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Purdue commit Luke Ertel puts the finishing touches on Mt. Vernon’s sectional title. He was a monster tonight with 36 points and some CLUTCH shots! Greenfield-Central’s Braylon Mullins had 38, but it wasn’t enough. Final: Mt. Vernon 83, Greenfield-Central 76 2OT | John Harrell

125,359 просмотров • 1 год назад •via X (Twitter)

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IndyGirl1 год назад

@ErtelLuke @JohnRHarrell As a class of 95 GC Alum, Go Cougars always 💙

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@BoilerBreakPod @ErtelLuke @JohnRHarrell @gwizzy12

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Ricardo Montalban on how John Sturges helped him with his performance in "Mystery Street" (1950): "I had something of a following in those days. but I was still playing Hispanic characters. The Sturges film was a definite breakthrough for me. It was a well-written scenario that just told it like it was and made no apologies for my character having an accent. It was the first time that had happened for me, and, I think, one of the first times it had been done in a Hollywood movie. Shooting in Boston and on the Harvard campus “added a whole new dimension, It lent a sort of realism to the performances, and gave the story a certain veracity. Of course, John Alton contributed quite a bit to the realism of the piece. John Sturges respected him and listened to his suggestions. I remember it being an easy shoot. The Boston weather cooperated and—though Elsa Lanchester exerted her personality the minute she walked on the set— everyone got along fine. Sturges was a gentle giant. He wasn’t an Anthony Mann or John Ford. He didn’t shout, ‘Do this!. Do that!’ He guided you without your knowing you were being guided. [He helped me] tone down [my] performance. I’m inclined to approach roles too flamboyantly and that’s why I need a director who will help me to simplify, simplify, simplify.” ("Escape Artist: The Life and Films of John Sturges", Glenn Lovell, 2008) P.S: On this day, 76 years ago, "Mystery Street" (1950) was screened in Denver and Detroit, USA.

DepressedBergman

13,336 просмотров • 2 месяцев назад

A memorable matchup for the Division 7 title saw Ohio's career-scoring leader try his best to give Cornerstone Christian the crown, but undefeated Russia would cap off the program's 1st-ever championship season with a 74-57 victory at UD Arena in Dayton. The Raiders (29-0) have been building up to this season with 11 senior members of the roster making their 3rd consecutive Final Four appearance. They looked like the more complete team in the opening minutes by building a 20-14 cushion heading into the second quarter, but that's when Quinn Kwasniak began to take matters into his own hands. The Army commit put up 15 of his game-high 38 points in the frame, cashing in a pair of logo 3-pointers that fueled the Patriots (21-9) crowd and dazzled everyone else in attendance. CCA would trim the deficit to 38-34 by the halftime break but failed to keep momentum out of the locker room. A big 3rd quarter from Braylon Cordonnier, where he scored 10 of his team-best 21 points, helped the Raiders create some separation on the scoreboard heading into the final stanza. On the strength of a 9-0 run midway through the fourth quarter, Russia would put the game away with three players finishing the night with 14+ points. An emotional crowd watched as the final seconds fell off the clock, ensuring the Raiders a perfect season in dominating fashion. The win is the 1,000th in program history for Russia, who have accumulated an impressive 81-6 overall record over the last 3 seasons. Kwasniak finished his career with a state record 3,341 points. This State Championship highlight is presented by Maumee Bay Turf Danny’s Cafe Rossford

OH.Report

15,379 просмотров • 1 год назад

Stratosphere was our biggest and heaviest character on #Transformers ROTB. He was a real challenge to deal with on the Modeling, Texturing, and Rendering side. He had 1434 UDIMs due to his immense scale and was made up of tens of thousands of objects. His level of detail was truly something else. His vehicle form was also a behemoth. We had also built a mortar for his robot form and a cannon for his vehicle form but neither of these made it into the film as his part in the final battle was cut out. He was originally supposed to help out in the final battle, using both of these weapons against the Sweepers and Predacons. The decision to cut him from the final act came very late as all of his assets were final at that point. We were never told the reason why his role was cut from the film. I had to re-design my texturing system in Mari when working on him to ensure that it could handle such a complex and large character. I had to simplify a lot of the procedural systems and even had to branch off some of them into their own files to ensure that artists could work with somewhat decent performance. We ran into a lot of issues pushing him through our pipeline, both as a model as well as rendering him due to the sheer amount of objects and textures that had to be processed. For shots, it was requested by Lighting that we reduce his memory footprint as Google had complained he was taking up too much memory and their I/O for rendering on the cloud was being affected. The leadership team and I decided that the best way to do this was to half the texel density on the parts that wouldn't be visible in our approved shots and to also half the resolution of the textures in the parts not visible to camera. This allowed us to optimize his memory footprint both in shots as well as storage and I/O. It was massive technical undertaking working on Stratosphere, so much so that we had to delay getting him into shots as we simply couldn't push him through with our normal tooling. I really enjoyed the challenge that he posed for us as a team. CREDITS: Primary Modeling by Oscar Lowe Support Modeling by Arthur Grandjean and his team Final Texturing & Lookdev by Yaz Raji Video credits: Breakdown shot by MPC Film footage by Paramount

Rassoul Edji

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The financier of "Monster" (2003) had no idea what movie they were making. He thought he was making a "hot Charlize Theron, Christina Ricci, lesbian love, sex movie". One night, he called Charlize Theron who was also the producer of the movie, after seeing some of the dailies, he told her that she looked terrible & wasn't smiling enough at the camera. She went on to win the Academy award for "Best Actress" in 2004. Here is Charlize Theron talking about it: “I turned it down, I’m only in that film because Patty Jenkins, the writer and director, wouldn’t take no for an answer … she was relentless.” “I felt like the script was so good that if you were going to do it, you had to do it visually, in a way that felt authentic to who she was, and I didn’t know if I could do that” To transform her body to better match Aileen’s, Charlize had to gain several pounds, which meant she could eat just about anything she wanted. “It’s a f**king free-for-all. It’s amazing,” she said. "Our financier had no fucking idea what movie we were making, He thought he was making a hot Charlize Theron, Christina Ricci, lesbian love, sex movie.” As a producer and star of the movie, Charlize Theron got a call from the financier late one night after he screened some of the dailies from the film. “He f**king ripped me a new one,” Charlize said, explaining he had told her she looked terrible and wasn’t smiling enough on camera. “He just freaked out.” His feedback left Charlize questioning whether or not the movie was any good — maybe he was right? She called Patty Jenkins, though, who quickly told her that wasn’t the case and forbid her from ever speaking to the man again. Charlize never had another conversation with him, but she did pop up again – in the behind-the-scenes featurette on the DVD. “He takes credit for f**king everything,” Charlize said. When asked if Hollywood phoniness like that ever gets to her. “It annoys the shit out of me,” she replied. ("Why Charlize Theron Came Close to Turning Down Her Oscar-Winning ‘Monster’ Role", Howardstern(dot)com, 2017)

DepressedBergman

367,063 просмотров • 5 месяцев назад

AGAIN, I will never stop sharing this. And I’ll never understand why it wasn’t highlighted and played before the jury. The old man that walked around the confrontation, was in a conversation with John immediately before, then walked around it all and went outside and had a long conversation with BA, BH, NA and CA. He knows! Furthermore, this tied the whole thing together like the end of a movie. It was the missing piece. They all lied and never mentioned it. Why? JM was standing there talking to Karen. So… 11:32pm: BH texts KR “ummmmm…well?” 11:57pm - 11:58pm: BH gives John the middle finger, yells across the room at him, is held back by CA, gestures for JO to come outside. 12:11am: John walks out with the rocks glass and is seen for the last time alive as he heads to 34F. 12:20am: BH, despite saying he never talked to John, didn’t know John was going to 34F and didn’t talk to him as he left, he texts what’s now known as a challenge, not an invite, “are you coming???” 12:21am: John arrives at 34F and goes straight to the basement. 12:30am: KR pulls away from 34F. 12:32am: John’s phone stops moving. 12:36am: KR connected to John’s WiFi. 2:22am: BA “butt dials” BH which was immediately returned by another “butt dial” from BH and they have a :22 call. 2:27am: JM gets home and googles “hos long to die in cold?” 6:03am: John is found beaten and dead on the lawn of 34F. How is this not the most obvious thing ever? But I will also never understand why this wasn’t highlighted. These are some of the most brilliant litigators in the country, so I’m holding hope they had a very good reason why not. #karenread #freekarenread

Just Larry

298,674 просмотров • 2 лет назад

John Huston on working with Clark Gable in "The Misfits" (1961): "One of the myths attached to 'The Misfits' was that Clark Gable d!ed of a heart attack because of over-exertion in this film. That is utter nonsense. Toward the end of the picture there was a contest between Clark and the stallion the cowboys had captured. It looked like rough work, and it was, but it was the stunt men who were thrown around, not Clark. I got on well with Clark. I spent many hours with him in his trailer— thanks to Marilyn. He thought of himself as an actor, not a screen personality. He liked reminiscing about his early days in the theater—old-time actors’ talk. I saw very soon that Clark knew exactly what he was doing. Two or three times I thought I saw ways to improve his performance. I was mistaken. Each time I had him go back to his own way. He was nonplussed by Marilyn’s behavior. It was as though she’d revealed some horrid fact of life that just couldn’t be accepted in his scheme of things. Because I edit as I go along, Clark got to see the first cut of the film, and he was delighted. The picture was way over budget. It would cost about $4,000,000—and that was a lot of money in those days for a black- and-white film. Clark said, “Hell, John! If the studio is unhappy about the cost, I’ll buy this picture for four million dollars. I think it’s the best thing I've ever done. Now all I want is to see that kid of mine born!” That was on November 4, and he was due to become a father in February. It wasn’t to be. He suffered a heart attack on November 5 and died less than two weeks later. Because of Clark’s death and the tragedy of seeing Marilyn slowly destroying herself, my memories of 'The Misfits' are mostly melancholy. But there were some good moments, too." ("An Open Book", John Huston, 1980) P.S: Remembering the legendary American filmmaker John Huston on his 120th birthday!

DepressedBergman

48,985 просмотров • 18 дней назад