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Raindrops Keep Fallin' On My Head was written by Burt Bacharach and Hal David especially for the film Butch Cassidy and the Sundance Kid (1969), with Paul Newman e Katharine Ross. The scene was a romantic bike ride, and director George Roy Hill wanted something light and optimistic. Bob... Dylan was the first guest to record but declined, Ray Stevens also declined. B. J. Thomas accepted and recorded the track while recovering from laryngitis, the hoarse, tired voice that came out was exactly what Bacharach loved (he made Thomas repeat until the seventh take). There is a specific film version (with a vaudeville instrumental break to accompany Newman's stunts) and another recorded weeks later for the single. Released in late 1969, it became the first Billboard Hot 100 of the 1970s (four weeks at the top in January), won the Academy Award for Best Original Song and became the biggest hit of B. J. Thomas's career.show more

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"Raindrops Keep Fallin' on My Head" is a song written by Burt Bacharach and Hal David for the 1969 film Butch Cassidy and the Sundance Kid. The uplifting lyrics describe somebody who overcomes his troubles and worries by realizing that "it won't be long till happiness steps up to greet me.

"Raindrops Keep Fallin' on My Head" is a song written by Burt Bacharach and Hal David for the 1969 film Butch Cassidy and the Sundance Kid. The uplifting lyrics describe somebody who overcomes his troubles and worries by realizing that "it won't be long till happiness steps up to greet me.

🌸🎵 Beautiful Melody 🎶💖

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George Roy Hill died OTD in 2002. George was the director of Slap Shot, A Little Romance and The World According to Garp. He also directed two movies nominated for Best Picture Oscars, The Sting (whatever that is... which won) and, of course, Butch Cassidy and the Sundance Kid.

George Roy Hill died OTD in 2002. George was the director of Slap Shot, A Little Romance and The World According to Garp. He also directed two movies nominated for Best Picture Oscars, The Sting (whatever that is... which won) and, of course, Butch Cassidy and the Sundance Kid.

The Sting

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"To Sir with Love" was written especially for the 1967 film of the same name starring Sidney Poitier. Lulu, who was just 19 years old, not only sang the song but also made her film debut as one of the rebellious students. Unimpressed with the original theme songs proposed for the film, she pushed composer Mark London to come up with something better, and he quickly wrote the melody that became the final version. The result was the best-selling single of 1967 in the United States, spending five weeks at #1 on the US Billboard Hot 100. Despite its huge success in America, it was never released as a single in the UK.

"To Sir with Love" was written especially for the 1967 film of the same name starring Sidney Poitier. Lulu, who was just 19 years old, not only sang the song but also made her film debut as one of the rebellious students. Unimpressed with the original theme songs proposed for the film, she pushed composer Mark London to come up with something better, and he quickly wrote the melody that became the final version. The result was the best-selling single of 1967 in the United States, spending five weeks at #1 on the US Billboard Hot 100. Despite its huge success in America, it was never released as a single in the UK.

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"Eye of the Tiger" was written specifically for the 1982 film Rocky III after Queen declined to let the producers use "Another One Bites the Dust." The motivational rock anthem spent six weeks at #1 on the US Billboard Hot 100, reached #1 on the UK Singles Chart, and became Survivor's biggest hit. The song was composed in just a few days after Sylvester Stallone showed the band an early cut of the film. Stallone was so impressed by the demo that he used it in Rocky III before the final studio version had even been recorded.

"Eye of the Tiger" was written specifically for the 1982 film Rocky III after Queen declined to let the producers use "Another One Bites the Dust." The motivational rock anthem spent six weeks at #1 on the US Billboard Hot 100, reached #1 on the UK Singles Chart, and became Survivor's biggest hit. The song was composed in just a few days after Sylvester Stallone showed the band an early cut of the film. Stallone was so impressed by the demo that he used it in Rocky III before the final studio version had even been recorded.

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Debbie Reynolds and Carleton Carpenter dance to “Aba Daba Honeymoon” in the 1950 MGM musical “Two Weeks With Love”. The song was originally recorded in 1914, but became a hit for Reynolds and Carpenter following the release of the film.

Debbie Reynolds and Carleton Carpenter dance to “Aba Daba Honeymoon” in the 1950 MGM musical “Two Weeks With Love”. The song was originally recorded in 1914, but became a hit for Reynolds and Carpenter following the release of the film.

🎵💖Loves classical music🎻🎹

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"Rolling in the Deep" was written by Adele and Paul Epworth the day after a painful and traumatic breakup. Adele arrived at the studio hurt and furious. The track was the first recorded from the album 21 and became the biggest hit of her career, being her first #1 in the US (in addition to #1 in more than 20 countries).

"Rolling in the Deep" was written by Adele and Paul Epworth the day after a painful and traumatic breakup. Adele arrived at the studio hurt and furious. The track was the first recorded from the album 21 and became the biggest hit of her career, being her first #1 in the US (in addition to #1 in more than 20 countries).

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"Woman In Love" was written by Barry and Robin Gibb (Bee Gees) especially for Barbra Streisand. Barry produced the entire album Guilty (1980) and played guitar on the track. The track became her biggest solo hit of the 80s: #1 for 3 weeks on the Billboard Hot 100, #1 in several countries and one of the biggest romantic classics of the decade.

"Woman In Love" was written by Barry and Robin Gibb (Bee Gees) especially for Barbra Streisand. Barry produced the entire album Guilty (1980) and played guitar on the track. The track became her biggest solo hit of the 80s: #1 for 3 weeks on the Billboard Hot 100, #1 in several countries and one of the biggest romantic classics of the decade.

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"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

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Nashville Skyline was released on this day in 1969. Bob Dylan and Johnny Cash recorded “Girl from the North Country” as a duet for the album. Later that year, Dylan was one of the first guests on The Johnny Cash Show, where they performed the song together.

Nashville Skyline was released on this day in 1969. Bob Dylan and Johnny Cash recorded “Girl from the North Country” as a duet for the album. Later that year, Dylan was one of the first guests on The Johnny Cash Show, where they performed the song together.

Melanie Young 🔧

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"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

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I Heard It Through the Grapevine was written by Norman Whitfield and Barrett Strong in 1966. Marvin Gaye recorded his version in 1967, but Berry Gordy (head of Motown) did not want to release it as a single, he preferred the more upbeat and gospel version of Gladys Knight & the Pips, which had already been a major hit (#2 on the Hot 100 in 1967). Marvin's recording was hidden as a simple track from the album In the Groove (1968). But the radio DJs started playing his version without permission and the audience loved it. Motown was forced to release as a single in October 1968. The result: it became Marvin's first #1 on the Billboard Hot 100, spending seven weeks at the top (Motown's biggest hit so far).

I Heard It Through the Grapevine was written by Norman Whitfield and Barrett Strong in 1966. Marvin Gaye recorded his version in 1967, but Berry Gordy (head of Motown) did not want to release it as a single, he preferred the more upbeat and gospel version of Gladys Knight & the Pips, which had already been a major hit (#2 on the Hot 100 in 1967). Marvin's recording was hidden as a simple track from the album In the Groove (1968). But the radio DJs started playing his version without permission and the audience loved it. Motown was forced to release as a single in October 1968. The result: it became Marvin's first #1 on the Billboard Hot 100, spending seven weeks at the top (Motown's biggest hit so far).

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"Take My Breath Away" was written by Giorgio Moroder and Tom Whitlock especially for the romantic scene of Top Gun (1986). The band Berlin was almost breaking up and almost turned down the music because it wasn't composed by them and didn't match their style. The producers insisted, and the result was spectacular: #1 in several countries, it won the Academy Award for Best Original Song in 1987 and became the biggest (and practically only) hit of the band's career. After the success, the internal tension increased so much that Berlin ended up separating soon after.

"Take My Breath Away" was written by Giorgio Moroder and Tom Whitlock especially for the romantic scene of Top Gun (1986). The band Berlin was almost breaking up and almost turned down the music because it wasn't composed by them and didn't match their style. The producers insisted, and the result was spectacular: #1 in several countries, it won the Academy Award for Best Original Song in 1987 and became the biggest (and practically only) hit of the band's career. After the success, the internal tension increased so much that Berlin ended up separating soon after.

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Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.

Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.

💜Music is Love💜

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"The Shoop Shoop Song (It's in His Kiss)" is a re-recording of a 1964 hit by Betty Everett. Cher's version was recorded especially for the soundtrack of the film Mermaids (1990), in which she starred alongside Christina Ricci, Winona Ryder and Bob Hoskins. Released as a single in November 1990, the song became a major worldwide hit: it reached #1 on the UK Singles Chart and in several other countries in the United States, reached #33 on the Billboard Hot 100.

"The Shoop Shoop Song (It's in His Kiss)" is a re-recording of a 1964 hit by Betty Everett. Cher's version was recorded especially for the soundtrack of the film Mermaids (1990), in which she starred alongside Christina Ricci, Winona Ryder and Bob Hoskins. Released as a single in November 1990, the song became a major worldwide hit: it reached #1 on the UK Singles Chart and in several other countries in the United States, reached #33 on the Billboard Hot 100.

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"You're the Inspiration" was originally written for Kenny Rogers! David Foster was in the studio with Kenny and asked Peter Cetera to create a song. Cetera made the basis of chords, traveled to Italy, finished the lyrics inspired by the baroque rooms and works of Michelangelo ("Michelangelo, you should know..." became "You're the inspiration"), but Kenny ended up not recording. Peter and David took the track back, re-recorded it for Chicago 17 (1984) and made it one of the band's biggest hits of the 80s (#3 on the Billboard Hot 100). It was one of the last big hits with Peter Cetera before he left the band in 1985.

"You're the Inspiration" was originally written for Kenny Rogers! David Foster was in the studio with Kenny and asked Peter Cetera to create a song. Cetera made the basis of chords, traveled to Italy, finished the lyrics inspired by the baroque rooms and works of Michelangelo ("Michelangelo, you should know..." became "You're the inspiration"), but Kenny ended up not recording. Peter and David took the track back, re-recorded it for Chicago 17 (1984) and made it one of the band's biggest hits of the 80s (#3 on the Billboard Hot 100). It was one of the last big hits with Peter Cetera before he left the band in 1985.

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"We Don't Need Another Hero (Thunderdome)" was written especially for the 1985 film Mad Max Beyond Thunderdome. Tina Turner not only recorded the song but also starred in the film as the powerful Aunty Entity, ruler of Bartertown, her first major acting role since Tommy (1975). The song became one of her biggest hits of the 1980s, peaking at #2 on the US Billboard Hot 100, where it was kept from the top spot by Starship's "We Built This City." It also received a Golden Globe nomination for Best Original Song and remains one of the most iconic movie themes of the decade.

"We Don't Need Another Hero (Thunderdome)" was written especially for the 1985 film Mad Max Beyond Thunderdome. Tina Turner not only recorded the song but also starred in the film as the powerful Aunty Entity, ruler of Bartertown, her first major acting role since Tommy (1975). The song became one of her biggest hits of the 1980s, peaking at #2 on the US Billboard Hot 100, where it was kept from the top spot by Starship's "We Built This City." It also received a Golden Globe nomination for Best Original Song and remains one of the most iconic movie themes of the decade.

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"Hey Ya!" was written, produced and recorded almost entirely by André 3000. He played acoustic guitar, keyboards, programmed the drums and did all the vocals (the only thing he didn't record was the bass, played by Aaron Mills). The track, featured on the album Speakerboxxx/The Love Below (2003), became one of the biggest hits of his career. The video was directly inspired by the Beatles' historic performance on the Ed Sullivan Show in 1964. The success was so great that "Hey Ya!" spent 9 weeks at the top of the Billboard Hot 100 and won the Grammy for Best Urban/Alternative Performance.

"Hey Ya!" was written, produced and recorded almost entirely by André 3000. He played acoustic guitar, keyboards, programmed the drums and did all the vocals (the only thing he didn't record was the bass, played by Aaron Mills). The track, featured on the album Speakerboxxx/The Love Below (2003), became one of the biggest hits of his career. The video was directly inspired by the Beatles' historic performance on the Ed Sullivan Show in 1964. The success was so great that "Hey Ya!" spent 9 weeks at the top of the Billboard Hot 100 and won the Grammy for Best Urban/Alternative Performance.

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"Nothing's Gonna Stop Us Now" is Starship's biggest hit. Written by Diane Warren and Albert Hammond for the 1987 film Mannequin, Hammond drew inspiration from his own life after his divorce, as he was beginning a new relationship. Released as a single, the song spent two weeks at #1 on the US Billboard Hot 100, reached #1 on the UK Singles Chart, and earned an Academy Award nomination for Best Original Song.

"Nothing's Gonna Stop Us Now" is Starship's biggest hit. Written by Diane Warren and Albert Hammond for the 1987 film Mannequin, Hammond drew inspiration from his own life after his divorce, as he was beginning a new relationship. Released as a single, the song spent two weeks at #1 on the US Billboard Hot 100, reached #1 on the UK Singles Chart, and earned an Academy Award nomination for Best Original Song.

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"Total Eclipse of the Heart" was written by Jim Steinman (the same as Meat Loaf's Bat Out of Hell) especially for Bonnie Tyler. Bonnie recorded with that characteristic hoarse voice (the result of vocal cord surgery years earlier) and the result was the biggest hit of her career: #1 in the US, the UK and several countries in 1983. The epic video, shot in a castle in Wales with candles, dancers and gothic atmosphere, became one of the most iconic and expensive videos of the 80s.

"Total Eclipse of the Heart" was written by Jim Steinman (the same as Meat Loaf's Bat Out of Hell) especially for Bonnie Tyler. Bonnie recorded with that characteristic hoarse voice (the result of vocal cord surgery years earlier) and the result was the biggest hit of her career: #1 in the US, the UK and several countries in 1983. The epic video, shot in a castle in Wales with candles, dancers and gothic atmosphere, became one of the most iconic and expensive videos of the 80s.

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Kiss from a Rose was written by Seal in 1987, but was only a worldwide hit almost a decade later. Released in 1994 on the album Seal II, the song went almost unnoticed on release. Everything changed when director Joel Schumacher heard the track and decided to include it in the end credits of Batman Forever (1995). He even tried to use it in a romantic scene between Val Kilmer and Nicole Kidman, but it didn't fit in, yet he insisted on putting it in the film. Schumacher also directed an official music video using footage from the production. The result was overwhelming: the song reached #1 in the US, became one of the biggest hits of the 90s and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance). The track had appeared before in the film The NeverEnding Story III (1994), but without being so successful.

Kiss from a Rose was written by Seal in 1987, but was only a worldwide hit almost a decade later. Released in 1994 on the album Seal II, the song went almost unnoticed on release. Everything changed when director Joel Schumacher heard the track and decided to include it in the end credits of Batman Forever (1995). He even tried to use it in a romantic scene between Val Kilmer and Nicole Kidman, but it didn't fit in, yet he insisted on putting it in the film. Schumacher also directed an official music video using footage from the production. The result was overwhelming: the song reached #1 in the US, became one of the biggest hits of the 90s and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance). The track had appeared before in the film The NeverEnding Story III (1994), but without being so successful.

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