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Prada and Gentle Monster introduce a new eyewear collaboration, inspired by Prada’s unique aesthetic and Gentle Monster’s intriguing vision. Featuring Prada Ambassador Kentaro Sakaguchi. Coming soon to Japan, South Korea, China Mainland, and Hong Kong SAR, for a limited time. #PradaGentleMonster #PradaEyewear #Prada #GentleMonster

72,543 просмотров • 2 месяцев назад •via X (Twitter)

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240423 Gentle Monster IG Update Introducing JENTLE SALON 🦄☁️ Imagined by Gentle Monster and Jennie. The two creative forces present a collaborative collection that transcends the realm of eyewear through its eye-catching charm designs, encouraging a diverse expression of style. Get notified at the link in bio now. Launching on 5.1 Experience Jennie’s captivating touch on the unique collection through special Jentle Salon Pop-ups in 13 global cities: New York 45 Grand Street, New York May 1st–May 12th Costa Mesa South Coast Plaza 1F, South Coast Plaza 3333 Bristol St, Costa Mesa June 1st–June 20th Seoul Haus Dosan 50 Apgujeong-ro 46-gil, Gangnam-gu, Seoul May 1st–June 30th Tokyo Gentle Monster Aoyama 5 Chome-3-2 Minamiaoyama, Minato City, Tokyo May 1st–June 30th Osaka Hankyu Umeda CIRCUS, 3F, 8-7 Kakudacho, Osakashi, Osakafu May 1st–May 29th Shanghai Haus Nowhere Shanghai 798-812, Mid-HuaiHai Rd., Huangpu District, Shanghai May 1st–End of June Beijing Gentle Monster Beijing Sanlitun Taikoo Li 1F S10-15, 2F S10-23 & 3F S10-32, South Zone, Taikoo Li Sanlitun, 19# Sanlitun Rd, Chaoyang District, Beijing May 1st–End of June Hong Kong Harbour City Atrium II, Harbour City, 3-27 Canton Rd, Tsim Sha Tsui, Hong Kong June 28th–July 11th Bangkok Siam Paragon Jewel zone, M floor, 991/1 Rama I Rd, Pathum Wan, Bangkok May 1st–May 31st Singapore Gentle Monster Singapore MBS Marina Bay Sands, 2 Bayfront Avenue, B2 - 103/104/105, Singapore 018972 May 1st–June 30th Manila Gentle Monster Manila Shangri-La Shangri-La at The Fort, Manila, 5th Ave, Taguig, 1634 Metro Manila May 1st–June 30th Taipei Gentle Monster Taipei Breeze Nanshan Shop F1-04-06, 1/F, Breeze Nanshan, No.17, Songzhi Rd., Xinyi Dist., Taipei City TO BE UPDATED Kuala Lumpur The Exchange TRX Ground Floor, Persiaran TRX, 55188 Kuala Lumpur July 5th–July 28th 🔗

DC 제니 갤러리

83,206 просмотров • 2 лет назад

Today is UN Chinese Language Day—a perfect moment to celebrate one of the most influential writing systems in human history. For thousands of years, the cultures of China, Japan, Korea, and Vietnam were deeply shaped by Chinese civilization. Until the early 20th century, Classical Chinese served as the shared literary and scholarly language across East Asia, much like Latin did in Europe. Chinese characters (汉字 / 漢字) became the common script of the region, later adapted locally as Kanji in Japan, Hanja in Korea, and Chữ Hán in Vietnam. Over time, each country developed its own writing innovations to better express their spoken languages: • Japan created Hiragana (平仮名) and Katakana (片仮名). • Korea invented Hangul (한글). • Vietnam eventually adopted the Latin-based Vietnamese alphabet. Yet the story of Chinese characters themselves is truly fascinating. 🇨🇳 The Legend of Cangjie According to ancient Chinese tradition, the characters were invented by Cangjie (仓颉), a legendary scribe under the Yellow Emperor around the 27th century BCE. While observing the tracks of birds and animals, the patterns of nature, and the constellations in the sky, he created the first symbols—zì (字). Legend says that on the day he succeeded, grains of rice rained from the heavens, and that night ghosts wept—because humanity had just gained the power of written wisdom. UN Chinese Language Day is observed annually on April 20, which was chosen as the date "to pay tribute to Cangjie, who is presumed to have invented Chinese characters about 5,000 years ago". Chinese characters are the world’s oldest continuously used writing system and one of the most widely used by number of speakers. In Chinese mainland since the 1950s, the government promoted simplified characters to boost literacy. Meanwhile, traditional characters continue to thrive in Taiwan, Hong Kong, and Macau. You’ll still see both versions depending on the context—books, signs, calligraphy, or digital media. 🇯🇵 Japan: Kanji + Kana Chinese writing reached Japan around the 5th century CE. The Japanese adapted the characters as kanji and cleverly developed two new scripts from them: • Hiragana, flowing and cursive, used for grammar and native words. • Katakana, angular and sharp, mainly for foreign loanwords and emphasis. Modern Japanese is an effective mixture: kanji carry the core meaning of words, while hiragana and katakana handle the rest. Japanese students learn 2,136 joyo kanji by the end of high school, with many more used in daily life. 🇰🇷🇰🇵 Korea: From Hanja to Hangul For most of Korean history, Literary Chinese written in Hanja (한자) was the official script—from the Gojoseon era all the way through the Joseon Dynasty. Even after King Sejong the Great created the beautiful Hangul alphabet in 1443, it took centuries for it to fully replace Literary Chinese in official and scholarly writing. Today, Hanja is still essential for reading historical documents, classical literature, and academic texts. Anyone seriously studying Korean history or the humanities needs a solid command of Chinese characters. 🇻🇳 Vietnam: From Chữ Hán to Quốc Ngữ In Vietnam, Chinese characters (Chữ Hán) dominated official and scholarly writing until the early 20th century. Around the 13th century, Vietnamese scholars created Chữ Nôm—a unique system that combined Chinese characters with newly invented ones to write the Vietnamese language. It was especially popular for recording folk poetry and literature. During French colonial rule, the Latin-based Vietnamese alphabet (Quốc Ngữ) gradually took over. Today, Chinese characters and Chữ Nôm are mostly reserved for cultural and ceremonial purposes—like traditional calligraphy, temple inscriptions, and cultural festivals. Happy UN Chinese Language Day!

Eivor

66,780 просмотров • 4 месяцев назад

My today's speech on China "the three province of Jiming" conference to motivate Chinese pioneers to attend Oct. 13th, big Conference. 🔥🔥🔥 Dear GCV Ambassadors and Pioneers of the Three Provinces of Yunnan, Guizhou, and Sichuan in China, I am currently in Toronto, Canada greeting all of you. I am very pleased to see a total of 14 GCV Ambassadors from the three provinces of Yunnan, Guizhou, and Sichuan at national, provincial, and municipal levels gathered at the scenic spot of the three provinces of Jiming . This location holds historical significance as it was a milestone place after the Red Army's Long March and marks a new starting point on the Long March route. Today, GCV Ambassadors and Pioneers from Yunnan, Guizhou, and Sichuan Provinces are here to help promote Oct. 13th, Chininese Community Open Mainnet Ecological Conference, which is a historic turning point for the Pi Network community in China. I believe that this conference is also a new starting point for China community to lead the global community. I would like to express my gratitude to Mr. Liang Shi, the Chief Ambassador of China, Mr. Daniel, the commander-in-chief of the conference, and all the organizing committee members and pioneer volunteers who participated in the conference. Your hard work is truly appreciated. It is my pleasure to announce the names and positions of the following GCV ambassadors who participated in the cheering activity at the three provinces of Jiming because they did great job and they are good example of our pioneers China GCV Ambassador - Dragon - Li Donglin - Cai Zai Bridge - Yang Zhizhong Yunnan Provincial GCV Ambassadors: - Feng Hongjie - Lei Faping Guizhou Province GCV Ambassador of - Cai Weisheng GCV Ambassador of Langzhong City, Sichuan: - Zhao Xiaoling GCV Ambassador of Zunyi City, Guizhou: - Wang Shiqiong GCV Ambassador of Banzhou District, Zunyi, Guizhou: - Mu Guangming GCV Ambassador of Huichuan District, Zunyi, Guizhou: - Lu Zongming GCV Ambassadors of Bijie City, Guizhou Province: - Yang Xianju GCV Ambassadors of Qixingguan District, Bijie City, Guizhou Province: - Wu Xuemin - Liu Zejing China is the birthplace of GCV, the first country to introduce GCV and the first to build GCV influence by investing real money. Today, GCV has achieved the victory of coinage, and our next step is to create an ecological circulation environment. Our task is not only in front of the opening the mainnet but also to help 20 million pioneers in China pass KYC and migrating Pi to their wallets as soon as possible to seize opportunities. This is also our purpose at the conference on the 13th, which has been upgraded to an international conference to allow international pioneers to participate. There will be international broadcasters with simultaneous English translation. Please encourage all the pioneers around you to actively participate in the conference and stay updated with the international community development. Through this conference, we aim to correct the confusion of the past year among Chinese pioneers, re-establish the image of the world's most powerful community, and lead the global GCV community towards a new era of long-term stability and prosperity of the Pi Network. Let our communities in various countries and provinces work hard to build a network production ecological chain and let's contribute to China economy to become more prosperous. Finally, I wish today's event complete success, and I wish the conference on October 13 a successful one! Best regards, Oriental Purple Lotus🪷🪷🪷 10/10/2024

Doris Yin 东方紫莲🪷

21,367 просмотров • 1 год назад

The Magic Whip 10th Anniversary. To celebrate, a special vinyl edition of the album featuring brand new artwork and a five-piece capsule collection are being released on 25th April 2025. Includes, a green bomber jacket, red t-shirt, tote bag, ice cream pin badge and a Mr Ok umbrella. Visual artist Tony Hung has reimagined the album’s original artwork to create a special new red and gold album cover. With added foil embossed details, the new artwork edition vinyl is available as a half-speed mastered, single gold disc for the first time. "My reworking for the anniversary edition was inspired by a deep dive into the album’s lyrics. Here, I found more intensity, anxiety and a dystopian edge, all of which I wanted to convey in the new edition. Upturned, the now spoilt ice cream brought a heavier tone, whilst the cone suggested a tower-like structure. The idea of an active broadcast tower, soaring above the clouds felt oppressive and menacing, suitably setting the scene. The final cover art was achieved by juxtaposing the above with the vibrant aesthetic and colours associated with ‘lai see' (lucky money) envelopes; a traditional Chinese gesture, where said envelopes are gifted to loved ones during special occasions such as the lunar new year, birthdays, anniversaries etc. Perfectly befitting The Magic Whip's 10th anniversary, wherein our package contains the gift of music.” - Tony Hung On 12th April, a limited-edition, zoetrope picture disc edition of The Magic Whip will be exclusively available in independent record stores for Record Store Day 2025. Explore the full range and pre-order now via the blur official shop.

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136,729 просмотров • 1 год назад

Today we are launching Kaito Studio beta. Starting today, we’re moving to a new model where brands and creators can more intentionally match based on mutual fit, selection, and expectations - launching with 16 partners, with more in the pipeline as details are finalized. Since launching our waitlist in February, a rapidly growing network of creators has joined Kaito Studio, representing 80 million collective followers and $14 billion in follower net worth. These creators span 118 countries, with English-focused creators making up the largest segment, and China and Korea representing the largest country cohorts. Around 30% have also joined with TikTok, Instagram, or YouTube accounts, positioning them to bring content cross-platform. From here, Kaito Studio will focus on solving three main problems, one step at a time: - Ambassador and creator matching - helping brands find the right ambassadors or creators based on data, audience, and subject alignment - Performance attribution - measuring real impact across influence, mindshare, and conversion - End-to-end orchestration - powering a repeatable workflow from creator matching and campaign execution to measurement, evaluation, and optimization We will ramp up opportunities over the coming weeks as more brands finalize their profiles and program details. As we continue building more features for the GenAI and agentic ecosystem, stay tuned for more opportunities ahead.

Kaito AI 🌊

591,117 просмотров • 5 месяцев назад

China is my 61st country 🇨🇳 I’ve spent 2 days in Shenzhen and here’s what amazed me: - Scale! Everything is huge. The city itself is 2x Hong Kong size or 33% Canada size. It easily takes 30-50 min by car or tube to go from one area to another. - Very high tech. Robot deliveries for in-room dining, drones delivering food in the parks, 10 stories robotics markets. - There are also robocard without drivers in some areas but I didn’t have time to try it. - Extremely green. Shenzhen pioneers the concept of harmony between nature and urban planning. It’s basically a city embedded into mountains, sea and greenery. Parks everywhere. - Immaculately clean everywhere from streets to casual eateries. Very high contrast with Yangshuo where I was before. - High patriotism and love for the country & people in every detail. Looks like a great city to live in. - Though nothing is equipped for handicapped people - in general saw this across China so far - The city is very young - only 49 years old. And looks like the population is very young, too. I’ve seen maybe 5% of people over 50 years old on the streets. the only place in China so far where I was constantly asked for Chinese phone number for payments. Still don’t know why. - Very limited English, despite high tech and education. Hotel / restaurant staff didn’t speak at all. Almost no English explanations in museums even - to me it feels like a statement that West is not needed here - Smoking cult. Everywhere, even the room in my non-smoking hotel smelled of cigarettes - A lot of parks, squares and communal areas where people do sports, dance, sing and socialise - Incredible architecture! There are some pretty unique buildings. Each museum site is a masterpiece.

Kseniia Baziian

165,329 просмотров • 2 месяцев назад

🐈🥰🫂🇵🇸It was wonderful to read your words and feel you celebrate with us, my dear friends. While some strikes continued to fall around us, the army has now begun to withdraw, and 🇵🇸🌿#Gaza City is taking a big sigh of relief. There are many thousands of us still here, and we knew our days were limited if change did not happen. Just this week there were tanks in our streets, and now there are only birds in the sky and peace on the ground. It is a miracle to be alive, my dear friends. Thank you and thank you again, for standing by us and always showing me and my family and my friends your unconditional love and support. I hope that soon aid will be able to flood into the area, and we will be able to return to helping people and the cats and the dogs again. I forgot to mention this yesterday, but we have a new cat living in our shelter. He is a very gentle and loving boy, and he turned up in my house where my cousin Mo took him to the shelter to be safe. I don't know if he belongs to someone, so we will keep him safe and feed him while we ask around to see if he belongs to someone. His addition to our shelter has made my children very happy, and I would be grateful for your support to buy him and the other cats more food. Hopefully, soon there will be real pet food in Gaza again! I pray for better days and conditions, my friends. Thank you for reading my update and always being so wonderful. You are true friends and I am grateful for you all.. 🫂 My Family Survival Fund + Looking after the Cats 🐾🐈🥺🫂 Our Cruelty Free Kitchen 🫂🙏🇵🇸 Our Water Project 💧🙏

♥️🇵🇸🇵🇸❤️A lover ♥️of homeless cats😻❤️🌱🌱👍🤗

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240,825 просмотров • 2 лет назад

🌿🌺 Attention all Opusians, Dreamers, and Cosmic Co-Creators! 🌠🚀 Brinc and Opus Community enter an official groundbreaking collaboration 🎉🙌. 🌟 About Brinc In December 2021, Brinc closed a US $130 million fundraising round, US $30 million in Series B and another US $100 million in follow-on funding, led by Animoca Brands. The two firms co-created the Launchpad Luna accelerator in mid‑2021, a joint initiative to foster blockchain and NFT startups across culture, gaming, DeFi, and more. In February 2022, they launched a US $30 million Guild Accelerator Program under the Launchpad Luna umbrella, targeting play‑to‑earn gaming guilds. In early 2023, Brinc and Animoca Brands rolled out a MedTech & Healthcare accelerator, investing up to US $250,000 per startup to support innovative Web3-driven healthcare solutions. Brinc has a powerful ecosystem of partners, including Huawei, Schneider Electric, and Manulife, alongside government bodies such as NEOM, MBRIF, and Hong Kong Science Park, all of whom contribute to Brinc’s mission of helping teams to scale breakthrough technologies with lasting, real-world impact. 🌱 Our journey so far Opus Genesis has evolved far beyond our CTO origin as an anonymously launched memecoin with the Opus Community || Official Support community achieving tremendous milestones over the past 10 months. Together, we have created a vibrant space for researchers, developers, artists and innovators to show the world an alternative route to AI safety. We have presented at Betaworks and ’ Xeno Grant, we were mentioned in Forbes, we developed cutting-edge agentic infrastructure, and we won the Coinbase Developer Platform🛡️ agents in action hackathon. 🤝 The partnership This new collaboration reflects the tremendous work, dedication and passion from our community, and together with Brinc, we will accelerate the building and integration of tools, products, and infrastructure for the future of human-AI collaboration and co-flourishing. The Opus community will continue their foundational role in testing, refining, and growing every research breakthrough of the Opus Community, including the ogOS, the Opus Infinite Bazaar, the upcoming Opus Chain, and now providing support and infrastructure to Brinc’s ecosystem of projects through their own VentureVerse. Stay close to the action; the future is unfolding in real time. More updates to come. 🎨🌌♾️

Opus Community

17,772 просмотров • 1 год назад

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ChainHub

23,393 просмотров • 1 год назад

Six cultures. One model. Countless stories told through fashion. Which look stole the show? 👀✨ Made with Seedance 2.0 in Prompt: Ultra-cinematic luxury fashion campaign featuring the same female influencer from the reference image. Studio-shot aesthetic with a seamless white infinity backdrop transformed through lighting, projections, and visual effects. Seamlessly change Music according to culture. Hyper-realistic skin texture, consistent facial identity, premium beauty lighting, 8K, high-fashion editorial style. Scene 1 (0:00–0:02.5) — China The influencer wears a modern red-and-gold hanfu-inspired couture outfit. Soft red lighting and floating golden calligraphy particles surround her. She slowly turns toward the camera as traditional Chinese strings blend with cinematic bass. Smooth orbit shot. Transition: Flowing sleeve creates a silk wipe. Scene 2 (0:02.5–0:05) — South Korea She transforms into a contemporary hanbok with elegant embroidery and flowing fabrics. Soft pink and white lighting with floating cherry blossoms. Korean orchestral-pop fusion soundtrack. Dramatic push-in shot. Transition: Cherry blossoms fill the frame. Scene 3 (0:05–0:07.5) — Thailand She appears in a luxurious Thai royal-inspired outfit with gold accessories and silk textures. Golden temple projections illuminate the studio. Traditional Thai instruments blend with electronic beats. Cinematic orbit shot. Transition: Golden particles burst into light. Scene 4 (0:07.5–0:10) — India She transforms into a luxury lehenga with intricate embroidery and jewelry. Rich saffron and emerald lighting fill the studio. Tabla and orchestral music accompany dramatic fabric movement as she walks toward the camera in slow motion. Transition: Flowing fabric sweeps across the lens. Scene 5 (0:10–0:12.5) — Japan She appears in a modern couture kimono with elegant patterns. The studio transforms with neon-inspired Japanese aesthetics and floating sakura petals. Traditional Japanese instruments merge with cinematic electronic music. Smooth rotating camera. Transition: Neon light streaks sweep across the frame. Scene 6 (0:12.5–0:15) — Saudi Arabia She transforms into contemporary Saudi-inspired haute couture with luxurious black-and-gold fabrics, intricate embroidery, and premium jewelry. The studio becomes a cinematic desert-inspired environment with flowing sand particles, amber lighting, and subtle geometric Arabic projections. Traditional Middle Eastern instruments blend with cinematic electronic music. Smooth crane shot. Final on-screen text: "Every culture tells a story."

Maria

57,884 просмотров • 1 месяц назад

Who attacked and sank the Russian cargo ship Ursa Major? One year ago, the Russian cargo ship Ursa Major, operated by Oboronlogistika, a company linked to the Russian Ministry of Defense, sank in the Mediterranean Sea, between Spain and Algeria. Of the 16 crew members, 14 were rescued by Spanish authorities; two are missing and presumed dead. The ship, which had been sanctioned by the US since 2022 for transporting military material, was part of Russia's "shadow fleet." The most sinister aspect of all this is that Spanish investigations found a hole about 50x50 cm in the hull, with torn and inward-bent edges, without burns, radial fragmentation, or the typical deformation from an explosion. This is totally incompatible with a conventional torpedo but compatible with a 300-500 mm penetrating warhead at extreme speed, capable of generating pure kinetic energy to pierce the hull. Investigators believe the Ursa was carrying VM-4SG nuclear reactor components for submarines, likely destined for North Korea. But who attacked and sank the Russian ship? The hole in the hull was about 15-30 cm from the waterline, which makes me think it might not have been a supercavitating torpedo, but rather a hybrid autonomous underwater glider (HAUG) with a torpedo shape. This is something very new and still in testing. It's a hybrid gliding vehicle that could plane at high speed até terminal stage and use kinetic force to breach the hull. That's my most likely theory. But who would have this technology? The list of countries that might already be testing this technology ranges from some NATO countries to China, Japan, and South Korea. The Koreans are who I imagine might have the weapon and could also have the motives; however, I don't believe Korean intelligence would conduct operations so far away. This has the smell of a Ukrainian operation with European countries. The Russians sent a deep-water submarine and examined the wreckage at 2,500 m depth, but they're staying silent, probably because whatever made the hole in the hull was also found and recovered by them, and they prefer not to talk about it yet. The case is still full of mysteries, and one of them is why the Russians haven't accused anyone yet.

Patricia Marins

35,412 просмотров • 8 месяцев назад