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Poor direction creates problems That's why Sonny Gray draws two lines down the mound before he pitches • The lines give him a visual tunnel to throw through • They help him stay directional down the mound • Youth pitchers often yank open instead of landing in line •...

40,100 просмотров • 1 месяц назад •via TikTok

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When I was in pro ball, even throwing in the mid 90s, I never did this. But I honestly think it’s one of the biggest things that’s going to help me get to 100 miles an hour. One of the most underrated ways to throw harder is to implement cross training. Now, cross training in terms of pitching just means you’ll be using something other than the baseball to throw. For example, you see Yamamoto in the big leagues right now. He attributes a lot of his velocity gains to javelin throwing, and he’s thrown the javelin for many, many years. There’s another pitcher who’s one of the best pitchers in college baseball right now in Japan who’s up to 102 miles an hour and attributes a lot of his success to throwing the volleyball and the volleyball teaching him how to move. For myself, I use a football to clean up my arm action. When you use different implements, it’ll give you a new stimulus. It can clean up a lot of the mechanics that you wouldn’t be able to with the baseball itself. For myself and my training to throw 100 miles an hour, I use all of these implements for my arm action. Now, I have a tendency of forearm flyout where my forearm flies out this way, and so I want to keep it a little bit more directed toward the plate. Some of the best ways to do this is to throw the javelin. Because to throw the javelin far, you can’t be flying out. You need to go straight through. The football as well needs to be straight through. Also, just hitting the volleyball. I love watching volleyball players hit the volleyball because the upper mechanics are so efficient. So if you feel stuck in your training, start incorporating cross training.

Josh Gessner

29,140 просмотров • 1 год назад

One of the easiest ways to improve your cinematography is to start thinking about which direction your light is coming from. Direction is a fundamental lighting principle, and one of the easiest ways to quickly make good use of it is to shoot with far side lighting in mind. The basic idea is to place the majority of your light on the opposite side of your subject from the camera. This means that the camera is looking into the shadow side of the face while the key light is wrapping around from the far side. This naturally introduces contrast and helps to create shape and depth on your subject. One of the biggest advantages of lighting this way is that it gives you a really good starting point for making lighting decisions. Instead of having lights coming from every direction, you can establish a general direction for your lighting and build the rest of the scene around it. This becomes especially useful when working through blocking and coverage. If you know where your light is coming from, you can start positioning your talent and camera in ways that maintain that direction. It also makes it easier to predict how the light will behave when you move in for closeups or change camera angles. The other advantage is how easily you can manipulate contrast. Once you have a good far side key light established, you can introduce white bounce to fill in the shadows or negative fill to deepen them. This gives you a lot of control over the image without having to completely change the lighting setup. Far side lighting isn’t necessarily the right choice for every scene, but it’s a really useful technique to understand. It’s a great building block that you can use to light and manage any scene. #cinematography #filmlighting #videography #filmmakersoftiktok #filmmaking

Maxwell // Filmmaker

14,300 просмотров • 12 дней назад