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pumping all the DNA from a close angle! #internalbreeding #cumdumpdeluxe #spunkdonor #takingloads #spermfloaded #rawisamust #gaybareback #gayraw #malepregnancy #sharingDNA #breedingradar #newyorkbarebackers
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![She doesn’t play tennis. She hunts points. Every cut hits like a winner. Made with Seedance 2.5 on Fish Creative Try it for free 👇 Prompt: STEP 05 - SEEDANCE 2.5 GENERATION SEEDANCE 2.5 STORYBOARD AS REFERENCE FAST CUT 24FPS HANDHELD THROUGHOUT AESTHETIC: Cinematic sports reel, 20 seconds, 16:9. Natural light, highlight halation. Handheld micro-tremor, never gimbal. Fast cuts every 0.8-1.5s. Motion blur 24fps, 35mm grain. Fixed midday light all 20 seconds: overhead sun, hard short shadows. CHARACTER: Young athletic woman from REFERENCE IMAGE. Dark brown hair in high ponytail with loose strands, white Nike visor, navy Nike racerback tank with white swoosh, navy pleated tennis skirt with white swoosh, white wristband, fine gold chain with small cross, holding tennis racket. USE REFERENCE IMAGE FOR FACE AND EXACT WARDROBE. Same outfit every single shot. Do not change colors, logos, hair, or jewelry. LOCATION: Outdoor tennis court. Blue cobalt inside, green outside, white lines. Black fence, empty bleachers. Midday sun. [0:00-0:01] Extreme close-up top-down. White sneakers and navy skirt hem frame the racket. She spins the racket two rotations from the handle on the blue court. [0:01-0:02] Close-up face from reference image — eyes bright, half smile, one hand on visor, tosses yellow ball in air, slight dolly-out. [0:02-0:03] Match cut on ball to overhead top-down. She completes the serve on the baseline. Hard short shadow at her feet. [0:03-0:05] Medium handheld counter-direction. Violent forehand drive, torso rotating, navy tank twisting, racket cutting air. [0:05-0:06] Low angle dutch tilt. Running parallel to the net in navy skirt, forehand with motion blur. [0:06-0:07] Full shot. Jumping to smash overhead against the sky, ponytail and visor catching sun. [0:07-0:08] Extreme close-up footwork. White sneakers moving fast on blue cobalt court. [0:08-0:09] Medium through net mesh, slow dolly-in, slow motion. Tucks a loose strand behind ear, lowers racket, same face and navy kit from reference. [0:09-0:10] Extreme low angle, backlit sun. Serves in slow motion from behind, silhouette of visor, tank, and skirt against sky. [0:10-0:11] Wide from blurred bleachers. Small figure hitting crosscourt backhand. [0:11-0:12] Reverse medium handheld other side of the net. Two-handed backhand, weight back, navy outfit identical to reference. [0:12-0:13] Wide from bleachers. Small figure forehand drive. [0:13-0:15] Medium handheld counter-direction. Violent forehand drive closing the point. [0:15-0:17] Hero close-up. Same face as reference image, slight smile, hand near visor, midday sun, navy Nike kit. [0:17-0:20] Extreme low angle through racket strings. Face from reference behind the strings. Bounces yellow ball twice, brings ball toward lens until it fills the frame. AUDIO: No dialogue. Diegetic sound only — ball impact, sneaker squeak, breathing, ball bounce, palm wind, fence vibration. No music in engine.](https://image.24vids.com/tw-2094944675044245596/amplify_video_thumb/2094943411141054464/img/xgk6PAjmkXybQiEc.jpg)
![Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡](https://image.24vids.com/tw-2087082935648239913/amplify_video_thumb/2087082773521530880/img/1fzEZ79JPO0d0ni0.jpg)
![Virology, cancer, and vaccine researcher Judyth Vary Baker: "The DNA we're talking about that's in the Covid shots... that's chopped-up monkey virus... And of course...[there's] fetal tissue... We've got CRISPR going on. We've got messenger RNA... [and] if you're talking about [the] aluminum and all that, that's on purpose." This clip of Baker (Judyth Vary Baker), who's also the author of Me & Lee: How I Came to Know, Love and Lose Lee Harvey Oswald, as well as several other books, is taken from an interview with Dr. Joseph Sansone (Dr. Joseph Sansone (JosephSansone.com)) posted to Rumble in April 2025. ---------------Partial transcription of clip--------------- Baker: "I helped develop and memorize a very difficult formula. Alright? That nobody else had. That's one reason they brought me to New Orleans at my age. The other is that I had been taught to handle SV40 monkey virus. That's what they were using. They were using analogs of it. "And, like I was talking about bacteriophage, how you can go and alter it, well, the DNA that's in the SV40 monkey virus can also be altered. And in fact, that is the DNA we're talking about that's in the Covid shots. And you talk about DNA that's chopped up monkey virus. "And of course, some of the other is fetal tissue and so on. You know, stem cell, you have all kinds of stuff going on there. And it's without any kind of supervision. "We've got CRISPR going on. We've got messenger RNA going on. We have so much, dirt also in these, in the— Because they don't have to be clean because they can't be sued. And they're going to roll this out as fast as they can. It's literally dirty. It's not that somebody put carbonates in it or something like that or that's nothing. But if you're talking about aluminum and all that, that's on purpose. Dr. Sansone: "No, I think it's very clear that, that they're depopulating here, in my view. Because, I mean, it's. I'll throw it right back in a second. I just want to simplify it. So you're lowering birth rates and you're reducing lifespans by giving people chronic illnesses and diseases. And you're reducing. You're reducing lifespans by giving people chronic illnesses and diseases. All things being equal, if you give me a chronic disease or illness, I'm not going to live as long." Baker: "And make sure the old people die from it because that way the government won't have to pay money in Social Security. The government's not going to look close. They're going to let them do it."](https://image.24vids.com/tw-1995031768660152587/amplify_video_thumb/1995027747543109632/img/jXxKmQWKPorIAYyn.jpg)
