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PRE-PROGRAMMING: HOLLYWOOD’S MODUS OPERANDI Oscar-winning Pulp Fiction co-writer Roger Avary, a Hollywood insider, drops bombshell claims about the dark underbelly of Tinseltown that demand attention. » ʙʀᴇᴀᴋɪɴɢ ɴᴇᴡs:

Alex Jones

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FULL INTERVIEW: The Avant-Garde Writer / Director Roger Avary Joins Alex Jones To Discuss His Awakening To The Satanic Globalist Mind Control Cult That Runs Hollywood, The Deep State, & Most Of The World! For The First Time Ever, The "Pulp Fiction" Writer Talks About The CIA's Attempt To Control Him, Predictive Programming In Major Films, The Epstein Files, & MORE! If You Watch One Interview This Year— THIS IS IT! Roger Avary »WATCH/SHARE THE LIVE X STREAM NOW:

FULL INTERVIEW: The Avant-Garde Writer / Director Roger Avary Joins Alex Jones To Discuss His Awakening To The Satanic Globalist Mind Control Cult That Runs Hollywood, The Deep State, & Most Of The World! For The First Time Ever, The "Pulp Fiction" Writer Talks About The CIA's Attempt To Control Him, Predictive Programming In Major Films, The Epstein Files, & MORE! If You Watch One Interview This Year— THIS IS IT! Roger Avary »WATCH/SHARE THE LIVE X STREAM NOW:

Alex Jones

819,779 views • 4 months ago

"Through Predictive Programming & Revelation Of The Method They Put Forward These Ideas Of Reality That Cast A Spell On You!" World Renowned Director & 'Pulp Fiction' Writer Roger Avary Exposes How Hollywood Casts Spells On Humanity Through Cinema: "Hollywood Uses Neurolinguistic Programming! Movies Are A Kind Of Spell, And You Can Do A Good Spell Or A Bad Spell! A Vast Majority Of The Population Is Asleep!" 🔴WATCH ALEX JONES LIVE NOW:

"Through Predictive Programming & Revelation Of The Method They Put Forward These Ideas Of Reality That Cast A Spell On You!" World Renowned Director & 'Pulp Fiction' Writer Roger Avary Exposes How Hollywood Casts Spells On Humanity Through Cinema: "Hollywood Uses Neurolinguistic Programming! Movies Are A Kind Of Spell, And You Can Do A Good Spell Or A Bad Spell! A Vast Majority Of The Population Is Asleep!" 🔴WATCH ALEX JONES LIVE NOW:

Alex Jones

54,168 views • 7 days ago

"The Bread & Butter Of Hollywood Is Revenge & Wrath- That's What Sells- And It Is Way More Difficult To Make A Movie About Forgiveness!" Director & 'Pulp Fiction' Writer Roger Avary Reveals His Next Film Is "Paradise Lost," And He Is Using AI Generative Imaging To Prove Filmmakers Can Make High Quality Movies Without Serving The Hollywood Studios' Money Masters! "I Look At It As The Latest Development In The Long History Of Cinema!" 🔴WATCH ALEX JONES LIVE NOW:

"The Bread & Butter Of Hollywood Is Revenge & Wrath- That's What Sells- And It Is Way More Difficult To Make A Movie About Forgiveness!" Director & 'Pulp Fiction' Writer Roger Avary Reveals His Next Film Is "Paradise Lost," And He Is Using AI Generative Imaging To Prove Filmmakers Can Make High Quality Movies Without Serving The Hollywood Studios' Money Masters! "I Look At It As The Latest Development In The Long History Of Cinema!" 🔴WATCH ALEX JONES LIVE NOW:

Alex Jones

47,876 views • 7 days ago

MASSIVE NEWS. Yes… on Joe Rogan. We’re officially in production on three theatrical features with Academy Award winner Roger Avary — the Oscar-winning co-writer of Pulp Fiction, writer/director of The Rules of Attraction and Killing Zoe, a true, blood-and-celluloid cinephile. Not just a filmmaker. A film obsessive. Co-host of the incredible The Video Archives Podcast podcast alongside Quentin Tarantino. Former video clerk at the legendary Video Archives, where movie knowledge wasn’t academic… it was lived, debated, inhaled. This is not “AI meets Hollywood.” This is love for cinema. Auteur DNA. Deep-cut cinema history colliding with next-gen tools. Three features blending traditional filmmaking and AI. Built for theaters. Built for the dark. At MASSIVE, we see tech as a powerful engine. Ferocious. Limitless. But engines don’t direct. Human judgment does. Taste does. The part of you that knows when a frame feels dangerous… or alive. See you at the movies. 🎬🔥

MASSIVE NEWS. Yes… on Joe Rogan. We’re officially in production on three theatrical features with Academy Award winner Roger Avary — the Oscar-winning co-writer of Pulp Fiction, writer/director of The Rules of Attraction and Killing Zoe, a true, blood-and-celluloid cinephile. Not just a filmmaker. A film obsessive. Co-host of the incredible The Video Archives Podcast podcast alongside Quentin Tarantino. Former video clerk at the legendary Video Archives, where movie knowledge wasn’t academic… it was lived, debated, inhaled. This is not “AI meets Hollywood.” This is love for cinema. Auteur DNA. Deep-cut cinema history colliding with next-gen tools. Three features blending traditional filmmaking and AI. Built for theaters. Built for the dark. At MASSIVE, we see tech as a powerful engine. Ferocious. Limitless. But engines don’t direct. Human judgment does. Taste does. The part of you that knows when a frame feels dangerous… or alive. See you at the movies. 🎬🔥

MASSIVE STUDIOS

57,861 views • 5 months ago

“I think the Luciferians cast a spell on the world.” “They’re manipulating everything.” “Reality as we know it is fake.” “They’re eating babies.” “There’s sacrifices going on every day in LA.” This Hollywood director just dropped massive red pills on Joe Rogan. Pulp Fiction co-writer Roger Avary told Rogan that Hollywood normalized Moloch worship to Americans through predictive programming. “Like, Stephen Colbert did a little skit on his show where … ‘I’m gonna take this baby, and I’m gonna give it to Moloch,’ and he goes into a cloudy red furnace and hands the baby over, and says ‘the baby’s gonna be fine.’” “They make a joke about it, and the audience laughs.” “We’re all now conditioned to it.” Rogan: “You think that’s on purpose, that this is some sort of a grand design to get us to be desensitized to the idea of demons eating babies?” Avary: “Yeah, for sure.” Rogan: “Okay, but there has to be a person or some group of people—” Avary: “About 8,500 people.” Rogan: “That are manipulating The Colbert Show?” Avary: “They’re manipulating everything.” Rogan: “The thing about the emails is … some of it is in code.” Avary: “For all this pizza they’re talking about, you never see any pizza.” “They’re eating babies.” Rogan: “You think that is real?” Avary: “Yeah, not only that, I think that there’s sacrifices going on every day in Los Angeles.” “Allegedly … let’s say, high-level female musician is killing chickens every day, doing sacrifices.” Joe Rogan Roger Avary

“I think the Luciferians cast a spell on the world.” “They’re manipulating everything.” “Reality as we know it is fake.” “They’re eating babies.” “There’s sacrifices going on every day in LA.” This Hollywood director just dropped massive red pills on Joe Rogan. Pulp Fiction co-writer Roger Avary told Rogan that Hollywood normalized Moloch worship to Americans through predictive programming. “Like, Stephen Colbert did a little skit on his show where … ‘I’m gonna take this baby, and I’m gonna give it to Moloch,’ and he goes into a cloudy red furnace and hands the baby over, and says ‘the baby’s gonna be fine.’” “They make a joke about it, and the audience laughs.” “We’re all now conditioned to it.” Rogan: “You think that’s on purpose, that this is some sort of a grand design to get us to be desensitized to the idea of demons eating babies?” Avary: “Yeah, for sure.” Rogan: “Okay, but there has to be a person or some group of people—” Avary: “About 8,500 people.” Rogan: “That are manipulating The Colbert Show?” Avary: “They’re manipulating everything.” Rogan: “The thing about the emails is … some of it is in code.” Avary: “For all this pizza they’re talking about, you never see any pizza.” “They’re eating babies.” Rogan: “You think that is real?” Avary: “Yeah, not only that, I think that there’s sacrifices going on every day in Los Angeles.” “Allegedly … let’s say, high-level female musician is killing chickens every day, doing sacrifices.” Joe Rogan Roger Avary

Holden Culotta

747,369 views • 5 months ago

🚨 THEY KILLED HIM OVER THIS!? The co-writer of Pulp Fiction reveals to Joe Rogan that the original script of EYES WIDE SHUT was about the discovery of an ELITE PEDO RING. 🤯 After the studio watched a cut of the movie they demanded Kubrick remove the pedo references. Kubrick fought back and ended up dead before the premier. According to Roger Avary who has the original script the film was centered around an elite pedophile ring and the final scene in the movie was meant to depict Tom Cruise and Nicole's characters selling their child to the ring.

🚨 THEY KILLED HIM OVER THIS!? The co-writer of Pulp Fiction reveals to Joe Rogan that the original script of EYES WIDE SHUT was about the discovery of an ELITE PEDO RING. 🤯 After the studio watched a cut of the movie they demanded Kubrick remove the pedo references. Kubrick fought back and ended up dead before the premier. According to Roger Avary who has the original script the film was centered around an elite pedophile ring and the final scene in the movie was meant to depict Tom Cruise and Nicole's characters selling their child to the ring.

TUPACABRA

4,021,040 views • 1 year ago

🚨😳 Hollywood director tells Joe Rogan the elites eat babies and there are sacrifices everyday in LA "They're eating babies, man. I think that there's sacrifices going on every day in Los Angeles. Allegedly high level female musicians, killing chickens every day, doing sacrifices. I don't want to say names because I don't want to get sued and I don't want to be dead either." Roger Avary is a director, producer, and Academy Award-winning screenwriter known for “Pulp Fiction,” which he co-wrote with Quentin Tarantino, as well as “The Rules of Attraction” and “Killing Zoe”

🚨😳 Hollywood director tells Joe Rogan the elites eat babies and there are sacrifices everyday in LA "They're eating babies, man. I think that there's sacrifices going on every day in Los Angeles. Allegedly high level female musicians, killing chickens every day, doing sacrifices. I don't want to say names because I don't want to get sued and I don't want to be dead either." Roger Avary is a director, producer, and Academy Award-winning screenwriter known for “Pulp Fiction,” which he co-wrote with Quentin Tarantino, as well as “The Rules of Attraction” and “Killing Zoe”

Red Panda Koala

2,847,005 views • 5 months ago

Quentin Tarantino visits Video Archives. In 1994, Quentin Tarantino visited the video store in Manhattan Beach, Los Angeles, where he worked for 5 years (from 1984 to 1990). That’s where he met his collaborator and co-writer Roger Avary and soaked up B-movies, exploitation flicks, and classics that would shape his style and approach to cinema. In this clip from the BBC documentary ‘Quentin Tarantino: Hollywood’s Boy Wonder’ (1994), aired to coincide with Pulp Fiction’s theatrical release, Tarantino returns to his old “cinema temple” for a tour of the place where he worked for so many years.

Quentin Tarantino visits Video Archives. In 1994, Quentin Tarantino visited the video store in Manhattan Beach, Los Angeles, where he worked for 5 years (from 1984 to 1990). That’s where he met his collaborator and co-writer Roger Avary and soaked up B-movies, exploitation flicks, and classics that would shape his style and approach to cinema. In this clip from the BBC documentary ‘Quentin Tarantino: Hollywood’s Boy Wonder’ (1994), aired to coincide with Pulp Fiction’s theatrical release, Tarantino returns to his old “cinema temple” for a tour of the place where he worked for so many years.

Lost In Film

84,795 views • 3 months ago

Those who have followed Stanley Kubrick’s films have long felt that Eyes Wide Shut was slightly off, almost as if it wasn’t entirely his film. And it got validated when Roger Avary, co-writer of Pulp Fiction, told Joe Rogan on The Joe Rogan Experience (December, 2024) that the original script of Eyes Wide Shut was far darker than the film we saw. According to Avary, it centered on uncovering an elite pedophile ring. After an early cut, the studio allegedly pushed Stanley Kubrick to remove those elements. Kubrick resisted. Kubrick died just six days after screening the final cut of Eyes Wide Shut (1999) to the studio, before the film’s premiere. Avary has also claimed the original ending implied that Tom Cruise and Nicole Kidman’s characters ultimately sell their child to the very circle they expose. Kubrick’s film depicts secretive, ritualistic elite gatherings -imagery that many now view differently in light of what has emerged in the Epstein files.

Those who have followed Stanley Kubrick’s films have long felt that Eyes Wide Shut was slightly off, almost as if it wasn’t entirely his film. And it got validated when Roger Avary, co-writer of Pulp Fiction, told Joe Rogan on The Joe Rogan Experience (December, 2024) that the original script of Eyes Wide Shut was far darker than the film we saw. According to Avary, it centered on uncovering an elite pedophile ring. After an early cut, the studio allegedly pushed Stanley Kubrick to remove those elements. Kubrick resisted. Kubrick died just six days after screening the final cut of Eyes Wide Shut (1999) to the studio, before the film’s premiere. Avary has also claimed the original ending implied that Tom Cruise and Nicole Kidman’s characters ultimately sell their child to the very circle they expose. Kubrick’s film depicts secretive, ritualistic elite gatherings -imagery that many now view differently in light of what has emerged in the Epstein files.

The Cinéprism

721,386 views • 5 months ago

WILD: Listen to everything said. Roger Avary, who co-wrote Pulp Fiction, lays out an extraordinary worldview on The Joe Rogan Experience, claiming Luciferian elites, ritual sacrifice, predictive programming, and a hidden class manipulate reality. “I think the Luciferians cast a spell on the world…it’s just like how vampires can’t go into a house unless they’re invited. They tell you what’s going on ahead of time. It’s predictive programming.” Avary then alludes to Stephen Colbert doing a skit of him sacrificing a baby to Moloch, a Canaanite deity known for child sacrifice. “They make a joke about it and the audience laughs. Ok, we’re all now conditioned to it.” Rogan: “You think that that’s on purpose? That this is like some sort of grand design to get us to be desensitized to the idea of demons eating babies?” Avary: “Yeah, for sure….nobody’s doing anything about it. We know what’s happening.” Rogan: “There has to be a person or some group of people.” Avary: “Yeah, about 8,500 people….that are manipulating everything. It’s all illusion. Reality as we know it is fake.” Avary continues. “In Latin, Mundus vult decipi means ‘The world wishes to be deceived’….we don’t want to believe the horrors that are actually behind the veil.” Avary goes into quite a few things, including his belief that Jeffrey Epstein dissolved bodies in sulfuric acid. Epstein bought 330 gallons of sulfuric acid the day the FBI opened the rape probe on him. “They’re eating babies, man. I think there are sacrifices going on every day in Los Angeles….high-level female musicians…I don’t want to say names because I don’t want to be sued. I don’t want to be dead either.” Rogan: “So you think they’re eating babies?” Avary: “Oh yeah. I absolutely believe that. I don’t doubt it for a second. And I think this dates back a long time. This is Moloch worship.” “People don’t want to believe it. They don’t want to accept it.” “I don’t think there are (political) parties. I think that’s all an illusion also…it’s all fake.”

WILD: Listen to everything said. Roger Avary, who co-wrote Pulp Fiction, lays out an extraordinary worldview on The Joe Rogan Experience, claiming Luciferian elites, ritual sacrifice, predictive programming, and a hidden class manipulate reality. “I think the Luciferians cast a spell on the world…it’s just like how vampires can’t go into a house unless they’re invited. They tell you what’s going on ahead of time. It’s predictive programming.” Avary then alludes to Stephen Colbert doing a skit of him sacrificing a baby to Moloch, a Canaanite deity known for child sacrifice. “They make a joke about it and the audience laughs. Ok, we’re all now conditioned to it.” Rogan: “You think that that’s on purpose? That this is like some sort of grand design to get us to be desensitized to the idea of demons eating babies?” Avary: “Yeah, for sure….nobody’s doing anything about it. We know what’s happening.” Rogan: “There has to be a person or some group of people.” Avary: “Yeah, about 8,500 people….that are manipulating everything. It’s all illusion. Reality as we know it is fake.” Avary continues. “In Latin, Mundus vult decipi means ‘The world wishes to be deceived’….we don’t want to believe the horrors that are actually behind the veil.” Avary goes into quite a few things, including his belief that Jeffrey Epstein dissolved bodies in sulfuric acid. Epstein bought 330 gallons of sulfuric acid the day the FBI opened the rape probe on him. “They’re eating babies, man. I think there are sacrifices going on every day in Los Angeles….high-level female musicians…I don’t want to say names because I don’t want to be sued. I don’t want to be dead either.” Rogan: “So you think they’re eating babies?” Avary: “Oh yeah. I absolutely believe that. I don’t doubt it for a second. And I think this dates back a long time. This is Moloch worship.” “People don’t want to believe it. They don’t want to accept it.” “I don’t think there are (political) parties. I think that’s all an illusion also…it’s all fake.”

Fractured Light

371,179 views • 5 months ago

Never forget what Pulp Fiction co-creator Roger Avary dropped on JRE: “I think the Luciferians cast a spell on the world.” "They're manipulating everything. It's all an illusion. Reality as we know it is fake." "People are eating babies." "Like, Stephen Colbert did a little skit on his show where … ‘I’m gonna take this baby, and I’m gonna give it to Moloch,’ and he goes into a cloudy red furnace and hands the baby over, and says ‘the baby’s gonna be fine.’" "This is some sort of a grand design to get us to be desensitized to the idea of demons eating babies." "I think that there’s sacrifices going on every day in Los Angeles."

Never forget what Pulp Fiction co-creator Roger Avary dropped on JRE: “I think the Luciferians cast a spell on the world.” "They're manipulating everything. It's all an illusion. Reality as we know it is fake." "People are eating babies." "Like, Stephen Colbert did a little skit on his show where … ‘I’m gonna take this baby, and I’m gonna give it to Moloch,’ and he goes into a cloudy red furnace and hands the baby over, and says ‘the baby’s gonna be fine.’" "This is some sort of a grand design to get us to be desensitized to the idea of demons eating babies." "I think that there’s sacrifices going on every day in Los Angeles."

Shadow Intel

422,537 views • 12 days ago

Never forget what Pulp Fiction co-creator Roger Avary dropped on JRE: “I think the Luciferians cast a spell on the world.” "They're manipulating everything. It's all an illusion. Reality as we know it is fake." "People are eating babies." "Like, Stephen Colbert did a little skit on his show where … ‘I’m gonna take this baby, and I’m gonna give it to Moloch,’ and he goes into a cloudy red furnace and hands the baby over, and says ‘the baby’s gonna be fine.’" "This is some sort of a grand design to get us to be desensitized to the idea of demons eating babies." "I think that there’s sacrifices going on every day in Los Angeles."

Never forget what Pulp Fiction co-creator Roger Avary dropped on JRE: “I think the Luciferians cast a spell on the world.” "They're manipulating everything. It's all an illusion. Reality as we know it is fake." "People are eating babies." "Like, Stephen Colbert did a little skit on his show where … ‘I’m gonna take this baby, and I’m gonna give it to Moloch,’ and he goes into a cloudy red furnace and hands the baby over, and says ‘the baby’s gonna be fine.’" "This is some sort of a grand design to get us to be desensitized to the idea of demons eating babies." "I think that there’s sacrifices going on every day in Los Angeles."

Defiant Ghost

431,906 views • 4 months ago

Quentin Tarantino on how he got the idea to make "Pulp Fiction" (1994): "The idea for 'Pulp Fiction' (1994) was born even before I began writing 'Reservoir Dogs' (1992). I was trying to imagine how to make a film without money, so I thought of a short I’d be able to show at festivals that could be a kind of calling card. I’d be able to demonstrate what I was capable of, which would allow me to shoot a feature-length film. So I thought of the story of Vincent Vega and Marsellus’s wife. Then I realized, why not write a second short crime story, and then a third, and then shoot them one after another when I got enough money together, and then put them together? That’s pretty much what Jim Jarmusch did with 'Stranger Than Paradise' (1984), showing one part at one festival, then getting the financial backing to do the second, etc. So I phoned my friend Roger Avary to ask him to write the second story, but with the condition that it had to be the most classic story possible; and from there he could take us to the moon! And that’s what he wrote: the one about the boxer who gets knocked out in the ring. The third story was going to be the one of Reservoir Dogs. But then our enthusiasm kind of died down, that project never got done, and I used the story of Dogs for my feature-length film. Later we came back to the project, but abandoned the idea of an anthology. What I really wanted was to make a novel on the screen, with characters who enter and exit, who have their own story but who can appear anywhere. I could get to do what a contemporary writer does: introduce into his book a secondary character who appeared in an earlier book, something like the Glass family that Salinger imagined, and whose members you find move from one novel to the next. This is a register filmmakers simply don’t work in: in Hollywood, when you make a film for, let’s say, Paramount, you sell them the rights to the story. If you make the next one for Warners, you can’t use the same characters because they were created for another company. With 'Pulp Fiction', I wanted in some sense to make three films for the price of one! I liked that each character of 'Pulp Fiction' could carry a film as the main hero. If I’d made a film, for example, about Butch and Fabienne and only about them, the character played by John Travolta probably wouldn’t have had a name. He’d have been called “Bad Guy No. i.” But as Pulp Fiction is conceived, he is Vincent Vega. We know his personality, we have an idea of his way of life, he’s not simply a minor character. So then when they shoot him, the spectator feels something." (Quentin Tarantino's interview with Michel Ciment and Hubert Niogret, Postif, 1994) P.S: On this day, 32 years ago, "Pulp Fiction" (1994) premiered at the Cannes Film Festival, France.

Quentin Tarantino on how he got the idea to make "Pulp Fiction" (1994): "The idea for 'Pulp Fiction' (1994) was born even before I began writing 'Reservoir Dogs' (1992). I was trying to imagine how to make a film without money, so I thought of a short I’d be able to show at festivals that could be a kind of calling card. I’d be able to demonstrate what I was capable of, which would allow me to shoot a feature-length film. So I thought of the story of Vincent Vega and Marsellus’s wife. Then I realized, why not write a second short crime story, and then a third, and then shoot them one after another when I got enough money together, and then put them together? That’s pretty much what Jim Jarmusch did with 'Stranger Than Paradise' (1984), showing one part at one festival, then getting the financial backing to do the second, etc. So I phoned my friend Roger Avary to ask him to write the second story, but with the condition that it had to be the most classic story possible; and from there he could take us to the moon! And that’s what he wrote: the one about the boxer who gets knocked out in the ring. The third story was going to be the one of Reservoir Dogs. But then our enthusiasm kind of died down, that project never got done, and I used the story of Dogs for my feature-length film. Later we came back to the project, but abandoned the idea of an anthology. What I really wanted was to make a novel on the screen, with characters who enter and exit, who have their own story but who can appear anywhere. I could get to do what a contemporary writer does: introduce into his book a secondary character who appeared in an earlier book, something like the Glass family that Salinger imagined, and whose members you find move from one novel to the next. This is a register filmmakers simply don’t work in: in Hollywood, when you make a film for, let’s say, Paramount, you sell them the rights to the story. If you make the next one for Warners, you can’t use the same characters because they were created for another company. With 'Pulp Fiction', I wanted in some sense to make three films for the price of one! I liked that each character of 'Pulp Fiction' could carry a film as the main hero. If I’d made a film, for example, about Butch and Fabienne and only about them, the character played by John Travolta probably wouldn’t have had a name. He’d have been called “Bad Guy No. i.” But as Pulp Fiction is conceived, he is Vincent Vega. We know his personality, we have an idea of his way of life, he’s not simply a minor character. So then when they shoot him, the spectator feels something." (Quentin Tarantino's interview with Michel Ciment and Hubert Niogret, Postif, 1994) P.S: On this day, 32 years ago, "Pulp Fiction" (1994) premiered at the Cannes Film Festival, France.

DepressedBergman

148,832 views • 1 month ago

🚨 Hollywood director explains how Hollywood blackmail works “You find somebody when they're young and they're less inhibited and you catch them doing something that is illegal and maybe you even provide the mechanism for that to happen. And then once it's happened, you now have the video proof you show it to them and you say, ‘Look, this is what we have on you and we can ruin you at any minute, but you know what we're going to do? We're going to give you $20,000 a month or we're going to give you $20 million a year,and you're going to work for us.’” Roger Avery is known a screenwriter known for his work on “Pulp Fiction,” which he co-wrote with Quentin Tarantino, as well as “The Rules of Attraction” and “Killing Zoe”

🚨 Hollywood director explains how Hollywood blackmail works “You find somebody when they're young and they're less inhibited and you catch them doing something that is illegal and maybe you even provide the mechanism for that to happen. And then once it's happened, you now have the video proof you show it to them and you say, ‘Look, this is what we have on you and we can ruin you at any minute, but you know what we're going to do? We're going to give you $20,000 a month or we're going to give you $20 million a year,and you're going to work for us.’” Roger Avery is known a screenwriter known for his work on “Pulp Fiction,” which he co-wrote with Quentin Tarantino, as well as “The Rules of Attraction” and “Killing Zoe”

Red Panda Koala

87,691 views • 5 months ago

👀 Steve Pieczenik posted this video on November 1, 2016 — A full year before the first Q post, a couple days before the 2016 election that made Trump President. He practically describes the Q operation Listen. Pay close attention. *before you cry LARP, go look at his Wikipedia bio/career - he has made some wild claims on infowars after the 2020 election that didn’t pan out, but we should all know by now disinformation is necessary. It can often cause the DS to panic and make mistakes. The timing of this video + his career is fascinating, to say the least. He even co authored some Tom Clancy books 👀 👀Gen Flynn just shared a bombshell Steve Pieczenik video on TikTok about Israel’s involvement in Epstein and 9/11 ++ (in quoted tweet below)

👀 Steve Pieczenik posted this video on November 1, 2016 — A full year before the first Q post, a couple days before the 2016 election that made Trump President. He practically describes the Q operation Listen. Pay close attention. *before you cry LARP, go look at his Wikipedia bio/career - he has made some wild claims on infowars after the 2020 election that didn’t pan out, but we should all know by now disinformation is necessary. It can often cause the DS to panic and make mistakes. The timing of this video + his career is fascinating, to say the least. He even co authored some Tom Clancy books 👀 👀Gen Flynn just shared a bombshell Steve Pieczenik video on TikTok about Israel’s involvement in Epstein and 9/11 ++ (in quoted tweet below)

ĐⱤØ₲Ø🇺🇸

2,392,733 views • 2 years ago

Quentin Tarantino is such a good storyteller, that his own story of the day he decided to make film is gold. In his early-20s, he worked at a video store. His dream was to be a director but this job was “dream-adjacent”, which put his “real ambition to sleep”. It all changed when an older guy in his friend group — about 5 years older — turned 30 and suddenly became quite bitter about how he hadn’t achieved much in his 20s. Quentin and his friend would hang out and talk film but didn’t actually make anything. When Quentn turned 25, he realized he didn’t want to be like his friend at 30. So, he spent one night fully assessing the state of his life and decided he had to make a change. “I got to not worry about [this video store] job anymore,” he thought. “I just got to move to Hollywood and get involved and meet other people that are in the business.” He did and soon started getting writing gigs. At 27, he sold the script for “True Romance” for $50k. At 29, he directed “Resevoir Dogs”. And on the day he turned 32, Quentin won a Best Original Screenplay Oscar for “Pulp Fiction”.

Quentin Tarantino is such a good storyteller, that his own story of the day he decided to make film is gold. In his early-20s, he worked at a video store. His dream was to be a director but this job was “dream-adjacent”, which put his “real ambition to sleep”. It all changed when an older guy in his friend group — about 5 years older — turned 30 and suddenly became quite bitter about how he hadn’t achieved much in his 20s. Quentin and his friend would hang out and talk film but didn’t actually make anything. When Quentn turned 25, he realized he didn’t want to be like his friend at 30. So, he spent one night fully assessing the state of his life and decided he had to make a change. “I got to not worry about [this video store] job anymore,” he thought. “I just got to move to Hollywood and get involved and meet other people that are in the business.” He did and soon started getting writing gigs. At 27, he sold the script for “True Romance” for $50k. At 29, he directed “Resevoir Dogs”. And on the day he turned 32, Quentin won a Best Original Screenplay Oscar for “Pulp Fiction”.

Trung Phan

270,344 views • 10 months ago

🆘BUSTED: Pete Hegseth Caught LITERALLY Quoting Fake Bible Verse From PULP FICTION At A Pentagon Worship Service To JUSTIFY War With Iran🤡 Watch the side-by-side video below. Yesterday, during an official Pentagon worship service blessing U.S. Combat Search and Rescue ops in the ongoing war with Iran, Hegseth tried to drop some holy fire by reciting "Ezekiel 25:17." There’s just one massive, embarrassing problem: The quote he used isn’t actually in the Bible. It’s the fabricated, Hollywood monologue delivered by Samuel L. Jackson’s hitman character, Jules Winnfield, in Quentin Tarantino’s Pulp Fiction. He literally stood at a pulpit and did a mad-libs with a movie script: 🎬 Samuel L. Jackson: "The path of the righteous man..." 🇺🇸 Hegseth: "The path of the downed aviator..." 🎬 Samuel L. Jackson: "...And you will know my name is the Lord, when I lay my vengeance upon thee." 🇺🇸 Hegseth: "...And you will know my call sign is Sandy 1, when I lay my vengeance upon thee." Let’s talk about how utterly disgusting this is. It is sickening enough to watch politicians and pundits constantly weaponize the Christian faith to justify endless war, bloodshed, and geopolitical violence. But Hegseth is so completely detached from the actual scripture he claims to revere that he’s out here using an R-rated mobster movie script to bless an escalating war with Iran. He isn't "shepherding" anyone through the valley of darkness—he's using faith as a cheap, hollow prop to sell vengeance and death. It’s a grotesque display of Christian Nationalism reduced to Tarantino cosplay. If you’re going to use the Bible to justify dropping bombs and sending people to die, at least make sure you’re not accidentally quoting a 1990s Quentin Tarantino film. Watch the clip. It is the most embarrassing, blasphemous thing you will see all week.

🆘BUSTED: Pete Hegseth Caught LITERALLY Quoting Fake Bible Verse From PULP FICTION At A Pentagon Worship Service To JUSTIFY War With Iran🤡 Watch the side-by-side video below. Yesterday, during an official Pentagon worship service blessing U.S. Combat Search and Rescue ops in the ongoing war with Iran, Hegseth tried to drop some holy fire by reciting "Ezekiel 25:17." There’s just one massive, embarrassing problem: The quote he used isn’t actually in the Bible. It’s the fabricated, Hollywood monologue delivered by Samuel L. Jackson’s hitman character, Jules Winnfield, in Quentin Tarantino’s Pulp Fiction. He literally stood at a pulpit and did a mad-libs with a movie script: 🎬 Samuel L. Jackson: "The path of the righteous man..." 🇺🇸 Hegseth: "The path of the downed aviator..." 🎬 Samuel L. Jackson: "...And you will know my name is the Lord, when I lay my vengeance upon thee." 🇺🇸 Hegseth: "...And you will know my call sign is Sandy 1, when I lay my vengeance upon thee." Let’s talk about how utterly disgusting this is. It is sickening enough to watch politicians and pundits constantly weaponize the Christian faith to justify endless war, bloodshed, and geopolitical violence. But Hegseth is so completely detached from the actual scripture he claims to revere that he’s out here using an R-rated mobster movie script to bless an escalating war with Iran. He isn't "shepherding" anyone through the valley of darkness—he's using faith as a cheap, hollow prop to sell vengeance and death. It’s a grotesque display of Christian Nationalism reduced to Tarantino cosplay. If you’re going to use the Bible to justify dropping bombs and sending people to die, at least make sure you’re not accidentally quoting a 1990s Quentin Tarantino film. Watch the clip. It is the most embarrassing, blasphemous thing you will see all week.

Project Constitution

33,407 views • 3 months ago

🚨A military insider claims classified programs used temporary flight restrictions to clear the skies, lure UFOs in, and shoot them down with EMP weapons.🚨 Whats even darker is that civilian aircraft that wandered into the restricted airspace were allegedly taken down too, the bodies and wreckage quietly disposed of. The evidence was sitting on a set of Toughbooks. The whistleblower, Jake Barber, says his own employer wanted both the laptops and him destroyed. So he weaponized the Pentagon's own censorship system, slicing a manuscript into 20-page chunks and feeding them through pre-publication review to see which lines made them flinch. "Programs used temporary flight restrictions to clear the skies, lure UFOs in, and bring them down with EMP weaponry." "Civilian aircraft had also been taken down after entering this restricted airspace, with the bodies and wreckage disposed of." "Not only did Jake's employer want to destroy the Toughbooks with evidence of crash retrievals, they also wanted to destroy him." "Jake's weapon of choice isn't a gun. It's a manuscript." "He could see which lines made the Pentagon flinch, adjust, probe, and slip real facts about the UFO legacy program into the public domain under the camouflage of fiction." "For most readers, it's just a thriller. But for those who know what to look for, it's a cipher."s

🚨A military insider claims classified programs used temporary flight restrictions to clear the skies, lure UFOs in, and shoot them down with EMP weapons.🚨 Whats even darker is that civilian aircraft that wandered into the restricted airspace were allegedly taken down too, the bodies and wreckage quietly disposed of. The evidence was sitting on a set of Toughbooks. The whistleblower, Jake Barber, says his own employer wanted both the laptops and him destroyed. So he weaponized the Pentagon's own censorship system, slicing a manuscript into 20-page chunks and feeding them through pre-publication review to see which lines made them flinch. "Programs used temporary flight restrictions to clear the skies, lure UFOs in, and bring them down with EMP weaponry." "Civilian aircraft had also been taken down after entering this restricted airspace, with the bodies and wreckage disposed of." "Not only did Jake's employer want to destroy the Toughbooks with evidence of crash retrievals, they also wanted to destroy him." "Jake's weapon of choice isn't a gun. It's a manuscript." "He could see which lines made the Pentagon flinch, adjust, probe, and slip real facts about the UFO legacy program into the public domain under the camouflage of fiction." "For most readers, it's just a thriller. But for those who know what to look for, it's a cipher."s

American Alchemy

57,360 views • 1 month ago

$🚨 BOMBSHELL UPDATE: Erika Kirk CAUGHT in LIVE LIE on Glenn Beck – Charlie's "They’re Going to Kill Me" Texts PROVEN Doubly Real by Candace Owens TODAY! Remember when Erika Kirk went on Glenn Beck and SWORE under oath-like scrutiny: "I have his phone. There were NO texts saying ‘they’re going to kill me.’ It NEVER happened." Yeah... about that. On Jimmy Dore's show TODAY Candace Owens drops shared that TPUSA insider Andrew Kolvet CONFIRMED to her that Charlie texted HIM the NIGHT BEFORE: "They are going to kill me." We ALREADY knew from Dr. Frank Turek (days earlier): Charlie straight-up told him the same chilling words. Emails, witnesses, receipts – it's a pattern. So Erika: Who's lying now? You... or Charlie's closest allies? But here's the DARK twist Mel nailed: WHO HAD CHARLIE'S PHONE FIRST? Before it "mysteriously" landed back with Erika, scrubbed clean of inconvenient truths? FBI? Deep State handlers? TPUSA suits protecting their $140M grift? If texts vanished, that's PROOF of a COVER-UP. And in a "public execution" like this? It's obstruction of justice. Charlie built TPUSA on "QUESTION EVERYTHING." Now his widow's gaslighting us into silence? Nah. Demand: RELEASE THE FULL PHONE DATA. Independent audit. NOW. Donors: Pull your cash from this circus. Support real truth-tellers like Candace. Watch the Dore clip. The mask is CRUMBLING. Tag Turning Point USA Erika Kirk – Time's up.\ FOLLOW Mel, Jimmy Dore and Candace Owens$

🚨 BOMBSHELL UPDATE: Erika Kirk CAUGHT in LIVE LIE on Glenn Beck – Charlie's "They’re Going to Kill Me" Texts PROVEN Doubly Real by Candace Owens TODAY! Remember when Erika Kirk went on Glenn Beck and SWORE under oath-like scrutiny: "I have his phone. There were NO texts saying ‘they’re going to kill me.’ It NEVER happened." Yeah... about that. On Jimmy Dore's show TODAY Candace Owens drops shared that TPUSA insider Andrew Kolvet CONFIRMED to her that Charlie texted HIM the NIGHT BEFORE: "They are going to kill me." We ALREADY knew from Dr. Frank Turek (days earlier): Charlie straight-up told him the same chilling words. Emails, witnesses, receipts – it's a pattern. So Erika: Who's lying now? You... or Charlie's closest allies? But here's the DARK twist Mel nailed: WHO HAD CHARLIE'S PHONE FIRST? Before it "mysteriously" landed back with Erika, scrubbed clean of inconvenient truths? FBI? Deep State handlers? TPUSA suits protecting their $140M grift? If texts vanished, that's PROOF of a COVER-UP. And in a "public execution" like this? It's obstruction of justice. Charlie built TPUSA on "QUESTION EVERYTHING." Now his widow's gaslighting us into silence? Nah. Demand: RELEASE THE FULL PHONE DATA. Independent audit. NOW. Donors: Pull your cash from this circus. Support real truth-tellers like Candace. Watch the Dore clip. The mask is CRUMBLING. Tag Turning Point USA Erika Kirk – Time's up.\ FOLLOW Mel, Jimmy Dore and Candace Owens

Project Constitution

40,556 views • 7 months ago