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Practicing her deepthroat skills while her parents argue in the other room. Wild #deepthroat #nsfwtwt #blowjob #petite #handjob #dildo #dildoblowjob #gag #gagreflex #sloppy #spit #sloppyblowjob #spitblowjob #nsfwtwtًًًٌٌٍِّْْٓ #nsfwtwtًًًٌٌٍِّْْٓb

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601,888 次观看 • 1 年前 •via X (Twitter)

NSFW#deepthroat#nsfwtwt#blowjob#petite#handjob#dildo#dildoblowjob#gag#gagreflex#sloppy#spit#sloppyblowjob#spitblowjob#nsfwtwtًًًٌٌٍِّْْٓ#nsfwtwtًًًٌٌٍِّْْٓb
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In her defense, Barkat Arora is being rigorously trained in classical dance, and there’s absolutely nothing wrong with that. She began learning when she was just three years old. As someone trained in classical dance myself, I see this as completely normal and disciplined, not exploitative. Why shame her parents? They stand by her side, traveling with her everywhere, while making sure she excels in her studies, gymnastics, and other extracurricular activities. Yes, her expressions in this particular performance may have looked slightly awkward for her age, but that doesn’t mean it defines her entire life or routine. When you train seriously in classical dance, mastering intense expressions and intricate moves is part of the craft. It gets graceful with age. Don’t judge this talented young girl based on a single clip. She has proven herself brilliant in her dancing skills time and again. If I were her parent, I would do exactly the same, push her to pursue excellence while fiercely guarding her education and well-being. Let kids with real talent shine without dragging them into unnecessary outrage.
1:07

In her defense, Barkat Arora is being rigorously trained in classical dance, and there’s absolutely nothing wrong with that. She began learning when she was just three years old. As someone trained in classical dance myself, I see this as completely normal and disciplined, not exploitative. Why shame her parents? They stand by her side, traveling with her everywhere, while making sure she excels in her studies, gymnastics, and other extracurricular activities. Yes, her expressions in this particular performance may have looked slightly awkward for her age, but that doesn’t mean it defines her entire life or routine. When you train seriously in classical dance, mastering intense expressions and intricate moves is part of the craft. It gets graceful with age. Don’t judge this talented young girl based on a single clip. She has proven herself brilliant in her dancing skills time and again. If I were her parent, I would do exactly the same, push her to pursue excellence while fiercely guarding her education and well-being. Let kids with real talent shine without dragging them into unnecessary outrage.

Saynotolibrandu

231,778 次观看 • 3 个月前

Seven months ago, her world collapsed in a single afternoon. While her husband was in the other room, she picked up his Apple Watch on impulse. In seconds, she read messages no wife should ever see — intimate, disgusting exchanges with another woman. The betrayal hit like a freight train. Twenty-four hours later, he and his parents walked out, leaving her alone with their two young daughters. She went from happily married to suddenly single, heartbroken, and the sole provider for her girls — all in one brutal day. The months that followed were devastating: divorce papers, sleepless nights, and the pain of losing the man she thought was her best friend and life partner. But something has shifted. For the first time in seven long months, she feels real hope. She looks at her daughters and sees a new beginning instead of just survival. She’s discovering a strength she never knew she had and building a life on her own terms. This is her comeback story. She’s proud of how far she’s come and excited for what’s next. The best chapters are still being written! Yay for Apple Watches ⌚️
3:08

Seven months ago, her world collapsed in a single afternoon. While her husband was in the other room, she picked up his Apple Watch on impulse. In seconds, she read messages no wife should ever see — intimate, disgusting exchanges with another woman. The betrayal hit like a freight train. Twenty-four hours later, he and his parents walked out, leaving her alone with their two young daughters. She went from happily married to suddenly single, heartbroken, and the sole provider for her girls — all in one brutal day. The months that followed were devastating: divorce papers, sleepless nights, and the pain of losing the man she thought was her best friend and life partner. But something has shifted. For the first time in seven long months, she feels real hope. She looks at her daughters and sees a new beginning instead of just survival. She’s discovering a strength she never knew she had and building a life on her own terms. This is her comeback story. She’s proud of how far she’s come and excited for what’s next. The best chapters are still being written! Yay for Apple Watches ⌚️

𝐿𝒶𝒹𝓎 𝒱 🥀

753,758 次观看 • 4 个月前

I think it’s time to talk about it 🙂‍↕️ I was delaying it because the scene messed me up in every possible way. From the moment he entered the room panting in anger, to the moment he subconsciously hid her behind his back to protect her when he heard the Kordağlıs were coming. When he entered the room like that (and he even knocked, but… since when does Serhat knock? 🌚), he scared her, because a part of her knew exactly how crazy this would make him. Because despite everything he did, despite the divorces and all the silence, she always knew he cared. And hell… he DID 😭 Serhat shouting “You can’t marry” in the same place where he once told her “It’s your life, I’m not responsible for it”??? C I N E M A! Yıldız gasping, crying, trying to catch her breath while arguing… #BiranDamlaYılmaz , you did NOT have to be this perfect 😭 When she said “Bir kere sen çıldır, yeter,” she was at her limit. There was that tiny second of silence while she was desperately gasping, and he just looked at her, helpless, not knowing how to save both of them from this mess. Y: You gave up on me. S: No, YOU gave up on me. With all disrespect… Sir??? I know he didn’t mean to hurt her, I know he was hurting too, but accusing HER of giving up, when from her POV he is the one who let go? She is the only one living in uncertainty from day one. He can’t expect her to read his mind. When she asked him to say he didn’t give up on her… imagine his position. Everything she said, he wanted to agree with. “I didn’t give up on you. I remember kissing you. I was about to divorce Melek and marry you.” He was swallowing everything, suffering in silence, because in his mind saying that would be selfish. He was still trying to avoid that red zone. NOW. THE MIRROR SCENE. First of all, why is no one talking about how he grabbed her with ONE HAND without even looking at her? He knew exactly where she was. Her surprised gasp?? His husky voice??? #ilhanşen canım abim, if you continue like this, Serhat will be the last character I watch from you because I will ascend to heaven. Have mercy on me big boy 🌚 Making them watch themselves in the mirror was WILD, Ercan hocam. If the scene was 100% intense, the mirror made it 10000%. His hand on her waist, her looking so tiny. His other hand slowly moving her hair. His face on her head next to her ear, sniffing her scent, looking… lustful, angry, desperate. The mix of desire and rage in his eyes??? EXCUSE ME??? He didn’t even touch the tattoo on her chest. He was locking her in place, making sure she couldn’t escape (as if she could). When he turned her around, he kept her trapped in his arms. He wasn’t testing her. He KNOWS she loves him. He was trying to speak without words. “This is what I feel. I messed up. But this is what I want.” But she needed words. She DESERVED words. He definitely was going for a kiss , and she pulled away. Because she is angry. Hurt. M convinced her she is a burden, and he never denied it with words. His silence confirmed everything in her mind. When he closed his eyes in that silence, realising that by trying to protect her with silence, he destroyed her AGAIN! Her cracked voice saying, “You still didn’t say you didn’t give up on me,” I wanted to hug her and cry until sunrise 😭 Then she put her strong mask back on, telling him not to enter her room like that, because she will soon be engaged💔 And btw, I’m 100% sure if it wasn’t for the Kordağlıs, he would NOT have left without kissing her. In my head, they kissed. There is no universe where Serhat left that room untouched after that tension. I tried my best to write with my sanity on! Just an advice 👀 try to catch ilhan’s panting in the beginning 🤤 they are delicious🫦 I know it turned out to be too long but the scene is quite long and full of details. I am sure I still can talking about it with another essay🤣 but I won’t don’t worry. #HalefKöklerinÇağrısı #Yılser
2:54

I think it’s time to talk about it 🙂‍↕️ I was delaying it because the scene messed me up in every possible way. From the moment he entered the room panting in anger, to the moment he subconsciously hid her behind his back to protect her when he heard the Kordağlıs were coming. When he entered the room like that (and he even knocked, but… since when does Serhat knock? 🌚), he scared her, because a part of her knew exactly how crazy this would make him. Because despite everything he did, despite the divorces and all the silence, she always knew he cared. And hell… he DID 😭 Serhat shouting “You can’t marry” in the same place where he once told her “It’s your life, I’m not responsible for it”??? C I N E M A! Yıldız gasping, crying, trying to catch her breath while arguing… #BiranDamlaYılmaz , you did NOT have to be this perfect 😭 When she said “Bir kere sen çıldır, yeter,” she was at her limit. There was that tiny second of silence while she was desperately gasping, and he just looked at her, helpless, not knowing how to save both of them from this mess. Y: You gave up on me. S: No, YOU gave up on me. With all disrespect… Sir??? I know he didn’t mean to hurt her, I know he was hurting too, but accusing HER of giving up, when from her POV he is the one who let go? She is the only one living in uncertainty from day one. He can’t expect her to read his mind. When she asked him to say he didn’t give up on her… imagine his position. Everything she said, he wanted to agree with. “I didn’t give up on you. I remember kissing you. I was about to divorce Melek and marry you.” He was swallowing everything, suffering in silence, because in his mind saying that would be selfish. He was still trying to avoid that red zone. NOW. THE MIRROR SCENE. First of all, why is no one talking about how he grabbed her with ONE HAND without even looking at her? He knew exactly where she was. Her surprised gasp?? His husky voice??? #ilhanşen canım abim, if you continue like this, Serhat will be the last character I watch from you because I will ascend to heaven. Have mercy on me big boy 🌚 Making them watch themselves in the mirror was WILD, Ercan hocam. If the scene was 100% intense, the mirror made it 10000%. His hand on her waist, her looking so tiny. His other hand slowly moving her hair. His face on her head next to her ear, sniffing her scent, looking… lustful, angry, desperate. The mix of desire and rage in his eyes??? EXCUSE ME??? He didn’t even touch the tattoo on her chest. He was locking her in place, making sure she couldn’t escape (as if she could). When he turned her around, he kept her trapped in his arms. He wasn’t testing her. He KNOWS she loves him. He was trying to speak without words. “This is what I feel. I messed up. But this is what I want.” But she needed words. She DESERVED words. He definitely was going for a kiss , and she pulled away. Because she is angry. Hurt. M convinced her she is a burden, and he never denied it with words. His silence confirmed everything in her mind. When he closed his eyes in that silence, realising that by trying to protect her with silence, he destroyed her AGAIN! Her cracked voice saying, “You still didn’t say you didn’t give up on me,” I wanted to hug her and cry until sunrise 😭 Then she put her strong mask back on, telling him not to enter her room like that, because she will soon be engaged💔 And btw, I’m 100% sure if it wasn’t for the Kordağlıs, he would NOT have left without kissing her. In my head, they kissed. There is no universe where Serhat left that room untouched after that tension. I tried my best to write with my sanity on! Just an advice 👀 try to catch ilhan’s panting in the beginning 🤤 they are delicious🫦 I know it turned out to be too long but the scene is quite long and full of details. I am sure I still can talking about it with another essay🤣 but I won’t don’t worry. #HalefKöklerinÇağrısı #Yılser

Maurora🫦

25,206 次观看 • 6 个月前

Girl caught with THC in school cannot seem to relax with her wild outbursts and assaulting police. A routine school day in Las Animas County, Colorado, completely unraveled after a 17-year-old female high school student was brought into a school office under suspicion of possessing marijuana. What started as an investigation quickly escalated into an altercation between the student and the sheriff deputies. ​ As the deputy demanded the student's name and issued warnings about potential legal violations, the tension in the room skyrocketed. The exchange quickly deteriorated into shouting, with the student calling the deputy a "dumbass" after being questioned about concealing items. ​The student began to square up on the deputy while yelling at him. The situation reached a breaking point when the deputy instructed the student to unball her fists. When she refused to comply, the officer took her into custody. The drama didn't end there as the student continued putting on a show by resisting further and y yelling at the deputies. This continued until back up arrived to aid in transporting the student to a squad car. ​The deputy subsequently transported the student to a local detention facility, booking her on multiple offenses, including Possession of THC, Resisting Arrest, and Battery on a Peace Officer (Third-Degree Felony). This is a Karen in the making right here with this girl. Hopeful the parents step up and get this kid back on the rights track.
8:33

Girl caught with THC in school cannot seem to relax with her wild outbursts and assaulting police. A routine school day in Las Animas County, Colorado, completely unraveled after a 17-year-old female high school student was brought into a school office under suspicion of possessing marijuana. What started as an investigation quickly escalated into an altercation between the student and the sheriff deputies. ​ As the deputy demanded the student's name and issued warnings about potential legal violations, the tension in the room skyrocketed. The exchange quickly deteriorated into shouting, with the student calling the deputy a "dumbass" after being questioned about concealing items. ​The student began to square up on the deputy while yelling at him. The situation reached a breaking point when the deputy instructed the student to unball her fists. When she refused to comply, the officer took her into custody. The drama didn't end there as the student continued putting on a show by resisting further and y yelling at the deputies. This continued until back up arrived to aid in transporting the student to a squad car. ​The deputy subsequently transported the student to a local detention facility, booking her on multiple offenses, including Possession of THC, Resisting Arrest, and Battery on a Peace Officer (Third-Degree Felony). This is a Karen in the making right here with this girl. Hopeful the parents step up and get this kid back on the rights track.

Giggling Ganon

82,722 次观看 • 2 个月前

When Kathy Hilton reacted with shock to Paris Hilton’s book and the revelation that Paris had an abortion, it really highlighted their complicated dynamic. Kathy is clearly very loving, but also emotionally distant in a way that suggests she does not want to hear the nitty gritty, painful details of anything. I also found it interesting how Nicky Hilton takes on an almost therapist like role, gently trying to help Kathy understand Paris’ perspective. Kathy seemed more upset that Paris did not tell her about the pregnancy, abortion, and other traumatic experiences than she was about Paris’ emotions or the shame Paris carried around them. There is also the story from Paris’ childhood about a diary she had hidden in her room. One day, she overheard her mom and her mom’s sisters laughing about it. That likely taught her at a young age that her feelings were something to be mocked or dismissed. The way Kathy described Paris as a “wild animal” and an “alien” while she was growing up was also striking. When Paris explained that hearing that made her feel bad, Kathy responded by saying, “No, you’re unusual.” Nicky then stepped in and said Paris was like that because she had been through so many horrific things. Also, Rosanna Arquette told Kathy that “something went down,” meaning she believed Paris had been SA’d. Kathy said she would have known if that were true, but even after hearing this, she never asked Paris about it.
4:54

When Kathy Hilton reacted with shock to Paris Hilton’s book and the revelation that Paris had an abortion, it really highlighted their complicated dynamic. Kathy is clearly very loving, but also emotionally distant in a way that suggests she does not want to hear the nitty gritty, painful details of anything. I also found it interesting how Nicky Hilton takes on an almost therapist like role, gently trying to help Kathy understand Paris’ perspective. Kathy seemed more upset that Paris did not tell her about the pregnancy, abortion, and other traumatic experiences than she was about Paris’ emotions or the shame Paris carried around them. There is also the story from Paris’ childhood about a diary she had hidden in her room. One day, she overheard her mom and her mom’s sisters laughing about it. That likely taught her at a young age that her feelings were something to be mocked or dismissed. The way Kathy described Paris as a “wild animal” and an “alien” while she was growing up was also striking. When Paris explained that hearing that made her feel bad, Kathy responded by saying, “No, you’re unusual.” Nicky then stepped in and said Paris was like that because she had been through so many horrific things. Also, Rosanna Arquette told Kathy that “something went down,” meaning she believed Paris had been SA’d. Kathy said she would have known if that were true, but even after hearing this, she never asked Paris about it.

Bye Wig Hello Drama

493,465 次观看 • 7 个月前

NEW: Wild brawl breaks out over seating at a Catholic kindergarten graduation in Ohio, sending one woman to the hospital and another to jail The brawl happened at Queen of Apostles School in Toledo when one family began saving multiple rows of seats Jessica Anderson, 28, allegedly started cursing at other parents who tried to sit down. When Craig Mays tried to calm the situation, Anderson’s family members jumped him Mays said he was sucker-punched and then attacked by five men who dogpiled on him while he was on the ground As the fight continued, Anderson allegedly grabbed Mays’ ex-partner by the hair, dragged her away, and the two women began fighting Mays’ ex-partner was later hospitalized with injuries that required stitches. Anderson was arrested and taken to jail VIDEO: Fixing Education ON CAMERA: Unlimited_LS
0:51

NEW: Wild brawl breaks out over seating at a Catholic kindergarten graduation in Ohio, sending one woman to the hospital and another to jail The brawl happened at Queen of Apostles School in Toledo when one family began saving multiple rows of seats Jessica Anderson, 28, allegedly started cursing at other parents who tried to sit down. When Craig Mays tried to calm the situation, Anderson’s family members jumped him Mays said he was sucker-punched and then attacked by five men who dogpiled on him while he was on the ground As the fight continued, Anderson allegedly grabbed Mays’ ex-partner by the hair, dragged her away, and the two women began fighting Mays’ ex-partner was later hospitalized with injuries that required stitches. Anderson was arrested and taken to jail VIDEO: Fixing Education ON CAMERA: Unlimited_LS

Unlimited L's

32,689 次观看 • 3 个月前

LET'S TAKE IT ALL BACK: (psssst... attorneys won't like this) Remember Miki Klann from Maricopa County? I tweeted about her in the Maricopa Board of Supervisors meeting the other day and it got over 6M views because Miki makes common (law) sense. Watch the video below because this is the type of OFFENSIVE strategy we all need right about now! In 2021 she and her partner Ann LeFlore started a project called Bonds for the Win which liberated 50 million children from mask mandates in the public schools!! They taught parents how to request their elected officials’ oath of office, surety bond and liability policies. We witnessed acts of bravery as parents presented school boards with personal liability for practicing medicine without a license. In fact many of the elected officials would run out of the room in fear of getting served!! As a result, one state after another removed mask mandates, and next thing you know Biden removed ALL THE mandates nationwide! He did this just after funding the public schools with over $1.2 billion in Esser funds to push masks and vaccines. So why such a sudden change of heart? Well, it turned out that not a single elected official has ever had a proper surety bond, which makes them all illegitimate. Miki and her team also discovered that not a single elected official has ever signed a proper oath of office to the original Constitutional Republic. And without fair elections, these people should not be in office to begin with! After two years of learning common law, Miki and her team have now developed a new, 3 step process which brings all the power back to the people. Are you ready to serve this country? Then go grab a pen and some popcorn! I suspect that you’re about to see MANY more board members running out of city, county, and state board rooms real soon. Let’s take back our Republic brick by brick! 🎥🎉😎
25:01

LET'S TAKE IT ALL BACK: (psssst... attorneys won't like this) Remember Miki Klann from Maricopa County? I tweeted about her in the Maricopa Board of Supervisors meeting the other day and it got over 6M views because Miki makes common (law) sense. Watch the video below because this is the type of OFFENSIVE strategy we all need right about now! In 2021 she and her partner Ann LeFlore started a project called Bonds for the Win which liberated 50 million children from mask mandates in the public schools!! They taught parents how to request their elected officials’ oath of office, surety bond and liability policies. We witnessed acts of bravery as parents presented school boards with personal liability for practicing medicine without a license. In fact many of the elected officials would run out of the room in fear of getting served!! As a result, one state after another removed mask mandates, and next thing you know Biden removed ALL THE mandates nationwide! He did this just after funding the public schools with over $1.2 billion in Esser funds to push masks and vaccines. So why such a sudden change of heart? Well, it turned out that not a single elected official has ever had a proper surety bond, which makes them all illegitimate. Miki and her team also discovered that not a single elected official has ever signed a proper oath of office to the original Constitutional Republic. And without fair elections, these people should not be in office to begin with! After two years of learning common law, Miki and her team have now developed a new, 3 step process which brings all the power back to the people. Are you ready to serve this country? Then go grab a pen and some popcorn! I suspect that you’re about to see MANY more board members running out of city, county, and state board rooms real soon. Let’s take back our Republic brick by brick! 🎥🎉😎

Ann Vandersteel™️

177,562 次观看 • 2 年前

In an [About Jeans] vlog, Minji and Hanni gave a quick tour of their dorm. Each of the girls had her own room, with the freedom to decorate and furnish it however they liked. You could tell it meant a lot to them; they even got teary-eyed while thanking CEO Min Hee-jin. Getting a place like that right after such a very successful debut must have felt overwhelming… in a good way. Not only were they paid early, but they also moved into a space where they could feel safe, comfortable, and genuinely at home. In a July 2024 interview with the members’ parents, their moms spoke about the conditions the girls endured during their trainee days at Source Music. While this isn’t unique to NewJeans, since many K-pop trainees go through harsh schedules and difficult living situations, it still puts things into perspective. Minji, in particular, was reportedly pressured to give up school. But because training was so tough, school became her only real source of joy. Even under those circumstances, she pushed herself to get into a school and continue her education alongside training. When asked about trainee life during a Phoning live, Minji shared that training became much more bearable and she felt more at ease and happy once she met the other members… a reminder of how much they relied on each other through that period. So having their own dorm as rookies must have felt surreal. After everything they went through, they were finally in an environment where they were treated like they really mattered… where their comfort, individuality, and well-being were prioritized. And in an industry like K-pop, that kind of treatment is, unfortunately, still far from the norm.
0:31

In an [About Jeans] vlog, Minji and Hanni gave a quick tour of their dorm. Each of the girls had her own room, with the freedom to decorate and furnish it however they liked. You could tell it meant a lot to them; they even got teary-eyed while thanking CEO Min Hee-jin. Getting a place like that right after such a very successful debut must have felt overwhelming… in a good way. Not only were they paid early, but they also moved into a space where they could feel safe, comfortable, and genuinely at home. In a July 2024 interview with the members’ parents, their moms spoke about the conditions the girls endured during their trainee days at Source Music. While this isn’t unique to NewJeans, since many K-pop trainees go through harsh schedules and difficult living situations, it still puts things into perspective. Minji, in particular, was reportedly pressured to give up school. But because training was so tough, school became her only real source of joy. Even under those circumstances, she pushed herself to get into a school and continue her education alongside training. When asked about trainee life during a Phoning live, Minji shared that training became much more bearable and she felt more at ease and happy once she met the other members… a reminder of how much they relied on each other through that period. So having their own dorm as rookies must have felt surreal. After everything they went through, they were finally in an environment where they were treated like they really mattered… where their comfort, individuality, and well-being were prioritized. And in an industry like K-pop, that kind of treatment is, unfortunately, still far from the norm.

1tokki

56,481 次观看 • 4 个月前

The petite woman in this video, wearing a blue hospital gown and seated in a wheelchair, was Danielle Stephanie Warner. Stephanie was a 43-year-old mother of five. But her children didn't get to celebrate her on Mother's Day because she was killed at the hospital in May 2020. Stephanie was admitted to hospital for breathing difficulties. She was presumed Covid-positive, though as it turned out, she wasn't. Stephanie suffered from bipolar disorder and PTSD. She had Chronic Obstructive Pulmonary Disease (COPD), which makes breathing difficult. The day she was put into a coma by security guards, she had gone to the food court. On the way back to her room, she stopped in the hallway to catch her breath. Five security guards then sprang into action. Not to help her, but to violently restrain the 125-pound woman, on the ground, as she struggled to breathe. Stephanie was confronted, berated, pushed backwards into and up against a wall, put face-down onto the ground, handcuffed, and, according to witnesses, had two guards placing weight on her as she suffocated and lost consciousness. Stephanie died because she was weak and confused due to breathing problems, and her mask was pushed down so that she could breathe. The guards were "protecting the public" from a tiny seated woman sitting quietly whose mask was pushed down. This made her a public enemy due to coronavirus hysteria. The hysteria was created by Canada's managerial regime and state-funded media. An Ontario coroner's report found that Stephanie suffered a brain injury due to restraint asphyxia. Initially, Amanda Rojas-Silva, 42, and Shane Hutley, 35, were charged with manslaughter and criminal negligence in Stephanie's death. But a judge concluded there wasn't enough evidence to take the case to trial, and the Crown didn't appeal. The surveillance camera was rotated away in another direction to hide the actions of the guards during Stephanie's violent assault. Two security staff who were present testified that the accused placed weight on Stephanie's upper body while she was held chest-down on the ground. A forensic pathologist testified Stephanie would still be alive had she not been restrained. The accused claimed that Stephanie initiated violence. Shane Hutley eventually admitted he lied about that. The video showed what happened before and after Stephanie was assaulted. A female guard approached Stephanie, got in her face, and initiated violence. Several minutes of the altercation weren't captured due to the actions of the remote operator of the camera. After she was assaulted into a comatose state, Stephanie's limp body was seen being pulled through the hospital hallways in a wheelchair. Her legs were sprawled out. Her feet dragged along the floor. The managerial elites who perpetrated the Covid regime on the Canadian people would be in prison if we were still a nation governed by the rule of law and moral decency. None of them have been held to account for their actions. Not the politicians, nor the managerial elites, nor the corporations who benefited from the mass formation psychosis, nor the judges, nor the power-tripping henchmen who enjoyed lording power over other Canadians, sometimes to the point of killing them. Until there is accountability, everyday Canadians like myself will keep reminding the country of what they did to Canadians, and how voiceless victims suffered because of their actions.
0:50

The petite woman in this video, wearing a blue hospital gown and seated in a wheelchair, was Danielle Stephanie Warner. Stephanie was a 43-year-old mother of five. But her children didn't get to celebrate her on Mother's Day because she was killed at the hospital in May 2020. Stephanie was admitted to hospital for breathing difficulties. She was presumed Covid-positive, though as it turned out, she wasn't. Stephanie suffered from bipolar disorder and PTSD. She had Chronic Obstructive Pulmonary Disease (COPD), which makes breathing difficult. The day she was put into a coma by security guards, she had gone to the food court. On the way back to her room, she stopped in the hallway to catch her breath. Five security guards then sprang into action. Not to help her, but to violently restrain the 125-pound woman, on the ground, as she struggled to breathe. Stephanie was confronted, berated, pushed backwards into and up against a wall, put face-down onto the ground, handcuffed, and, according to witnesses, had two guards placing weight on her as she suffocated and lost consciousness. Stephanie died because she was weak and confused due to breathing problems, and her mask was pushed down so that she could breathe. The guards were "protecting the public" from a tiny seated woman sitting quietly whose mask was pushed down. This made her a public enemy due to coronavirus hysteria. The hysteria was created by Canada's managerial regime and state-funded media. An Ontario coroner's report found that Stephanie suffered a brain injury due to restraint asphyxia. Initially, Amanda Rojas-Silva, 42, and Shane Hutley, 35, were charged with manslaughter and criminal negligence in Stephanie's death. But a judge concluded there wasn't enough evidence to take the case to trial, and the Crown didn't appeal. The surveillance camera was rotated away in another direction to hide the actions of the guards during Stephanie's violent assault. Two security staff who were present testified that the accused placed weight on Stephanie's upper body while she was held chest-down on the ground. A forensic pathologist testified Stephanie would still be alive had she not been restrained. The accused claimed that Stephanie initiated violence. Shane Hutley eventually admitted he lied about that. The video showed what happened before and after Stephanie was assaulted. A female guard approached Stephanie, got in her face, and initiated violence. Several minutes of the altercation weren't captured due to the actions of the remote operator of the camera. After she was assaulted into a comatose state, Stephanie's limp body was seen being pulled through the hospital hallways in a wheelchair. Her legs were sprawled out. Her feet dragged along the floor. The managerial elites who perpetrated the Covid regime on the Canadian people would be in prison if we were still a nation governed by the rule of law and moral decency. None of them have been held to account for their actions. Not the politicians, nor the managerial elites, nor the corporations who benefited from the mass formation psychosis, nor the judges, nor the power-tripping henchmen who enjoyed lording power over other Canadians, sometimes to the point of killing them. Until there is accountability, everyday Canadians like myself will keep reminding the country of what they did to Canadians, and how voiceless victims suffered because of their actions.

Natasha Montreal

160,760 次观看 • 3 个月前

The theme park enforces a strict age limit especially for unaccompanied minors. They even have a sign posted that anybody under 17 has to be accompanied by a minor. This woman dropped off her kids at the water park and none of them were over the age of 17. They were also breaking rules and running wild. The mom seems to imply they were kicked out for another reason but I don’t think so. Follow the rules and everybody wins right? Such an easy to grasp concept. When I was younger, my neighbors parents and my parents used to drop us kids off at the pool for the day, it was never an issue. We were all between 10-13 years old. The park didn’t have an age restriction posted and we all knew how to act right and stay out of trouble. This was during the golden era of the Super Soaker water guns. I had a Super Soaker 200 and my friends had a 50 and a 100. Other kids would bring their water guns too and we would all have water gun fights at the pool. We’ve done this before and nobody ever had an issue. But on this day, we encountered our first pool Karen. She was mad because her kid was squirted with a water gun while in the pool. The kid didn’t even care nor did she have an issue because she had a water gun too. But this lady was so outraged that her kid who participated in a water gun fight was blaster by a water gun. The park manager had his hands tied and actually booted many of us out for creating a disturbance but not for having and using the water guns. Yeah we were mad and disappointed because we normally didn’t leave until 5pm and it was only 12pm. We had to call one of our parents to come and get us and explain why we got booted out. My friend’s mom spoke to the manager and intervened on our behalf. She said why isn’t the woman’s child booted as well, why was it only us? The manager didn’t really had a good explanation for it and ended up letting us back in to the Karen’s dismay. She objected and the manager told her that if we had to leave then she had to leave as well because her child was doing the same thing as well. She huffed and puffed but backed off because she didn’t want to lose the $13 admission she had to pay. For the rest of the day we didn’t use the water guns, we actually ended up putting them away in my friend’s mom’s car when she came to pick us up.
1:58

The theme park enforces a strict age limit especially for unaccompanied minors. They even have a sign posted that anybody under 17 has to be accompanied by a minor. This woman dropped off her kids at the water park and none of them were over the age of 17. They were also breaking rules and running wild. The mom seems to imply they were kicked out for another reason but I don’t think so. Follow the rules and everybody wins right? Such an easy to grasp concept. When I was younger, my neighbors parents and my parents used to drop us kids off at the pool for the day, it was never an issue. We were all between 10-13 years old. The park didn’t have an age restriction posted and we all knew how to act right and stay out of trouble. This was during the golden era of the Super Soaker water guns. I had a Super Soaker 200 and my friends had a 50 and a 100. Other kids would bring their water guns too and we would all have water gun fights at the pool. We’ve done this before and nobody ever had an issue. But on this day, we encountered our first pool Karen. She was mad because her kid was squirted with a water gun while in the pool. The kid didn’t even care nor did she have an issue because she had a water gun too. But this lady was so outraged that her kid who participated in a water gun fight was blaster by a water gun. The park manager had his hands tied and actually booted many of us out for creating a disturbance but not for having and using the water guns. Yeah we were mad and disappointed because we normally didn’t leave until 5pm and it was only 12pm. We had to call one of our parents to come and get us and explain why we got booted out. My friend’s mom spoke to the manager and intervened on our behalf. She said why isn’t the woman’s child booted as well, why was it only us? The manager didn’t really had a good explanation for it and ended up letting us back in to the Karen’s dismay. She objected and the manager told her that if we had to leave then she had to leave as well because her child was doing the same thing as well. She huffed and puffed but backed off because she didn’t want to lose the $13 admission she had to pay. For the rest of the day we didn’t use the water guns, we actually ended up putting them away in my friend’s mom’s car when she came to pick us up.

SonnyBoy🇺🇸

793,210 次观看 • 26 天前

Maternal Love in the Animal World: Silent Sacrifice for the Survival of the Next Generation The image of a mother bear who has not eaten for more than three months while denning in a tree hollow amid a flooded swamp is truly striking and serves as a clear testament to the struggle for survival. She has given birth to twin cubs about three months old — experiencing the outside world for the first time, never having seen water before, and still unsteady on their feet. In the dangerous swamp, simply failing to listen to their mother can easily lead to drowning. This is a very clear reminder: the experience of adults, especially the mother, often saves lives when the young are still vulnerable. Nature is harsh and shows no mercy. The mother bear must swim and climb trees to reach dry land with enough food for the whole family, while the cubs have only caught a glimpse of the outside world. The video shows that life in the wild is full of risks, with no room for carelessness. The powerful maternal instinct and willingness to sacrifice shine through every moment. Despite hunger and exhaustion, the mother persistently guides, protects, and teaches her two cubs. Maternal love in nature is precisely this perseverance, endurance, and absolute sense of responsibility. Her body is depleted after the long period of fasting, yet she still prioritizes her cubs’ safety. From this, we clearly see the three pillars of maternal love: physiological sacrifice as the mother depletes her energy reserves, active protection through assessing dangers and preventing them, and teaching to pass on the skills that help the young become independent. Maternal love can only fully flourish when the living environment remains intact. Humans are directly threatening this capacity through deforestation, filling in wetlands, climate change, and hunting. To protect it, we need to preserve important habitats such as forests and wetlands — places where many species raise their young; reduce human-wildlife conflict by managing waste and creating safe wildlife corridors; support research and the rescue of affected mother-and-cub pairs; and educate communities about the value of parental care behaviors in nature. Every time we protect a forest or a wetland, we are indirectly safeguarding those animal mothers who quietly sacrifice for the next generation. Maternal love in the animal world is a lesson in perseverance and responsibility that goes beyond one’s own limits. It reminds us that life is not only a competition for survival, but also a process of transmission — from mother to child, from one generation to the next. When we understand this, we will cherish more deeply those seemingly ordinary moments in nature and take greater responsibility in protecting them.
2:37

Maternal Love in the Animal World: Silent Sacrifice for the Survival of the Next Generation The image of a mother bear who has not eaten for more than three months while denning in a tree hollow amid a flooded swamp is truly striking and serves as a clear testament to the struggle for survival. She has given birth to twin cubs about three months old — experiencing the outside world for the first time, never having seen water before, and still unsteady on their feet. In the dangerous swamp, simply failing to listen to their mother can easily lead to drowning. This is a very clear reminder: the experience of adults, especially the mother, often saves lives when the young are still vulnerable. Nature is harsh and shows no mercy. The mother bear must swim and climb trees to reach dry land with enough food for the whole family, while the cubs have only caught a glimpse of the outside world. The video shows that life in the wild is full of risks, with no room for carelessness. The powerful maternal instinct and willingness to sacrifice shine through every moment. Despite hunger and exhaustion, the mother persistently guides, protects, and teaches her two cubs. Maternal love in nature is precisely this perseverance, endurance, and absolute sense of responsibility. Her body is depleted after the long period of fasting, yet she still prioritizes her cubs’ safety. From this, we clearly see the three pillars of maternal love: physiological sacrifice as the mother depletes her energy reserves, active protection through assessing dangers and preventing them, and teaching to pass on the skills that help the young become independent. Maternal love can only fully flourish when the living environment remains intact. Humans are directly threatening this capacity through deforestation, filling in wetlands, climate change, and hunting. To protect it, we need to preserve important habitats such as forests and wetlands — places where many species raise their young; reduce human-wildlife conflict by managing waste and creating safe wildlife corridors; support research and the rescue of affected mother-and-cub pairs; and educate communities about the value of parental care behaviors in nature. Every time we protect a forest or a wetland, we are indirectly safeguarding those animal mothers who quietly sacrifice for the next generation. Maternal love in the animal world is a lesson in perseverance and responsibility that goes beyond one’s own limits. It reminds us that life is not only a competition for survival, but also a process of transmission — from mother to child, from one generation to the next. When we understand this, we will cherish more deeply those seemingly ordinary moments in nature and take greater responsibility in protecting them.

Nature 🦜and Music 🎶

24,334 次观看 • 5 天前

🚨 Scamala Harris is trending on X! 🚨 🚀Buckle up earthlings, because we're diving into the cosmos of political absurdity with none other than Scamala Harris, the woman who's been installed as the Democratic Messiah without so much as a primary vote. Yes, you heard that right, no votes, just bad vibes! Democracy? What's That? - Here we have Scamala Harris, crowned without a crown, selected not elected, yet the same folks who cry "threat to democracy" over Trump are the ones who didn't even let you vote for her. Talk about irony wrapped in hypocrisy! From Unlikable to Messiah? - Just three months ago, Scamala Harris was the VP no one wanted to sit next to at dinner parties. Now, the media's spinning a tale so wild, you'd think she walked on water. Spoiler: She can't even swim in a debate without sinking. Press? More Like Stress! - While Trump's out there giving interviews like he's auditioning for a reality show, Scamala's dodging questions faster than a spaceship avoiding black holes. Her press engagements? More like press disengagements. The Word Salad Czar - Ever tried to understand Scamala Harris's speeches? It's like she's got a PhD in Circumlocution (The use of unnecessarily wordy language, especially in being vague or evasive). She could talk about the weather and leave you wondering if she likes yellow school busses. Middle Class? More Like Middle-Class Pretender - Scamala loves to reminisce about her 'middle-class' upbringing. Meanwhile, her parents were PhDs at Berkeley and Stanford. That's like saying you grew up poor because you didn't have 3three yachts, you just had two. The Great Scam Reveal - Here's the kicker, folks. Everyone's onto Scamala Harris. This isn't just a nickname; it's a movement. She's the epitome of political sleight of hand, trying to convince us she's the people's choice. Why Scamala Harris? Because she's the political equivalent of a space-faring scam artist, selling you stardust and promising you the moon, but all you get is a handful of cosmic dust. So, next time someone tries to sell you on Scamala Harris being the next big thing, remember: in the galaxy of politics, she's just another black hole, sucking in credibility and spitting out confusion. Stay alert, stay skeptical, and for the love of all that's intergalactic, don't fall for the Scamala scam!🚀
0:38

🚨 Scamala Harris is trending on X! 🚨 🚀Buckle up earthlings, because we're diving into the cosmos of political absurdity with none other than Scamala Harris, the woman who's been installed as the Democratic Messiah without so much as a primary vote. Yes, you heard that right, no votes, just bad vibes! Democracy? What's That? - Here we have Scamala Harris, crowned without a crown, selected not elected, yet the same folks who cry "threat to democracy" over Trump are the ones who didn't even let you vote for her. Talk about irony wrapped in hypocrisy! From Unlikable to Messiah? - Just three months ago, Scamala Harris was the VP no one wanted to sit next to at dinner parties. Now, the media's spinning a tale so wild, you'd think she walked on water. Spoiler: She can't even swim in a debate without sinking. Press? More Like Stress! - While Trump's out there giving interviews like he's auditioning for a reality show, Scamala's dodging questions faster than a spaceship avoiding black holes. Her press engagements? More like press disengagements. The Word Salad Czar - Ever tried to understand Scamala Harris's speeches? It's like she's got a PhD in Circumlocution (The use of unnecessarily wordy language, especially in being vague or evasive). She could talk about the weather and leave you wondering if she likes yellow school busses. Middle Class? More Like Middle-Class Pretender - Scamala loves to reminisce about her 'middle-class' upbringing. Meanwhile, her parents were PhDs at Berkeley and Stanford. That's like saying you grew up poor because you didn't have 3three yachts, you just had two. The Great Scam Reveal - Here's the kicker, folks. Everyone's onto Scamala Harris. This isn't just a nickname; it's a movement. She's the epitome of political sleight of hand, trying to convince us she's the people's choice. Why Scamala Harris? Because she's the political equivalent of a space-faring scam artist, selling you stardust and promising you the moon, but all you get is a handful of cosmic dust. So, next time someone tries to sell you on Scamala Harris being the next big thing, remember: in the galaxy of politics, she's just another black hole, sucking in credibility and spitting out confusion. Stay alert, stay skeptical, and for the love of all that's intergalactic, don't fall for the Scamala scam!🚀

Thomas Paine Band

117,943 次观看 • 1 年前

#WATCH | Delhi | Judge dies by suicide in Safdarjung | Father-in-law of Judge Aman Kumar Sharma's sister says, "... I spoke to my son on the call who told me that they are taking Aman to Safdarjung Hospital. By the time I reached the hospital, the doctor had already declared him dead... As per the statement given by his father to the Police, around 10 pm last night, Aman had called him saying that he was distressed and it had become difficult for him to continue living. His father departed from Alwar right then and reached here around 12 in the night. Upon arriving, he learned that Aman had been having conflicts with his wife. He told his father that he had been harassed for the last two months. His wife (Swati) is a judicial officer, and her sister is an IAS officer (Nidhi Malik) currently posted in Jammu. According to Aman, Nidhi Malik had been interfering in his life, and she was controlling his household... Aman's father said that his daughter-in-law told him that if you don't leave from here, she would call the police... The next morning, Aman's father tried to contact his daughter-in-law's parents, but they had blocked his phone... Then an argument broke out in the house. So Aman's father went to the other room. According to him, Swati was extremely angry and shouting, while Aman was crying. After a while, the noise stopped. He waited for a while, thinking that the argument had been resolved. When he went to check up on them after some time, he asked Swati about Aman's whereabouts, to which she replied that she did not know. .. When he called Aman's mobile, he heard it ringing inside the bathroom. He knocked on the bathroom door and asked him to open the door. During this, Yudhvir (Swati's chacha) and Nidhi Malik arrived. They tried a lot, banged the furniture against the door, but the door didn't open. Then the neighbours told them that there was a window in the shaft. So they got a ladder. The guard Shankar climbed the ladder, broke the window and entered the bathroom. He found Aman hanging... Aman was 30 years old..."
4:42

#WATCH | Delhi | Judge dies by suicide in Safdarjung | Father-in-law of Judge Aman Kumar Sharma's sister says, "... I spoke to my son on the call who told me that they are taking Aman to Safdarjung Hospital. By the time I reached the hospital, the doctor had already declared him dead... As per the statement given by his father to the Police, around 10 pm last night, Aman had called him saying that he was distressed and it had become difficult for him to continue living. His father departed from Alwar right then and reached here around 12 in the night. Upon arriving, he learned that Aman had been having conflicts with his wife. He told his father that he had been harassed for the last two months. His wife (Swati) is a judicial officer, and her sister is an IAS officer (Nidhi Malik) currently posted in Jammu. According to Aman, Nidhi Malik had been interfering in his life, and she was controlling his household... Aman's father said that his daughter-in-law told him that if you don't leave from here, she would call the police... The next morning, Aman's father tried to contact his daughter-in-law's parents, but they had blocked his phone... Then an argument broke out in the house. So Aman's father went to the other room. According to him, Swati was extremely angry and shouting, while Aman was crying. After a while, the noise stopped. He waited for a while, thinking that the argument had been resolved. When he went to check up on them after some time, he asked Swati about Aman's whereabouts, to which she replied that she did not know. .. When he called Aman's mobile, he heard it ringing inside the bathroom. He knocked on the bathroom door and asked him to open the door. During this, Yudhvir (Swati's chacha) and Nidhi Malik arrived. They tried a lot, banged the furniture against the door, but the door didn't open. Then the neighbours told them that there was a window in the shaft. So they got a ladder. The guard Shankar climbed the ladder, broke the window and entered the bathroom. He found Aman hanging... Aman was 30 years old..."

ANI

665,365 次观看 • 3 个月前

Analyzing Episode 60. Season 2 aka Motherhood Deconstructed I want to start this analysis with a disclaimer that I'll be writing about that kiss separately, because really, it deserves a post of its own. I'll talk about it here briefly, but this analysis will stick to the overall events of ep 60. To me, the main theme of this episode was motherhood. Be it Alya, Nare, Zerrin, Sadakat, and yes, even the dishrag. We see how these different women strive, suffer, and never stop trying to keep their children with them, all except one. So, let's begin. We start episode 60 with Alya and Cihan awaiting to conduct a DNA test on baby Simal, whom Kaya insists is his child. Long story short, Kaya is feeling a little pissed about Zerrin keeping the truth of Simal from him, and he has a point. But then, it's not like Zerrin has had a jolly good time pretending to play house with a creep like Demir. The only reason she relents is to keep her baby safe. So, it's a catch-22 situation, where both sides are right and wrong. But, it's not like we don't know these two will make up soon. What stood out to me in that sequence was Alya taking charge of ensuring Zerrin has access to her baby. She knows exactly what it is to be separated from one's child, and she's kind and brave enough to refuse to let anyone suffer through the same. So, in a way, Alya's motherhood doesn't just extend to Deniz. It encompasses her to the point where she shields all those she feels need protection. I also like the fact that she's taken Zerrin under her wing, because when the latter moves into the konak with Sadakat, she'll need all the help she can get. The next sequence begins at the hospital, where Nare is still hell-bent on continuing with the pregnancy, though at great risk to her life. This is another glimpse of motherhood the show gives us - in the shape of a woman who is so in love with her unborn child already, she's willing to risk death to bring it into the world. Contrasted to that is Sadakat, who's willing to lie or cheat to keep her daughter alive. Here is a ruthless kind of motherhood. Sadakat's love (if you can call it that) has always been wrapped in control, manipulation, and fear. But, still at the center of all her ugliness is a woman who doesn't want to lose her children. Nare is willing to die for her child, Sadakat is willing to kill Nare's child to ensure she lives - quite the compelling contrast. Different forms of motherhood, but both rooted in desperation. In the middle of all that, Meryem pops up like a bad penny. But even as she arrives in that room and Sadakat wants to keep her there, the awkward silence that envelops the space as she lingers is telling. She doesn't belong, it seems to say. But, there's another person who's starting to question their 'belonging' in this new version of the past that's come back - and of course, that's Alya. The more she sees Meryem infiltrate parts of her life beyond the konak, the more her exposed nerves are rubbed raw. This woman is so close to complete and utter exhaustion, it's heartbreaking. What's even more heartbreaking is that while she tries to be there for everyone, she herself cuts everyone off when she feels troubled. And that, to me, is where the episode quietly portrays the emotional labor aspect of being a mom. Alya mothers everyone around her. Nare, Zerrin, Kaya, and Deniz. Even Cihan at times. She absorbs pain, tries to stem chaos, protects others from falling apart, yet when it comes to her own fears and insecurities, she retreats inward completely. It's almost as if she believes she only deserves to be the shelter, never the one allowed to seek sanctuary. Because children who grow up thinking they've been abandoned grow up thinking love is a thing to be earned through caring or usefulness. So, instead of asking for comfort, they always end up providing it. But humans, even the strongest of the strong, have their limits. And, it's so clear that Alya is close to reaching hers. So, when Cihan is forced to relent and allow Mujgan and her son to the konak because Deniz wants it, Alya does what she does best - she withdraws and leaves the source of discomfort. That's why she tells Cihan she hates going to the konak now because every time she goes there, the spectre of Meryem and what she can snatch away becomes unavoidable. And, as blind as Cihan can be at times, he picks up on that. He knows exactly what she's trying to do, which is why he tries to redirect her attention to the fact that he hates going to the konak without Alya around, too. He wants to be wherever Alya is. In his own way, he's trying to tell her it doesn't matter who stays at that house; it's only home to Cihan when Alya is around. His words reach Alya, which is why she relents and visits the konak for a few hours, but then shit hits the fan again. We'll get to that, but first, let's talk about Meryem. Meryem's scene in the hospital with Mujgan reveals Meryem saying she can't tell Cihan about Serhat because she's not sure who the father is, and that she'd rather live in the hope that Serhat is the son of the man she loves, bla blah. Now, go back and think of all the versions of motherhood we've seen in this series, and indeed this episode. They all have one thing in common - that all the mothers did whatever they had to, and bore whatever came their way to ensure their babies stayed with them. No matter how much Alya, Zerrin, or Nare love their better halves, when push came to shove, they put their children first. Even Sadakat married Azem for Boran. All except one. Meryem. Meryem sent her son away and made it look like he was Mujgan's child, thereby erasing all his links to her. One could argue it was because she feared Feyyaz. But what's stopping her now? Let's assume what Meryem says is right and there's a 50 percent chance Serhat is Cihan's son. For a mother desperate to save her child from danger, those are pretty good odds, so why avoid the DNA test? Suppose Serhat turns out to be Feyyaz's son; even so, if she comes clean with Cihan, she knows he's the kind to help her, even if just to keep an innocent child safe. So, her version of motherhood sticks out like a sore thumb in the episode. In contrast, I found Alya's line, 'When it comes to my son, I put him before everything and everyone else,' much more fitting with the theme. Mothers on the defensive, who feel there's a threat to their child's wellbeing, will relent to even the most extreme measure - even if it tears their own being apart. Alya hates being away from Cihan. She hates that distance she imposes between them as much as Cihan, but she can't help it. Because the mother in her won't let her choose anything else. Which is why I say Serhat is almost like an afterthought to Meryem because his needs are never the focus. And I get the feeling that whatever Meryem is trying to hide threatens not her son, but likely the version of herself she's presented to the world. Even when I rewatched the kite flying scene, the way the camera pans into Serhat only once, but mostly focuses on Cihan and Alya after showing us Meryem is telling. Like this is a woman not going through hell because of her child, but because she's looking at a structure of acceptance she's no longer able to enter. Life at the konak, Cihan's family unit, his love for Alya and Deniz - it's everything that could have been hers once, but no longer. No matter how she tries, she no longer fits. And honestly, that’s why that sense of not belonging is even more overt in an episode about motherhood. Every other mother in this episode becomes messy because of love for their child. Nare breaks down. Zerrin panics. Sadakat manipulates openly. Alya practically emotionally disintegrates trying to hold everything together. Their feelings spill all over the place because motherhood, especially threatened motherhood, breaks people down. But Meryem remains oddly stoic throughout it all, except for a few tears. She's mostly careful and controlled, and always aware of who's watching her. Going back to the point of shit hitting the fan, when Alya discovers Meryem and Mujgan in Cihan's room, she doesn't buy Meryem's story for a bit. When Cihan tries to calm the situation, she dismantles the sorry excuse Meryem gives with two questions. In other words, her spidey senses pick up trouble, but she keeps it locked in because she doesn't want to appear as the jealous, unreasonable wife. But things come to a head anyway when Feyyaz cuts Cihan and Alya off on the road. Cihan seems to finally realize exactly the kind of trouble Meryem has unleashed in their lives when Feyyaz keeps eyeing Alya. Because to Feyyaz's psychotic mind, Cihan is keeping Meryem away from him, which makes Alya fair game. But when Cihan insists Alya return to the konak, Alya flat out refuses, and all the pressure that's been building inside her gets directed at Cihan. She knows deep down he's not at fault, but the fact that he's jumped into another situation without thinking of the danger, grates on her nerves. Which is why her default setting kicks in; she demands that Cihan bring Deniz to her and leave the apartment. Cihan, who is already reeling from Alya pulling back from him and the reality of Feyyaz targeting the only thing he truly holds dear, is desperate to stop Alya's isolation before she decides he's not worth all the misery she's suffering, and does what's worked for him once before in a desperate situation (the airport, anyone?). He forgets everything, pulls Alya in, and kisses the breath out of her. And, it works too, because for that moment, Alya stops spiraling long enough to simply feel. To stop calculating danger or bracing for abandonment. She feels loved and safe in Cihan's arms again. That's what makes that kiss so powerful. It isn't just the passion. It's the desperation behind it, on both sides. Cihan isn't kissing Alya because he wants to win an argument. He's kissing her because he's terrified, and he misses her. He's worried that if she keeps retreating inward, one day she'll retreat so far he won't be able to reach her anymore. Worried that all the fear, exhaustion, and pressure she's carrying will eventually make her decide loving him isn't worth the cost. And Alya responds because beneath all her anger, fear, and exhaustion, she loves him just as desperately. That's the irony of CihAl this season. They're not going to pieces because the love is weakening. They're going to pieces because the love has become so enormous that losing it feels catastrophic to both of them. To conclude, everything within ep 60, including the kiss, works so beautifully because technically everyone is unraveling. Every woman in this episode is fighting to protect something she loves, but the ways they do so reveal who they are at their core. Alya protects by sacrificing parts of herself. Nare protects by risking herself. Sadakat protects by controlling others. Zerrin protects by enduring humiliation. And Meryem... Meryem protects the narratives she builds. Her emotions, while visible, don't land with impact, almost as if they're missing a core ingredient. On the opposite end of the spectrum lie CihAl, whose love strips them bare, only for them to realize that retreat is no option. The only way forward for them is through - through fear, through exhaustion, through jealousy, through danger, and through every ugly and painful thing that loving someone this deeply awakens inside them. Because CihAl are incapable of loving each other halfway. Their love keeps dragging every hidden wound, every insecurity, every instinct to the surface until there is nowhere left to hide. And maybe that’s the real contrast episode 60 quietly builds toward: one side clinging to carefully maintained facades, the other being emotionally dismantled by a love too raw and overwhelming to remain controlled. Till later, happy reading, y'all. #CihAl #UzakŞehir
5:10

Analyzing Episode 60. Season 2 aka Motherhood Deconstructed I want to start this analysis with a disclaimer that I'll be writing about that kiss separately, because really, it deserves a post of its own. I'll talk about it here briefly, but this analysis will stick to the overall events of ep 60. To me, the main theme of this episode was motherhood. Be it Alya, Nare, Zerrin, Sadakat, and yes, even the dishrag. We see how these different women strive, suffer, and never stop trying to keep their children with them, all except one. So, let's begin. We start episode 60 with Alya and Cihan awaiting to conduct a DNA test on baby Simal, whom Kaya insists is his child. Long story short, Kaya is feeling a little pissed about Zerrin keeping the truth of Simal from him, and he has a point. But then, it's not like Zerrin has had a jolly good time pretending to play house with a creep like Demir. The only reason she relents is to keep her baby safe. So, it's a catch-22 situation, where both sides are right and wrong. But, it's not like we don't know these two will make up soon. What stood out to me in that sequence was Alya taking charge of ensuring Zerrin has access to her baby. She knows exactly what it is to be separated from one's child, and she's kind and brave enough to refuse to let anyone suffer through the same. So, in a way, Alya's motherhood doesn't just extend to Deniz. It encompasses her to the point where she shields all those she feels need protection. I also like the fact that she's taken Zerrin under her wing, because when the latter moves into the konak with Sadakat, she'll need all the help she can get. The next sequence begins at the hospital, where Nare is still hell-bent on continuing with the pregnancy, though at great risk to her life. This is another glimpse of motherhood the show gives us - in the shape of a woman who is so in love with her unborn child already, she's willing to risk death to bring it into the world. Contrasted to that is Sadakat, who's willing to lie or cheat to keep her daughter alive. Here is a ruthless kind of motherhood. Sadakat's love (if you can call it that) has always been wrapped in control, manipulation, and fear. But, still at the center of all her ugliness is a woman who doesn't want to lose her children. Nare is willing to die for her child, Sadakat is willing to kill Nare's child to ensure she lives - quite the compelling contrast. Different forms of motherhood, but both rooted in desperation. In the middle of all that, Meryem pops up like a bad penny. But even as she arrives in that room and Sadakat wants to keep her there, the awkward silence that envelops the space as she lingers is telling. She doesn't belong, it seems to say. But, there's another person who's starting to question their 'belonging' in this new version of the past that's come back - and of course, that's Alya. The more she sees Meryem infiltrate parts of her life beyond the konak, the more her exposed nerves are rubbed raw. This woman is so close to complete and utter exhaustion, it's heartbreaking. What's even more heartbreaking is that while she tries to be there for everyone, she herself cuts everyone off when she feels troubled. And that, to me, is where the episode quietly portrays the emotional labor aspect of being a mom. Alya mothers everyone around her. Nare, Zerrin, Kaya, and Deniz. Even Cihan at times. She absorbs pain, tries to stem chaos, protects others from falling apart, yet when it comes to her own fears and insecurities, she retreats inward completely. It's almost as if she believes she only deserves to be the shelter, never the one allowed to seek sanctuary. Because children who grow up thinking they've been abandoned grow up thinking love is a thing to be earned through caring or usefulness. So, instead of asking for comfort, they always end up providing it. But humans, even the strongest of the strong, have their limits. And, it's so clear that Alya is close to reaching hers. So, when Cihan is forced to relent and allow Mujgan and her son to the konak because Deniz wants it, Alya does what she does best - she withdraws and leaves the source of discomfort. That's why she tells Cihan she hates going to the konak now because every time she goes there, the spectre of Meryem and what she can snatch away becomes unavoidable. And, as blind as Cihan can be at times, he picks up on that. He knows exactly what she's trying to do, which is why he tries to redirect her attention to the fact that he hates going to the konak without Alya around, too. He wants to be wherever Alya is. In his own way, he's trying to tell her it doesn't matter who stays at that house; it's only home to Cihan when Alya is around. His words reach Alya, which is why she relents and visits the konak for a few hours, but then shit hits the fan again. We'll get to that, but first, let's talk about Meryem. Meryem's scene in the hospital with Mujgan reveals Meryem saying she can't tell Cihan about Serhat because she's not sure who the father is, and that she'd rather live in the hope that Serhat is the son of the man she loves, bla blah. Now, go back and think of all the versions of motherhood we've seen in this series, and indeed this episode. They all have one thing in common - that all the mothers did whatever they had to, and bore whatever came their way to ensure their babies stayed with them. No matter how much Alya, Zerrin, or Nare love their better halves, when push came to shove, they put their children first. Even Sadakat married Azem for Boran. All except one. Meryem. Meryem sent her son away and made it look like he was Mujgan's child, thereby erasing all his links to her. One could argue it was because she feared Feyyaz. But what's stopping her now? Let's assume what Meryem says is right and there's a 50 percent chance Serhat is Cihan's son. For a mother desperate to save her child from danger, those are pretty good odds, so why avoid the DNA test? Suppose Serhat turns out to be Feyyaz's son; even so, if she comes clean with Cihan, she knows he's the kind to help her, even if just to keep an innocent child safe. So, her version of motherhood sticks out like a sore thumb in the episode. In contrast, I found Alya's line, 'When it comes to my son, I put him before everything and everyone else,' much more fitting with the theme. Mothers on the defensive, who feel there's a threat to their child's wellbeing, will relent to even the most extreme measure - even if it tears their own being apart. Alya hates being away from Cihan. She hates that distance she imposes between them as much as Cihan, but she can't help it. Because the mother in her won't let her choose anything else. Which is why I say Serhat is almost like an afterthought to Meryem because his needs are never the focus. And I get the feeling that whatever Meryem is trying to hide threatens not her son, but likely the version of herself she's presented to the world. Even when I rewatched the kite flying scene, the way the camera pans into Serhat only once, but mostly focuses on Cihan and Alya after showing us Meryem is telling. Like this is a woman not going through hell because of her child, but because she's looking at a structure of acceptance she's no longer able to enter. Life at the konak, Cihan's family unit, his love for Alya and Deniz - it's everything that could have been hers once, but no longer. No matter how she tries, she no longer fits. And honestly, that’s why that sense of not belonging is even more overt in an episode about motherhood. Every other mother in this episode becomes messy because of love for their child. Nare breaks down. Zerrin panics. Sadakat manipulates openly. Alya practically emotionally disintegrates trying to hold everything together. Their feelings spill all over the place because motherhood, especially threatened motherhood, breaks people down. But Meryem remains oddly stoic throughout it all, except for a few tears. She's mostly careful and controlled, and always aware of who's watching her. Going back to the point of shit hitting the fan, when Alya discovers Meryem and Mujgan in Cihan's room, she doesn't buy Meryem's story for a bit. When Cihan tries to calm the situation, she dismantles the sorry excuse Meryem gives with two questions. In other words, her spidey senses pick up trouble, but she keeps it locked in because she doesn't want to appear as the jealous, unreasonable wife. But things come to a head anyway when Feyyaz cuts Cihan and Alya off on the road. Cihan seems to finally realize exactly the kind of trouble Meryem has unleashed in their lives when Feyyaz keeps eyeing Alya. Because to Feyyaz's psychotic mind, Cihan is keeping Meryem away from him, which makes Alya fair game. But when Cihan insists Alya return to the konak, Alya flat out refuses, and all the pressure that's been building inside her gets directed at Cihan. She knows deep down he's not at fault, but the fact that he's jumped into another situation without thinking of the danger, grates on her nerves. Which is why her default setting kicks in; she demands that Cihan bring Deniz to her and leave the apartment. Cihan, who is already reeling from Alya pulling back from him and the reality of Feyyaz targeting the only thing he truly holds dear, is desperate to stop Alya's isolation before she decides he's not worth all the misery she's suffering, and does what's worked for him once before in a desperate situation (the airport, anyone?). He forgets everything, pulls Alya in, and kisses the breath out of her. And, it works too, because for that moment, Alya stops spiraling long enough to simply feel. To stop calculating danger or bracing for abandonment. She feels loved and safe in Cihan's arms again. That's what makes that kiss so powerful. It isn't just the passion. It's the desperation behind it, on both sides. Cihan isn't kissing Alya because he wants to win an argument. He's kissing her because he's terrified, and he misses her. He's worried that if she keeps retreating inward, one day she'll retreat so far he won't be able to reach her anymore. Worried that all the fear, exhaustion, and pressure she's carrying will eventually make her decide loving him isn't worth the cost. And Alya responds because beneath all her anger, fear, and exhaustion, she loves him just as desperately. That's the irony of CihAl this season. They're not going to pieces because the love is weakening. They're going to pieces because the love has become so enormous that losing it feels catastrophic to both of them. To conclude, everything within ep 60, including the kiss, works so beautifully because technically everyone is unraveling. Every woman in this episode is fighting to protect something she loves, but the ways they do so reveal who they are at their core. Alya protects by sacrificing parts of herself. Nare protects by risking herself. Sadakat protects by controlling others. Zerrin protects by enduring humiliation. And Meryem... Meryem protects the narratives she builds. Her emotions, while visible, don't land with impact, almost as if they're missing a core ingredient. On the opposite end of the spectrum lie CihAl, whose love strips them bare, only for them to realize that retreat is no option. The only way forward for them is through - through fear, through exhaustion, through jealousy, through danger, and through every ugly and painful thing that loving someone this deeply awakens inside them. Because CihAl are incapable of loving each other halfway. Their love keeps dragging every hidden wound, every insecurity, every instinct to the surface until there is nowhere left to hide. And maybe that’s the real contrast episode 60 quietly builds toward: one side clinging to carefully maintained facades, the other being emotionally dismantled by a love too raw and overwhelming to remain controlled. Till later, happy reading, y'all. #CihAl #UzakŞehir

CocoLoco

12,775 次观看 • 3 个月前

The creation process. What is the experience of it actually like? I’ve spent tens of thousands of hours of my life, in a room, alone, listening, practicing, designing, sculpting, learning and creating. One of the things that is a non-obvious omnipresent element is YOU. More specifically your internal voice and dialogue. There’s a word you may have read past above “alone”. How can you really be alone if the internal dialogue bundle of life experience, emotion, memory construct “you” is there talking to YOU? Weird hunh? When we are creating, many of us are frequently accompanied solely by our internal dialogue. For someone that has had quite a wild ride of life experiences, and like most of us - my internal dialogue can frequently be negative, unkind, lacking grace, judgmental and many other non-desirable things. (The incredible) Dr. Amon calls this “ANTS” or Autonomic Negative Thinking. My understanding is about 85% of our thoughts are negative and our minds are wired to look for negative as a survival strategy in the oldest centers of our brain. Clever design. Great for watching for alpha predators like dinosaurs and not that great for being still and making meaningful music. Because of this, I’ve devoted much of my life to learning to self regulate, calm my central nervous system, subvert amygdala hijackings and (with patience) work with my internal dialogue. For people who create in an insular fashion I believe this is a critical skill for a happy and fulfilling life. How do you work with your thoughts and self regulate while you create? This one is Meet Her in the Mines from The Secret Language of Trees. Happy Friday friends.
1:29

The creation process. What is the experience of it actually like? I’ve spent tens of thousands of hours of my life, in a room, alone, listening, practicing, designing, sculpting, learning and creating. One of the things that is a non-obvious omnipresent element is YOU. More specifically your internal voice and dialogue. There’s a word you may have read past above “alone”. How can you really be alone if the internal dialogue bundle of life experience, emotion, memory construct “you” is there talking to YOU? Weird hunh? When we are creating, many of us are frequently accompanied solely by our internal dialogue. For someone that has had quite a wild ride of life experiences, and like most of us - my internal dialogue can frequently be negative, unkind, lacking grace, judgmental and many other non-desirable things. (The incredible) Dr. Amon calls this “ANTS” or Autonomic Negative Thinking. My understanding is about 85% of our thoughts are negative and our minds are wired to look for negative as a survival strategy in the oldest centers of our brain. Clever design. Great for watching for alpha predators like dinosaurs and not that great for being still and making meaningful music. Because of this, I’ve devoted much of my life to learning to self regulate, calm my central nervous system, subvert amygdala hijackings and (with patience) work with my internal dialogue. For people who create in an insular fashion I believe this is a critical skill for a happy and fulfilling life. How do you work with your thoughts and self regulate while you create? This one is Meet Her in the Mines from The Secret Language of Trees. Happy Friday friends.

BT

10,645 次观看 • 3 年前

Analyzing Episode 39. Season 2 aka Of Closets, Skeletons, and Haunting Truths Eveeeetttt. I finally found some of my old energy to write because last night's episode was AWESOME. And, allow me, nay, give me the freedom to say 'I TOLD YOU SO!' because the zombie turned out to be just as big a sh!thead as I expected him to be. Okay, now that I've gotten that exultant vindication out of the way, let's get on with our analysis. We start the episode with FrankenBoran saying 'Alya' and promptly fainting again. When he comes to again, he remarkably remembers all his other family members, and proceeds to creep Alya out further by calling her beautiful. I mean, don't get me wrong, but if a loving husband woke up from a year-long coma and saw his wife, I'd expect him to say something like 'I missed you' or 'How have you been?' But this guy? He goes straight for the look at my hot trophy-doctor wife. Yech. Anyway, at the zombie's insistence of seeing Cihan Deniz, Alya informs his decrepit self of the accident and all that followed, minus the mountain of trauma she went through. Is anyone else surprised by how handy this man's memory is? Because what the heck do you mean he doesn't remember asking his brother to marry his widow? When Cihan is forced to inform the zombie of his marriage to Alya, he suddenly switches to victim mode and passes out again. Convenient. After that, the assorted Alboras all convene in the salon at Sadakat's insistence, where she tries and fails to guilt-trip Cihan and Alya into showing Deniz to the zombie. Then she fine-tunes her maternal emo blackmail skills to keep Cihan from telling Boran who his real father is. Spot the witch's hypocrisy here? The only thing that made that entire scene bearable was Nare and Kaya supporting Cihan and Alya. Thank goodness for Azem and Fiko anne's genes. Alya's scene with Deniz (who's still blissfully napping) was a cute reprieve. She's understandably struggling with how she's going to explain the mess the zombie has made of their lives to her son. And, like any decent mom, she wants to protect Deniz from all kinds of pain, but finds herself helpless. And the fact that Cihan walks in and says he wishes he could protect Alya from the ugliness of life because she's just as innocent as Deniz was special to me. Because the world we live in will always blame women first, regardless of whether they're guilty or not. I've read so many comments from random losers (yep, losers) blaming Alya and accusing her of 'loose morals' because she refuses to return to the PoS husband who all but foists her on his brother's shoulders to save his own worthless self. That little reminder by Cihan of Alya's innocence in all that's happening to them made me want to hug Gulizar. Because that scene was put in there for a reason. It's to remind the viewers to watch what's happening without the blinders of hate and judgment. Because sometimes the truth requires you to be a little more than just your hateful prejudices. The next scene that stood out to me was when Boran sees Deniz. Because there you can clearly see the difference between Cihan and Boran in their 'husband' or 'protector' roles. When Boran struts to Alya in his fake righteous indignation and asks her about which room is hers, you can see his harsh, condemnatory behavior in juxtaposition to Cihan's loving acceptance of all that Alya is. Even when Cihan doesn't know her, he intrinsically trusts her and refuses to believe his mother's accusations about her and Izzet. The fact that Boran expects Alya to have a separate room, even though he specifically asks Cihan to marry Alya, is just more proof that the zombie merely wanted the marriage to ensure Alya didn't move on in her life. It was never about love or protection. It was about control and possession. Among the many outstanding scenes of this episode were Cihan and Alya facing off against Boran. Because it was about damn time this freaking skeleton was dragged out of the closet and forced into the light of truth. Why do people expect Alya to go back to Boran? Why do they expect her to stay silent about loving Cihan? Because she's a woman? Because her worth is measured by what the world dictates is her honor? Fcuk that. And that's precisely what Alya's monologue is about. How is she the one to blame when her ex-husband was the one lying to her since day one? How is the shame hers when Boran felt none, asking his brother to marry his widow just so he could return and claim her like she's some baggage? Alya rightly informs the zombie that, in his attempt to play God, his decision made her Cihan's wife. And, no matter how much he apologizes, nothing will change the truth of her feelings. She loves Cihan now, and that's that. Now, let's focus on Cihan's talk with Boran. I feel so sad for Ciho, because the man he looked up to turned out to have feet of clay. And, Cihan's realization of that becomes obvious as their 'talk' continues. When Cihan admits he loves Alya, Boran immediately hits him with Meryem. The zombie has the audacity to say that if Cihan managed to get over Meryem, his love for Alya could be a passing thing too. Manipulative ass. Thankfully, Cihan has the perfect comeback. And, what's more, we as the audience know he's telling the truth, because we've seen him evolve. He says what he thought was the truth was actually a lie, and it was only something he realized when he came face-to-face with the real deal. Alya truly is the love of his life. A fact that only becomes clearer as he continues to talk. When Boran dares to ask whether Cihan has slept with Alya, you can see Cihan's heart break in the heavy breath he expels. It's almost as if he can't believe the words he's hearing. But despite that, he answers. And he answers truthfully. Why? Because he'd never allow what he feels for Alya to be marred by accusations of lust. Of falling under the spell of her beauty only. Cihan knows Alya is beautiful. And he's often mesmerized by her beauty. But he falls in love with who Alya is. As a mother. As a doctor. As his wife. He falls in love with all the aspects of her, good and bad. And his dialogue 'whether I touch her or not, my love for her will never change,' proves he's operating on a different plain than his scum of a brother. The fact that Alya is willing to risk being called 'characterless' or 'easy' with the trauma of her past, and that Cihan is willing to go against his entire code of 'family and duty' for each other, is the biggest proof of their love. It's not easy to break out of the mold our circumstances and life place us in. But what makes Alya and Cihan inherently attractive is that they're willing to risk it all for love, while still sticking to their principles and beliefs. I think I fell in love with CihAl as a couple all over again in this episode. These two characters are possibly the most conscientious protagonists I've seen in a dizi, and it's laughable when people pass judgment on them due to morals, lmao. Now, on to less palatable topics. The zombie and Albora's haunting truth. The last scene of the episode makes several silent revelations. One is that Boran was never happy being sidelined in favor of Cihan as the leader. Two is that Boran likely killed Sulaiman Baybars, not out of a vendetta, but possibly because he was trying to prove himself worthy of the mantle of leadership, and being exiled instead pissed him off. Three is that Boran will likely stoop to any level, including going over to Ecmel's side to snatch what he feels is rightfully his. And four is that allowing Boran to escape the consequences of his actions created a monster who thinks the world revolves around him. It's obvious by the look on Boran's face that he's going to pick bitterness and payback over introspection and accountability. And in doing so, Albora's haunting truth will be repeated - the biggest danger to the family isn't some external enemy, it's often one of your own, driven by festering envy and entitlement. Because history doesn't always repeat, but it does rhyme. And that's my two cents on this episode. Till next time, happy reading y'all. #CihAl #UzakŞehir
3:09

Analyzing Episode 39. Season 2 aka Of Closets, Skeletons, and Haunting Truths Eveeeetttt. I finally found some of my old energy to write because last night's episode was AWESOME. And, allow me, nay, give me the freedom to say 'I TOLD YOU SO!' because the zombie turned out to be just as big a sh!thead as I expected him to be. Okay, now that I've gotten that exultant vindication out of the way, let's get on with our analysis. We start the episode with FrankenBoran saying 'Alya' and promptly fainting again. When he comes to again, he remarkably remembers all his other family members, and proceeds to creep Alya out further by calling her beautiful. I mean, don't get me wrong, but if a loving husband woke up from a year-long coma and saw his wife, I'd expect him to say something like 'I missed you' or 'How have you been?' But this guy? He goes straight for the look at my hot trophy-doctor wife. Yech. Anyway, at the zombie's insistence of seeing Cihan Deniz, Alya informs his decrepit self of the accident and all that followed, minus the mountain of trauma she went through. Is anyone else surprised by how handy this man's memory is? Because what the heck do you mean he doesn't remember asking his brother to marry his widow? When Cihan is forced to inform the zombie of his marriage to Alya, he suddenly switches to victim mode and passes out again. Convenient. After that, the assorted Alboras all convene in the salon at Sadakat's insistence, where she tries and fails to guilt-trip Cihan and Alya into showing Deniz to the zombie. Then she fine-tunes her maternal emo blackmail skills to keep Cihan from telling Boran who his real father is. Spot the witch's hypocrisy here? The only thing that made that entire scene bearable was Nare and Kaya supporting Cihan and Alya. Thank goodness for Azem and Fiko anne's genes. Alya's scene with Deniz (who's still blissfully napping) was a cute reprieve. She's understandably struggling with how she's going to explain the mess the zombie has made of their lives to her son. And, like any decent mom, she wants to protect Deniz from all kinds of pain, but finds herself helpless. And the fact that Cihan walks in and says he wishes he could protect Alya from the ugliness of life because she's just as innocent as Deniz was special to me. Because the world we live in will always blame women first, regardless of whether they're guilty or not. I've read so many comments from random losers (yep, losers) blaming Alya and accusing her of 'loose morals' because she refuses to return to the PoS husband who all but foists her on his brother's shoulders to save his own worthless self. That little reminder by Cihan of Alya's innocence in all that's happening to them made me want to hug Gulizar. Because that scene was put in there for a reason. It's to remind the viewers to watch what's happening without the blinders of hate and judgment. Because sometimes the truth requires you to be a little more than just your hateful prejudices. The next scene that stood out to me was when Boran sees Deniz. Because there you can clearly see the difference between Cihan and Boran in their 'husband' or 'protector' roles. When Boran struts to Alya in his fake righteous indignation and asks her about which room is hers, you can see his harsh, condemnatory behavior in juxtaposition to Cihan's loving acceptance of all that Alya is. Even when Cihan doesn't know her, he intrinsically trusts her and refuses to believe his mother's accusations about her and Izzet. The fact that Boran expects Alya to have a separate room, even though he specifically asks Cihan to marry Alya, is just more proof that the zombie merely wanted the marriage to ensure Alya didn't move on in her life. It was never about love or protection. It was about control and possession. Among the many outstanding scenes of this episode were Cihan and Alya facing off against Boran. Because it was about damn time this freaking skeleton was dragged out of the closet and forced into the light of truth. Why do people expect Alya to go back to Boran? Why do they expect her to stay silent about loving Cihan? Because she's a woman? Because her worth is measured by what the world dictates is her honor? Fcuk that. And that's precisely what Alya's monologue is about. How is she the one to blame when her ex-husband was the one lying to her since day one? How is the shame hers when Boran felt none, asking his brother to marry his widow just so he could return and claim her like she's some baggage? Alya rightly informs the zombie that, in his attempt to play God, his decision made her Cihan's wife. And, no matter how much he apologizes, nothing will change the truth of her feelings. She loves Cihan now, and that's that. Now, let's focus on Cihan's talk with Boran. I feel so sad for Ciho, because the man he looked up to turned out to have feet of clay. And, Cihan's realization of that becomes obvious as their 'talk' continues. When Cihan admits he loves Alya, Boran immediately hits him with Meryem. The zombie has the audacity to say that if Cihan managed to get over Meryem, his love for Alya could be a passing thing too. Manipulative ass. Thankfully, Cihan has the perfect comeback. And, what's more, we as the audience know he's telling the truth, because we've seen him evolve. He says what he thought was the truth was actually a lie, and it was only something he realized when he came face-to-face with the real deal. Alya truly is the love of his life. A fact that only becomes clearer as he continues to talk. When Boran dares to ask whether Cihan has slept with Alya, you can see Cihan's heart break in the heavy breath he expels. It's almost as if he can't believe the words he's hearing. But despite that, he answers. And he answers truthfully. Why? Because he'd never allow what he feels for Alya to be marred by accusations of lust. Of falling under the spell of her beauty only. Cihan knows Alya is beautiful. And he's often mesmerized by her beauty. But he falls in love with who Alya is. As a mother. As a doctor. As his wife. He falls in love with all the aspects of her, good and bad. And his dialogue 'whether I touch her or not, my love for her will never change,' proves he's operating on a different plain than his scum of a brother. The fact that Alya is willing to risk being called 'characterless' or 'easy' with the trauma of her past, and that Cihan is willing to go against his entire code of 'family and duty' for each other, is the biggest proof of their love. It's not easy to break out of the mold our circumstances and life place us in. But what makes Alya and Cihan inherently attractive is that they're willing to risk it all for love, while still sticking to their principles and beliefs. I think I fell in love with CihAl as a couple all over again in this episode. These two characters are possibly the most conscientious protagonists I've seen in a dizi, and it's laughable when people pass judgment on them due to morals, lmao. Now, on to less palatable topics. The zombie and Albora's haunting truth. The last scene of the episode makes several silent revelations. One is that Boran was never happy being sidelined in favor of Cihan as the leader. Two is that Boran likely killed Sulaiman Baybars, not out of a vendetta, but possibly because he was trying to prove himself worthy of the mantle of leadership, and being exiled instead pissed him off. Three is that Boran will likely stoop to any level, including going over to Ecmel's side to snatch what he feels is rightfully his. And four is that allowing Boran to escape the consequences of his actions created a monster who thinks the world revolves around him. It's obvious by the look on Boran's face that he's going to pick bitterness and payback over introspection and accountability. And in doing so, Albora's haunting truth will be repeated - the biggest danger to the family isn't some external enemy, it's often one of your own, driven by festering envy and entitlement. Because history doesn't always repeat, but it does rhyme. And that's my two cents on this episode. Till next time, happy reading y'all. #CihAl #UzakŞehir

CocoLoco

30,788 次观看 • 9 个月前