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Profile picture of thelegendsofmusic thelegendsofmusic Madonna performing "Into The Groove" live at Live Aid in 1985 This song was featured in the movie "Desperately Seeking Susan" and was her first #1 hit. It was never released as a single in the US, but to this day it remains one...

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“Into the Groove” was recorded by Madonna for the 1985 film Desperately Seeking Susan. Written and produced by Madonna and Stephen Bray, the infectious dance-pop classic became one of her most beloved songs of the 1980s, reaching #1 on the UK Singles Chart and topping the charts in several other countries. Its irresistible bassline, synthesizers, and club-oriented production helped establish Madonna as one of the defining figures of 1980s dance-pop. Although it was featured prominently in Desperately Seeking Susan, “Into the Groove” was not included on the film's official soundtrack album. In the United States it was not released as a standalone commercial single and instead appeared as the B-side of the 12-inch single of “Angel”, meaning it was ineligible for the Billboard Hot 100 under the chart rules of the time. Despite this, the song received enormous radio and club exposure and reached #19 on the US Hot Black Singles chart. In the UK and several other markets, however, it was released as a single and became Madonna's first UK #1, spending four weeks at the top of the chart.
3:25

“Into the Groove” was recorded by Madonna for the 1985 film Desperately Seeking Susan. Written and produced by Madonna and Stephen Bray, the infectious dance-pop classic became one of her most beloved songs of the 1980s, reaching #1 on the UK Singles Chart and topping the charts in several other countries. Its irresistible bassline, synthesizers, and club-oriented production helped establish Madonna as one of the defining figures of 1980s dance-pop. Although it was featured prominently in Desperately Seeking Susan, “Into the Groove” was not included on the film's official soundtrack album. In the United States it was not released as a standalone commercial single and instead appeared as the B-side of the 12-inch single of “Angel”, meaning it was ineligible for the Billboard Hot 100 under the chart rules of the time. Despite this, the song received enormous radio and club exposure and reached #19 on the US Hot Black Singles chart. In the UK and several other markets, however, it was released as a single and became Madonna's first UK #1, spending four weeks at the top of the chart.

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this Song was never released as a Single in the US and still ended up being a Global Hit. Imagine if it was released in the US…. wow
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this Song was never released as a Single in the US and still ended up being a Global Hit. Imagine if it was released in the US…. wow

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"Frozen" by Madonna was initially leaked on the internet and somehow made its way to be played on the radio, after a massive takedown the song was released. It peaked at #2 in the US
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"Frozen" by Madonna was initially leaked on the internet and somehow made its way to be played on the radio, after a massive takedown the song was released. It peaked at #2 in the US

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Released in 1971 on Rod Stewart's third studio album, Every Picture Tells a Story, "Maggie May" was originally intended to be the B-side of the single "Reason to Believe." However, radio stations quickly began favoring "Maggie May," turning it into Stewart's breakthrough solo hit. The song reached No. 1 on both the Billboard Hot 100 and the UK Singles Chart, while also topping the charts in Australia and Canada. Its distinctive mandolin performance, played by Ray Jackson of the folk-rock band Lindisfarne became one of the song's most recognizable elements and helped establish it as one of the defining recordings of the early 1970s.
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Released in 1971 on Rod Stewart's third studio album, Every Picture Tells a Story, "Maggie May" was originally intended to be the B-side of the single "Reason to Believe." However, radio stations quickly began favoring "Maggie May," turning it into Stewart's breakthrough solo hit. The song reached No. 1 on both the Billboard Hot 100 and the UK Singles Chart, while also topping the charts in Australia and Canada. Its distinctive mandolin performance, played by Ray Jackson of the folk-rock band Lindisfarne became one of the song's most recognizable elements and helped establish it as one of the defining recordings of the early 1970s.

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'Hey, Hey, What Can I Do' is a song by Led Zeppelin, released in 1970 as the B-side of the single "Immigrant Song" in the US. The song was never performed live by Led Zeppelin, however, Robert Plant & Jimmy Page performed this song live from Detroit on April 1, 1995.
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'Hey, Hey, What Can I Do' is a song by Led Zeppelin, released in 1970 as the B-side of the single "Immigrant Song" in the US. The song was never performed live by Led Zeppelin, however, Robert Plant & Jimmy Page performed this song live from Detroit on April 1, 1995.

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Madonna and Gymskin Finally Met Last Night — Live on Stream Earlier this year, British Kick streamer Gymskin — real name Jack — sent Madonna’s 1985 classic “Into the Groove” back into the UK charts with his viral “follow that tune” clip, where it peaked at number 17 in the Official Top 40. Months later, Madonna and Gymskin have finally met. And when it happened, it happened live, unedited, in front of everyone watching. Gymskin had teased a surprise on his social media ahead of the stream, and after over an hour of live broadcasting, the final half hour took an unexpected turn: he went to Madonna’s London home. The door was already open. She was waiting for him on the ground floor, seated at her desk, dressed in gym wear, and “I Feel So Free” was playing loud in the background. What followed was unscripted and unfiltered. The two talked at length, shared a drink, and Madonna showed him the vinyl of her upcoming album Confessions II, out July 3rd via Warner Records. They also danced together, first to “I Feel So Free”, and then to “Into the Groove” itself. During the evening, Madonna described “I Feel So Free” as a kind of new version of “Into the Groove”. These clips are moments we’ve put together from last night’s livestream. You can watch the full broadcast in its entirety here:
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Madonna and Gymskin Finally Met Last Night — Live on Stream Earlier this year, British Kick streamer Gymskin — real name Jack — sent Madonna’s 1985 classic “Into the Groove” back into the UK charts with his viral “follow that tune” clip, where it peaked at number 17 in the Official Top 40. Months later, Madonna and Gymskin have finally met. And when it happened, it happened live, unedited, in front of everyone watching. Gymskin had teased a surprise on his social media ahead of the stream, and after over an hour of live broadcasting, the final half hour took an unexpected turn: he went to Madonna’s London home. The door was already open. She was waiting for him on the ground floor, seated at her desk, dressed in gym wear, and “I Feel So Free” was playing loud in the background. What followed was unscripted and unfiltered. The two talked at length, shared a drink, and Madonna showed him the vinyl of her upcoming album Confessions II, out July 3rd via Warner Records. They also danced together, first to “I Feel So Free”, and then to “Into the Groove” itself. During the evening, Madonna described “I Feel So Free” as a kind of new version of “Into the Groove”. These clips are moments we’ve put together from last night’s livestream. You can watch the full broadcast in its entirety here:

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“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.
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“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.

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“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.
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“Push It” was originally released in 1987 as the B-side to "Tramp" before becoming an unexpected smash hit, following its success, it was added to later editions of Salt-N-Pepa's 1986 debut album Hot, Cool & Vicious. The track peaked at #19 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in the Netherland, earning the group their first Grammy nomination and helping establish female rap as a commercial force in the mainstream. Radio DJs began playing "Push It" instead of its intended A-side, prompting the group's label to quickly reissue the single with the song as the main attraction.

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The Who performing 'Baba O'Riley' live in 1978. The song was written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, Who's Next. In Europe, it was released as a single in October 1971, coupled with "My Wife". #TheWho
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The Who performing 'Baba O'Riley' live in 1978. The song was written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, Who's Next. In Europe, it was released as a single in October 1971, coupled with "My Wife". #TheWho

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A staple of their live sets by the 80s, “Under My Thumb” dated back to Aftermath, where it first showed a sharper, groove driven side of The Rolling Stones. Never released as a UK single, it remained a key part of their catalogue, evolving into a heavier live track over time.
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A staple of their live sets by the 80s, “Under My Thumb” dated back to Aftermath, where it first showed a sharper, groove driven side of The Rolling Stones. Never released as a UK single, it remained a key part of their catalogue, evolving into a heavier live track over time.

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The song “You” was released today in 1998 as a UK single. Who had a chance to see us perform this live during The Velvet Rope Tour? Listen:
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The song “You” was released today in 1998 as a UK single. Who had a chance to see us perform this live during The Velvet Rope Tour? Listen:

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Situation" is a 1982 single by the British band Yazoo. The song was released in the UK as the B-side of Yazoo's debut single "Only You," reaching number two on the UK singles chart. Released as a single in North America, it peaked at number 73 on the US Billboard Hot 100 chart and reached the top 40 on the Canadian chart, peaking at number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks. It also broke through the charts. Black Singles, ranked 31st.
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Situation" is a 1982 single by the British band Yazoo. The song was released in the UK as the B-side of Yazoo's debut single "Only You," reaching number two on the UK singles chart. Released as a single in North America, it peaked at number 73 on the US Billboard Hot 100 chart and reached the top 40 on the Canadian chart, peaking at number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks. It also broke through the charts. Black Singles, ranked 31st.

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The Rolling Stones performing “The Last Time” on the Ed Sullivan Show. “The Last Time” was inspired by a 1955 gospel song called “This May Be The Last Time” by The Staple Singers. The Stones changed the song’s meaning, making it into a stern message to a girl. The Staples version had a more uplifting message and was much more spiritual. This decision angered many gospel fans who felt The Stones ripped it off since The Staple Singers never got any royalties from it. Since it is a traditional song (meaning no one owns the rights to it), many artists have recorded it, but The Stones was a very high-profile band that had success reworking songs by black artists into hits. Many people believe The Stones should have compensated The Staple Singers because it was based on their version of the song. In the 2003 book According to the Rolling Stones, Keith Richards wrote: “We didn’t find it difficult to write pop songs, but it was VERY difficult - and I think Mick will agree - to write one for the Stones. It seemed to us it took months and months and in the end we came up with The Last Time, which was basically re-adapting a traditional gospel song that the Staple Singers had sung, but luckily the song itself goes back into the mists of time. I think I was trying to learn it on the guitar just to get the chords, sitting there playing along with the record, no gigs, nothing else to do. At least we put our own stamp on it, as the Staple Singers had done, and as many other people have before and since: they’re still singing it in churches today. It gave us something to build on to create the first song that we felt we could decently present to the band to play... The Last Time was kind of a bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it. And once we had done that we were in the game. There was no mercy, because then we had to come up with the next one. We had entered a race without even knowing it.”
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The Rolling Stones performing “The Last Time” on the Ed Sullivan Show. “The Last Time” was inspired by a 1955 gospel song called “This May Be The Last Time” by The Staple Singers. The Stones changed the song’s meaning, making it into a stern message to a girl. The Staples version had a more uplifting message and was much more spiritual. This decision angered many gospel fans who felt The Stones ripped it off since The Staple Singers never got any royalties from it. Since it is a traditional song (meaning no one owns the rights to it), many artists have recorded it, but The Stones was a very high-profile band that had success reworking songs by black artists into hits. Many people believe The Stones should have compensated The Staple Singers because it was based on their version of the song. In the 2003 book According to the Rolling Stones, Keith Richards wrote: “We didn’t find it difficult to write pop songs, but it was VERY difficult - and I think Mick will agree - to write one for the Stones. It seemed to us it took months and months and in the end we came up with The Last Time, which was basically re-adapting a traditional gospel song that the Staple Singers had sung, but luckily the song itself goes back into the mists of time. I think I was trying to learn it on the guitar just to get the chords, sitting there playing along with the record, no gigs, nothing else to do. At least we put our own stamp on it, as the Staple Singers had done, and as many other people have before and since: they’re still singing it in churches today. It gave us something to build on to create the first song that we felt we could decently present to the band to play... The Last Time was kind of a bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it. And once we had done that we were in the game. There was no mercy, because then we had to come up with the next one. We had entered a race without even knowing it.”

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Throwing it back to 2012 and "Bringin' On The Heartbreak" live from YouTube Presents: Def Leppard It was 43 years ago to the day that this track was released as a single off High 'n' Dry in the UK. 💔
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Throwing it back to 2012 and "Bringin' On The Heartbreak" live from YouTube Presents: Def Leppard It was 43 years ago to the day that this track was released as a single off High 'n' Dry in the UK. 💔

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