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Portfolio update - Available for Framer projects I’m a Product/Web Designer & Framer Developer who loves crafting minimal, clean designs that just work. Experience in SaaS and working with creatives and agencies to deliver top-notch websites I have built advanced Framer CMS sites integrated with Notion databases and powerful...

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ANOOP

1,490 subscribers

20,530 Aufrufe • vor 1 Jahr •via X (Twitter)

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Anya Rossi• Live Now

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11 Kommentare

Profilbild von MyTasker
MyTaskervor 1 Jahr

Elevate your online presence with stunning, user-friendly designs. We craft beautiful, functional designs, build websites that captivate your audience and drive results. Let's build something extraordinary together. Contact us today.

Profilbild von Steve Lauda - Design Partner
Steve Lauda - Design Partnervor 1 Jahr

I love how smooth the animation is man 🙏🏻🤝🏻

Profilbild von ANOOP
ANOOPvor 1 Jahr

Thanks Steve, I’m glad you liked it

Profilbild von Niral Patel
Niral Patelvor 1 Jahr

Love the interactions man, Great stuff.

Profilbild von Jagdev Soni
Jagdev Sonivor 1 Jahr

I like the concept inspired from dynamic island

Profilbild von Rehan Ahmed
Rehan Ahmedvor 1 Jahr

Insane Navbar🤧🤧🤧

Profilbild von Maxzzee
Maxzzeevor 1 Jahr

Love these interaction bro!! 💥

Profilbild von Banjoko | ui/ux designer | web developer
Banjoko | ui/ux designer | web developervor 1 Jahr

Wonderful

Profilbild von Amrin @GridPixels
Amrin @GridPixelsvor 1 Jahr

Portfolio looks great!

Profilbild von SAVIOUR
SAVIOURvor 1 Jahr

My God What is this sorcery???

Profilbild von ANOOP
ANOOPvor 1 Jahr

Just a little 🤏 bit of interactions

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⭐️: What am I into these days? These days? These days, I kind of just… I think I’m living in a sort of "no‑thoughts" state. I don’t really have emotional ups and downs, just… I'm calm. I kind of, I don’t really know my feelings these days. It’s not like my emotions are going up and down a lot or anything, but then, when I met a friend of mine and we talked I realized I actually have more worries than I thought. But I also wonder if I just didn’t have the space to talk about them. So, on one hand... I don’t know if I have a lot of worries or if I just don’t have thoughts. With work, work is busy too but sometimes I even wonder if I’m actually busy. Because when you do so many schedules… you don’t really feel it. Like, maybe I am really busy but I just can’t feel it. No, It’s not a slump. It’s pretty far from a slump. A slump is when work doesn’t go well and doing things feels hard, but I’m not like that. When I work, it’s fun and exciting, I just don’t really have emotional highs and lows. So I wonder if maybe this is actually a good thing?That’s how it is. I don’t think you need to worry about this, but actually, I did have a lot of worries and concerns… I just didn’t realize I was worrying about them? Yeah. "Maybe it’s because you haven’t had much time to take care of yourself?" No, but I think I’m actually the type who takes care of myself pretty well. Ah, recently I’ve been going to the sauna alone pretty often and I’ve had some time to think while doing that. No, wait thinking about it, even when I go to the sauna I just sit there without thinking. I think I just space out. I wonder if it’s because I’ve gotten used to this work now. "Maybe your brain just wants to rest." That also feels right. No but, compared to before being thoughtless/empty-minded actually seems better, compared to when I had so many thoughts I couldn’t sleep. Now I sleep with my legs stretched out (idiom, it means to sleep comfortably), yes. Maybe it’s because things feel stable, yes. My relationship with the members is really good and I feel a lot of satisfaction with the work I do, and since ATINY always show me support so strongly by my side, somehow I wonder if that’s why I don’t have emotional highs and lows. #SEONGHWA #성화
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Doja Cat teases her Met Gala look on The Run-Through with Vogue podcast. “I am working with Yves Saint Laurent and I’m so excited about that. I don’t know what we’re doing as far as like the physical feeling of it, but yeah, I’m just excited to work with them.”
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Doja Cat teases her Met Gala look on The Run-Through with Vogue podcast. “I am working with Yves Saint Laurent and I’m so excited about that. I don’t know what we’re doing as far as like the physical feeling of it, but yeah, I’m just excited to work with them.”

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Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)
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Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

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My wife woke up with a terrible headache and was contemplating calling in sick. I was like call in sick for what now?! I reminded her that provision is her shield in this marriage and that if she loses this job, I’d be left with no option but to disrespect and beat her because I’m wired to beat a woman who doesn’t provide. If i am doing the most difficult job on earth by cleaning the house, washing plates, taking care of the home whether I’m sick or not, the least she can do is go to work. I just dropped her off at work and now I’m heading back home to take care of the home. Her mates are working harder, making more money and hiring maid and letting their husbands rest and look fine, the least she can do is be consistent at work. I have prayed to God to heal her and grant her strength for today and the rest of the week.

Taiwo_junzi

95,494 Aufrufe • vor 3 Monaten