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🇧🇷Quando é flamenguista, a pegada vem diferente 😈🔥Botou a calcinha de lado e socou seu pauzão sem dó 🥵 🇺🇸When you're a Flamengo fan, the approach is different 😈🔥 She pulled her panties aside and rammed her huge cock in without mercy 🥵 🍆🐴 𝑳𝑰𝑷𝑬

42,646 görüntüleme • 7 ay önce •via X (Twitter)

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🇧🇷 GRAVE DENÚNCIA | VIOLAÇÃO DE DIREITOS HUMANOS Durante audiência da Comissão Vaza Toga II, a advogada Ana Sibut revelou que a Sra. Jusceline, de 62 anos, presa pelos atos de 8 de janeiro, foi brutalmente agredida por outra detenta após a divulgação de sua condenação. Mesmo com transtornos de ansiedade e depressão diagnosticados, a PGR negou pedido de prisão domiciliar, alegando “falta de excepcionalidade”. Jusceline convive com criminosas condenadas por crimes hediondos e teve até seu benefício previdenciário bloqueado por ordem do ministro Alexandre de Moraes, que centralizou a execução penal do caso em si. “Isso é tortura. Não bastou a condenação — é preciso castigar”, denunciou Sibut. _____________________________ 🇺🇸 SERIOUS HUMAN RIGHTS VIOLATION | POLITICAL PERSECUTION DENOUNCED During the “Vaza Toga II” hearing, attorney Ana Sibut exposed the shocking case of Ms. Jusceline, 62, imprisoned for the January 8th events. She was violently assaulted in her cell after other inmates learned of her conviction. Despite being diagnosed with anxiety and depression, the Prosecutor General’s Office denied her request for house arrest, claiming there was “no exceptional condition.” She is held alongside inmates convicted of heinous crimes and had her social security benefits blocked by order of Justice Alexandre de Moraes, who centralized control over her case. “This is torture. The sentence wasn't enough—they want to punish,” said Sibut.

The Incorrupt

23,759 görüntüleme • 1 yıl önce

Diana Ankudinova, hoje com 22 anos, tem o que é considerada uma das vozes mais raras no mundo. Sua voz impressionante é de contralto dramático e polifônica, uma capacidade de soar como se estivesse cantando duas vozes diferentes ao mesmo tempo. O contralto dramático: É o tipo de voz feminina mais grave, poderosa e muito raro. No vídeo, canta Dernier Dance, com apenas 14 anos, quando ganhou dois programas de talentos para crianças orfãs. Muita gente acreditava que eram duas pessoas cantando ali. Essa música, com sua voz, viralizou na época. Diana canta em russo, francês, inglês, e sua presença no palco é igualmente impressionante, uma vibe tipo 'anjo com voz de demônio'. Ela toca piano e ukulele também. Tem uma história de superação -órfã, adotada- que torna sua trajetória ainda mais marcante. *Diana Ankudinova, now 22 years old, has what is considered one of the rarest voices in the world. Her impressive voice is a dramatic contralto and polyphonic, an ability to sound as if she were singing two different voices at the same time. The dramatic contralto: It is the deepest, most powerful, and very rare type of female voice. In the video, she sings Dernier Dance, at only 14 years old, when she won two talent shows for orphaned children. Many people believed that there were two people singing there. That song, with her voice, went viral at the time. Diana sings in Russian, French, and English, and her stage presence is equally impressive, an 'angel with a demon's voice' vibe. She also plays piano and ukulele. She has a story of overcoming adversity—orphaned, adopted—which makes her journey even more inspiring.

Marco Angeli

43,775 görüntüleme • 5 ay önce

🚨WOW!!! A mom walked into a post office in Arizona to mail a package… seconds later her baby went LIMP in her arms and STOPPED BREATHING... ...a postal worker and former nurse for 13 years VAULTED HERSELF OVER THE COUNTER, started CPR on the floor, and SAVED HER LIFE!!!! ❤️ Her name is Mary Schwarz. She spent 13 years as a registered nurse in New Mexico, then she took a job as a postal clerk in Clifton, Arizona. On Saturday morning, Kylie Vega came to her window with her baby girl, Nova. ...and Mary noticed something. "I was just helping out a customer, and she asked me to pause because she needed to tend to her baby." "That struck me as odd because her baby was VERY QUIET." Mary already knew this family because it was a small town. Same window, week after week. She knew that baby had been in and out of the hospital. So when Nova got quiet… Mary KNEW. She checked for a pulse. There wasn't one. "There was no thinking in that situation. I just jumped into action." She started compressions on the 8-month-old. Then she heard Kylie tell the 911 dispatcher that Nova may have thrown up… so Mary lifted her and started back thrusts too, in case something was blocking her airway. The 911 call came in at 11:12 a.m. Clifton PD Lt. Shari Aguilar was on scene in THIRTY SECONDS. And Aguilar looked at that baby, saw agonal breathing, and made a call most people would never have the guts to make. She did not wait for the ambulance. She asked Kylie for permission, put the NURSE in her front passenger seat holding the baby… and drove. Lights. Sirens. A postal clerk doing chest compressions on an infant IN THE FRONT SEAT OF THE PATROL CAR. Halfway to the clinic… Nova started breathing. They pulled into the ambulance bay where Medic Mary Baca had EMS waiting for them. Nova was flown on to Banner University Medical Center in Tucson. Nova was born with a hole in her heart. And born WITHOUT one of the arteries needed to support it. On July 21, surgeons repaired the hole in her heart. She's still in the hospital. She's still fighting. Her mama's words: "I am very grateful that there's kind people like that still in this world." "I don't know why this happened, but I'm grateful it went the way it did, and I can't thank her enough." "I know everyone says their child is special, but I really mean it. She's special, and she's the rainbow in our lives." And Mary? She didn't ask for a single thing. She just wants you to go learn CPR. "If you're a homeowner and have a pool or there's a choking incident with a child or a family member… it's so important to have some kind of training to know what to do in that situation." GO LEARN CPR, FOLKS. You never know when you're the one standing there. THIS IS THE AMERICA I KNOW!!! 🇺🇸🇺🇸🇺🇸

Matt Van Swol

143,010 görüntüleme • 1 ay önce

Royal Reporter Emily Ferguson, shared that while visiting the Charing Cross Hospital in London today, “Catherine bonded with a volunteer who worked with chemotherapy patients who told them how patients and visitors ‘sit there for hours’. To that, The Princess, who is in remission from cancer and underwent six months of chemotherapy in 2024, replied: “I know”. ❤️‍🩹 Catherine then touched William’s arm next to her and said: “You know.”❤️ I also appreciated Prince William’s comment acknowledging his wife’s illness while addressing the NHS staff: “Both of us have had different experiences with hospital. Me working in the air ambulance, Catherine with her recent health journey and coming here today and reminding ourselves of just how important all the teams are.❤️ This is the best part about this couple and their relationship: it is a very secure marriage where there is no oversharing with the world. There is an intimacy between two people who know each other very well and support each other through the best and the worst times, without having to explain themselves to the world. Her comment “I know, You know” is truly powerful in that it shows all that matters to Catherine when it comes to her cancer journey is truly William and Her children🔥 She never needed the world to validate her or to believe her and that is why she has kept most details of her health battle out of the public sphere. To Catherine what always mattered is the support that William brought her and their children at her most vulnerable time. So she knows what she went through and William knows what they went through as a couple to get through 2024 and get to 2026 where they are today👌🏽 And that is truly all that matters to her🥂 #PrinceandPrincessofWales 📹Cameron Walker

Canellecitadelle

366,582 görüntüleme • 7 ay önce

Grace Under Fire: Why Catherine is the Future Queen We Actually Need 👸🏻 There’s a reason Catherine, Princess of Wales, continues to command public respect even during the most difficult periods of her life, and it has very little to do with titles, photographs, or palace PR. It’s the way she carries herself when the spotlight becomes unbearable. Over the past year, while dealing privately with cancer treatment and recovery, Catherine found herself at the centre of relentless speculation, conspiracy theories, and online cruelty. Every disappearance from public view became a headline. Every silence was treated as suspicious. Social media dissected her marriage, her health, her appearance, even her whereabouts, with a level of entitlement that at times became genuinely disturbing. And yet through all of it, she still refused to turn herself into a victim. That is what makes Catherine different from so many modern public figures. She never rushed to share her diagnosis. She and William clearly wanted to handle it privately as a family first, especially for the sake of their young children. But the frenzy of speculation and conspiracy theories eventually left her with little choice but to speak publicly. She eventually addressed the speculation in a short, calm video revealing her cancer diagnosis. No tears for the cameras, no dramatic victim narrative. Just quiet honesty: it had come as a “huge shock,” they had been processing it privately, and she was grateful to her medical team. Then, in true Catherine fashion, she turned her focus outward: “You are not alone.” Even later, when discussing her recovery, she focused more on encouraging others facing cancer than turning herself into the centre of the story. No warrior branding. No demand for the world to revolve around her pain. Just honest perspective and quiet empathy. This isn’t new behaviour for her. For over twenty years she has faced intense scrutiny: paparazzi camped outside her flat long before she married William, topless photos published without consent in 2012, phone hacking, endless commentary about her weight, her clothes, her expressions, her family. Through all of it, she has responded with the same steady grace. Even when the edited photo controversy exploded, she simply apologised and moved on. No lengthy excuses. No blaming staff. No public meltdown. Just ownership. That quiet dignity is why she feels so perfectly suited to become Queen. The monarchy doesn’t need louder personalities competing for attention every day. It needs someone who understands that real leadership is often understated - someone who can remain steady even when the pressure becomes deeply personal. The attacks will probably continue because social media thrives on outrage, conspiracy, and division. But maybe that’s also why so many people still connect with Catherine. Not because she demands sympathy, but because even in the middle of something frightening and deeply personal, she still carried herself with restraint, empathy, and grace. And maybe that’s why her approach resonates so powerfully. In a world that rewards turning pain into performance, Catherine does the opposite: she protects her family, stays composed, and carries on with grace. That’s what makes the contrast with Meghan Markle so striking. Meghan has repeatedly leaned into self serving victim narratives, public grievances, and a desperate need for media attention. Catherine, despite years of intense scrutiny and a deeply personal health crisis, has refused to do the same , choosing privacy, dignity and quiet strength instead of sympathy. For many people, that rare, hard-earned grace under fire is exactly what makes Catherine feel every bit the future Queen. ♥️

Queen Esther

91,816 görüntüleme • 3 ay önce

🚨BREAKING: Candace Owens Just REACTED To President Trump Telling Erika Kirk To SUE All Of Us —And I AGREE With Her... Bring it on.🔥💪 At the White House Easter celebration, Trump looked at Erika Kirk and told her to "sue their ass off," claiming everyone investigating her is just "jealous." Candace's response is legendary. She calls it "so middle school" and delivers a masterclass in what real power is. She points out the absurdity: "We wanna know who killed Charlie Kirk, so could you park aside the lawyers and get information for us, Trump?" Then she lays down the ultimate challenge. She says most of us investigating this WELCOME a lawsuit. Why? Because discovery is a beautiful thing. A lawsuit would force them to turn over all the information we've been asking for. No more guessing. We could demand the receipts, the chain of custody on the flawed bullet analysis, and everything else they're hiding. Candace delivers the knockout blow: "The reason you should never sue... is if truth is not on your side." She asks the simple question that cuts through all the noise: If you're innocent, why not just answer the questions? Do a long, public sit-down and clear it all up? But they won't, because they can't. Instead, they hide behind power and money, using lawyers as a shield. Candace exposes this for what it is: "The reason we lie is because we're rich and we can. We have lawyers that make it okay, and you don't, peasants." This is their playbook. Use wealth and influence to silence truth-seekers. But as Candace declares, "There is no true power without truth." All their power is an illusion, and it's very easy to cut through that illusion with the truth. They sound nervous. They should be. They think money can buy silence. They're about to find out the truth is louder. Drop a 🔥 in the comments if you're ready for them to sue! FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇

Project Constitution

180,891 görüntüleme • 4 ay önce

Em 1998 Mel Gibson, um forasteiro em Hollywwod, já descrevia a 'cidade dos sonhos' construída pela mídia como 'um pesadelo', -percepção que teve logo ao chegar, com pouco mais de vinte anos. A mídia o carimbou imediatamente como um lunático delirante. E foi cancelado. Só voltou a ser relevante depois de fazer um filme sobre Jesus intitulado 'A Paixão de Cristo'. Gibson teve que usar seu próprio dinheiro para produzir o filme, já que nenhum estúdio quis financiá-lo. O que o 'lunático' afirmou, na época, hoje está escancaradamente descrito nos arquivos de Jeffrey Epstein ou no que é conhecido sobre a atuação de Sean Diddy Combs, demolindo literalmente a construção feita por décadas pela mídia, que criou uma cidade de glamour, de celebridades impecáveis, de artistas milionários perfeitos. Mas falsa. Sinead O'Connor, e outros raros artistas como Jim Carviezel também denunciaram, há muito, e de forma mais abrangente, a podridão de uma casta enaltecida e criada pela mídia em todo o mundo. Elite que se alimentava -no porão- de corrupção, pedofilia e tráfico de seres humanos, para dizer o mínimo. Foram todos limados, cancelados. Artistas, empresários, políticos, não importa, a lista é impressionante. O que fica claro e é repugnante hoje, quando apenas a parte 'permitida' desses arquivos vem à luz diante do mundo, é o papel miserável e pernicioso da grande mídia, que de forma geral escondeu todo o tempo esse lado escuro e tenebroso em sua construção. Casos de cancelamento total dos que denunciaram esse sistema não faltam em todo o mundo. No Brasil, basta lembrar do caso de Enéas Carneiro, cardiologista brilhante e candidato à presidência em 1989, carimbado deliberadamente como um 'lunático' pela mídia brasileira, especialmente pela rede globo, a praga do 'jornalismo brasileiro'. A mesma estratégia suja foi e é tentada hoje contra Donald Trump, nos EUA. Ou contra Jair Bolsonaro, no Brasil. Mais do que qualquer outra coisa, toda a imundície exposta pelo caso Epstein mostra o papel de uma mídia mundial que cria ou destrói 'celebridades' perfeitas a seu bel prazer, comandadas por uma elite global 'limpinha' que não passa de uma farsa suja. *In 1998, Mel Gibson, an outsider in Hollywood, was already describing the 'city of dreams' built by the media as 'a nightmare'—a perception he had soon after arriving, at just over twenty years old. The media immediately labeled him a delusional lunatic. And he was canceled. He only became relevant again after making a film about Jesus entitled 'The Passion of the Christ'. Gibson had to use his own money to produce the film, since no studio wanted to finance it. What the 'lunatic' stated at the time is now blatantly described in Jeffrey Epstein's files or in what is known about Sean Diddy Combs' performance, literally demolishing the construction built over decades by the media, which created a city of glamour, of impeccable celebrities, of perfect millionaire artists. But false. Sinead O'Connor, and other rare artists like Jim Carviezel, have long denounced, in a more comprehensive way, the rottenness of a caste glorified and created by the media worldwide. An elite that fed—in the basement—on corruption, pedophilia, and human trafficking, to say the least. They were all eliminated, canceled. Artists, businessmen, politicians, it doesn't matter, the list is impressive. What is clear and repugnant today, when only the 'permitted' part of these archives comes to light before the world, is the miserable and pernicious role of the mainstream media, which generally hid this dark and sinister side in its construction all along. Cases of total cancellation of those who denounced this system are not lacking throughout the world. In Brazil, one only needs to remember the case of Enéas Carneiro, a brilliant cardiologist and presidential candidate in 1989, deliberately labeled a 'lunatic' by the Brazilian media, especially by Globo network, the plague of 'Brazilian journalism'. The same dirty strategy was and is being attempted today against Donald Trump in the US. Or against Jair Bolsonaro in Brazil. More than anything else, all the filth exposed by the Epstein case shows the role of a global media that creates or destroys perfect 'celebrities' at its whim, commanded by a 'clean' global elite that is nothing more than a dirty farce.

Marco Angeli

28,646 görüntüleme • 6 ay önce

Vayne takes you on a hunt. you don't know why. she doesn't take anyone. she says stay behind me. don't speak unless i speak first. don't make a sound when we move. you say yes. she looks at you for a second longer than usual. "if i tell you to run, you run. you don't look back for me. are we clear" you say yes. she doesn't answer. she just turns and walks out the door. you follow her through the city streets. she moves different when she's working. shoulders lower. steps shorter. her head doesn't turn but her eyes do. you can feel her cataloguing everything. the man smoking outside the tavern. the cat under the cart. the second floor window with the curtain half drawn. she leads you through an alley you didn't know existed. stops at a brick wall. then she climbs. there are handholds carved into the mortar that you wouldn't have noticed if she hadn't used them first. she's halfway up before she realizes you're still at the bottom. she looks down at you. "up" you climb. your hands are shaking by the time you reach the top. the roof is flat. old clay tiles along the edges. a low wall you can crouch behind. the city stretches out below you in every direction. a thousand windows glowing gold in the dusk. she's already at the far side. crouched. crossbow unslung. watching a building across the square. she doesn't look at you when you come up beside her. "stay low" you crouch. "that building. third floor. second window from the left" you look. "i see it" he'll come to that window sometime tonight. i've watched him do it for three nights. i want to know who he meets you ask who he is. her jaw tightens. "a demon pretending to be a man" you don't ask what that means. you settle in beside her. the wind is up here. it pulls at her hair and she doesn't bother fixing it. the sun is going down behind her. her profile in the gold light looks like something carved. her hands on the crossbow are steady. completely still. you've never seen anyone be this still. an hour passes. she doesn't move. you try not to move. your leg falls asleep. you shift an inch. she looks at you. you go completely still again. she looks back at the window. another hour. the sun is gone. the city is blue and black. lamps are lighting up one by one. the air is getting cold. you're shivering before you realize you're shivering. she notices. she doesn't say anything. then she takes off her cloak. doesn't look at you. holds it out to the side. "take it" you say "you'll be cold" "i don't get cold. take it" you take it. it's warm from her. it smells like leather and steel and something underneath. pine. smoke. something you can't name. you put it around your shoulders. the hem pools on the tile. it's huge on you. it's not huge on her. you hadn't realized how tall she is until you were wearing her cloak. she doesn't look at you for the next ten minutes. the stars come out. she shifts closer to you. just a little. so her shoulder is almost touching yours. you don't say anything about it. she doesn't either. you can feel the heat coming off her even through the cloak. another hour. still nothing at the window. she says "tell me something" you blink. "what" "anything. i need to stay sharp. talking keeps me sharp. not about the target. something else" you didn't expect that. you tell her about a book you've been reading. she listens. actually listens. her eyes never leave the window but you can tell she's hearing every word. she asks one question. you answer. she goes quiet again. you keep talking. quieter now. she interrupts you. "shh" she's not looking at the window anymore. she's looking at the roof two buildings over. you don't see anything. you don't see anything for a long time. then you do. a shadow that moves the wrong way. her hand finds yours. she doesn't look at you when she does it. her eyes don't leave the shadow. her fingers lace through yours and LOCK. tight. too tight. knuckles going white around your hand. "don't move" she breathes. you don't move. you can feel every ounce of her focus through her grip. it's not a lover's hold. it's a predator's. every muscle in her hand coiled. ready to drop yours the instant she needs the crossbow. she's not holding you for you. she's holding you to keep track of where you are without having to look. it should scare you. it doesn't. there is something about being held that tight by someone that dangerous that makes the rest of the world go quiet. your heartbeat slows. your breathing slows. the cold stops mattering. you are not the one hunting but you are with the one who is. and nothing is going to get through her to reach you. the shadow crosses the roof and disappears into a stairwell. she watches the spot it left for another full minute. her hand is still locked around yours. she doesn't loosen it. you don't want her to. finally she lets out a breath you didn't know she was holding. "not him. but someone who works for him" her grip eases. slowly. finger by finger. like she's having to consciously tell each one to let go. the last one is her thumb. it stays against your palm for half a second longer than the rest. then she takes her hand back. the cold rushes in where she was. she glances at you. just for a second. then she looks back at the window. the rest of the night she's quieter than before. the target never shows. when the sky starts turning grey she stands up. stretches. rolls her shoulders. looks out over the city one last time. "we're done" you stand too. your legs don't work right. she catches your elbow without looking. "careful" she keeps her hand there until you're steady. then she takes it away. you start to hand her cloak back. she says "keep it for the climb down" she goes first. you follow. the handholds are easier going down once you know where they are. when you're both on the ground she turns to take the cloak. you hand it to her. her fingers brush yours. she doesn't pull back as fast as she usually does. she puts the cloak back on. it's warm now. from you. she has to notice. she doesn't say anything about it. she walks you home. at your door she stops. "don't tell anyone what you saw tonight" you say "i didn't see much" she looks at you. her eyes in the lamplight. the edge of her mouth. almost softer than it should be. "you saw enough" then she turns and walks back into the dark. you close the door. your hand still feels cold where hers was. you can still smell pine on your shirt. you don't sleep. Study the Saskio way

Tony Chau

11,914 görüntüleme • 4 ay önce

I think it’s time to talk about it 🙂‍↕️ I was delaying it because the scene messed me up in every possible way. From the moment he entered the room panting in anger, to the moment he subconsciously hid her behind his back to protect her when he heard the Kordağlıs were coming. When he entered the room like that (and he even knocked, but… since when does Serhat knock? 🌚), he scared her, because a part of her knew exactly how crazy this would make him. Because despite everything he did, despite the divorces and all the silence, she always knew he cared. And hell… he DID 😭 Serhat shouting “You can’t marry” in the same place where he once told her “It’s your life, I’m not responsible for it”??? C I N E M A! Yıldız gasping, crying, trying to catch her breath while arguing… #BiranDamlaYılmaz , you did NOT have to be this perfect 😭 When she said “Bir kere sen çıldır, yeter,” she was at her limit. There was that tiny second of silence while she was desperately gasping, and he just looked at her, helpless, not knowing how to save both of them from this mess. Y: You gave up on me. S: No, YOU gave up on me. With all disrespect… Sir??? I know he didn’t mean to hurt her, I know he was hurting too, but accusing HER of giving up, when from her POV he is the one who let go? She is the only one living in uncertainty from day one. He can’t expect her to read his mind. When she asked him to say he didn’t give up on her… imagine his position. Everything she said, he wanted to agree with. “I didn’t give up on you. I remember kissing you. I was about to divorce Melek and marry you.” He was swallowing everything, suffering in silence, because in his mind saying that would be selfish. He was still trying to avoid that red zone. NOW. THE MIRROR SCENE. First of all, why is no one talking about how he grabbed her with ONE HAND without even looking at her? He knew exactly where she was. Her surprised gasp?? His husky voice??? #ilhanşen canım abim, if you continue like this, Serhat will be the last character I watch from you because I will ascend to heaven. Have mercy on me big boy 🌚 Making them watch themselves in the mirror was WILD, Ercan hocam. If the scene was 100% intense, the mirror made it 10000%. His hand on her waist, her looking so tiny. His other hand slowly moving her hair. His face on her head next to her ear, sniffing her scent, looking… lustful, angry, desperate. The mix of desire and rage in his eyes??? EXCUSE ME??? He didn’t even touch the tattoo on her chest. He was locking her in place, making sure she couldn’t escape (as if she could). When he turned her around, he kept her trapped in his arms. He wasn’t testing her. He KNOWS she loves him. He was trying to speak without words. “This is what I feel. I messed up. But this is what I want.” But she needed words. She DESERVED words. He definitely was going for a kiss , and she pulled away. Because she is angry. Hurt. M convinced her she is a burden, and he never denied it with words. His silence confirmed everything in her mind. When he closed his eyes in that silence, realising that by trying to protect her with silence, he destroyed her AGAIN! Her cracked voice saying, “You still didn’t say you didn’t give up on me,” I wanted to hug her and cry until sunrise 😭 Then she put her strong mask back on, telling him not to enter her room like that, because she will soon be engaged💔 And btw, I’m 100% sure if it wasn’t for the Kordağlıs, he would NOT have left without kissing her. In my head, they kissed. There is no universe where Serhat left that room untouched after that tension. I tried my best to write with my sanity on! Just an advice 👀 try to catch ilhan’s panting in the beginning 🤤 they are delicious🫦 I know it turned out to be too long but the scene is quite long and full of details. I am sure I still can talking about it with another essay🤣 but I won’t don’t worry. #HalefKöklerinÇağrısı #Yılser

Maurora🫦

25,206 görüntüleme • 6 ay önce

Tristan Tate can't keep up with his own MORONIC LIES... Tristan is charged in Romania with inciting violence for ordering one of his female enforcers to beat one of his sex workers, which she did. These two clips expose how much of a fool Tristan is. In the clip on the left in May 2024, Tristan tells Michael Franzese that this charge is because he told his female friend "hahaha, yeah very funny kick her ass" when she told her a story of an altercation she had with another woman. In the clip on the right, the story he told James English this week is completely different. He says that he texted his female friend "kick her out" because a woman who was living in an apartment which he paid for did something he didn't like. Of course, these are both lies. Tristan has completely lost control of his own lies; he has done it continuously for years to the point that it is impossible for him to keep his story straight. This is what the ACTUAL conversation between Tristan and his two female co-defendants pulled from their devices looks like: GEORGIANA: Tell us what the plan is and what you talked to her about TRISTAN: YOU JUST NEED TO FOLLOW MY INSTRUCTIONS... LUANA: xxx just messaged me that she won't work for us, just now. GEORGIANA: What? TRISTAN: Yeah, I'll kick her out. There's no rational solution with these whores. Kick them out HARSHLY, and if they come back, they come back. GEORGIANA: I want the money back, or I'll cut off her breasts. TRISTAN: Kick her out, take her things, and bring them to your place. LUANA: Yeah, I don't want her to leave. TRISTAN: For now, keep all her things. Her boobs cost me 1,500 euros, xxx did them cheap for me. LUANA: Without talking to her. TRISTAN: We can do this with her account. LUANA: She owes us 4,000 euros. TRISTAN: Be careful, I know how to handle this, at least. TRISTAN: NOTHING YOU'RE SAYING WILL HELP. TRISTAN: The move now is the following. GEORGIANA: Okay. TRISTAN: Both of you, kick her out of the house, hit her if necessary, I don't care, don't let her take her things. LUANA: Thank you. LUANA: Okay. TRISTAN: When you kick her out, keep her things in Georgiana's car, so xxx can't give them to her if she comes back later. Kick her out with nothing. Georgiana, you've seen me do this ten times before. Go do it now. Both of you. GEORGIANA: We'll take care of it. TRISTAN: Are you on your way? LUANA: I'm getting ready now. GEORGIANA: Yep. TRISTAN: Good, wait, maybe my kicking her out worked. Don't hit her yet, wait in the car. It is very clear why Tristan is terrified of his fans learning the truth about his incitement of violence charge and lies about it so desperately. It is overwhelming evidence that the Tates were running a sex trafficking ring which used violence to keep women producing pornography.
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Tristan Tate can't keep up with his own MORONIC LIES... Tristan is charged in Romania with inciting violence for ordering one of his female enforcers to beat one of his sex workers, which she did. These two clips expose how much of a fool Tristan is. In the clip on the left in May 2024, Tristan tells Michael Franzese that this charge is because he told his female friend "hahaha, yeah very funny kick her ass" when she told her a story of an altercation she had with another woman. In the clip on the right, the story he told James English this week is completely different. He says that he texted his female friend "kick her out" because a woman who was living in an apartment which he paid for did something he didn't like. Of course, these are both lies. Tristan has completely lost control of his own lies; he has done it continuously for years to the point that it is impossible for him to keep his story straight. This is what the ACTUAL conversation between Tristan and his two female co-defendants pulled from their devices looks like: GEORGIANA: Tell us what the plan is and what you talked to her about TRISTAN: YOU JUST NEED TO FOLLOW MY INSTRUCTIONS... LUANA: xxx just messaged me that she won't work for us, just now. GEORGIANA: What? TRISTAN: Yeah, I'll kick her out. There's no rational solution with these whores. Kick them out HARSHLY, and if they come back, they come back. GEORGIANA: I want the money back, or I'll cut off her breasts. TRISTAN: Kick her out, take her things, and bring them to your place. LUANA: Yeah, I don't want her to leave. TRISTAN: For now, keep all her things. Her boobs cost me 1,500 euros, xxx did them cheap for me. LUANA: Without talking to her. TRISTAN: We can do this with her account. LUANA: She owes us 4,000 euros. TRISTAN: Be careful, I know how to handle this, at least. TRISTAN: NOTHING YOU'RE SAYING WILL HELP. TRISTAN: The move now is the following. GEORGIANA: Okay. TRISTAN: Both of you, kick her out of the house, hit her if necessary, I don't care, don't let her take her things. LUANA: Thank you. LUANA: Okay. TRISTAN: When you kick her out, keep her things in Georgiana's car, so xxx can't give them to her if she comes back later. Kick her out with nothing. Georgiana, you've seen me do this ten times before. Go do it now. Both of you. GEORGIANA: We'll take care of it. TRISTAN: Are you on your way? LUANA: I'm getting ready now. GEORGIANA: Yep. TRISTAN: Good, wait, maybe my kicking her out worked. Don't hit her yet, wait in the car. It is very clear why Tristan is terrified of his fans learning the truth about his incitement of violence charge and lies about it so desperately. It is overwhelming evidence that the Tates were running a sex trafficking ring which used violence to keep women producing pornography.

Gadget

37,774 görüntüleme • 1 yıl önce

Canadian woman accused of striking U.S. teen identified by DHS The Canadian woman who assaulted a teenage girl on a New Jersey boardwalk for wearing Trump clothing has been identified. CTV News is now reporting her name as Kaitlyn E. Tracey, 33, apparently from Toronto. Surveillance footage of the attack has since surfaced — showing Tracey walk up to the teenager and strike her without provocation. Sheila Gunn Reid and Tamara Ugolini 🇨🇦 reacted on Thursday's Rebel Roundup with an update on a story covered earlier in the week. The U.S. Department of Homeland Security confirmed Tracey entered the United States on April 14, 2024 on a visa that expired on September 6, 2024. DHS described her as "a criminal illegal alien from Canada" charged with simple assault, neglect of a child, compounding crime, and harassing communication. She is being held at an ICE detention facility pending immigration proceedings. Toronto Police Service's 11 Division was thanked by the Point Pleasant Beach Police Department for assistance in the investigation, though TPS told CTV the role it played was likely minor and declined to elaborate. "If you are overstaying your visa, you are by virtue a criminal in the United States," Sheila said. "And then when you get a little wild on some teenagers who did nothing more than wear a shirt you didn't like — you're going to an ICE detention facility. That's how it works." Her husband, Matthew Geroni, launched a GoFundMe seeking $9,000 — which had collected roughly $4,500 before GoFundMe pulled it down for violating its policy against supporting individuals involved in violent crime. The same platform, Tamara noted, removed Freedom Convoy fundraising in 2022 without that justification. Geroni blamed a "pro-Trump mob" for the takedown. His own social media posts, surfaced earlier this week, showed him praying that Trump's grandchildren would get cancer and calling for another assassination attempt on the president. "People who are saying mean things about his wife are vile," Sheila said, relaying his complaint. "That's rich." Sheila drew the contrast with Canada's approach to illegal alien criminals. "If you get in trouble in Canada and you're an illegal alien, you will get a judge who will reduce your sentence so that it doesn't hurt your immigration status," she said. "Welcome to the real world, sister. You're from Canada's fallen state. That's not what it's like in the United States." Rebel Roundup airs Monday, Tuesday, and Thursday at 11 a.m. MT / 1 p.m. ET.

Rebel News

26,132 görüntüleme • 1 ay önce

🚨 HYPOCRISY EXPOSED: Lionel Nation CALLS OUT the Right's Circular Firing Squad Aiming Straight at Candace Owens— Attacking Her Today Means THEY'RE Coming for YOU Tomorrow Lionel goes nuclear on the hypocrisy exploding across the RIGHT. "My friend, I cannot believe what I'm seeing unfold right now..." The same people who built their brands screaming about free speech, who wore deplatforming like a badge of honor, who begged us to defend their right to say wild sh*t... Are now lining up in a circular firing squad to silence, exile, and erase Candace Owens. Not the left. Not the usual enemies. The "free speech warriors" on our side. They're not debating her. They're not correcting her. They're demanding she shut up, disappear, or worse. Lionel: "You put people in danger when you come after them like that. There's a bounty on her head – figuratively, and in some cases explicitly." And for what? Because she crossed "the line"? Because she's too powerful? Too independent? Because she built a direct pipeline to millions without asking permission from the gatekeepers? "She's to digital media what Elon is to rocketry. She disrupted the entire model – and it's driving them nuts." These aren't critiques. These are character assassinations. Commercial jealousy dressed up as "moral concern." Cable news hates her because one Candace video outperforms their entire week. Legacy influencers hate her because she outpaces institutions built with billions. And the attackers? Many "once respected voices" now whispering (and screaming) for her deplatforming. Lionel warns: You're next. The machine they're feeding doesn't stop at Candace. It won't distinguish allies when you deviate even slightly from the "approved line." If you abandon free speech when it's inconvenient... don't cry when no one defends you later. This isn't about agreeing with Candace. It's about whether dissent is allowed when it's powerful. Lionel: "Free speech isn't about agreement. It's about allowance. It's about trusting truth emerges through conflict, not suppression." He's calling battle stations. Code Red. Watch this full rant – it's one of the most powerful defenses of principle you'll hear in 2025. Go to his YT and SUBSCRIBE please and give his video a like, i'll drop the link in the comments below. 👇 Real free speech absolutists: Stand up now. The masks are off. Choose your side wisely. 🔥

Project Constitution

1,271,089 görüntüleme • 8 ay önce

🚨EXPOSED: Charlie's SECRET NOTE Reveals ERIKA Wasn't Even a Priority – NO WEDDING RING, Is She Dating Ex, Or Hiding Something Bigger? 😱 The cracks in the official story are turning into chasms. In a raw Glenn Beck interview on Dec 11 from Charlie Kirk's home office, Erika Kirk stumbles upon a handwritten note from Charlie she "hadn't seen before" – and reads it live on air. The priorities? "Family, children, legacy, kids #1" vs. "careerism, consumerism, loneliness." Ouch. Erika? Nowhere on the list. "Family" is vague at best – this is about unity and kids, not his wife. In Christian circles, your spouse is supposed to be #1. Instead, she's struck by "loneliness" – the thing Charlie was avoiding. Authentic reaction or calculated slip? She exposes their marriage without realizing it. But wait – where's her wedding ring? Zoom in: It's GONE during the interview. Trouble in paradise? Charlie's own sister dropped the bomb: Before his death, Charlie confided he "doesn't recognize Erika anymore" and she's "NOT the woman he married." Now whispers: Erika MAY be back with ex Cabot Phillips? Since Charlie's gone, Cabot's suddenly headlining Turning Point events. Coincidence? Or did she "move on" – or backwards – suspiciously fast? And the kicker: When Erika holds up the note, her hand conveniently covers part of it. What's hidden? More priorities? A damning confession? We need the full truth. This isn't grief – this smells like a scripted unraveling. Charlie deserved better. The veil is lifting on the psyop. Demand answers: What was under her hand? Subpoena the note. Erika, explain yourself. Shoutout to iSaidKnow who noticed no wedding ring, also to Christine Fekete on YT for the 🔥 video. Go FOLLOW/SUB top both these awesome patriots. Tag Candace Owens and Share if you're awake.

Project Constitution

81,221 görüntüleme • 8 ay önce

🚨 BREAKING: Cincinnati Woman BRUTALLY BEATEN — Attackers Freed on $400 Bail! Public Outrage Erupts 🚨 Her face looks like she went 10 rounds in a war zone. She was out enjoying her city — now she’s recovering from a savage racial assault that left her nearly unrecognizable. And what happened to her attackers? 👉 $400 bail. 👉 Out on bond. 👉 Multiple prior felonies. 👉 Some already out awaiting trial for OTHER crimes. Yes, really. This happened in Cincinnati — and the city’s leaders are barely talking about it. ⚠️ ENOUGH IS ENOUGH 📍 We’re DONE ignoring violent crime just because it’s politically uncomfortable to address. 📍 We’re DONE pretending communities don’t feel the consequences when justice is selectively applied. 📍 We’re DONE acting like violent thugs are “victims” when they should be in prison, not on TikTok. Ohioans — Americans — are TIRED of getting gaslit by politicians more worried about optics than protecting the innocent. 🎙️ Town Hall Incoming Conservative leader and Ohio gubernatorial candidate Vivek Ramaswamy is taking this personally — and publicly. He’s returning to his hometown of Cincinnati to host a town hall with: A former NAACP President, A former Vice Mayor of the city, and The local community, right out in the open. It’s time to have hard conversations without censorship. Real people are suffering. Real lives are being destroyed. And the criminals? They’re walking free — again and again. 🔥 IF WE DON’T STAND UP NOW, WHO WILL? This isn’t “just crime.” It’s policy failure. It’s cultural cowardice. And it’s happening in YOUR city next. 🔁 SHARE if you're sick of criminals being coddled while victims are left broken. 🗣️ TAG your local reps and demand answers. 👀 All eyes on Cincinnati.

Project Constitution

29,892 görüntüleme • 1 yıl önce

🔥 Ross Ulbricht is free at last! Ross Ulbricht This moment is monumental—a testament to the power of perseverance, advocacy, and an unwavering belief in freedom. Watching the incredible movement to #FreeRoss has been profoundly inspiring. Thousands of people came together, proving that when enough voices demand justice, the impossible becomes reality. Four individuals, however, stand out as extraordinary forces behind this victory. I first met Lyn Ulbricht at Porcupine Freedom Festival in 2013 (or 2014), and she immediately struck me as a force of nature. Lyn has been the beating heart of this movement—a tireless advocate, the epitome of grace under fire, and, without question, the main hero of this story. Her unshakable love for her son and her steadfast determination have shown the world that love and perseverance can truly move mountains. From the beginning, Roger Ver (Roger Ver) has been a principled and outspoken advocate for Ross, embodying voluntaryism not just in words but in extraordinary action. As the largest single donor to Ross’s legal fund, Roger demonstrated the power of voluntary support and commitment to freedom. I consider Roger to be the most principled and effective advocate for voluntaryism in the world. Angela McArdle (John Hudak for LNC Chair): Angela’s strategic brilliance and commitment to liberty were pivotal. At last year’s Libertarian Convention, I witnessed Trump approach Angela and ask what might convince Libertarians to consider his candidacy. She masterfully placed “Free Ross” at the top of the list. That single decision was a game-changer, a true masterstroke that likely made this victory possible. Angela’s leadership has been unparalleled, solidifying her place as the GOAT of LP Chairs. I know her fight is far from over. Martha Bueno (Martha Bueno): Martha is an unstoppable force in the liberty movement—a warrior who has poured her heart into this cause. Her tireless work to raise awareness and mobilize support has been instrumental. Martha’s passion and dedication are unmatched, and she continues to inspire everyone around her. But now, Roger needs our support. He is facing politically motivated attacks from the Biden administration under EO 14067—an effort to chill the crypto revolution and stifle innovation. Instead of targeting true innovation, these attacks aim to crush voluntarism and silence those who challenge the system. Having Roger voluntarily invest in and contribute to the U.S. crypto economy is 100,000x more productive than throwing him in a cage (at taxpayer expense) for non-crimes. To everyone who believed, fought, and sacrificed for this day—this victory is for you. Let this remind us that when we stand together, nothing is impossible. Let’s carry this momentum forward as we fight for freedom, justice, and a brighter future for all. Please watch this incredible song by Jordan Page as well as this video from Roger Ver from 2018 where he discusses a letter he received from Ross. Brownstone Institute Tracy Thurman Bret Weinstein Chris Martenson HealthRanger @56Liberty_ Mises Caucus Libertarian Party Libertarian Party NH 🦔 Carla Gericke, Live Free And Thrive! The Free State Project Rothmus 🏴 Robert Barnes Sal the Agorist Alex Jones Irene Mavrakakis, M.D. Clint Russell Marc De Mesel Douglas Tuman Michael Rectenwald, Ph.D. Elon Musk Joel Valenzuela Vivek Ramaswamy Shannon Joy Dr. Drew RICE 🍚 @MarkEdge_FTL Mrs. ₿onnie Freeman Free Ian Free Roger Ver Luke Rudkowski @wagmi_events Tatiana Moroz (QueenTatiana) Derrick Broze John Bush - Live Free Academy J O E D R A G O N @iam4amwe

Aaron Day

219,849 görüntüleme • 1 yıl önce