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🏳️‍🌈Pride Month 📺SABC 1: Society (2007-2010) Beth and Thuli's relationship was so important in the history of queer representation on South African television. I'm struck by how quietly groundbreaking their storyline was. At a time when lesbian representation was still rare on mainstream television, SABC audiences were watching a... show more

Ms.

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68,148 просмотров • 2 месяцев назад •via X (Twitter)

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🧵📺Beth Mazibuko remains one of the most important characters in SA TV history. At a time when queer representation was not popular on South African television, Society gave us a rich black lesbian character navigating class, identity, and belonging. Beth pushed the envelope. She was groundbreaking. She was proof that South African television could challenge silence around queer lives especially black queer women. We call this cultural visibility when marginalised identities finally enter the public imagination, disrupting stereotypes and creating space for conversations that society is not "ready" for. Played by the brilliant Sibulele Gcilitshana

🧵📺Beth Mazibuko remains one of the most important characters in SA TV history. At a time when queer representation was not popular on South African television, Society gave us a rich black lesbian character navigating class, identity, and belonging. Beth pushed the envelope. She was groundbreaking. She was proof that South African television could challenge silence around queer lives especially black queer women. We call this cultural visibility when marginalised identities finally enter the public imagination, disrupting stereotypes and creating space for conversations that society is not "ready" for. Played by the brilliant Sibulele Gcilitshana

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📺 Isidingo: Nandipha Sithole (2000-2011) Part of a deliberate SABC public health strategy, South African television audiences were introduced to one of the most quietly revolutionary characters on our screens: Nandipha Sithole. Portrayed by the talented Hlubi Arnold, she became one of the few characters in mainstream South African TV who openly lived with HIV at a time when stigma was not just social, but deeply political. This was a critical cultural moment. South Africa was in the throes of the HIV/AIDS crisis statistics were staggering, myths and misinformation rampant. For black women, Nandipha’s story broke stereotypes. She wasn’t reduced to her diagnosis. She was smart, ambitious, flawed, loving, and resilient proof that life with HIV could be full and dignified.

📺 Isidingo: Nandipha Sithole (2000-2011) Part of a deliberate SABC public health strategy, South African television audiences were introduced to one of the most quietly revolutionary characters on our screens: Nandipha Sithole. Portrayed by the talented Hlubi Arnold, she became one of the few characters in mainstream South African TV who openly lived with HIV at a time when stigma was not just social, but deeply political. This was a critical cultural moment. South Africa was in the throes of the HIV/AIDS crisis statistics were staggering, myths and misinformation rampant. For black women, Nandipha’s story broke stereotypes. She wasn’t reduced to her diagnosis. She was smart, ambitious, flawed, loving, and resilient proof that life with HIV could be full and dignified.

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A reminder that television history was made right here. ⚡️🏳️‍🌈📺 Ryan Phillippe’s portrayal of Billy Douglas on One Life to Live was the very first time many LGBTQ+ youth saw themselves represented on a major TV network. 🥺🌈❤️ What is your all-time favorite groundbreaking queer TV storyline? Sound off in the replies! 👇🏳️‍🌈✨

A reminder that television history was made right here. ⚡️🏳️‍🌈📺 Ryan Phillippe’s portrayal of Billy Douglas on One Life to Live was the very first time many LGBTQ+ youth saw themselves represented on a major TV network. 🥺🌈❤️ What is your all-time favorite groundbreaking queer TV storyline? Sound off in the replies! 👇🏳️‍🌈✨

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My time on Big Brother was a pivotal moment in changing the way gay men were cast, represented, and viewed on reality television. Watching this newest season is a powerful reminder of just how far we’ve come, and how much representation can evolve.

My time on Big Brother was a pivotal moment in changing the way gay men were cast, represented, and viewed on reality television. Watching this newest season is a powerful reminder of just how far we’ve come, and how much representation can evolve.

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📺 Kwakhala Nyonini (1987) One of the most striking aspects of uMfazi Wephepha (Thembi Nyandeni). Was her unapologetic nature. She was opinionated, assertive, and fiercely independent, traits rarely seen in black women characters on South African television during the 80s. Imo this iconic character not only captivated audiences with her charisma and complexity but also significantly impacted the representation of black women in SA on the small screen.

📺 Kwakhala Nyonini (1987) One of the most striking aspects of uMfazi Wephepha (Thembi Nyandeni). Was her unapologetic nature. She was opinionated, assertive, and fiercely independent, traits rarely seen in black women characters on South African television during the 80s. Imo this iconic character not only captivated audiences with her charisma and complexity but also significantly impacted the representation of black women in SA on the small screen.

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🏳️‍🌈Pride Month 📺SABC 1: After 9 (2007-2013) After 9 arrived at a fascinating moment in South Africa. On paper, the country had some of the world's most progressive protections for LGBTQIA+ people. But as we know, what is written in the Constitution and what happens around the dinner table are often two very different things. The show understood that gap. Its characters weren't just struggling with their sexuality; they were navigating family expectations, cultural pressures, career ambitions and the performance of being the "right kind" of man. SABC+ SABC 1

🏳️‍🌈Pride Month 📺SABC 1: After 9 (2007-2013) After 9 arrived at a fascinating moment in South Africa. On paper, the country had some of the world's most progressive protections for LGBTQIA+ people. But as we know, what is written in the Constitution and what happens around the dinner table are often two very different things. The show understood that gap. Its characters weren't just struggling with their sexuality; they were navigating family expectations, cultural pressures, career ambitions and the performance of being the "right kind" of man. SABC+ SABC 1

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📺 Vuzu: Forever Young (2012-2016) Reality TV often gets boxed as a genre tailored to women’s lifestyles and audiences. But when the format began taking off in South Africa, Vuzu disrupted the script with Forever Young. imo the significance of Forever Young lies in how it reimagined Black masculinity for television, balancing ambition with playfulness, success with vulnerability. it expanded the visual grammar of South African television and reminded us that representation is not trivial. It is a cultural resource that can either reproduce stereotype or open new imaginaries. The show was also an important archive of Black youth culture at the time. Shot across Johannesburg and even in Brazil, it reflected a generation’s mobility, global aspiration, and cultural experimentation. It placed young South African men within a cosmopolitan frame, positioning them as active participants in shaping entertainment and style both locally and abroad.

📺 Vuzu: Forever Young (2012-2016) Reality TV often gets boxed as a genre tailored to women’s lifestyles and audiences. But when the format began taking off in South Africa, Vuzu disrupted the script with Forever Young. imo the significance of Forever Young lies in how it reimagined Black masculinity for television, balancing ambition with playfulness, success with vulnerability. it expanded the visual grammar of South African television and reminded us that representation is not trivial. It is a cultural resource that can either reproduce stereotype or open new imaginaries. The show was also an important archive of Black youth culture at the time. Shot across Johannesburg and even in Brazil, it reflected a generation’s mobility, global aspiration, and cultural experimentation. It placed young South African men within a cosmopolitan frame, positioning them as active participants in shaping entertainment and style both locally and abroad.

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📺 That same year, SABC also introduced us to After 9 (2007) After 9 was an attempt at cultural intervention a deliberate effort to make visible the realities of queer life in spaces where silence and stigma often prevailed. In many ways, the show was one of the first televised explorations of DL culture in a South African context. It forced audiences to confront the uneasy realities of sexuality, secrecy, and respectability politics in black communities. “After 9,” took on a life of its own. It slipped into South African slang as a derogatory label, shorthand for “down-low” (DL) men who lived double lives. We call this semantic shift: when a piece of media introduces a term or phrase that evolves into wider cultural usage, sometimes as stigma, sometimes as identity.

📺 That same year, SABC also introduced us to After 9 (2007) After 9 was an attempt at cultural intervention a deliberate effort to make visible the realities of queer life in spaces where silence and stigma often prevailed. In many ways, the show was one of the first televised explorations of DL culture in a South African context. It forced audiences to confront the uneasy realities of sexuality, secrecy, and respectability politics in black communities. “After 9,” took on a life of its own. It slipped into South African slang as a derogatory label, shorthand for “down-low” (DL) men who lived double lives. We call this semantic shift: when a piece of media introduces a term or phrase that evolves into wider cultural usage, sometimes as stigma, sometimes as identity.

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The last time we saw an opening like this, you had to be sitting in front of the TV watching it live. No apps. No 500 channels and certainly no endless streaming options. Michael Jordan, David Robinson, and Magic Johnson were the faces of the league, and when a game was on national television it felt like a true event. Everyone tuned in at the same time or you missed it. 🏀📺

The last time we saw an opening like this, you had to be sitting in front of the TV watching it live. No apps. No 500 channels and certainly no endless streaming options. Michael Jordan, David Robinson, and Magic Johnson were the faces of the league, and when a game was on national television it felt like a true event. Everyone tuned in at the same time or you missed it. 🏀📺

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[BEFORE SOUTH AFRICANS🇿🇦 WERE REPLACED BY ZIMBABWEANS🇿🇼 ON SA🇿🇦 TV SCREENS] Everyone one of us should remind ama2000 that there was once a time in the life of our nation when SA🇿🇦 Television was not infested with zimbabweans🇿🇼 and other foreigners.

[BEFORE SOUTH AFRICANS🇿🇦 WERE REPLACED BY ZIMBABWEANS🇿🇼 ON SA🇿🇦 TV SCREENS] Everyone one of us should remind ama2000 that there was once a time in the life of our nation when SA🇿🇦 Television was not infested with zimbabweans🇿🇼 and other foreigners.

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To understand how Hindu beliefs were mocked during the Congress era, consider this example. Deepa Mehta’s film Fire was based on a lesbian relationship, and its characters were named Radha and Sita. The irony is striking—the film was inspired by Ismat Chughtai’s story Lihaaf, in which both main characters were Muslim. Yet the filmmakers didn’t have the courage to portray two Muslim women in a same-sex relationship on screen, so they chose names associated with revered Hindu figures instead.

To understand how Hindu beliefs were mocked during the Congress era, consider this example. Deepa Mehta’s film Fire was based on a lesbian relationship, and its characters were named Radha and Sita. The irony is striking—the film was inspired by Ismat Chughtai’s story Lihaaf, in which both main characters were Muslim. Yet the filmmakers didn’t have the courage to portray two Muslim women in a same-sex relationship on screen, so they chose names associated with revered Hindu figures instead.

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When I came on board at Hanna Barbera, the priority was THE REAL ADVENTURES JONNY QUEST (1996). The series is credited as one of the first animated television series to use motion capture technology for the CGI sequences in "QuestWorld," the virtual reality environment featured in the show. It was a novel approach at the time for an animated series. Because it was so ambitious, we had two separate teams working to keep up with the schedule. As crude as this might look, it was groundbreaking given the fact that it was done on a TV schedule and budget.

When I came on board at Hanna Barbera, the priority was THE REAL ADVENTURES JONNY QUEST (1996). The series is credited as one of the first animated television series to use motion capture technology for the CGI sequences in "QuestWorld," the virtual reality environment featured in the show. It was a novel approach at the time for an animated series. Because it was so ambitious, we had two separate teams working to keep up with the schedule. As crude as this might look, it was groundbreaking given the fact that it was done on a TV schedule and budget.

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I still believe.. this Xiaojun, Hendery, and Yangyang dance break during Black on Black at NCT Nation was bcs they were the last members who joined the group at that time. It was like a special 'welcome' (?) or something special (idk how to describe it lol) for them. I'm so proud! 😭😭

I still believe.. this Xiaojun, Hendery, and Yangyang dance break during Black on Black at NCT Nation was bcs they were the last members who joined the group at that time. It was like a special 'welcome' (?) or something special (idk how to describe it lol) for them. I'm so proud! 😭😭

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Queer history isn’t just about what we’ve lost—it’s about what we’ve built. Before Stonewall, before Pride, before mainstream activism, there were secret societies fighting for LGBTQ+ rights in a world that refused to see us. The Mattachine Society (1950) 🏛️ Founded in 1950 by Harry Hay, the Mattachine Society was one of the first gay rights organizations in the U.S. It operated in secrecy because being openly gay at the time meant arrest, job loss, or worse. Their name came from the mattachini, masked jesters from the Renaissance who used performance to critique authority—symbolizing the hidden but powerful voices of queer people. So, what did they accomplish? ⚖️ Fought police entrapment—When gay men were arrested in sting operations, Mattachine provided legal support and fought for their rights. 📢 Created one of the first LGBTQ+ publications—The Mattachine Review spread awareness and connected isolated queer individuals. ⚡ Pushed for visibility—They encouraged LGBTQ+ people to advocate for themselves in public and political spaces. 🚪 Laid the groundwork for later activism—Their fight directly influenced the Gay Liberation Front, Stonewall, and modern LGBTQ+ rights movements. Their logo—a masked figure—represented both secrecy and defiance. I’ve taken that symbol and transformed it into my pottery, making something tangible that honors their legacy. The Daughters of Bilitis (1955) Five years later, in 1955, Phyllis Lyon and Del Martin founded the Daughters of Bilitis (DOB)—the first lesbian civil rights organization in the U.S. Unlike Mattachine, which focused on legal battles, DOB centered around education, support, and fighting the erasure of lesbian identity. What did they achieve? 📖 Published The Ladder, the first national lesbian magazine—At a time when representation was nonexistent, this publication helped lesbians see themselves and find community. 🏳️‍🌈 Created safe spaces—They hosted discussions, social events, and educational programs to combat loneliness and fear. 🛡️ Challenged discrimination—They fought against police harassment, job discrimination, and the medical pathologization of lesbianism. 🔥 Paved the way for feminist and lesbian activism—Their work directly influenced the second-wave feminist movement and the fight for marriage equality. ✨ Queer history is often rewritten or erased, but through my work, I hope to make it permanent. ✨ Drop a 🏳️‍🌈 if you believe these stories should never be forgotten. #QueerHistory #LGBTQIcons #MattachineSociety #DaughtersOfBilitis #QueerArt #QueerPottery

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DOUG WILSON: Charlie Kirk was an evangelist. And he was an evangelist with a christian worldview that extended into politics. He was on college campuses, preaching the gospel to young people, who were hungry for it. And they would turn out by the thousands. And he was important enough to assassinate. There have been eras of American christianity where the Devil wouldn't ever dream of assassinating any preacher man. We live in a time when things are so corrupt and so diseased, that the pulpit ought to take courage to occupy. And in most evangelical churches, it doesn't take any courage to occupy.

DOUG WILSON: Charlie Kirk was an evangelist. And he was an evangelist with a christian worldview that extended into politics. He was on college campuses, preaching the gospel to young people, who were hungry for it. And they would turn out by the thousands. And he was important enough to assassinate. There have been eras of American christianity where the Devil wouldn't ever dream of assassinating any preacher man. We live in a time when things are so corrupt and so diseased, that the pulpit ought to take courage to occupy. And in most evangelical churches, it doesn't take any courage to occupy.

Canon Press

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ICE agents shot a Presbyterian minister in the head with a pepper ball while he was standing with protesters in front of the ICE detention center in Illinois last month. Pastor David Black said he was offering an altar call and invited them to receive salvation when he was struck by the pepper ball. Black said he could hear the ICE agents, who were standing on the roof, laughing after he was struck.

ICE agents shot a Presbyterian minister in the head with a pepper ball while he was standing with protesters in front of the ICE detention center in Illinois last month. Pastor David Black said he was offering an altar call and invited them to receive salvation when he was struck by the pepper ball. Black said he could hear the ICE agents, who were standing on the roof, laughing after he was struck.

ABC7 Eyewitness News

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A lot of people don’t know that the first EMS service in the country was started by Black Pittsburghers, when local police and fire refused to serve them. On the last day of Black History Month, I spoke on the House Floor to honor their contributions to medicine.

A lot of people don’t know that the first EMS service in the country was started by Black Pittsburghers, when local police and fire refused to serve them. On the last day of Black History Month, I spoke on the House Floor to honor their contributions to medicine.

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It's important to understand how the Iranian people were driven to such a state of desperation that a loud minority within them has started to call for US military intervention. Ordinary Iranians have been squeezed between the brutal repression of the theocracy and US sanctions designed to destroy their economy and drive them toward despair. But they are likely a minority - yet on mainstream media, they tend to be given much greater representation. This was also the case in 2003 when mainstream media paraded select Iraqis on TV who passionately begged America to bomb their country. We know how that ended...

It's important to understand how the Iranian people were driven to such a state of desperation that a loud minority within them has started to call for US military intervention. Ordinary Iranians have been squeezed between the brutal repression of the theocracy and US sanctions designed to destroy their economy and drive them toward despair. But they are likely a minority - yet on mainstream media, they tend to be given much greater representation. This was also the case in 2003 when mainstream media paraded select Iraqis on TV who passionately begged America to bomb their country. We know how that ended...

Trita Parsi

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