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Pradeep Bhandari drops a truth bomb on Prashant Kishore 💣 If Prashant Kishore really earned ₹241 crore between 2021–24, why did he pay tax for only ₹4 crore? And from which account was this “income” received? Jan Swaraj looks less like a movement, more like a money-laundering project! #PrashantKishorExposed

171,691 Aufrufe • vor 11 Monaten •via X (Twitter)

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Khawab ho tum ya koi Haqiqat ——- This is one of the sweetest comeback stories in Hindi film music. "Khwab Ho Tum Ya Koi Haqeeqat" from Teen Deviyan, 1965, was the song that patched up S.D. Burman and Kishore Kumar. They had been close — Burman Dada is actually the man who discovered Kishore the singer in the 50s in films like Munimji, Taxi Driver, Nau Do Gyarah, Paying Guest. But in 1958 after Chalti Ka Naam Gaadi, they had a fallout and Dada stopped calling him. For almost 7 years Kishore barely sang for Burman. He was going through flops, income tax troubles. In 1965, Dada decided to forgive. He had two Dev Anand films Guide and Teen Deviyan. For both he called Kishore back. In one studio week he made him sing "Gaata Rahe Mera Dil" for Guide and "Khwab Ho Tum" for Teen Deviyan. Both became historic and relaunched Kishore as Dev Anand's voice. The song itself was pure SD Burman magic. Majrooh Sultanpuri wrote those dreamlike lines — "Subah pe jis tarah shaam ka ho guman" that evening mistaken for morning, like a face half seen in hair. Dada kept the orchestration whisper-soft, just guitars, brushed drums and violins, so Kishore could almost speak the song, not sing it loudly. That's why it feels so intimate. Little trivia inside trivia R.D. Burman was the assistant on this film. He was sitting behind his father in the recording. Same year Pancham would get his first big hits with Teesra Kaun and Teesri Manzil. And Dev Anand loved the film's music so much he shot an English version of the whole film called "Oh Boy and Three Girls" with 5 English songs written by Harindranath Chattopadhyay and tuned by R.D. Burman. The print was never released. On screen, Dev Anand just walks around Nanda in a garden in Darjeeling, where much of the film was shot, hands in pockets, that famous nod, asking her — are you a dream or real? Come closer. It was a question the audience answered — the song became one of the most romantic ever, and Kishore Kumar became immortal. Yashovardhan Jha Azad Vinod Sharma Avi (A Vishwamitra)

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