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Qingxiao | Build ( v3.6 ) Weapon: Sword Attribute: Aero 📷 Image in the first comment #Jingran #Suisui #Hsin #Qingxiao #Suoming #YangyangXuanling #WutheringWaves

Wuthering Waves Legacy

67,756 subscribers

77,406 views • 1 month ago •via X (Twitter)

Science & Technology Gaming #Jingran #Suisui #Hsin #Qingxiao #Suoming #YangyangXuanling #WutheringWaves

Anya Rossi• Live Now

Private livecam show

7 Comments

DailyQingxiao ✨1 month ago

44111 is better at S0 43311 is better at S1. One aero one attack is also better if you’re going for 43311. She has so much aero dmg bonus anyway, attack% scales better immensely. It’s part of the reason why having any dmg type bonus subs doesn’t scale well

apple1 month ago

Wish they'd make synergies around old characters. Tired of slapping on the same ones for the BIS

@lex | BLACK LIVES FUCKING MATTER1 month ago

Jingran version?

MӨ_ӨD ☘️1 month ago

@CatastropheKyZt desse banner atual Quem vc acha bom eu gastar meu garantido?

Bruno⚓1 month ago

O custo 4 é novo?

Kaneki Kuro1 month ago

4/4/1/1/1 es mejor?

Pink or brown1 month ago

She doesn't prefer resonance skill / liberation or normal/heavy attacks ???

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One warrior, one arena, one fight for glory. Experience epic gladiator battles, cinematic action, and realistic visuals with Seedance 2.5 on ImagineArt Prompt: ROMAN GLADIATOR: FIGHT FOR GLORY Duration: 30 seconds | Format: 16:9, 24 FPS | Style: Photorealistic Hollywood cinema, ARRI ALEXA LF, anamorphic lenses, realistic physics, natural skin texture, fine film grain. SCENE: Ancient Roman amphitheater at golden hour, packed with 50,000 cheering spectators. A king and queen watch from a shaded imperial box. Golden sunlight comes consistently from screen-left, illuminating dusty sand, bronze armor, and flying particles. CHARACTERS: - Main character (Image): Preserve 100% the reference face, hairstyle, skin tone, and athletic build. Dark-red wool tunic, leather chest harness, bronze shoulder guard, bracers, greaves, sandals, gladius in right hand, round bronze shield on left arm. - ENEMY: One-and-a-half heads taller, heavily muscled, scarred torso, polished bronze helmet with crimson crest, iron arm guard, broad sword, rectangular wooden shield with faded red emblem. - KING & QUEEN: King with grey-streaked beard, laurel wreath, purple-and-gold toga. Queen with dark braided updo, ivory-and-gold stola, gold jewelry. TIMED MULTISHOT — SIX SHOTS, HARD CUTS ONLY AT 5, 10, 15, 20, AND 25 SECONDS. SHOT 1 | 0–5s | REAL-TIME: High crane descends into the arena. The king raises his hand, then signals the duel with a horn blast. The hero and enemy raise their shields and approach from opposite sides. SHOT 2 | 5–10s | 2× SPEED: Ground-level handheld orbit. Both warriors charge and clash swords, producing sparks. The hero parries, ducks, sidesteps, and counters. The enemy lands a powerful shield bash, forcing the hero backward. SHOT 3 | 10–15s | 40% SLOW MOTION: The enemy smashes the hero's shield, splintering it. The hero drops his gladius and falls onto the sand. The enemy steps over him and raises his sword for the finishing strike. Rack focus from the fallen weapon to the hero's determined face. SHOT 4 | 15–20s | REAL-TIME: The enemy swings downward. The hero catches his forearm, stopping the blade inches from his throat. He strikes the enemy's ribs with an elbow, headbutts the bronze visor, then punches him hard. The enemy staggers backward and drops his shield. SHOT 5 | 20–25s | 40% SLOW MOTION, CLIMAX: The hero retrieves his gladius, rises, and charges. He slides beneath the enemy's horizontal sword swing, slashes across his torso, and drives his shoulder into the enemy's chest. The giant flies backward three meters, his sword spinning away, then crashes onto the sand in a dramatic dust explosion. SHOT 6 | 25–30s | REAL-TIME: The exhausted, bloodied hero stands over the motionless enemy and raises his gladius toward the imperial box, roaring triumphantly. The king rises in approval, the queen smiles, and the camera cranes upward and pulls back to reveal the roaring amphitheater. CAMERA & PHYSICS: Distinct cinematic framing for every shot, controlled camera movement, realistic sword impacts, natural body weight, flying sparks, falling wood splinters, authentic sand displacement, consistent contact shadows, stable faces and anatomy. LIGHTING & COLOR: Low golden sun from screen-left, bronze highlights, ochre sand, deep blue shadows, crimson accents, purple royal toga, volumetric dust, cinematic HDR and filmic highlights. AUDIO: Continuous crowd roar, horn blast, metallic sword clashes, shield impacts, grunts, accelerating taiko percussion, dramatic strings and choir at the climax, triumphant brass ending. CONTINUITY LOCKS: Image remains identical in every shot. Maintain the same outfits, faces, weapons, lighting direction, and arena layout. Shield intact until 10s, broken afterward. Enemy's shield drops by 20s; he retains his helmet and sword until the climax, then lies motionless from 25–30s. Only two fighters on the arena floor. Every shot fills its full five seconds with one consistent playback speed.

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ANANTA | Gameplay Trailer Looking for a change of pace? Come to Nova City! Play as the new captain of a special task force and interact with a charming (and eccentric) cast of characters as you build a team all your own. Drop into all sorts of thrilling roles while playing as different team members such as the department head, a well-to-do elite, and a hacker. Carry out missions for varying organizations like the NCAA, DK9, Cat Express and more. However, never forget that the name of the game is bolstering your team, not your own reputation. In this world jam-packed with off-kilter characters, everyone has their own way of getting by. As for you, you have a secret weapon: Social media. You wanna achieve your goals? Then first you'll have to become an internet sensation and save the world! #Ananta #AnantaTGS —————∞∞∞∞————— █ Share this post, follow Ananta, and drop a comment below! █ Until 9/30, we'll pick 100 lucky fans from the comments. Each winner will get a $50 Amazon Gift Card! For more game info, please visit: Discord: Pre-register:

Ananta

6,016,419 views • 1 year ago

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32,445 views • 5 months ago

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36,517 views • 3 months ago

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The wound Frodo receives atop Amon Sûl, in my view, marks a turning point. I would not say that Frodo instantly becomes corrupted or loses everything that made him a Hobbit of the Shire. But something has changed. His innocence is no longer untouched. Even after the blade fragment is removed at Rivendell, the wound leaves lasting consequences. In Tolkien's story, Frodo continues to suffer from it, particularly on the anniversary of the attack. The wound therefore becomes more than a physical injury. It becomes a reminder that the darkness has already reached him. The blade does not kill Frodo immediately. Instead, it brings him one step closer to the world of darkness. And that changes the nature of the entire journey. What began as a dangerous adventure to carry the Ring toward Mordor gradually becomes something much more intimate and frightening: a struggle to survive without losing oneself. That is what makes the Morgul blade so haunting to me. It does not simply wound Frodo. It marks him. And from Amon Sûl onward, the question is no longer only whether Frodo can carry the Ring to Mordor. It is whether Frodo can remain himself while carrying it there.

The Morgul Blade: A Blow of Corruption, Not a Mere Physical Strike To be honest, in my earlier viewings of The Lord of the Rings: The Fellowship of the Ring, I always saw the scene atop Amon Sûl (Weathertop) as little more than an action sequence built around an ambush. At the time, my attention was caught by the rapid rhythm of the scene: the Hobbits carelessly light a fire, the Ringwraiths arrive, Frodo is overwhelmed and struck down, and then Aragorn makes his dramatic entrance with his sword and flaming torches to rescue them all. But when I stepped back and watched the scene more slowly, I began to realize that beneath its fast-paced action lies something far more disturbing—a psychological and philosophical structure that gives the entire sequence a much darker meaning. The Paradox of Safety and the Two Fires The first thing that caught my attention when I looked closely at the scene was the way it is anchored by two fires that seem completely opposite in character. The first is the small cooking fire Merry and Pippin build. I see in it an innocent kind of light, accompanied by the warm crackling of burning wood—the simple human instinct to seek comfort and safety, embodied by Hobbits who have never truly experienced the brutality of war. Yet in the still darkness of Amon Sûl, that same fire becomes a signal that exposes their presence. The collapse of that sense of safety comes immediately through sound. The piercing cry of the Nazgûl tears through the darkness, completely overwhelming the tiny crackle of the fire. In the midst of that terror, Frodo drops his sword, retreats against the stone, and reaches for the Ring. Watching this, I began to recognize a deeply instinctive reaction: when confronted with overwhelming fear, we naturally search for something that can serve as a shield. Frodo believes the Ring will make him invisible and help him escape. But this is where the bitter paradox emerges. The moment Frodo puts on the Ring, Peter Jackson dramatically alters the soundscape of the world around him. The ordinary sounds seem to recede, replaced by the eerie rush of the wind, Frodo's anxious breathing, and the terrifying presence of the Nazgûl. He disappears from the eyes of his Hobbit companions, yet at the same time he exposes himself more directly to the Witch-king within the Unseen World. In complete contrast to the innocence of the first fire and the Ring's illusion of safety comes the second fire: the blazing torches in Aragorn's hands. When Aragorn charges into the darkness, the sounds of steel and fire bring a sense of physical reality back into the scene. The Morgul Blade: A Blow of Corruption Rather Than Possession It is at the moment when Frodo is most vulnerable within this unseen realm that the Witch-king draws the Morgul blade and strikes him. Many viewers may initially see this simply as an unsuccessful attempt to kill Frodo or take the Ring before Aragorn can intervene. But when I compare the scene with Gandalf's later explanation at Rivendell in Tolkien's book, I come away with something far more disturbing: the Witch-king's strike was not merely about causing physical injury or taking the Ring on the spot. The Morgul blade is not simply a poisoned weapon designed to wound the body. Once embedded in its victim, a fragment of the blade can break away and slowly move toward the heart, gradually weakening the victim and drawing him toward the condition of a Wraith. This is what makes the weapon so frightening to me. The blade does not simply attack Frodo's body; it threatens to transform him from within. The danger is not merely that Frodo might die. It is that he might cease to remain fully himself. From this perspective, I see the retreat of the five Ringwraiths after Aragorn attacks them with fire in two different ways. At the level of what we directly see, they are driven back by Aragorn's fire and fighting ability. But at the level of interpretation, their retreat can also be read as suggesting that something important has already been accomplished: the Morgul blade has done its work. They do not necessarily need to risk remaining in the fight if they believe the wound and the dark magic will continue their work over time. I would not treat this interpretation as a confirmed statement of the Witch-king's exact intentions, because the film does not explicitly tell us what he was thinking. But that uncertainty makes the scene even more interesting to me. Aragorn may have won the physical confrontation, yet the deeper danger has already entered Frodo's body. The Scar That Remains One of the most frightening forms of evil in Tolkien's world, as I see it, is not simply the destruction of the body, but the attempt to enter a person and transform him from within. The wound Frodo receives atop Amon Sûl, in my view, marks a turning point. I would not say that Frodo instantly becomes corrupted or loses everything that made him a Hobbit of the Shire. But something has changed. His innocence is no longer untouched. Even after the blade fragment is removed at Rivendell, the wound leaves lasting consequences. In Tolkien's story, Frodo continues to suffer from it, particularly on the anniversary of the attack. The wound therefore becomes more than a physical injury. It becomes a reminder that the darkness has already reached him. The blade does not kill Frodo immediately. Instead, it brings him one step closer to the world of darkness. And that changes the nature of the entire journey. What began as a dangerous adventure to carry the Ring toward Mordor gradually becomes something much more intimate and frightening: a struggle to survive without losing oneself. That is what makes the Morgul blade so haunting to me. It does not simply wound Frodo. It marks him. And from Amon Sûl onward, the question is no longer only whether Frodo can carry the Ring to Mordor. It is whether Frodo can remain himself while carrying it there.

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14,711 views • 1 month ago

Canadian Sniper Rifles Found with UAE-Backed Rapid Support Militia as CBC Investigation Highlights UAE Role in Regional Arms Flows A visual investigation by Canada’s CBC News has revealed that Canadian-made sniper rifles have appeared in the hands of fighters from Sudan’s UAE-backed Rapid Support Militia, as well as a Libyan militia and Yemeni arms dealers, despite arms embargoes and sanctions linked to these conflict zones. The most disturbing part of the investigation concerns Sudan. CBC documented a video showing a fighter from the Rapid Support Militia abusing detainees on the back of a truck. The fighter is seen slapping one presumed captive and striking another with the stock of a Canadian-made rifle. CBC said it blurred parts of the footage because some of those involved may be underage. According to CBC, the weapon visible in the video is a Sterling Cross XLCR precision rifle, manufactured by Sterling Cross, a small-arms company based in Abbotsford, British Columbia. CBC had previously reported in November that XLCR rifles had been photographed in Sudan and used by the Rapid Support Militia. CBC said the images and videos were first provided by an online user known as streakingdelilah. The Canadian broadcaster then independently sourced and verified the material, sharing it with researchers at Bellingcat and the Centre for Information Resilience, which runs the Sudan Witness project. Sebastian Vandermeersch, a Bellingcat researcher, described the Sudan video as one of the clearest examples of a fighter holding a Canadian weapon while committing obvious abuses against a captive. Although the video was shared recently, CBC reported that it was likely filmed in June 2024, when the Rapid Support Militia captured Jebel Moya, an area south of Khartoum. Bellingcat geolocated the footage to that area and also identified additional videos from Jebel Moya showing detainees subjected to degrading treatment, including being forced to imitate animal sounds or pledge allegiance to the Rapid Support Militia. The investigation places the Sudan case within a wider regional pattern. Similar Canadian-made rifles were also traced to Libya and Yemen. In Yemen, videos led CBC to an illicit arms market in Sanaa, where machine guns, sniper rifles and at least one rocket launcher were displayed. One Yemeni arms dealer confirmed in a voice message that such weapons are smuggled into the country. In Libya, CBC geolocated images of another Sterling Cross rifle and linked them to a social media page connected to the Judicial Security Apparatus, associated with the Special Deterrence Force, known as RADA. Libya researcher Wolfram Lacher said the force had been involved in armed conflicts and also controls Mitiga prison, a facility known for abuse, torture and arbitrary detention. CBC noted that prison conditions were so severe that the International Criminal Court issued arrest warrants for RADA leaders over crimes against humanity. The UAE emerges in the CBC investigation as the common thread connecting Sudan, Libya and Yemen. Experts interviewed by CBC pointed to the United Arab Emirates as a central player in rerouting weapons to armed groups across the region. “The thread that binds these three cases together is that you have UAE support for clients in these conflicts,” Lacher told CBC, adding that these are three cases in which the UAE is known to have massively supplied weapons. Emadeddin Badi, a senior fellow at the Global Initiative Against Transnational Organized Crime, said the actors supported by the UAE are generally “non-state armed groups with a track record of brutality and crimes against humanity.” CBC contacted the UAE Embassy for comment but received no response. The investigation also noted that the UAE has previously denied involvement in Sudan and Libya, and said in 2025 that it would withdraw its forces from Yemen. Canadian government export reports show that 113 rifles were shipped from Canada to the UAE in 2019 and 2020. In March 2019, Sterling Cross posted an image on Instagram showing roughly 80 XLCR rifles being inspected before delivery. The findings come amid growing international scrutiny of the UAE’s role in Sudan’s war. The Rapid Support Militia, backed by the UAE, has been accused of widespread atrocities against civilians in Darfur, Khartoum, Gezira, Kordofan and other parts of the country. CBC’s investigation adds a new dimension to the arms file by showing Canadian-made weapons in the hands of the militia, while experts point to the UAE as a central actor in regional weapons diversion networks. After the investigation was published, Canadian Foreign Affairs Minister Anita Anand told CBC that she was “very concerned” about where Canadian weapons were ending up. She said it was unacceptable for Canada’s permitting process to allow military material to reach conflict zones, and said possible breaches of the permitting process could require enforcement by Canadian authorities. Kelsey Gallagher of Project Ploughshares, a Canadian peace research institute, said the repeated appearance of Canadian weapons in violation of UN arms embargoes shows a pattern of illicit diversion that requires action from the Canadian government. For Sudanese people, the importance of this investigation is clear. It provides new visual evidence of the type of weaponry reaching the UAE-backed Rapid Support Militia, and of how these weapons are being used against civilians and detainees. It also increases pressure on Western governments, especially Canada, to review their military exports and end-use controls. Most importantly, the investigation points directly to the UAE. Experts cited by CBC identify the UAE as the common factor in weapons flows to armed groups in Sudan, Libya and Yemen. In Sudan, that means the UAE-backed Rapid Support Militia, a force using foreign-supplied weapons while committing abuses against Sudanese civilians and captives. #Sudan #RSFisTerroristOrganization #UAEKillsSudanesePeople #UAESponsorsTerrorism

Canadian Sniper Rifles Found with UAE-Backed Rapid Support Militia as CBC Investigation Highlights UAE Role in Regional Arms Flows A visual investigation by Canada’s CBC News has revealed that Canadian-made sniper rifles have appeared in the hands of fighters from Sudan’s UAE-backed Rapid Support Militia, as well as a Libyan militia and Yemeni arms dealers, despite arms embargoes and sanctions linked to these conflict zones. The most disturbing part of the investigation concerns Sudan. CBC documented a video showing a fighter from the Rapid Support Militia abusing detainees on the back of a truck. The fighter is seen slapping one presumed captive and striking another with the stock of a Canadian-made rifle. CBC said it blurred parts of the footage because some of those involved may be underage. According to CBC, the weapon visible in the video is a Sterling Cross XLCR precision rifle, manufactured by Sterling Cross, a small-arms company based in Abbotsford, British Columbia. CBC had previously reported in November that XLCR rifles had been photographed in Sudan and used by the Rapid Support Militia. CBC said the images and videos were first provided by an online user known as streakingdelilah. The Canadian broadcaster then independently sourced and verified the material, sharing it with researchers at Bellingcat and the Centre for Information Resilience, which runs the Sudan Witness project. Sebastian Vandermeersch, a Bellingcat researcher, described the Sudan video as one of the clearest examples of a fighter holding a Canadian weapon while committing obvious abuses against a captive. Although the video was shared recently, CBC reported that it was likely filmed in June 2024, when the Rapid Support Militia captured Jebel Moya, an area south of Khartoum. Bellingcat geolocated the footage to that area and also identified additional videos from Jebel Moya showing detainees subjected to degrading treatment, including being forced to imitate animal sounds or pledge allegiance to the Rapid Support Militia. The investigation places the Sudan case within a wider regional pattern. Similar Canadian-made rifles were also traced to Libya and Yemen. In Yemen, videos led CBC to an illicit arms market in Sanaa, where machine guns, sniper rifles and at least one rocket launcher were displayed. One Yemeni arms dealer confirmed in a voice message that such weapons are smuggled into the country. In Libya, CBC geolocated images of another Sterling Cross rifle and linked them to a social media page connected to the Judicial Security Apparatus, associated with the Special Deterrence Force, known as RADA. Libya researcher Wolfram Lacher said the force had been involved in armed conflicts and also controls Mitiga prison, a facility known for abuse, torture and arbitrary detention. CBC noted that prison conditions were so severe that the International Criminal Court issued arrest warrants for RADA leaders over crimes against humanity. The UAE emerges in the CBC investigation as the common thread connecting Sudan, Libya and Yemen. Experts interviewed by CBC pointed to the United Arab Emirates as a central player in rerouting weapons to armed groups across the region. “The thread that binds these three cases together is that you have UAE support for clients in these conflicts,” Lacher told CBC, adding that these are three cases in which the UAE is known to have massively supplied weapons. Emadeddin Badi, a senior fellow at the Global Initiative Against Transnational Organized Crime, said the actors supported by the UAE are generally “non-state armed groups with a track record of brutality and crimes against humanity.” CBC contacted the UAE Embassy for comment but received no response. The investigation also noted that the UAE has previously denied involvement in Sudan and Libya, and said in 2025 that it would withdraw its forces from Yemen. Canadian government export reports show that 113 rifles were shipped from Canada to the UAE in 2019 and 2020. In March 2019, Sterling Cross posted an image on Instagram showing roughly 80 XLCR rifles being inspected before delivery. The findings come amid growing international scrutiny of the UAE’s role in Sudan’s war. The Rapid Support Militia, backed by the UAE, has been accused of widespread atrocities against civilians in Darfur, Khartoum, Gezira, Kordofan and other parts of the country. CBC’s investigation adds a new dimension to the arms file by showing Canadian-made weapons in the hands of the militia, while experts point to the UAE as a central actor in regional weapons diversion networks. After the investigation was published, Canadian Foreign Affairs Minister Anita Anand told CBC that she was “very concerned” about where Canadian weapons were ending up. She said it was unacceptable for Canada’s permitting process to allow military material to reach conflict zones, and said possible breaches of the permitting process could require enforcement by Canadian authorities. Kelsey Gallagher of Project Ploughshares, a Canadian peace research institute, said the repeated appearance of Canadian weapons in violation of UN arms embargoes shows a pattern of illicit diversion that requires action from the Canadian government. For Sudanese people, the importance of this investigation is clear. It provides new visual evidence of the type of weaponry reaching the UAE-backed Rapid Support Militia, and of how these weapons are being used against civilians and detainees. It also increases pressure on Western governments, especially Canada, to review their military exports and end-use controls. Most importantly, the investigation points directly to the UAE. Experts cited by CBC identify the UAE as the common factor in weapons flows to armed groups in Sudan, Libya and Yemen. In Sudan, that means the UAE-backed Rapid Support Militia, a force using foreign-supplied weapons while committing abuses against Sudanese civilians and captives. #Sudan #RSFisTerroristOrganization #UAEKillsSudanesePeople #UAESponsorsTerrorism

Sudanese Echo

52,065 views • 3 months ago