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Prompts aren’t enough when your shot needs precision. With Topview 3D Shot Composer, you can visually stage characters, props, and camera framing before generating your video. Less guessing. Fewer rerolls. More predictable shots. 🎬 Stop describing your shots. Start directing them. #TopviewAI #AIVideo #AIFilmmaking #AIStorytelling #3DShotComposer

TopviewAI

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1,245,842 görüntüleme • 11 gün önce •via X (Twitter)

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Tell me you're a serious AI filmmaker without telling me you're a serious AI filmmaker: 👇 You stage characters, props, and camera framing in 3D with Topview 3D Shot Composer before generating a single frame. That's the tweet. TopviewAI 🎥 #TopviewAI #AIVideo #AIFilmmaking #AIStorytelling #3DShotComposer

Tell me you're a serious AI filmmaker without telling me you're a serious AI filmmaker: 👇 You stage characters, props, and camera framing in 3D with Topview 3D Shot Composer before generating a single frame. That's the tweet. TopviewAI 🎥 #TopviewAI #AIVideo #AIFilmmaking #AIStorytelling #3DShotComposer

haytam

74,691 görüntüleme • 10 gün önce

Seedance 2.0 and 2.0 Fast have arrived on Leonardo. Now you can take this tool and start directing every shot with more control. Here’s what creators are saying 2.0 is really good at: - Editing your videos using image and video references so you don’t have to prompt from scratch. - Controlling camera motion with precision. - Reproducing specific pans, zooms, tracking shots, etc. from video references. - Keep characters consistent from scene to scene. Any scene you can imagine is yours to create. Start creating.

Seedance 2.0 and 2.0 Fast have arrived on Leonardo. Now you can take this tool and start directing every shot with more control. Here’s what creators are saying 2.0 is really good at: - Editing your videos using image and video references so you don’t have to prompt from scratch. - Controlling camera motion with precision. - Reproducing specific pans, zooms, tracking shots, etc. from video references. - Keep characters consistent from scene to scene. Any scene you can imagine is yours to create. Start creating.

Leonardo.Ai

104,943 görüntüleme • 2 ay önce

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

OpenArt

7,300,193 görüntüleme • 4 ay önce

Dwight Howard telling his favorite Kobe story “I like are little fight that we had, our little scuffle that we kind of had. We never had no like real tight beef before any of that. Like I remember calling Kobe right after we lost to them in the finals and asking him how could I get better and then he started talking about you should, you know your post game is good. You know you get down there that nobody can stop your jump hook. You know nobody can bang with you. You can dunk on everybody in the paint you know you just get that face up jump shot you know free throw line jump shot and you good. So I was like, how many shoots should I do. What you do when you shoot? He said, shoot, I make a thousand shots a day. So I said, Yes, I can do that. I can do that. So after that, I would do a thousand shots every day. Have to make a thousand shot. And that would be like I would go around 100 shots a spot. Bank shot on both sides, 100 hook shots, 100 left hand hooks like running hooks like all these different things. So, I started to develop like the shots were so easy because of that” (Via Rich Eisen Show)

Dwight Howard telling his favorite Kobe story “I like are little fight that we had, our little scuffle that we kind of had. We never had no like real tight beef before any of that. Like I remember calling Kobe right after we lost to them in the finals and asking him how could I get better and then he started talking about you should, you know your post game is good. You know you get down there that nobody can stop your jump hook. You know nobody can bang with you. You can dunk on everybody in the paint you know you just get that face up jump shot you know free throw line jump shot and you good. So I was like, how many shoots should I do. What you do when you shoot? He said, shoot, I make a thousand shots a day. So I said, Yes, I can do that. I can do that. So after that, I would do a thousand shots every day. Have to make a thousand shot. And that would be like I would go around 100 shots a spot. Bank shot on both sides, 100 hook shots, 100 left hand hooks like running hooks like all these different things. So, I started to develop like the shots were so easy because of that” (Via Rich Eisen Show)

NBA Courtside

110,597 görüntüleme • 5 ay önce

#1 Indicator of successful offense Social media is filled with sets, actions, offenses, tips, tricks, etc. Everyone wants to talk about WHAT they run. As I dive deeper in to successful offensive teams, it’s never been more apparent that Shot selection is the number 1 common denominator. Great offenses get easier and more valuable shots. The actions change, system changes, personnel changes, but the shot selection doesn’t. As always, having talented players help efficiency… but having talented players that can’t execute or aren’t good decision makers can kill your offense. What’s the point of this… if your team struggled offensively this year… MAKE SURE EVERYONE HAS CLARITY ON SHOT SELECTION and then build your offseason development to reinforce those shots and the decisions/reads that create them.

#1 Indicator of successful offense Social media is filled with sets, actions, offenses, tips, tricks, etc. Everyone wants to talk about WHAT they run. As I dive deeper in to successful offensive teams, it’s never been more apparent that Shot selection is the number 1 common denominator. Great offenses get easier and more valuable shots. The actions change, system changes, personnel changes, but the shot selection doesn’t. As always, having talented players help efficiency… but having talented players that can’t execute or aren’t good decision makers can kill your offense. What’s the point of this… if your team struggled offensively this year… MAKE SURE EVERYONE HAS CLARITY ON SHOT SELECTION and then build your offseason development to reinforce those shots and the decisions/reads that create them.

Steve Dagostino

10,363 görüntüleme • 1 yıl önce

Last week, we shared a refresher on our favorite Flow features. Today, we're doing a deep dive into prompting with a few tips on how to craft the optimal prompt, create your dream video, and #FindYourFlow 🕺 Clearly identify your characters or objects and describe their movements 🎥 Frame your shot with compositional terms like "wide shot" or “close-up" and direct the camera with instructions like "tracking shot" or "aerial view" 💡The lighting and environment set the entire mood. Instead of "a room" use more descriptive terms like "a dusty attic filled with forgotten treasures, a single beam of afternoon light cutting through a grimy window" 🧸 Flow is not limited to realistic visuals. You can experiment with a wide array of animation styles like "stop motion" or "knitted animation" 🗣️ With Veo 3, you can include sound effects and dialogue in your prompt. Describe the ambient sounds happening throughout the scene and generate dialogue by including it in your prompt. For more Flow tips, see here ➡️ 🚨Pro tip: this is another great bookmark 😉

Last week, we shared a refresher on our favorite Flow features. Today, we're doing a deep dive into prompting with a few tips on how to craft the optimal prompt, create your dream video, and #FindYourFlow 🕺 Clearly identify your characters or objects and describe their movements 🎥 Frame your shot with compositional terms like "wide shot" or “close-up" and direct the camera with instructions like "tracking shot" or "aerial view" 💡The lighting and environment set the entire mood. Instead of "a room" use more descriptive terms like "a dusty attic filled with forgotten treasures, a single beam of afternoon light cutting through a grimy window" 🧸 Flow is not limited to realistic visuals. You can experiment with a wide array of animation styles like "stop motion" or "knitted animation" 🗣️ With Veo 3, you can include sound effects and dialogue in your prompt. Describe the ambient sounds happening throughout the scene and generate dialogue by including it in your prompt. For more Flow tips, see here ➡️ 🚨Pro tip: this is another great bookmark 😉

Google Labs

33,868 görüntüleme • 1 yıl önce

A lot of you complaining about shooting in 2k25 dont understand how the shooting actually works and are just calling it bad so let me break it down real quick The shooting itself is pretty EASY, if you cant green your first few shots you're just mistiming and need to learn your timing or get better, for example you can green your first 2 jumpshots very easily. NOW LETS GET TO THE PROBLEM. But after say for example you make 2 shots in a row, MOST OF THE TIME 2k will give you NO GREEN WINDOW at all on the next shot, leaving it completely up to RNG (random) whether your next shot will go in (will most likely miss). So essentially 2k is punishing you for greening multiple shots in a row by forcing you to eventually miss your next shot most of the time. In this clip in a ranked 1v1 match, my opponent greens 2 shots in a row then i confidently leave him WIDE OPEN for the 3rd shot knowing that he will 100% MISS because of the algorithm and he does...then i do the exact same thing again after he makes 2 more shots in a row, i leave him WIDE OPEN for his 3rd shot knowing he will miss again and he does indeed miss... You should not be PUNISHED for timing your jumpshot correctly by being given no green window after you make a sequence of shots, THAT IS THE PROBLEM WITH THE SHOOTING...it is not hard to time your shot in general, the issue is after you make a few shots, you're given NO GREEN WINDOW, which is leaving it up to RNG which should not be a thing. And if there's any brainrot kids who can't understand me saying that the shooting is easy but then also saying that the way they made the algorithm to make you miss is bad, i am specifically talking about the times where it gives you no green window after making a few shots, which is not on every single shot... 2k needs to revert this because it should not be impossible to make specific jumpshots, especially after making a few shots you think you would be rewarded and it would be easier to make the next ones correct? Well they made it harder instead.

A lot of you complaining about shooting in 2k25 dont understand how the shooting actually works and are just calling it bad so let me break it down real quick The shooting itself is pretty EASY, if you cant green your first few shots you're just mistiming and need to learn your timing or get better, for example you can green your first 2 jumpshots very easily. NOW LETS GET TO THE PROBLEM. But after say for example you make 2 shots in a row, MOST OF THE TIME 2k will give you NO GREEN WINDOW at all on the next shot, leaving it completely up to RNG (random) whether your next shot will go in (will most likely miss). So essentially 2k is punishing you for greening multiple shots in a row by forcing you to eventually miss your next shot most of the time. In this clip in a ranked 1v1 match, my opponent greens 2 shots in a row then i confidently leave him WIDE OPEN for the 3rd shot knowing that he will 100% MISS because of the algorithm and he does...then i do the exact same thing again after he makes 2 more shots in a row, i leave him WIDE OPEN for his 3rd shot knowing he will miss again and he does indeed miss... You should not be PUNISHED for timing your jumpshot correctly by being given no green window after you make a sequence of shots, THAT IS THE PROBLEM WITH THE SHOOTING...it is not hard to time your shot in general, the issue is after you make a few shots, you're given NO GREEN WINDOW, which is leaving it up to RNG which should not be a thing. And if there's any brainrot kids who can't understand me saying that the shooting is easy but then also saying that the way they made the algorithm to make you miss is bad, i am specifically talking about the times where it gives you no green window after making a few shots, which is not on every single shot... 2k needs to revert this because it should not be impossible to make specific jumpshots, especially after making a few shots you think you would be rewarded and it would be easier to make the next ones correct? Well they made it harder instead.

HankDaTank

538,354 görüntüleme • 1 yıl önce

Claymotion ads are crushing it on Meta right now. Built a free claude skill to make them 👇 If you've been scrolling Meta lately, you've seen them — stop-motion clay characters, tactile textures, weirdly satisfying to watch. CTRs are 2-3x the feed average. Almost nobody is running them. The problem: they look impossible to make unless you have a studio. They're not. You just need the right prompts. So I packaged the prompt system as a Claude Code skill. It's free. Here's what it does: Paste your product URL. Out comes a full claymotion ad plan: 1/ Shot-by-shot storyboard 5-7 shots with the narrative arc. Setup → product reveal → payoff → CTA. 2/ Image prompt per shot Exact prompt you paste into Midjourney, Nano Banana, or any image gen. Camera angle, lighting, clay texture specs, character details — dialed in for consistency across shots. 3/ Video prompt per shot The animation prompt you paste into Kling, Veo, Seedance, or Sora. Motion direction, pacing, transitions — so the shots actually flow. 4/ VO script per shot Voiceover copy written for rhythm. Timed to the shot length. Hook, body, CTA — all on brand. 5/ Music + sfx direction Tone notes for the track. Specific sfx cues per shot (squish, pop, whoosh) You take the outputs. Paste them into your image + video generators. Stitch the shots. Record the VO. A full claymotion ad in under an hour, at the cost of a few API credits. Instead of $3,000 and 3 weeks with an animation studio. Why claymotion works right now: → Pattern break — nothing else in the feed looks like it → Tactile feel — clay reads as "real" even when AI-generated → High dwell time — people watch the whole thing → Cheap to test — 5-10 variations per product is now feasible Comment "Clay" and I'll send you: → The Claude Code skill (free) → A starter prompt pack → 3 example storyboards so you can see the output (must be connected)

Ahad Shams

16,735 görüntüleme • 3 ay önce

This custom GPT writes perfect Sora 2 prompts every time 🤯 Most people are wasting hours trying to get Sora 2 to generate decent UGC videos. The problem isn't Sora 2. It's you (and your prompts). Here's what I learned after generating 100+ UGC videos with Sora 2: Sora 2 needs hyper-specific prompts with shot composition, timing, camera movement, and scene details. Most people write: "Create a UGC video for my protein bar" What you get? Terrible results. What actually works: "9:16 vertical handheld shot, natural lighting, female creator in kitchen holding [brand] protein bar at eye level, excited testimonial energy, 0-3s hook showing bite and reaction, shallow depth of field, warm color grade" That's the difference between amateur & professional output. So I built a custom GPT that does this automatically: → Tell it your product (protein bar, skincare, SaaS tool, etc.) → It generates a detailed timeline-based Sora 2 prompt → Includes shot composition, camera angles, timing breakdowns → Optimized for 9:16 UGC TikTok/Reels format → Copy/paste directly into Sora 2 No more guessing. No more mediocre results. Just professional UGC prompts in 10 seconds. Want free access to the Sora 2 Prompt Generator GPT? > Comment "GPT" > Like this post And I'll send it over (must be following so I can DM)

Mike Futia

49,751 görüntüleme • 9 ay önce

How to Create AI Videos with Google Flow Storyboard Studio. Creating AI videos becomes much easier when you can map out every scene before generating a single image. In this tutorial, you'll learn how to use Google Flow Storyboard Studio to turn an idea into a complete AI video workflow. I'll show you how to organize scenes, build consistent characters, generate backgrounds, structure your story, and prepare every shot before moving into video generation. Whether you're creating YouTube videos, short films, documentaries, or animated content, this workflow helps you build more organized, consistent, and higher quality AI videos from start to finish. If you found this helpful, Like, Retweet, and Bookmark it for later. Follow BIG CHRIS for more AI filmmaking and Google Flow tutorials. Video Credit: GenAI with Keera (

How to Create AI Videos with Google Flow Storyboard Studio. Creating AI videos becomes much easier when you can map out every scene before generating a single image. In this tutorial, you'll learn how to use Google Flow Storyboard Studio to turn an idea into a complete AI video workflow. I'll show you how to organize scenes, build consistent characters, generate backgrounds, structure your story, and prepare every shot before moving into video generation. Whether you're creating YouTube videos, short films, documentaries, or animated content, this workflow helps you build more organized, consistent, and higher quality AI videos from start to finish. If you found this helpful, Like, Retweet, and Bookmark it for later. Follow BIG CHRIS for more AI filmmaking and Google Flow tutorials. Video Credit: GenAI with Keera (

BIG CHRIS

21,766 görüntüleme • 2 gün önce

My ideas used to stay stuck at the script stage. Writing scenes was easy, but turning them into actual animated shots always felt heavy. Too many tools. Too much technical friction. The story would lose momentum halfway through. That changed when I spent time exploring CineV | 3D-Controlled AI Animation. What clicked for me was how it starts from a story, not a timeline or a blank canvas. You write first, then it builds a storyboard around that idea. From there, you can review shots, regenerate scenes, adjust expressions, tweak camera angles, and refine motion instead of accepting one random output. I found myself thinking more like a director than a prompt engineer. Choosing what shots worked, pacing scenes, and polishing moments without needing to animate everything from scratch. Less friction. Fewer compromises. More control over the final result. What stood out next was the flexibility. There’s a faster text to video flow when speed matters, and a more hands on storyboard and 3D edit mode when you care about camera work and continuity. You decide how deep you want to go. It still feels early and very creator focused, but the full workflow from script to export is already there. CineV feels less like a clip generator and more like a storytelling tool for anime style animation. Worth a look if you work with narrative ideas and want them to actually turn into finished scenes. Try it here:

My ideas used to stay stuck at the script stage. Writing scenes was easy, but turning them into actual animated shots always felt heavy. Too many tools. Too much technical friction. The story would lose momentum halfway through. That changed when I spent time exploring CineV | 3D-Controlled AI Animation. What clicked for me was how it starts from a story, not a timeline or a blank canvas. You write first, then it builds a storyboard around that idea. From there, you can review shots, regenerate scenes, adjust expressions, tweak camera angles, and refine motion instead of accepting one random output. I found myself thinking more like a director than a prompt engineer. Choosing what shots worked, pacing scenes, and polishing moments without needing to animate everything from scratch. Less friction. Fewer compromises. More control over the final result. What stood out next was the flexibility. There’s a faster text to video flow when speed matters, and a more hands on storyboard and 3D edit mode when you care about camera work and continuity. You decide how deep you want to go. It still feels early and very creator focused, but the full workflow from script to export is already there. CineV feels less like a clip generator and more like a storytelling tool for anime style animation. Worth a look if you work with narrative ideas and want them to actually turn into finished scenes. Try it here:

FELIX

122,203 görüntüleme • 6 ay önce

.@CMDROpAtLargeCA Greg Bovino, stop lying to the public. The video Dana Bash puts right in front of your face, shows an agent in a gray jacket taking Pretti’s gun away before he’s shot and you pretend not to see it. Then you claim you want to investigate first? Did you investigate first before making these claims to public: -You said Alex Pretti “approached agents with a gun in hand.” The video shows him holding a phone, not a gun. -You said he wanted to “massacre law enforcement” and do “maximum damage.” There is zero evidence of that. No shots fired. No charge. No threat. Just a man recording. -You said being armed made him fair game. He had a legal permit to carry. That is not a crime in Minnesota. Full stop. An unarmed man was shot multiple times after being disarmed, and instead of owning the facts, you invented motives, exaggerate threats, and hope people are blind. After all the false claims then you claim you want to investigate? Video refutes your story to your face. Witnesses refute your story. Your own credibility refutes your story. And no amount of talking over the video will change what everyone can see with their own eyes. And I truly hope someday you are held accountable to the fullest extend of the law. #AlexJeffreyPretti #JusticeForAlexPretti

.@CMDROpAtLargeCA Greg Bovino, stop lying to the public. The video Dana Bash puts right in front of your face, shows an agent in a gray jacket taking Pretti’s gun away before he’s shot and you pretend not to see it. Then you claim you want to investigate first? Did you investigate first before making these claims to public: -You said Alex Pretti “approached agents with a gun in hand.” The video shows him holding a phone, not a gun. -You said he wanted to “massacre law enforcement” and do “maximum damage.” There is zero evidence of that. No shots fired. No charge. No threat. Just a man recording. -You said being armed made him fair game. He had a legal permit to carry. That is not a crime in Minnesota. Full stop. An unarmed man was shot multiple times after being disarmed, and instead of owning the facts, you invented motives, exaggerate threats, and hope people are blind. After all the false claims then you claim you want to investigate? Video refutes your story to your face. Witnesses refute your story. Your own credibility refutes your story. And no amount of talking over the video will change what everyone can see with their own eyes. And I truly hope someday you are held accountable to the fullest extend of the law. #AlexJeffreyPretti #JusticeForAlexPretti

Human☮🇺🇸🇺🇦🇺🇸🌊

27,779 görüntüleme • 5 ay önce

No more Shots! No Flu shot before Thanks Giving! Enjoy sharing! Clay Clark: What would you say to somebody who says: You know, I'm thinking about getting a flu shot before Thanksgiving. Judy Mikovits, PhD: Know that every flu shot is a COVID shot, and has been since Trump signed into law, unwittingly, unknowingly, as we know, September 19, 2019 every flu shot is a COVID shot. Every shot since 2009 has been a COVID shot. They actually cause disease, as many know and are suffering. And so if you could simply wait. What did we have in the Brady Bunch? You know, have a COVID party. Have a flu party. You know, you're all family. Just lick, lick their cheek, and share glasses. And we all know Lee Merritt, you know, let's, let's just have some fun. And you know, just stop! It's only going to make you sick. Don't go near a hospital. Don't go near a CVS Pharmacy. You don't have to question shedding or spreading, if you stay home with your family. It doesn't happen that way, whether they were shot or not in the past. Just don't shoot them again, and certainly don't shoot yourself. It just doesn't end well! Boost your immune system with my daily protocol: Lee Merritt MD Donald J. Trump CVS Pharmacy #truth #health #news #sundayvibes #COVID #flu #vaccine #StoptheShots #faith #GodWins

No more Shots! No Flu shot before Thanks Giving! Enjoy sharing! Clay Clark: What would you say to somebody who says: You know, I'm thinking about getting a flu shot before Thanksgiving. Judy Mikovits, PhD: Know that every flu shot is a COVID shot, and has been since Trump signed into law, unwittingly, unknowingly, as we know, September 19, 2019 every flu shot is a COVID shot. Every shot since 2009 has been a COVID shot. They actually cause disease, as many know and are suffering. And so if you could simply wait. What did we have in the Brady Bunch? You know, have a COVID party. Have a flu party. You know, you're all family. Just lick, lick their cheek, and share glasses. And we all know Lee Merritt, you know, let's, let's just have some fun. And you know, just stop! It's only going to make you sick. Don't go near a hospital. Don't go near a CVS Pharmacy. You don't have to question shedding or spreading, if you stay home with your family. It doesn't happen that way, whether they were shot or not in the past. Just don't shoot them again, and certainly don't shoot yourself. It just doesn't end well! Boost your immune system with my daily protocol: Lee Merritt MD Donald J. Trump CVS Pharmacy #truth #health #news #sundayvibes #COVID #flu #vaccine #StoptheShots #faith #GodWins

Judy A. Mikovits PhD

48,875 görüntüleme • 1 yıl önce

This Google Veo 3 "frames to video" feature is pure genius 💡 If you're creating video ads, this Veo 3 technique gives you surgical control over every scene element. This frames-to-video feature will take any static product shot... And turn it into cinematic reels with precise camera movements & timing. Perfect for creative strategists, agencies, and DTC operators running video campaigns. But instead of hoping AI generates what you hope for... Just upload your reference image and get exact scene control in minutes. The game-changer? Your static assets become dynamic video gold → organized by camera moves, action sequences, & precise timing control. Here's what frames-to-video gives you: → upload any product reference image → add numbered annotations for camera movements → structure scene directions (I use JSON for precision) → set duration, fps, lighting specs → get frame-perfect video execution → no video shooting or expensive production needed Now you've got director-level control from single images. These HexClad reels were generated from two static product shots + a JSON prompt for each. When your campaign needs cinematic quality but you only have product photos? This frames-to-video workflow changes everything. And it's only getting better Want my full annotation setup guide, including the JSON prompts? Comment "FRAMES" + follow and I'll send it over (must be following/connected so I can DM)

This Google Veo 3 "frames to video" feature is pure genius 💡 If you're creating video ads, this Veo 3 technique gives you surgical control over every scene element. This frames-to-video feature will take any static product shot... And turn it into cinematic reels with precise camera movements & timing. Perfect for creative strategists, agencies, and DTC operators running video campaigns. But instead of hoping AI generates what you hope for... Just upload your reference image and get exact scene control in minutes. The game-changer? Your static assets become dynamic video gold → organized by camera moves, action sequences, & precise timing control. Here's what frames-to-video gives you: → upload any product reference image → add numbered annotations for camera movements → structure scene directions (I use JSON for precision) → set duration, fps, lighting specs → get frame-perfect video execution → no video shooting or expensive production needed Now you've got director-level control from single images. These HexClad reels were generated from two static product shots + a JSON prompt for each. When your campaign needs cinematic quality but you only have product photos? This frames-to-video workflow changes everything. And it's only getting better Want my full annotation setup guide, including the JSON prompts? Comment "FRAMES" + follow and I'll send it over (must be following/connected so I can DM)

Mike Futia

39,793 görüntüleme • 11 ay önce

Players: Stop talking trash. When did winning become not enough? Now we have to show up your opponent. Win with class, lose with class. Play the game with respect. It's not about you, it's about the team! And coaches... don't let your players be bush league. Teach them to act like champions. Takes balls to hold your players to a high standard. A lot can be learned from the video below. We need a lot more Coach Carters out there! 🙏🏻

Players: Stop talking trash. When did winning become not enough? Now we have to show up your opponent. Win with class, lose with class. Play the game with respect. It's not about you, it's about the team! And coaches... don't let your players be bush league. Teach them to act like champions. Takes balls to hold your players to a high standard. A lot can be learned from the video below. We need a lot more Coach Carters out there! 🙏🏻

Zak Blair

29,455 görüntüleme • 1 yıl önce

I’ve known Dr. Patrick Price for years… and I can tell you, he is a true master of his craft. 💯 There are very few people who have dedicated decades to understanding how the body actually communicates… and even fewer who can teach it in a way people can apply immediately. What he’s built with Applied Kinetic Science is not just another course. It’s a system that allows you to become your own doctor — for yourself and your family. 🧬 To stop guessing. To stop relying on generic protocols. To stop depending on outside opinions. And instead… To learn how to test your body directly and understand exactly what it needs. What to take. What to remove. What to detox first. What’s actually helping… and what’s not. That level of awareness changes everything. Because when you can communicate with your body… you’re no longer guessing — you’re in control. This is why I respect Dr. Price so much. And right now is a perfect time to learn from a master. 🔥 His Applied Kinetic Science Certification is on sale. If you’re serious about taking your health into your own hands — this is where you start. Here’s a link to the sale! Take back your health. Knowledge is power! Dr. Edward Group, DC #DrEdwardGroup #DrPatrickPrice #AppliedKineticScience #MuscleTesting #HealthFreedom #RootCauseHealing #BeYourOwnDoctor #Detox

I’ve known Dr. Patrick Price for years… and I can tell you, he is a true master of his craft. 💯 There are very few people who have dedicated decades to understanding how the body actually communicates… and even fewer who can teach it in a way people can apply immediately. What he’s built with Applied Kinetic Science is not just another course. It’s a system that allows you to become your own doctor — for yourself and your family. 🧬 To stop guessing. To stop relying on generic protocols. To stop depending on outside opinions. And instead… To learn how to test your body directly and understand exactly what it needs. What to take. What to remove. What to detox first. What’s actually helping… and what’s not. That level of awareness changes everything. Because when you can communicate with your body… you’re no longer guessing — you’re in control. This is why I respect Dr. Price so much. And right now is a perfect time to learn from a master. 🔥 His Applied Kinetic Science Certification is on sale. If you’re serious about taking your health into your own hands — this is where you start. Here’s a link to the sale! Take back your health. Knowledge is power! Dr. Edward Group, DC #DrEdwardGroup #DrPatrickPrice #AppliedKineticScience #MuscleTesting #HealthFreedom #RootCauseHealing #BeYourOwnDoctor #Detox

Dr. Edward Group, DC

13,960 görüntüleme • 3 ay önce

This custom GPT writes Sora 2 prompts that actually work 🤯 Most people prompting Sora 2 are getting garbage output. The problem isn't Sora 2. It's your prompts. Here's what I figured out after generating 100+ UGC videos: Sora 2 needs hyper-specific instructions—shot composition, timing, camera movement, lighting, scene details. Most people prompt like this: "Make a UGC video of someone using my skincare product" And then wonder why the output looks like AI slop. What actually gets results: "9:16 vertical handheld shot, soft natural window lighting, female creator mid-20s in bathroom mirror holding [brand] serum at eye level, genuine testimonial energy, 0-3s hook showing application and subtle reaction, shallow depth of field, clean warm color grade" That's the gap between unusable content and scroll-stopping UGC. So I built a custom GPT that writes these prompts for you: → Tell it your product (supplement, skincare, SaaS, whatever) → It generates a detailed timeline-based Sora 2 prompt → Shot composition, camera angles, timing breakdowns—all included → Optimized for 9:16 TikTok/Reels format → Copy and paste directly into Sora 2 No guessing. No prompt engineering rabbit holes. No "why does this look terrible" frustration. Professional UGC prompts in 10 seconds. Want free access to the Sora 2 Prompt Generator GPT? > Comment "SORA" > Like this post And I'll send it over (must be following so I can DM)

Mike Futia

13,262 görüntüleme • 6 ay önce

With all due respect Ma, YOU ARE TELLING BLATANT LIES Maybe your glasses are not functioning properly for you to see clearly Video 1. Police officers of FCT invaded peaceful protesters and started shooting live ammunition when we were having interviews with the Press. Pic 2. EVIDENCE OF LIVE AMMUNITION SHOT AT PEACEFUL PROTESTERS AT THE STADIUM, you claim you shot teargas at those in EagleSquare because you told them to go and protest in the stadium, SO WHAT IS THE TEASON FOR ATTACKING PEACEFUL PEOPLE AND THE PRESS AT THE STADIUM. Video 3. Policemen GUARDING THUGS with cutlasses and machetes and taking them to invade peaceful protesters. Video 4: Slowed down video 2 for you because I can see you’re using glasses, let us help your eyes to see the TRUTH madam PPRO. If you want more videos with different angles so you can see it well, let me know.

With all due respect Ma, YOU ARE TELLING BLATANT LIES Maybe your glasses are not functioning properly for you to see clearly Video 1. Police officers of FCT invaded peaceful protesters and started shooting live ammunition when we were having interviews with the Press. Pic 2. EVIDENCE OF LIVE AMMUNITION SHOT AT PEACEFUL PROTESTERS AT THE STADIUM, you claim you shot teargas at those in EagleSquare because you told them to go and protest in the stadium, SO WHAT IS THE TEASON FOR ATTACKING PEACEFUL PEOPLE AND THE PRESS AT THE STADIUM. Video 3. Policemen GUARDING THUGS with cutlasses and machetes and taking them to invade peaceful protesters. Video 4: Slowed down video 2 for you because I can see you’re using glasses, let us help your eyes to see the TRUTH madam PPRO. If you want more videos with different angles so you can see it well, let me know.

AMB. SERAH IBRAHIM

666,563 görüntüleme • 1 yıl önce

FLUX 2.0 just dropped. And it’s one of the strongest image models of 2025. In our latest video, we break down what makes FLUX 2.0 so powerful and why creators are paying close attention to it. ⁠ Here’s what stands out: Accurate HEX color control You can specify exact HEX values inside your prompt. You get precise palette consistency without guesswork. ⁠ Structured prompting with JSON FLUX 2.0 is tuned for JSON based prompts. That means predictable composition, steadier outputs, and tighter creative control. ⁠ Photorealism and lighting accuracy Reflections, skin texture, shadows, small details, and challenging lighting setups now render with a level of clarity that looks close to real photography. ⁠ Complex scene understanding You can describe multi-element environments and FLUX 2.0 handles spatial relationships with stronger coherence and stability. ⁠ Better anatomy, hands, and facial detail Human subjects look cleaner, more natural, and more consistent across shots. ⁠ Image to image style control You can feed a reference and FLUX 2.0 matches mood, framing, texture, or atmosphere with surprising precision. ⁠ If you want a real look at what FLUX 2.0 delivers, watch the full breakdown here.

FLUX 2.0 just dropped. And it’s one of the strongest image models of 2025. In our latest video, we break down what makes FLUX 2.0 so powerful and why creators are paying close attention to it. ⁠ Here’s what stands out: Accurate HEX color control You can specify exact HEX values inside your prompt. You get precise palette consistency without guesswork. ⁠ Structured prompting with JSON FLUX 2.0 is tuned for JSON based prompts. That means predictable composition, steadier outputs, and tighter creative control. ⁠ Photorealism and lighting accuracy Reflections, skin texture, shadows, small details, and challenging lighting setups now render with a level of clarity that looks close to real photography. ⁠ Complex scene understanding You can describe multi-element environments and FLUX 2.0 handles spatial relationships with stronger coherence and stability. ⁠ Better anatomy, hands, and facial detail Human subjects look cleaner, more natural, and more consistent across shots. ⁠ Image to image style control You can feed a reference and FLUX 2.0 matches mood, framing, texture, or atmosphere with surprising precision. ⁠ If you want a real look at what FLUX 2.0 delivers, watch the full breakdown here.

There's An AI For That

27,286 görüntüleme • 7 ay önce

Co-produced with PAI by Utopai Studios, the first long-form video generation model. The AI video clip era is ending! I started with a short story idea. From there, PAI generated the characters, transformed them into keyframes, and then animated the scenes into a full sequence. The interesting part was seeing how the same characters, environment, and visual style stayed consistent across multiple shots while the story progressed naturally. What felt different here is that I wasn’t building each shot manually. I focused on the narrative, and the engine handled character creation, scene continuity, and animation to produce a ready-to-watch video. A step-by-step tutorial so you can make your own story 👇🏻 Thanks to Utopai Studios for collaborating with me Try it now: #UtopaiPartners

Co-produced with PAI by Utopai Studios, the first long-form video generation model. The AI video clip era is ending! I started with a short story idea. From there, PAI generated the characters, transformed them into keyframes, and then animated the scenes into a full sequence. The interesting part was seeing how the same characters, environment, and visual style stayed consistent across multiple shots while the story progressed naturally. What felt different here is that I wasn’t building each shot manually. I focused on the narrative, and the engine handled character creation, scene continuity, and animation to produce a ready-to-watch video. A step-by-step tutorial so you can make your own story 👇🏻 Thanks to Utopai Studios for collaborating with me Try it now: #UtopaiPartners

Amira Zairi

25,679 görüntüleme • 4 ay önce