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P-Pop’s unstoppable Female Alphas, G22, have finally unleashed their first full-length album, The Dissection of Eve—an electrifying 8-track lineup that puts their artistry, identity, and unmistakable girl-power on full display. With nearly the entire album self-written, AJ, Jaz, and Alfea pour their stories straight into the music, backed by...

20,910 görüntüleme • 7 ay önce •via X (Twitter)

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[SBS News] BTS V's self-composed song 'Into the Sun'... appears in G7 Summit welcome video The song "Into the Sun," co-written and composed by BTS V, is garnering attention after being used in a video related to the G7 Summit. On the 16th (local time), French President Emmanuel Macron released a video on his official social media welcoming the leaders attending the G7 Summit held in Evian, France. The video featured the leaders of each country appearing one by one, with music symbolizing their respective national images and cultures used as background music. In particular, BTS's "Into the Sun" played during the scene featuring President Lee Jae-myung, drawing significant attention. The National, a prominent English-language media outlet in the Middle East, reported that President Macron selected music tailored to the nationality, culture, and image of each world leader. According to the report, BTS's "Into the Sun" was used for South Korean President Lee Jae-myung's video; Tom Petty's "Love Is a Long Road" for U.S. President Donald Trump; the James Bond theme song "The World Is Not Enough" for British Prime Minister Keir Starmer; and Celine Dion's "Jueire Ou Tou Ira" for Canadian Prime Minister Mark Carney. "Into the Sun" is a track from BTS's studio album *Arirang*, with V participating in the main songwriting and composition. It is known that V completed the song based on a melody that came to him on his way back from a workout. He previously stated regarding the song, "Although it is a song I created, I thought I needed to make a cold, objective judgment on whether it fit the album," but it was ultimately included due to the active recommendations of the other members. Following the release of 'Arirang,' 'Into the Sun' received favorable reviews from major international media outlets. The U.S. daily newspaper The New York Times described it as "a hypnotic song that puts the mind at ease," while the music magazine Rolling Stone noted that "the falsetto harmonies and sparkling tempo demonstrate BTS's infinite potential." The BBC in the UK also introduced the track as "an experimental yet intriguing song that adds a mysterious atmosphere through digital effects." (Article: #BTSV #INTOTHESUN #ARIRANG

Taehyung Naver

25,147 görüntüleme • 28 gün önce

NEW ALBUM “LEGENDS” OUT OCT 17! ⚠️ Pre-order 👉 Friends, it’s been a long time coming, but the wait is finally over! We’re excited to reveal that our 11th studio album “Legends” is out on October 17th! Join us as we explore the extraordinary lives of those who’ve left a lasting mark on history, from the fearless Joan of Arc and the unstoppable Napoleon Bonaparte to the cunning Julius Caesar and the legendary swordmaster, Miyamoto Musashi. You can now pre-order the album in a variety of formats including multiple vinyl editions, CD, cassette and digital, plus, if you’re quick you can get your hands on a unique Storyteller Edition if you pre-order the Earbook or Digibook. Joakim comments: “Legends have always been woven into our music, and the “Heroes” album is the perfect example of that! I’m incredibly proud of “Heroes” and everything it stands for, so “Legends” is just a natural next step. It’s like the story continues but goes way back in time. We’re excited to finally be taking our listeners on a new journey! Here’s to another chapter in Sabaton’s story!” And because we couldn’t drop this bombshell without something extra… Two brand-new songs from “Legends” are streaming NOW! ⚔️ “The Duelist” ⚡ “Lightning at the Gates” Both tracks are available to stream on all major platforms, and you can catch the lyric videos now on YouTube. Turn up the volume, spread the word and thank you for standing with us all these years. “Legends” is coming and it’s going to be epic. Secure your copy now before it’s too late!

Sabaton

45,882 görüntüleme • 11 ay önce

WAITING IN THE SKY VINYL LP FOR RSD 2024 “He’d like to come and meet us...” To mark what would have been David Bowie’s 77th birthday, Parlophone Records are proud to announce the release of a very special David Bowie limited vinyl LP, WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) which will be released on 20th April, 2024 for Record Store Day. Keep reading for the full press release. #BowieRSD #RSD2024 #BowieWaitingInTheSky + - + - + - + - + - + - + - + - + - + - + - + - + DAVID BOWIE WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) LIMITED 11-TRACK VINYL ALBUM RELEASED EXCLUSIVELY FOR RECORD STORE DAY 20th APRIL, 2024 Parlophone Records are proud to announce the release of a very special David Bowie limited vinyl LP, WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) which will be released on 20th April, 2024 for Record Store Day. The album is taken from the Trident Studios 1/4” stereo tapes dated 15th December, 1971, which were created for the then provisional tracklisting for what would become THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS album. The tracklisting for WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) runs differently from the ZIGGY STARDUST album and features four songs that didn’t make the final album. On Side 1, in the place of ‘STARMAN’, one of the last three tracks recorded for the album in February 1972, is ‘ROUND AND ROUND’, a Chuck Berry cover. The track was finally released on a single as the B-side to ‘DRIVE-IN SATURDAY’ on 6th April, 1973. Initially, closing Side 1 of the album was Bowie's version of Jacques Brel’s ‘AMSTERDAM’, which would later appear as the B-side of ‘SORROW’ on 12th October, 1973. Side 2 of the 15th December, 1971 tracklisting features two long-time non-LP fan favourites, ‘HOLY HOLY’ and ‘VELVET GOLDMINE’. The former is a re-recording with The Spiders of David’s 1971 single. Again, this version of the track had to wait several years before surfacing as the B-side of ‘DIAMOND DOGS’ on 14th June, 1974. ‘VELVET GOLDMINE’ is considered by many to be a lost Ziggy era classic, one Bowie often referred to as ‘He’s A Goldmine’ or ‘She’s A Goldmine’ in his notebooks and interviews. The track was recorded during the Ziggy sessions but was not released until 26th September, 1975, alongside ‘CHANGES’ backing the re-released album version of ‘SPACE ODDITY’, which peaked at no. 1 in the U.K. singles chart in November 1975. The cover of WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) features a photo of David taken at an early Ziggy Stardust period session by Brian Ward, and the two sides of the inner bags are the fronts of the two Trident Studios tape boxes. The album’s title comes from the lyrics of ‘STARMAN’, which, along with ‘ROCK ’N’ ROLL SUICIDE’ and ‘SUFFRAGETTE CITY’, had not yet been recorded when this variation of the album was compiled. WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half-speed vinyl cut was by engineer John Webber at AIR Studios, London. DAVID BOWIE WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) Side 1 Five Years Soul Love Moonage Daydream Round And Round Amsterdam Side 2 Hang On To Yourself Ziggy Stardust Velvet Goldmine Holy Holy Star Lady Stardust DAVID BOWIE WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) LIMITED 11-TRACK VINYL ALBUM RELEASED BY PARLOPHONE EXCLUSIVELY FOR RECORD STORE DAY 20th APRIL, 2024

David Bowie Official

71,633 görüntüleme • 2 yıl önce

The evolution of AI in music is a fascinating and transformative trend. AI agents are increasingly being viewed not just as tools but as creative collaborators that expand the possibilities of composition and production. Artists like are highlighting how AI can offer fresh sonic landscapes, remix ideas, and inspire innovative approaches to music creation. Already, platforms like Lyra are proving that AI-generated music is more than a concept, it’s being released on major digital streaming platforms, setting the stage for broader industry adoption. The integration of AI in music signals a shift toward data-driven creativity and enhanced production methods. Opulous promises to push these boundaries even further via 💡Royalty Prediction: Leveraging AI to forecast revenue more accurately, which could lead to fairer and more transparent revenue distribution. 💡 Strategy Automation: Using AI to optimize marketing and distribution strategies, helping artists and labels navigate the competitive landscape. 💡 AI Native Music Ecosystems: Creating an environment where every facet of music creation, distribution, and monetization is intertwined with AI, potentially lowering barriers for emerging talent and redefining industry standards. While these innovations hold immense promise, they also raise important questions about artistic authenticity, copyright, and the role of human creativity. Balancing technological advancement with the preservation of artistic identity will be crucial as the industry evolves. AI-driven transformation represents a creative and business revolution in music, ushering in a new era that challenges traditional paradigms and inviting thoughtful discussion on the future of art and technology. $OPUL

🕊Doings 🍃🍃

187,717 görüntüleme • 1 yıl önce