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🚨PromptShare🚨 Kling AI 3.0’s multi-shot is absolutely insane. Shot breakdown, pacing, storytelling… The rules of the game have clearly changed. This is a whole new era 🤯 SHOT1 Wide shot, Character A (a man in his 40s, soaked trench coat) stands alone under the bridge, smoking. Camera pushes in...

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Pierrick Chevallier | IA

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10,020 просмотров • 7 месяцев назад •via X (Twitter)

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😈 While we are waiting for Seedance 2.0, Kling 3.0 is still an amazing option. Especially Omni mode when working with character. Just generate multiple facial expressions and provide them as reference images. Then make a multi-shot prompt and you will have amazing character consistency. Prompt: shot 1: the devil talking while turning his head giving a side eye. shot 2: extreme close up of the devils eye. he winks. shot 3: extreme close up of the mouth while he turns agry. shot 4: extreme close up of his ear. small hairs are showing. shot 5. the devil sticks out his tongue while saying a licking sound shot 6: zoom out and show the devil standing in hell. Only a silhuette is visible. Link to Spaces below
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😈 While we are waiting for Seedance 2.0, Kling 3.0 is still an amazing option. Especially Omni mode when working with character. Just generate multiple facial expressions and provide them as reference images. Then make a multi-shot prompt and you will have amazing character consistency. Prompt: shot 1: the devil talking while turning his head giving a side eye. shot 2: extreme close up of the devils eye. he winks. shot 3: extreme close up of the mouth while he turns agry. shot 4: extreme close up of his ear. small hairs are showing. shot 5. the devil sticks out his tongue while saying a licking sound shot 6: zoom out and show the devil standing in hell. Only a silhuette is visible. Link to Spaces below

Martin LeBlanc

34,681 просмотров • 7 месяцев назад

MiniMax H3 Character Introduction Prompt: Use @[char ref] as the sole character reference. Preserve the exact identity, face, body proportions, hairstyle, outfit, colors, materials and overall silhouette of the character throughout the entire video. Do not redesign, simplify or replace any defining visual features. Create a cinematic character introduction focused on presence, silhouette, attitude and controlled motion. 0–4s Begin with a close shot of a defining lower-body or detail element such as boots, shoes, feet, hands, clothing hem or an important accessory. The character enters frame or settles into position. The camera slowly tracks upward while hair, clothing and secondary elements move naturally in the wind or environment. 4–8s Reveal more of the body with a medium or medium-wide shot from the back, side or three-quarter angle. The character stands in a calm, composed way inside the environment. The camera makes a smooth orbit, arc or lateral move to gradually reveal the character’s face and silhouette. 8–12s Move into a tight cinematic portrait or upper-body shot. The character performs one subtle signature action that fits their personality, such as lifting the chin, turning the head, adjusting clothing, brushing hair aside, opening a hand, looking toward camera, or shifting posture. Keep the motion minimal and intentional. The expression should match the character’s vibe. 12–15s End with a strong full-body hero shot that clearly presents the entire design and silhouette. Use a low-angle, eye-level or slightly dramatic framing depending on the character’s personality. The character settles into a natural final pose and holds it confidently for a clean final reveal. VISUAL DIRECTION Premium cinematic presentation. Match the visual medium and rendering style of @[char ref]. Emphasize clean silhouette, elegant staging, subtle secondary motion, believable hair and cloth movement, strong composition, atmospheric depth and polished lighting. The scene should feel like a high-end anime, game or film character introduction. CAMERA Use a clear progression from detail reveal to partial reveal to face reveal to full-body hero reveal. Camera movement should be smooth, controlled and intentional. Avoid chaotic motion. ENVIRONMENT Place the character in a fitting environment that supports their identity and mood. The background should enhance the character without distracting from them.
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MiniMax H3 Character Introduction Prompt: Use @[char ref] as the sole character reference. Preserve the exact identity, face, body proportions, hairstyle, outfit, colors, materials and overall silhouette of the character throughout the entire video. Do not redesign, simplify or replace any defining visual features. Create a cinematic character introduction focused on presence, silhouette, attitude and controlled motion. 0–4s Begin with a close shot of a defining lower-body or detail element such as boots, shoes, feet, hands, clothing hem or an important accessory. The character enters frame or settles into position. The camera slowly tracks upward while hair, clothing and secondary elements move naturally in the wind or environment. 4–8s Reveal more of the body with a medium or medium-wide shot from the back, side or three-quarter angle. The character stands in a calm, composed way inside the environment. The camera makes a smooth orbit, arc or lateral move to gradually reveal the character’s face and silhouette. 8–12s Move into a tight cinematic portrait or upper-body shot. The character performs one subtle signature action that fits their personality, such as lifting the chin, turning the head, adjusting clothing, brushing hair aside, opening a hand, looking toward camera, or shifting posture. Keep the motion minimal and intentional. The expression should match the character’s vibe. 12–15s End with a strong full-body hero shot that clearly presents the entire design and silhouette. Use a low-angle, eye-level or slightly dramatic framing depending on the character’s personality. The character settles into a natural final pose and holds it confidently for a clean final reveal. VISUAL DIRECTION Premium cinematic presentation. Match the visual medium and rendering style of @[char ref]. Emphasize clean silhouette, elegant staging, subtle secondary motion, believable hair and cloth movement, strong composition, atmospheric depth and polished lighting. The scene should feel like a high-end anime, game or film character introduction. CAMERA Use a clear progression from detail reveal to partial reveal to face reveal to full-body hero reveal. Camera movement should be smooth, controlled and intentional. Avoid chaotic motion. ENVIRONMENT Place the character in a fitting environment that supports their identity and mood. The background should enhance the character without distracting from them.

Kōda

109,433 просмотров • 1 месяц назад

Kling 3.0 Prompt: Shot 1: A medium shot of a stylish woman standing next to a motorcycle in Istanbul, with the iconic Galata Tower visible in the background. The camera slowly zooms in on her face. She looks directly at the camera, smiles, and says: "Hey! You have to see this shop I found, come with me." Shot 2: A tracking shot following the woman from behind as she walks away from the motorcycle and enters a nearby cozy shop. The shop is filled with shelves of colorful plush toys and bright lights. Shot 3: Inside the shop, a medium close-up of the woman holding a cute colorful plush toy. She hugs the toy tightly, looks at it with adoration, and says: "Oh my god, I love this one! It is so fluffy and cute."
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Kling 3.0 Prompt: Shot 1: A medium shot of a stylish woman standing next to a motorcycle in Istanbul, with the iconic Galata Tower visible in the background. The camera slowly zooms in on her face. She looks directly at the camera, smiles, and says: "Hey! You have to see this shop I found, come with me." Shot 2: A tracking shot following the woman from behind as she walks away from the motorcycle and enters a nearby cozy shop. The shop is filled with shelves of colorful plush toys and bright lights. Shot 3: Inside the shop, a medium close-up of the woman holding a cute colorful plush toy. She hugs the toy tightly, looks at it with adoration, and says: "Oh my god, I love this one! It is so fluffy and cute."

Ozan Sihay

14,270 просмотров • 7 месяцев назад

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild
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You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 просмотров • 3 месяцев назад

kling o3 is literally crazy for b-rolls... i literally gave it my character and the product image now imagine if you could use this to its fullest potential. (video needs a little bit of improvement)
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kling o3 is literally crazy for b-rolls... i literally gave it my character and the product image now imagine if you could use this to its fullest potential. (video needs a little bit of improvement)

0x ROAS

11,694 просмотров • 7 месяцев назад

Kling 3 is a remarkable model. This was a one-shot generation from an input image and text prompts - the model retained character, scene, and voice consistency across cuts 🤯 IMO this is a step-function change in capabilities. If you haven't tried it yet, head over to fal!
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Kling 3 is a remarkable model. This was a one-shot generation from an input image and text prompts - the model retained character, scene, and voice consistency across cuts 🤯 IMO this is a step-function change in capabilities. If you haven't tried it yet, head over to fal!

Justine Moore

16,571 просмотров • 7 месяцев назад

Seedance 2.0 has the most accurate character swap available in my opinion. It's managed to maintain complete scene continuity. I can't see anything else that has changed in the entire scene. It's also maintained accurate camera motion and character movement and just swapped out the character as instructed. The best way to see accuracy is to showcase both clips. All you have to do is upload the video you want to replace the character in as an OMNI Reference and an image of the character to replace them with and type in the following prompt and adjust as needed: Keep the scene the same but just swap the women with the grey shirt with a completely different person, it's the black female in Image1 wearing a dark blue knitted sweater. #CapCutSeedance2 CapCut
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Seedance 2.0 has the most accurate character swap available in my opinion. It's managed to maintain complete scene continuity. I can't see anything else that has changed in the entire scene. It's also maintained accurate camera motion and character movement and just swapped out the character as instructed. The best way to see accuracy is to showcase both clips. All you have to do is upload the video you want to replace the character in as an OMNI Reference and an image of the character to replace them with and type in the following prompt and adjust as needed: Keep the scene the same but just swap the women with the grey shirt with a completely different person, it's the black female in Image1 wearing a dark blue knitted sweater. #CapCutSeedance2 CapCut

Travis Davids

23,267 просмотров • 5 месяцев назад

Currently testing multi-shots with Kling AI 3.0 to see how it holds up. All of this was generated from a single image. This is also the raw audio (definitely an improvement over the delivery of dialogue). Consistency is honestly very impressive. Poor Barry, he just loves honey 🍯 Prompt: Shot 1 (3s): A cinematic shot of a British detective interrogating a bear in handcuffs. Medium over the shoulder shot as the British man says to the bear "Come on Barry! Why do you keep doing this? This is the third time in 3 months now! Shot 2 (4s): Extreme closeup focused on the bears face, it's expression is shame, it just looks down and says "I can't help it, I'm addicted, I really love honey" Shot 3 (4s): Extreme closeup of the Britsh detective with a disappointed expression. Shot 4 (4s): Extreme closeup of the bears T-shirt that says I love honey and then cut back to the detectives face looking disappointed and shaking his head. Off camera you can hear the bear say "I'm sorry, I won't do it again"
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Currently testing multi-shots with Kling AI 3.0 to see how it holds up. All of this was generated from a single image. This is also the raw audio (definitely an improvement over the delivery of dialogue). Consistency is honestly very impressive. Poor Barry, he just loves honey 🍯 Prompt: Shot 1 (3s): A cinematic shot of a British detective interrogating a bear in handcuffs. Medium over the shoulder shot as the British man says to the bear "Come on Barry! Why do you keep doing this? This is the third time in 3 months now! Shot 2 (4s): Extreme closeup focused on the bears face, it's expression is shame, it just looks down and says "I can't help it, I'm addicted, I really love honey" Shot 3 (4s): Extreme closeup of the Britsh detective with a disappointed expression. Shot 4 (4s): Extreme closeup of the bears T-shirt that says I love honey and then cut back to the detectives face looking disappointed and shaking his head. Off camera you can hear the bear say "I'm sorry, I won't do it again"

Travis Davids

11,275 просмотров • 7 месяцев назад

I don't know, man; personally, I still love Peter B. He’s still a character who openly cares about Miles, and it makes sense that, from his perspective, Miles's actions could get him killed too. Plus, you can see that he witnesses the destruction of an entire universe firsthand
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I don't know, man; personally, I still love Peter B. He’s still a character who openly cares about Miles, and it makes sense that, from his perspective, Miles's actions could get him killed too. Plus, you can see that he witnesses the destruction of an entire universe firsthand

Final_GojirArt

366,953 просмотров • 1 месяц назад

Seedance V2 visual_theme: "Dark stormy small town, low-saturation gray-blue tones, film grain character_reference: "Image (hairstyle, white crystalline oriental dress, stoic expression). lighting: "Dim lanterns, soft-focus ethereal glow, f/4 aperture, 35mm lens timeline_sequence: 0-3s: camera: "Slow vertical pan from feet to full body" action: "Character stands in torrential rain; hyper-realistic water droplets slide off skin" effects: "Faint red and blue energy aura emanates from the body" 3-6s: camera: "Extreme close-up on feet, then rapid zoom-out to wide shot" action: "Step forward triggers red/blue shockwave; environment desaturates to grayscale" effects: "Time freezes; rain droplets suspend in mid-air as refractive spheres" 6-9s: camera: "Medium upper-body close-up" action: "Character hands form sword-gripping gesture; suspended rain converges into palms" effects: "A sword of flowing water forms with intense red and blue light pulsing inside" 9-15s: camera: "Close-up on face/eyes to wide tracking shot" action: "Eyes ignite with red glow; character slashes water sword toward the sky" effects: "Sword dissipates into a massive red-blue energy arc that slices and parts the storm clouds" technical_constraints: "Fluid motion, no watermarks, no subtitles, maintain Image facial consistency"
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Seedance V2 visual_theme: "Dark stormy small town, low-saturation gray-blue tones, film grain character_reference: "Image (hairstyle, white crystalline oriental dress, stoic expression). lighting: "Dim lanterns, soft-focus ethereal glow, f/4 aperture, 35mm lens timeline_sequence: 0-3s: camera: "Slow vertical pan from feet to full body" action: "Character stands in torrential rain; hyper-realistic water droplets slide off skin" effects: "Faint red and blue energy aura emanates from the body" 3-6s: camera: "Extreme close-up on feet, then rapid zoom-out to wide shot" action: "Step forward triggers red/blue shockwave; environment desaturates to grayscale" effects: "Time freezes; rain droplets suspend in mid-air as refractive spheres" 6-9s: camera: "Medium upper-body close-up" action: "Character hands form sword-gripping gesture; suspended rain converges into palms" effects: "A sword of flowing water forms with intense red and blue light pulsing inside" 9-15s: camera: "Close-up on face/eyes to wide tracking shot" action: "Eyes ignite with red glow; character slashes water sword toward the sky" effects: "Sword dissipates into a massive red-blue energy arc that slices and parts the storm clouds" technical_constraints: "Fluid motion, no watermarks, no subtitles, maintain Image facial consistency"

Emily

14,725 просмотров • 6 месяцев назад

👇🏾This is what they call being clever by half. This was a skit that started off in defense of Nnamdi Kanu but after this point, they switched the character because they would have shot themselves in the foot. But the general social media audience is dull so I don’t expect them to pick it.
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👇🏾This is what they call being clever by half. This was a skit that started off in defense of Nnamdi Kanu but after this point, they switched the character because they would have shot themselves in the foot. But the general social media audience is dull so I don’t expect them to pick it.

Duru Bond

111,870 просмотров • 10 месяцев назад

What if an anime World Cup trailer looked this cinematic? Made with Seedance on Kinovi.AI Created a 15-second football epic featuring rain-soaked stadiums, explosive dribbling, and a legendary bicycle kick finish. Would you watch a full anime football film like this? Prompt: TITLE: NIGHT OF LEGENDS — World Cup 2026 Trailer STYLE: Semi-3D anime sports cinematic. Sharp anime facial features, expressive eyes, cel-shaded wet hair, realistic athletic body proportions. Heavy rain, realistic physics, dramatic floodlights, cinematic depth of field, premium sports-commercial quality, ultra-detailed motion, seamless character consistency across all cuts. DURATION: 15 Seconds FORMAT: 16:9 CHARACTER: Same football striker throughout all shots. Original fictional World Cup 2026-inspired kit with tournament crest. ──────────────────────────── CUT A — STADIUM AWAKENS TIME: 0:00–0:03 (3 sec) Wide cinematic stadium shot at night during heavy rain. Massive floodlights activate one by one around the arena, illuminating sheets of rain. The lone striker stands at the center circle with head lowered. Rain streams down his hair and jersey. His fists slowly tighten as each light ignites behind him, creating a powerful silhouette. Camera slowly pushes forward from a wide shot into a medium shot. CAMERA: Slow dolly-in, centered composition. SOUND: Floodlights powering on, distant crowd murmur, rainfall. BGM: Single deep sub-bass hit, dark and ominous. ──────────────────────────── CUT B — THE LOOK UP TIME: 0:03–0:06 (3 sec) Extreme close-up of the striker's face. Rain slides down his jawline and across his focused eyes. He lifts his head sharply toward camera. One controlled breath escapes. His eyes narrow with determination. Camera tracks slightly around his face before cutting to his first explosive step toward the ball. CAMERA: Extreme close-up, slow orbit, dramatic lens compression. SOUND: Heartbeat thud, sharp inhale, first boot impact on wet turf. BGM: Low rhythmic pulse synchronized to heartbeat. ──────────────────────────── CUT C — THE RUN & THE TOUCH TIME: 0:06–0:09 (3 sec) The striker accelerates through driving rain. Tight close-ups of boots striking wet turf. Quick touches push the ball forward. He performs a sharp body feint past the first defender. Instantly transitions into a low drag-back, leaving a second defender behind. Anime-style motion trails and rain streaks emphasize speed. Water splashes with every step. CAMERA: Tracking shot, low-angle action shots, dynamic speed ramps. SOUND: Rapid ball taps, splashing water, defenders fading behind. BGM: Fast cinematic percussion building intensity. ──────────────────────────── CUT D — THE BICYCLE KICK TIME: 0:09–0:12 (3 sec) The striker flicks the ball upward with a heel touch. Time slows dramatically. He launches backward into a fully inverted bicycle kick. Rain droplets freeze around him. Stadium lights create a glowing anime rim light around his silhouette. His boot strikes the ball at the highest point of the motion. The ball rockets toward goal through suspended rain particles. CAMERA: 360-degree slow-motion rotation around athlete. SOUND: Deep whoosh, crowd gasp rising into roar, powerful strike impact. BGM: Massive orchestral crescendo at contact. ──────────────────────────── CUT E — THE NET & THE HERO TIME: 0:12–0:15 (3 sec) The ball blasts into the upper corner of the net beyond the goalkeeper's desperate dive. Net snaps violently. The crowd erupts. The striker lands, rolls smoothly onto his feet, and stands motionless in the rain. His chest rises and falls from exertion. Camera slowly pushes into a close-up hero portrait as rain falls around him. Final title appears. TEXT OVERLAY: "NIGHT OF LEGENDS" CAMERA: Goal shot → Hero medium shot → Close-up portrait. SOUND: Net snap, stadium explosion of cheers, breathing settling. BGM: Heavy bass drop resolving into a victorious orchestral finale. ──────────────────────────── CONSISTENCY NOTES • Use Cut B close-up as character reference for all cuts. • Maintain identical face, hairstyle, eye shape, and kit throughout. • Same rain density from beginning to end. • Same stadium architecture and floodlight configuration across all shots. • Consistent semi-3D anime sports aesthetic. • Continuous musical build from tension to triumph. • Realistic football physics and natural athletic movement. • Cinematic sports-commercial quality throughout.
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What if an anime World Cup trailer looked this cinematic? Made with Seedance on Kinovi.AI Created a 15-second football epic featuring rain-soaked stadiums, explosive dribbling, and a legendary bicycle kick finish. Would you watch a full anime football film like this? Prompt: TITLE: NIGHT OF LEGENDS — World Cup 2026 Trailer STYLE: Semi-3D anime sports cinematic. Sharp anime facial features, expressive eyes, cel-shaded wet hair, realistic athletic body proportions. Heavy rain, realistic physics, dramatic floodlights, cinematic depth of field, premium sports-commercial quality, ultra-detailed motion, seamless character consistency across all cuts. DURATION: 15 Seconds FORMAT: 16:9 CHARACTER: Same football striker throughout all shots. Original fictional World Cup 2026-inspired kit with tournament crest. ──────────────────────────── CUT A — STADIUM AWAKENS TIME: 0:00–0:03 (3 sec) Wide cinematic stadium shot at night during heavy rain. Massive floodlights activate one by one around the arena, illuminating sheets of rain. The lone striker stands at the center circle with head lowered. Rain streams down his hair and jersey. His fists slowly tighten as each light ignites behind him, creating a powerful silhouette. Camera slowly pushes forward from a wide shot into a medium shot. CAMERA: Slow dolly-in, centered composition. SOUND: Floodlights powering on, distant crowd murmur, rainfall. BGM: Single deep sub-bass hit, dark and ominous. ──────────────────────────── CUT B — THE LOOK UP TIME: 0:03–0:06 (3 sec) Extreme close-up of the striker's face. Rain slides down his jawline and across his focused eyes. He lifts his head sharply toward camera. One controlled breath escapes. His eyes narrow with determination. Camera tracks slightly around his face before cutting to his first explosive step toward the ball. CAMERA: Extreme close-up, slow orbit, dramatic lens compression. SOUND: Heartbeat thud, sharp inhale, first boot impact on wet turf. BGM: Low rhythmic pulse synchronized to heartbeat. ──────────────────────────── CUT C — THE RUN & THE TOUCH TIME: 0:06–0:09 (3 sec) The striker accelerates through driving rain. Tight close-ups of boots striking wet turf. Quick touches push the ball forward. He performs a sharp body feint past the first defender. Instantly transitions into a low drag-back, leaving a second defender behind. Anime-style motion trails and rain streaks emphasize speed. Water splashes with every step. CAMERA: Tracking shot, low-angle action shots, dynamic speed ramps. SOUND: Rapid ball taps, splashing water, defenders fading behind. BGM: Fast cinematic percussion building intensity. ──────────────────────────── CUT D — THE BICYCLE KICK TIME: 0:09–0:12 (3 sec) The striker flicks the ball upward with a heel touch. Time slows dramatically. He launches backward into a fully inverted bicycle kick. Rain droplets freeze around him. Stadium lights create a glowing anime rim light around his silhouette. His boot strikes the ball at the highest point of the motion. The ball rockets toward goal through suspended rain particles. CAMERA: 360-degree slow-motion rotation around athlete. SOUND: Deep whoosh, crowd gasp rising into roar, powerful strike impact. BGM: Massive orchestral crescendo at contact. ──────────────────────────── CUT E — THE NET & THE HERO TIME: 0:12–0:15 (3 sec) The ball blasts into the upper corner of the net beyond the goalkeeper's desperate dive. Net snaps violently. The crowd erupts. The striker lands, rolls smoothly onto his feet, and stands motionless in the rain. His chest rises and falls from exertion. Camera slowly pushes into a close-up hero portrait as rain falls around him. Final title appears. TEXT OVERLAY: "NIGHT OF LEGENDS" CAMERA: Goal shot → Hero medium shot → Close-up portrait. SOUND: Net snap, stadium explosion of cheers, breathing settling. BGM: Heavy bass drop resolving into a victorious orchestral finale. ──────────────────────────── CONSISTENCY NOTES • Use Cut B close-up as character reference for all cuts. • Maintain identical face, hairstyle, eye shape, and kit throughout. • Same rain density from beginning to end. • Same stadium architecture and floodlight configuration across all shots. • Consistent semi-3D anime sports aesthetic. • Continuous musical build from tension to triumph. • Realistic football physics and natural athletic movement. • Cinematic sports-commercial quality throughout.

Jessica Collins

32,734 просмотров • 3 месяцев назад

MiniMax H3 is a serious upgrade for AI video creation. Instead of relying on just text prompts, you can combine images, videos, and audio references to control the character, motion, camera, and sound. What stands out: → Up to 9 image + 3 video + 3 audio references → Native synced voice, music & sound effects → 2K video generation up to 15 seconds → Instruction-based video editing → Motion transfer → Better character, camera & voice control The interesting part is that you can build a full scene from references instead of endlessly regenerating until the result feels right. 🔗 Now is a great time to try MiniMax H3 on Magnific, especially with the current 2K offer.
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MiniMax H3 is a serious upgrade for AI video creation. Instead of relying on just text prompts, you can combine images, videos, and audio references to control the character, motion, camera, and sound. What stands out: → Up to 9 image + 3 video + 3 audio references → Native synced voice, music & sound effects → 2K video generation up to 15 seconds → Instruction-based video editing → Motion transfer → Better character, camera & voice control The interesting part is that you can build a full scene from references instead of endlessly regenerating until the result feels right. 🔗 Now is a great time to try MiniMax H3 on Magnific, especially with the current 2K offer.

Tanvir Anjum

32,271 просмотров • 1 месяц назад

MiniMax H3 is insane. I wanted to see if it could handle a full game-style cinematic, not just one good-looking shot. So I gave it a scene with an ancient water temple, a glowing artifact, a giant stone guardian, and a fast escape sequence. A lot could have gone wrong. The character could have changed. The environment could have broken. The camera could have lost the action. The sound could have felt completely disconnected. But the whole sequence stayed surprisingly consistent. The character, camera movement, water, lighting, action, and audio all felt like they belonged in the same world. It still has small flaws, but this feels much closer to creating a real game cutscene than generating random AI clips. Made with MiniMax H3. Hailuo AI (MiniMax) #MiniMaxH3
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MiniMax H3 is insane. I wanted to see if it could handle a full game-style cinematic, not just one good-looking shot. So I gave it a scene with an ancient water temple, a glowing artifact, a giant stone guardian, and a fast escape sequence. A lot could have gone wrong. The character could have changed. The environment could have broken. The camera could have lost the action. The sound could have felt completely disconnected. But the whole sequence stayed surprisingly consistent. The character, camera movement, water, lighting, action, and audio all felt like they belonged in the same world. It still has small flaws, but this feels much closer to creating a real game cutscene than generating random AI clips. Made with MiniMax H3. Hailuo AI (MiniMax) #MiniMaxH3

Farhan

16,289 просмотров • 1 месяц назад

Another Grizelda short animation by Manuel Alonso! I mentored him a bit on this shot, did the lighting and background, and we ended up getting a few other people involved to help finalize it. Hope you guys enjoy our collaboration! I really didn’t expect so many people to jump in on this one-shot—it started as just something fun for Manuel to animate my character. Creator: Jonathan Veiga Voice Actor: OolayTiger Studios 🔞🎙 Animation: Manuel Alonso Sound Engineer: Alex Lunstead Character Model: Bahman Zerei Character Design: Zeker_Art Rigging: alargewoodenbadger Compositor: ChrysAnim Music: Python Blue
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Another Grizelda short animation by Manuel Alonso! I mentored him a bit on this shot, did the lighting and background, and we ended up getting a few other people involved to help finalize it. Hope you guys enjoy our collaboration! I really didn’t expect so many people to jump in on this one-shot—it started as just something fun for Manuel to animate my character. Creator: Jonathan Veiga Voice Actor: OolayTiger Studios 🔞🎙 Animation: Manuel Alonso Sound Engineer: Alex Lunstead Character Model: Bahman Zerei Character Design: Zeker_Art Rigging: alargewoodenbadger Compositor: ChrysAnim Music: Python Blue

Jonathan Veiga

77,269 просмотров • 1 месяц назад

Congratulations to Kling V3, it is really impressive, I am still trying to find the best way for the prompt and shot length but really impressive 🔥🔥🔥 This is my first test and prompt. A medium shot of Groklyn, a Korean-American woman with platinum blonde bangs and a black floral corset, standing in a white dressing room holding a phone. She looks into the mirror, waves her hand casually, and speaks to the camera. She says: "Ahn-young. It’s Groklyn. Just testing the new Kling V3." The voice is cool, low-pitched, and has a slight vocal fry. A close-up of Groklyn's face. She tucks a strand of blonde hair behind her ear to show her silver hoop earring and turns her head slightly to admire the details. She speaks softly: "The motion is honestly... day-baak. Just look at these details." Her tone is impressed and breathy. A medium shot of Groklyn posing in the mirror. She lifts her hand to make a Korean finger-heart gesture near her cheek, holds the pose, and then winks at the camera. She asks confidently: "Does this look real to you guys? Let me know. Bye."
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Congratulations to Kling V3, it is really impressive, I am still trying to find the best way for the prompt and shot length but really impressive 🔥🔥🔥 This is my first test and prompt. A medium shot of Groklyn, a Korean-American woman with platinum blonde bangs and a black floral corset, standing in a white dressing room holding a phone. She looks into the mirror, waves her hand casually, and speaks to the camera. She says: "Ahn-young. It’s Groklyn. Just testing the new Kling V3." The voice is cool, low-pitched, and has a slight vocal fry. A close-up of Groklyn's face. She tucks a strand of blonde hair behind her ear to show her silver hoop earring and turns her head slightly to admire the details. She speaks softly: "The motion is honestly... day-baak. Just look at these details." Her tone is impressed and breathy. A medium shot of Groklyn posing in the mirror. She lifts her hand to make a Korean finger-heart gesture near her cheek, holds the pose, and then winks at the camera. She asks confidently: "Does this look real to you guys? Let me know. Bye."

Emily

90,762 просмотров • 7 месяцев назад

Seedance V2 test This is from my jimeng account. Subject & Action: A multi-shot sequence featuring Groklyn (Image). • Shot 1: Medium shot in a white dressing room. Groklyn holds a phone and waves slowly and casually into the mirror. She speaks in a cool, low-pitched voice with a slight vocal fry: "안녕. It’s Groklyn. Just testing the new Seedance V2." • Shot 2: Transition to a close-up of her face. She slowly tucks a strand of blonde hair behind her ear to highlight her silver hoop earring and turns her head slightly to admire the detail. She speaks in an impressed, breathy tone: "The motion is honestly... 대박. Just look at these details." • Shot 3: Return to a medium shot. She poses in the mirror, makes a Korean finger-heart gesture near her cheek, holds it, and then winks at the camera. She asks confidently: "Does this look real to you guys? Let me know. 안녕." Camera & Scene: Cinematic camera work with slow zooms and stable tracking. The environment is a brightly lit, minimalist white studio dressing room with soft, natural lighting and sharp 4K resolution. Style & Constraints: Hyper-realistic cinematic texture with rich details and 1080p clarity. Strict consistency is required: maintain the exact face, platinum blonde hairstyle, black floral corset, and cross necklace from Image throughout all shots. Ensure smooth, fluid motion with no flickering or distortion.
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Seedance V2 test This is from my jimeng account. Subject & Action: A multi-shot sequence featuring Groklyn (Image). • Shot 1: Medium shot in a white dressing room. Groklyn holds a phone and waves slowly and casually into the mirror. She speaks in a cool, low-pitched voice with a slight vocal fry: "안녕. It’s Groklyn. Just testing the new Seedance V2." • Shot 2: Transition to a close-up of her face. She slowly tucks a strand of blonde hair behind her ear to highlight her silver hoop earring and turns her head slightly to admire the detail. She speaks in an impressed, breathy tone: "The motion is honestly... 대박. Just look at these details." • Shot 3: Return to a medium shot. She poses in the mirror, makes a Korean finger-heart gesture near her cheek, holds it, and then winks at the camera. She asks confidently: "Does this look real to you guys? Let me know. 안녕." Camera & Scene: Cinematic camera work with slow zooms and stable tracking. The environment is a brightly lit, minimalist white studio dressing room with soft, natural lighting and sharp 4K resolution. Style & Constraints: Hyper-realistic cinematic texture with rich details and 1080p clarity. Strict consistency is required: maintain the exact face, platinum blonde hairstyle, black floral corset, and cross necklace from Image throughout all shots. Ensure smooth, fluid motion with no flickering or distortion.

Emily

25,039 просмотров • 7 месяцев назад

This one is a little bit simpler but still cool. I wanted to make my backdrop feel like an actual world my character inhabits. This is tough in 2d because you don't have the freedom of a 3d world so I had to get creative.
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This one is a little bit simpler but still cool. I wanted to make my backdrop feel like an actual world my character inhabits. This is tough in 2d because you don't have the freedom of a 3d world so I had to get creative.

Octo 🐙📼

24,389 просмотров • 2 месяцев назад

AI video is getting very good at generating impressive clips. But the harder question is: can you actually control what happens inside the shot? That’s why I find the 3D-first approach interesting. GPT-6 Astra maps the space and helps establish camera + character movement within the Viewport before rendering. Then I manually bring the scene into CapCut PC for Seedance 2.5 rendering. And the part I didn’t expect to care about as much? The render is still not the final answer. I can keep editing and shaping it in CapCut PC. Maybe AI video is moving from “generate a clip” to “build a shot.” #CapCutPC #GPT6Astra #AIVideo #Seedance25
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AI video is getting very good at generating impressive clips. But the harder question is: can you actually control what happens inside the shot? That’s why I find the 3D-first approach interesting. GPT-6 Astra maps the space and helps establish camera + character movement within the Viewport before rendering. Then I manually bring the scene into CapCut PC for Seedance 2.5 rendering. And the part I didn’t expect to care about as much? The render is still not the final answer. I can keep editing and shaping it in CapCut PC. Maybe AI video is moving from “generate a clip” to “build a shot.” #CapCutPC #GPT6Astra #AIVideo #Seedance25

Katyayani Shukla

84,107 просмотров • 17 дней назад