrir os dividendos. São três mercados de capitais à disposição: 1️⃣ MERCADO DE AÇÕES A Strategy pode continuar vendendo $MSTR via ATM mesmo em bear market. Prova? Levantaram os $1,44B em apenas 8,5 dias de trading. Venderam MSTR a um mNAV médio de 1,17x. 2️⃣ MERCADO DE COMMODITY Saylor frisou: bitcoin é commodity. Mercado extremamente líquido. Podem vender BTC diretamente para pagar dividendos se necessário. 3️⃣ MERCADO DE DERIVATIVOS A Strategy pode usar derivativos de bitcoin para cobrir as obrigações de ~$2,2 milhões POR DIA. Ainda não fazem isso, mas deixaram a porta aberta. E a resposta aos críticos? Saylor foi direto: "Críticos dizem que vender bitcoin vai contra a comunidade. Mas não é verdade. Podemos vender bitcoin, pagar os dividendos, e depois vender crédito digital para comprar MAIS bitcoin do que vendemos." Sabe o que isso significa? A prioridade MUDOU. Não é mais só "acumular bitcoin infinitamente." É melhorar o rating de crédito da empresa. É criar o que Saylor chama de "Digital Credit" - instrumentos de renda fixa lastreados em bitcoin. A visão de longo prazo ficou clara: ✅ Melhorar nota de crédito da Strategy ✅ Evitar que o MSCI retire a empresa dos índices ✅ Entrar no S&P 500 no futuro ✅ Se tornar o maior emissor de "Crédito Digital" do mundo Os números da apresentação são ABSURDOS: → 650.000 BTC em holdings (~3,1% de todo bitcoin que existirá) → $59B em BTC NAV → $74K de preço médio de compra → 11% de Loan-to-Value (baixíssimo) → 74 anos de cobertura de dividendos pelo BTC Reserve → 21 meses de cobertura pelo USD Reserve E tem mais: O guidance foi revisado. Se BTC terminar 2025 entre $85K-$110K: → Operating Income: entre -$7B e +$9,5B → Net Income: entre -$5,5B e +$6,3B → EPS: entre -$17 e +$19 por ação Volatilidade EXTREMA. Mas Saylor não está preocupado. Por quê? Porque o "BTC Base Level" - preço em que o bitcoin igualaria a dívida líquida - é de apenas $10.400. O bitcoin precisaria cair 88% do preço atual pra isso ser problema. A jogada ficou clara: Saylor está construindo uma máquina de crédito digital. Bitcoin é o motor. Mas o produto são os instrumentos de renda fixa. E pra chegar lá, ele vai fazer o que for preciso. Inclusive vender bitcoin. A era do "HODL infinito" da Strategy acabou. Bem-vindo à era do Digital Credit.

Felipe Demartini

43,556 次观看 • 9 个月前

Jess Phillips sat in a Channel 4 studio this week and admitted she always knew rapists would walk out of prison early under the bill she voted for. When she was asked whether it haunts her, she said it doesn't. The clip has gone everywhere. Almost nobody has looked past it. I did. I pulled the division lists from Parliament's own records and went back through legislation her own government passed in 2024. What I found dismantles every word of the defence she gave in that studio. She had a way to keep child rapists behind bars. It already existed. It had already worked. And I can prove she knew. The first seven hundred offenders walk in September. Victims are already opening the letters. Read my article here; _________ I’m Raja Miah MBE. For nearly eight years, I have led a campaign that exposed how senior Labour politicians helped protect Pakistani rape gangs. The people of my town helped force the national inquiry. You won’t see me on the BBC. You won’t read my work in the legacy press. That’s not an accident. I take this to a place from where there is no coming back. I document everything in my newsletter. It’s 100% free to read. If this work matters to you, if you believe it must continue, I need your backing. My work is free. No paywalls. No gatekeeping. No exclusions. Because the truth shouldn’t belong only to those who can afford it. If you can afford to do so, supporting me costs as little as 75p a week (£30 a year). Sign up here; If you can’t commit to a regular subscription, a one-off contribution genuinely helps keep this alive. You can support me using one of these links; We’re up against a machine, politicians, police, officials, and media, working together to shrink, sanitise, and bury the truth. This work survives because of you. If you’ve ever shared my posts, learned something, or felt less alone reading them, stand with me. I need your help. Raja Miah MBE

Raja Miah

194,601 次观看 • 2 个月前

The entire security architecture of postal voting rests on signature comparison. One form to apply. One form to confirm you are the same person. The signatures have to match. That is the safeguard. Which is why a Home Secretary asking the public to accept that she used two markedly different signatures on documents designed specifically to verify identity, inside a case where the court found that the signature verification system had been systematically abused, is asking for a considerable degree of deference. What have I be telling you for years? Even those that tried to silence me are now publishing stories that lead to the same dark place. _________ I’m Raja Miah MBE. For seven years, I led a campaign that exposed how senior Labour politicians helped protect Pakistani rape gangs. The people of my town helped force the national inquiry. You won’t see me on the BBC. You won’t read my work in the legacy press. That’s not an accident. I take this to a place from where there is no coming back. I document everything in my newsletter. It’s 100% free to read. If this work matters to you, if you believe it must continue, I need your backing. My work is free. No paywalls. No gatekeeping. No exclusions. Because the truth shouldn’t belong only to those who can afford it. If you can afford to do so, supporting me costs as little as 75p a week (£30 a year). Sign up here; 👉 If you can’t commit to a regular subscription, a one-off contribution genuinely helps keep this alive. You can support me using one of these links; 👉 👉 We’re up against a machine, politicians, police, officials, and media, working together to shrink, sanitise, and bury the truth. This work survives because of you. If you’ve ever shared my posts, learned something, or felt less alone reading them, stand with me. I need your help. Raja 🙏

Raja Miah

44,500 次观看 • 4 个月前

Remind me another time and I will tear to pieces this response by Andy Street regarding the expansion of Islam into civic spaces. For now, I want to know what the former Mayor of the West Midlands did to help protect little White girls from gang rape by Pakistani men? We now know that police intelligence identified rape gang patterns in Birmingham similar to the Rotherham scandal. Given the evidence now on record, including West Midlands Police problem profiles and High Court interventions, what did the mayoral office know about the Pakistani Rape Gangs in Birmingham, and what action was taken? Care to comment Andy Street? Sir now isn't it? _________ I’m Raja Miah MBE. For seven years, I led a campaign that exposed how senior Labour politicians helped protect Pakistani rape gangs. The people of my town helped force the national inquiry. You won’t see me on the BBC. You won’t read my work in the legacy press. That’s not an accident. I take this to a place from where there is no coming back. Children were sold for votes. I document everything in my newsletter. It’s 100% free to read. If this work matters to you, if you believe it must continue, I need your backing. My work is free. No paywalls. No gatekeeping. No exclusions. Because the truth shouldn’t belong only to those who can afford it. If you can afford to do so, supporting me costs as little as 75p a week (£30 a year). Sign up here; 👉 If you can’t commit to a regular subscription, a one-off contribution genuinely helps keep this alive. You can support me using one of these links; 👉 👉 We’re up against a machine, politicians, police, officials, and media, working together to shrink, sanitise, and bury the truth. This work survives because of you. If you’ve ever shared my posts, learned something, or felt less alone reading them, stand with me. I need your help. Raja 🙏

Raja Miah

31,201 次观看 • 6 个月前

A Vida Como Palco, o Palco Como Vida Imitation of Life, 25 anos depois e mais verdadeira do que nunca Existe uma ironia quase profética no fato de uma canção sobre aparência ter envelhecido melhor do que tantas músicas sobre verdades explícitas. Quando R.E.M. lançou Imitation of Life em abril de 2001, parecia apenas mais uma peça melancolicamente alegre e ensolarada do repertório tardio da banda. Mas o tempo fez o que o tempo às vezes faz com certas obras: retirou a camada de pop e deixou à mostra um diagnóstico. A letra inteira gira em torno de pessoas representando a si mesmas, “charades, pop skill… imitation of life”, uma sucessão de charadas sociais em que viver e encenar já não parecem coisas tão diferentes. O videoclipe de Garth Jennings mostra uma festa na piscina observada em zooms e recuos contínuos: o mesmo instante repetido até que detalhes escondidos comecem a emergir. Um sorriso falso, um olhar deslocado, uma tensão que estava ali desde o começo. É impossível assistir hoje sem pensar na lógica das redes sociais: o mesmo momento revisitado, ampliado, editado e transformado em narrativa. E a canção acompanha essa encenação com uma delicadeza cruel. “Come on, come on, no one can see you try.” Ninguém pode te ver tentando. O verso parece um sussurro de incentivo, mas é também uma sentença sobre a cultura da pose: o esforço precisa existir, desde que permaneça invisível. Poucos versos resumem tão bem a modernidade digital quanto este: “Trying to look like you don’t try.” Tentando parecer que você não tenta. Em 2001, isso descrevia uma atitude cool, um tipo de desinteresse ensaiado. Em 2026, descreve uma indústria multimilionária. Hoje existem manuais para parecer espontâneo, consultorias para vender autenticidade, cursos para ensinar naturalidade diante da câmera. A vida contemporânea transformou o improviso em produto. O adolescente congelando no canto do “Friday fashion show” que Michael Stipe canta já não está apenas numa festa; ele está em cada selfie casualmente estudada, em cada vídeo que finge não ter roteiro, em cada legenda cuidadosamente escrita para soar impulsiva. Mas a música entende algo ainda mais profundo: a falsidade não se sustenta porque é vazia, ela se sustenta porque é agradável. “That sugarcane that tasted good, that’s cinnamon, that’s Hollywood.” A imagem é brilhante: a ilusão tem gosto doce, aroma de canela e brilho de cinema. Ela não afasta; ela seduz. É por isso que continuamos consumindo versões editadas da realidade como se fossem a própria realidade. A estética tornou-se mais palatável do que a substância. Não queremos necessariamente a verdade; queremos a verdade suficientemente bonita para ser compartilhada. Imitation of Life entende que a performance não elimina a vulnerabilidade; apenas a reveste. Quando a letra avança de “this sugarcane, this lemonade” para “this hurricane, I’m not afraid”, há ali uma escalada do doce ao destrutivo, sempre acompanhada da mesma afirmação de coragem. Não sabemos se é bravura real ou mais uma máscara, e a música nunca responde. Ela prefere permanecer nesse território ambíguo em que a pessoa sorri enquanto desaba. Vinte e cinco anos depois, a canção parece menos uma lembrança dos anos 2000 e mais um espelho da nossa década. A vida interior virou conteúdo, a dor virou estética, a alegria virou prova pública. Somos ensinados o tempo inteiro a parecer inteiros, mesmo quando estamos apenas obedecendo ao refrão invisível: “no one can see you cry.” Talvez seja exatamente aí que resida a grandeza silenciosa de Imitation of Life: ela percebeu cedo demais que a humanidade moderna não deixaria de sentir, apenas aprenderia a sentir diante da câmera. A festa continua. Os zooms continuam. A encenação continua. E, em algum canto da imagem, seguimos todos tentando parecer que não estamos tentando. Créditos do vídeo: R.E.M.

JAMES WEBB

15,622 次观看 • 4 个月前

🚨 donate urgently to feed the starving children of gaza 🚨 Donate Now: 👉 🍞 a piece of bread can mean everything to a hungry child. in gaza, hunger is no longer something children simply hear about. hunger has become part of their childhood. children wake up hungry. they go to sleep hungry. they cry for food. they watch other children eating while they wait for a piece of bread that may never come. and behind every hungry child is a mother who is desperately trying to find something—anything—to feed them. 💔 imagine your child standing in front of you, holding out their hands and saying: “mom, i’m hungry.” and you have nothing to give them. no bread. no meal. nothing. this is the reality facing thousands of families in gaza. 🚨 and the need is becoming bigger every day. project muhmmed is working directly inside gaza to distribute bread to displaced families and children who are struggling to survive. we are not talking about feeding a few people. we are working to reach thousands of hungry children and families. 🍞 bread is prepared. 🍞 bread is distributed. 🍞 bread goes directly into the hands of families who need it. but right now, our donations have collapsed while hunger continues to spread. our team is ready. the families are waiting. the children are waiting. what is missing is the funding to keep the bread coming. 🚨 please don’t scroll past this. $5 can help. $10 can help. $20 can help. every donation can help turn money into bread and bread into a meal for a hungry child. 👉 if you cannot donate, repost this. one repost can reach someone who can. one donation can help a family. one bread distribution can mean that a child does not have to go to sleep hungry tonight. please don’t let their hunger become invisible. they are not numbers. they are children. they are waiting for food. 🍞 help us put bread into their hands. 🇵🇸 feed the children of gaza. 👉 with endless gratitude to those who have continued to stand beside our work: ✨ William Menaker (Will 🦥 Menaker) 🔥 Felix (GoliathFan1952) 🤍 Eyup Lovely (Eyup Lovely) your voices have helped people see what is happening here. but today, we need those voices again. 🚨 gaza’s children are hungry. our bread distribution must continue. 👉 🍞 give bread. 🤍 feed a hungry child. 🇵🇸 don’t let them be forgotten.

Muhmmed Project𓂆 🇵🇸

21,556 次观看 • 7 天前

So far I have showed you what Jess Phillips knew was taking place in Birmingham from 2015. I shared with you how West Midlands Police had known since 2010, 5 years previously, all about the Pakistani Rape Gangs and despite their knowledge, had hidden how little White girls were being dragged into cars from the school gates to be taken away to be gang raped and trafficked across the country. If telling parents that their daughters were at risk of gang rape wasn't bad enough, what I will next share takes matters to a place never before seen elsewhere in the country. Birmingham did not discover this problem in 2010. Birmingham City Council commissioned a research report into the rape of girls in its own care in 1990. The researcher documented the ethnic profiles of the networks and detailed the extent of the abuse. The council destroyed the report. Wait until I share the next dispatch. 👉 Read it, or join the next live transmission and you will understand why both Shabana Mahmood MP and Jess Phillips are desperate to make sure the National Inquiry is blocked from investigating this. Why else do you think they have designed in a time limit into the terms of reference that will prevent what happened in 1990 from being investigated? _________ I’m Raja Miah MBE. For seven years, I led a campaign that exposed how senior Labour politicians helped protect Pakistani rape gangs. The people of my town helped force the national inquiry. You won’t see me on the BBC. You won’t read my work in the legacy press. That’s not an accident. I take this to a place from where there is no coming back. Children were sold for votes. I document everything in my newsletter. It’s 100% free to read. If this work matters to you, if you believe it must continue, I need your backing. My work is free. No paywalls. No gatekeeping. No exclusions. Because the truth shouldn’t belong only to those who can afford it. If you can afford to do so, supporting me costs as little as 75p a week (£30 a year). Sign up here; 👉 If you can’t commit to a regular subscription, a one-off contribution genuinely helps keep this alive. You can support me using one of these links; 👉 👉 We’re up against a machine, politicians, police, officials, and media, working together to shrink, sanitise, and bury the truth. This work survives because of you. If you’ve ever shared my posts, learned something, or felt less alone reading them, stand with me. I need your help. Raja 🙏

Raja Miah

44,761 次观看 • 6 个月前

[eng trans] Gunil's 11-Minute Concert Ment at Summer Xcape 2026 🐹 hello, it's gunil. so, did something happen yesterday? firstly, i'd just like to share a few thoughts about how i felt during today's show. i'm always the type to talk for a long time, so i'm trying to be careful because i'm worried some of you might fall asleep. but if you want to sleep, that's okay. you have the freedom. 🐹 anyway, the thing i felt while performing today was that... honestly, i think yesterday we were all still a little shy around each other. i know some of you were here yesterday too. because of that, i was honestly really worried about today. ah, but still, we only had two days to begin with, so since this is the second and final day, we really have to enjoy ourselves and have fun without any regrets. i wanted Xdizzto have fun, and i wanted villains to have fun too. but i kept thinking, will that really work out? i was really worried about it a lot. 🐹 but the moment today's first performance started, you all welcomed us with such loud cheers that i think those worries just disappeared. and honestly, today, even when we made our silly jokes, you reacted so well. you cheered like this even when jooyeon was just tuning his guitar. ah, i'm really, truly grateful for that. so, in conclusion, i had a great time today. 🐹 i think it's almost been five years since our debut now, right? five calendar years, right? anyway, some time has passed, and while we've stood on countless stages during that time, i think yesterday and today, Xcape 2026, will remain one of those performances that i'll remember for a very long time. 🐹 today's concert was really fun. but when i think to myself whether that means it was a perfect performance... personally, i don't think so. while i was playing the drums and listening through my in-ear monitor, there were parts i felt like were lacking. and the more i perform, the more ideas i have about areas we can improve so we can make our concerts even more enjoyable. i've noticed a lot of those things myself, and found parts i wanted to improve. so yes, although today's concert was really fun, i won't let us become satisfied with just this. i want us to continue creating performances that are even more fun and have better quality. that's something i really wanted to tell all of you. 🐹 did you all have fun? you all traveled such a long way to get here. for a lot of people, yeongjongdo is actually pretty far away. so the fact that you came all the way here just to see xdiz, is really an act of love. thank you once again, from the bottom of my heart, for loving us so much and coming all this way to support us. i'm not crying. my nose isn't stuffed either. can you hear my sniffling? when i talk quietly, I don't think you can hear me. 🐹 anyway, along time ago, i made a promise to you all, didn't i? i said that xdiz would always be the kind of team that keeps simmering bone broth. [see reply for the context of his "real bone broth" ment] of course, if you eat bone broth every single day, eventually you might start doubting and think "is this really bone broth?" because you get so used to it. but i really cross my heart on this. i'll bet everything on this. without lying, i'll always give my absolute best. i think that's only natural. isn't it wrong to not give your best? 🐹 anyway, i hope you'll continue to believe in us. i hope you keep trusting xdiz. we'll also keep working hard so we can live up to that trust. i believe that precious relationships, as they get deeper, will have more crises/problems. because, well, think about your precious friends. or maybe a neighborhood friend you're close with. or a classmate you were incredibly close to. haven't there been incidents where suddenly that relationship becomes strained because of a crisis? but i believe that a crisis can become an opportunity. so even if there are any of you who may have doubted us, i want to use that as an opportunity to keep proving ourselves to you. 🐹 i hope you know that we're never the kind of people, or the kind of team, that would carelessly take you for granted or treat your love half-heartedly. and i'm so grateful that there are far more people who don't think that way. we really love you all so much. we'll keep talking together after every show, giving each other feedback among ourselves, adressing the areas we fell short on today, and working hard to show you performances that are even more fun and with higher quality. 🐹 oh, right. earlier, when i talked about that promise while mentioning the bone broth, there was something else i said back then too. do you remember me saying the bigger this group gets, as more and more new villains join us, i mentioned that i was afraid some of you may leave so i said i wanted to protect all of you no matter what. nobody actually says things like "what will you protect? protect yourself first." but i think you all understand what i feel. 🐹 honestly, every single one of you is genuinely precious to me. whether there's just one villain or 200,000 villains, you're all still villains. but as our fandom keeps growing, it naturally starts feeling like one huge group. so because of that, i think we might stop feeling like we're seen as an individual person anymore. once again, what i want to tell you here is that every single piece of love that each of you sends us is incredibly precious. really. every single one of you. everyone here, from zone 1 all the way to zone 7000 is so incredibly precious to us. 🐹 when one person comes together... ah no, not just one person. when one person, then another person come together, sometimes they become ten thousand people. that's how it goes, doesn't it? 🐹 anyway, you all know the song "one candle", right? oh, i'm sorry. this is really the last one... actually, you all know i'm a tmi talker. you know, a too much talker. so for a while, i've been telling myself, "ah, i need to restrain myself" and holding back but it's been a while, so, i'll loosen up my mouth a bit more. 🐹 i really love the song "one candle" it talks about how when one candle joins another, then another, and so on, they become one really great light. you are every single one of those lights. when you're standing alone, in a way, you might sometimes feel insignificant. but truly, every one of you is not insignificant. not at all. 🐹 we will become xdiz that grows by constantly reflecting on ourselves, growing through self-reflection, and will never lose our humility so we can become a team that doesn't feel insignificant even if there's just one of us, and even if there were only one of you, we'd still give everything we have until the very end. we would be really grateful if you'll keep believing in us until the very end. and i'll keep believing in our villains until the very end too. thank you. 🐹 also, wasn't this concert amazing? the drums came down from the sky. the instruments came down too. so many incredible things prepared for this show, but this concert couldn't have happened through our efforts alone. there are so many staff members working behind the scenes, and honestly, i think they worked even harder than we did. please give our staff a huge round of applause. and finally, villains, please give yourselves a round of applause too.

ten 🪐

30,206 次观看 • 2 个月前

They called us far right extremists when we exposed the rape gangs. They demonised us as racists when we spoke out against the growing Islamist threat in this country and the creeping of Sharia law into public life. And they called us conspiracy theorists when we exposed how the Pakistani biraderi exploit weaknesses in our democracy to manipulate elections. On every single occasion, we have been proven right. On every occasion, they have tried and failed to silence us. The question now is what happens with that vindication. The establishment cannot keep dismissing what ordinary people have seen with their own eyes, documented, and paid a personal price to expose. Our names have been cleared. Our evidence is a matter of public record. Now we must attack and take the fight to them in a way they have never before experienced. What is needed next is not more inquiries or carefully worded reviews, it is accountability. Real consequences, for real people, who looked the other way while children were abused and democracy was hollowed out from within. The same people that protected the rape gangs are the ones involved in rigging elections. When I tell you that children were sold for votes, this is the method that was used. We can fix this. We will fix this. We will take back what was ours and make sure a heavy price is paid by those responsible. Stand with me. ————- I’m Raja Miah MBE. For seven years, I led a campaign that exposed how senior Labour politicians helped protect Pakistani rape gangs and helped force a national inquiry. You won’t see me on the BBC. You won’t read my work in the legacy press. That’s not an accident. I take this to a place from where there is no coming back. I document everything in my newsletter. It’s 100% free to read. If this work matters to you, if you believe it must continue, I need your backing. My work is free. No paywalls. No gatekeeping. No exclusions. Because the truth shouldn’t belong only to those who can afford it. If you can afford to do so, supporting me costs as little as 75p a week (£30 a year). Sign up here; 👉 If you can’t commit to a regular subscription, a one-off contribution genuinely helps keep this alive: 👉 👉 We’re up against a machine, politicians, police, officials, and media, working together to shrink, sanitise, and bury the truth. This work survives because of you. If you’ve ever shared my posts, learned something, or felt less alone reading them, stand with me. I need your help. Raja 🙏

Raja Miah

105,983 次观看 • 6 个月前

I keep reading nasty takes on the donations during Ilia's streams and his reactions about them, and, as you can expect, I wanted to comment on that. 😜 Of course, the amount of these donations is not insignificant and, considering the niche sport figure skating is, the money do actually help Ilia. It does not matter whether he would invest those in any skating gear or in his student life or in his home furniture or streamer equipment - as long as he is happy with the investment, it is all good. But his sweet happy reactions are not because of the donations per se. One can clearly hear how his voice overwhelmingly breaks down and his eyes start blickering with emotions. And this right here is not related to money, it's all about a realization Ilia is slowly coming to - that people genuinely love HIM. Not just the skater Ilia Malinin but the sweet 21-year-old Virginia boy, beyond the medals and off rink. And that he has given people so many happy moments that they would like to give him something back. Every single donation - be it $1 or $500 - is mentioned by Ilia and he keeps thanking his fans, always claiming how "blessed" he is. He often says no one needs to donate - just being on the stream is enough, wishes good night to people leaving late at night or happy birthdays, answers questions, interacts as much as possible while enjoying his game. The streams slowly transformed from "Ilia playing video games" to "Ilia sharing his free time with fans while playing video games" - and it's a beautiful interaction which will only grow stronger, I believe. And will give Ilia the confidence that people do love and support him, and will continue doing so. We are the blessed ones, my boy. Thank you for everything! 🤍

*девочка с юга*

12,905 次观看 • 11 天前

🚨 BREAKING: ICE/Border Patrol agents once again threaten to illegally arrest a U.S. citizen… for standing on a public sidewalk and filming them. Yes. Really. In the video, in Beaverton, Oregon, multiple agents swarm a man who is doing nothing more than observing and recording from a public sidewalk, something that is 100% legal and protected by the First Amendment. An agent claims they “know who he is” and accuses him of driving erratically and being “a danger to the public.” Which is rich, coming from an agency with a long history of hitting people with vehicles, assaulting women and children, and “accidentally” firing or dropping loaded firearms. But, even so, they are not police and cannot arrest someone for a traffic violation. Then the threats start. “You are interfering with our operations.” “You could be arrested.” “We will arrest you.” Again, the man is standing on a sidewalk. Not blocking anyone. Not touching anyone. Not saying anything beyond asserting his rights. Another agent jumps in with, “You were following us yesterday.” Cool story. Still not illegal. They repeatedly claim he has “interfered with operations,” yet, the only behavior they can actually point to is… observing them. Existing near them. Filming them. When the man calmly says, “I’m not interfering,” the response is: “If you continue, you will be in handcuffs.” Let’s be crystal clear about what that means: ICE agents are threatening to arrest a U.S. citizen for continuing to legally observe and film them in his own neighborhood. When the man states the obvious, “I’m not breaking the law and you know it,” the agent completely loses it. He steps inches from the man’s face, points at him, shoves into his shoulder or chest, and screams, “One more time and I will put you in handcuffs.” This isn’t law enforcement. This is intimidation. The man tells him to get off him. The agent responds, “No, I’ll stand right here, pal. Right here all day,” while continuing to press into him. The citizen points out the setup perfectly: “If I touch you, you’re going to arrest me, right?” Exactly. That’s the game. That’s when the agent snaps completely, screaming that the man is “worthless” and has “no honor.” Which… feels like projection. This video shows exactly what ICE and Border Patrol are doing across the country: They are trying to scare people into not filming. They are trying to bully citizens out of exercising their rights. And when intimidation doesn’t work, they escalate. Because they know that cameras expose them. So here’s the takeaway: Always film. State your rights calmly. Keep your hands visible and on your phone. Narrate everything that’s happening. They want silence. They want fear. They want no witnesses. Don’t give it to them.

Jesus Freakin Congress

1,988,259 次观看 • 8 个月前

At one point John Travolta was going to play Manny in Scarface, but they went with unknown actor Steven Bauer because they wanted someone who was actually Cuban. At the time, Bauer was a struggling actor being pigeonholed into becoming a soap star. He explains… "I left Hollywood because I wasn't getting really good roles, I was getting stupid roles in television, and I was like, "Fuck, I gotta get in." And I met Stella Adler, the great teacher, and she said, "Come to New York, darling, study with me. "You have to become an actor." So I went to New York. So I'm in New York for like a year, and at the end of the year, I'm starving - my agents in Hollywood think I'm absolutely nuts, and they're like, "You've gotta come home, or at least go in for a soap opera in New York, you have the right type, blah blah blah" And I'm like, "No, no, I'm not doing that." And they're like, "But you're gonna starve." And I go, "I'll deliver furniture." - So I was delivering furniture. And then on my last day, finally they come in, "We have a meeting for you. An audition for a TV movie, and maybe for another independent feature." And I go, "Okay." "So we'll get you the airfare and come home." - I go, "Okay, I'm coming home." So I'm in New York on that last day, and my manager calls me, she goes, "Wait, before you go to the airport. They're casting a movie with Al Pacino, it's called Scarface, and it's a remake of an old movie. And the second lead is a tall, handsome Cuban boy, who's fun, and that's you - It's to play his best friend." And I go, "Yeah, what shot do I have with that!?" And they go, "No, they want someone new. They want someone new." - So I go uptown… She (the casting agent) opens the door - and she goes, "Come in, come in, come in, come in. Sit down, tell me who you are. Tell me what you've done. Tell me what you're working on - You've done theater? - “Yeah”, and television? “Yes." “You speak Spanish?" - I go, "I'm Cuban." And she goes, "You're really Cuban!?" And I go, "Yeah." And she goes…“Hang on a second…" (Imitating phone dial) - Regular phone, no cell phones - “Yeah, yeah. Brian, I found your guy. Right in front on me! "I found Manny, I found Manny. I swear to God, you got to see him. Can you see him?...okay, I'll send him over” - click. She goes "Go down to - the Village on Fifth and Eighth Street. And go see Brian De Palma… I got in a cab, and there was so much traffic that I had to get out of the cab and run the rest of the way to the Village. Because I was stuck in traffic! And I was running out of money! I had no money left! So I run to meet him, and he opens the door, and he's very lackadaisical. He's very aloof, Brian. And he's like, "Mm….yeah, you look…yeah, I can see it…are you really Cuban?" I go, "Yeah, I'm really Cuban." "Can you really speak Spanish?" I go, "Yes!" And he goes... "Wait, I'm gonna call Marty Bregman. He's the producer. He's in LA." He calls Marty... "Marty, I have this kid. He's perfect…yes, he's Cuban…." He gets up and he goes, "Okay, go to LA. Go see Marty Bregman tomorrow. Go to his office. He'll give you a script, learn it, and in two weeks we'll fly you back here for auditions."…And I was like, "Fly me back? I didn't have enough, I couldn't pay my airfare…" And then I get home, and I tell my agents, and they say, "John Travolta's playing Manny." And I said, "Wait, John Travolta's playing Manny?" "Yeah." And I go, "No, no, no, no. They're telling me I have a good shot at it." And they go, "You're an idiot. And you believe everything you hear." …And they were fired, obviously (laughing). They work on Wall Street now… That’s really how it happened. I met Bregman, and Bregman said, "You're gonna do Scarface." Just like that in his office - And I said, "But, but, how do you know?" - he goes, "You're really Cuban, right?" And he goes, - "I don't want a star. I don't want a superstar. I don't want another star. I don't want a prima donna. I don't want any of that. You're gonna do Scarface.”

Gangster Cinema Central

1,802,620 次观看 • 3 个月前

🚨This is one of the most disturbing videos of ICE abuse I’ve seen. In Minnesota, ICE agents handcuffed a pregnant woman, forced her onto her stomach, and put their full body weight and knees on her, refusing to let her get up. In the video, you can hear the crowd screaming over and over that she is pregnant. They plead with the agents to stop. The woman is not resisting, not moving, not a threat. It doesn’t matter. The agents ignore them, continue pointing pepper spray at the crowd, and one agent even shoves a woman backward, assaulting her simply for speaking up. People keep begging them to let the pregnant woman off her stomach, to stop putting weight on her body. The agents refuse. The crowd grows louder and more desperate, because they are watching someone who could lose her pregnancy, right in front of them, at the hands of ICE agents. Only after the crowd begins throwing snowballs is the pregnant woman able to get off her stomach. And then it gets worse. The ICE agents begin pepper spraying the crowd. One agent drags the pregnant woman by the arm while she is still helpless and restrained. Pepper spray fills the air, hitting bystanders and the pregnant woman herself as she lies on the ground beneath them. This is not “law enforcement.” This is cruelty. This is reckless endangerment. This is state violence carried out in public, on camera, against a pregnant woman who posed no threat. If this is what they’re willing to do while being filmed, imagine what happens when no one is watching.

Jesus Freakin Congress

1,717,355 次观看 • 9 个月前