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Old Head Energy

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21,206 görüntüleme • 8 ay önce •via X (Twitter)

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Laverne "Jukebox" Thomas. The rawest bitch out. #RaisingKanan
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Laverne "Jukebox" Thomas. The rawest bitch out. #RaisingKanan

Riley Writts

328,516 görüntüleme • 2 ay önce

nah lil' kim the rawest to ever do this rap thing, like.. she really was out there tearing 50 cent ass off during his prime meanwhile other rappers were scared to even clap back at him 😭
0:48

nah lil' kim the rawest to ever do this rap thing, like.. she really was out there tearing 50 cent ass off during his prime meanwhile other rappers were scared to even clap back at him 😭

⧉

111,072 görüntüleme • 3 yıl önce

the amount of hype Peter Cullen generated for multiple anime just off his voice alone needs to be studied.. bro could literally hype up a pen dropping out of your fingers and it’d be the rawest shit ever
0:57

the amount of hype Peter Cullen generated for multiple anime just off his voice alone needs to be studied.. bro could literally hype up a pen dropping out of your fingers and it’d be the rawest shit ever

dre

22,318 görüntüleme • 1 ay önce

Best rival in all of gaming. Set the bar too high nobody else can reach it. Out aura's the MC. Bro genuinely deserves his own game even if it's just a spinoff. Might high-key be the rawest character in all of gaming. Peak design, peak aura, peak writing, peak gameplay. GOAT
1:01

Best rival in all of gaming. Set the bar too high nobody else can reach it. Out aura's the MC. Bro genuinely deserves his own game even if it's just a spinoff. Might high-key be the rawest character in all of gaming. Peak design, peak aura, peak writing, peak gameplay. GOAT

🎮𝙆𝙖𝙞𝙮𝙖🎮

68,658 görüntüleme • 5 ay önce

Chris Benoit vs. Triple H main evented the Eddie Guerrero Tribute show. Benoit walked out already crying. Fought like something was tearing out of him the whole match. Rolling Germans, Crossface attempts, then that little modified cradle for the pin. After the bell they hugged in the middle of the ring and both pointed to the sky. Dean Malenko came down to stand with him. One of the rawest, most human things WWE ever put on television.
3:29

Chris Benoit vs. Triple H main evented the Eddie Guerrero Tribute show. Benoit walked out already crying. Fought like something was tearing out of him the whole match. Rolling Germans, Crossface attempts, then that little modified cradle for the pin. After the bell they hugged in the middle of the ring and both pointed to the sky. Dean Malenko came down to stand with him. One of the rawest, most human things WWE ever put on television.

Tito SanTanaChez

159,003 görüntüleme • 1 ay önce

Just sat down with Brez for one of the rawest podcasts I've ever recorded The guy went from a fat kid playing Fortnite 14 hours a day to building a $15M online empire and becoming one of the most viral people on the internet. We got into everything: the $60K Black Friday scam, the gun in the driveway, the agency and teaching himself ads, and what it actually took behind the scenes to get here Full episode out now Search “Trakyo Pod” On Youtube or link in comments:
0:44

Just sat down with Brez for one of the rawest podcasts I've ever recorded The guy went from a fat kid playing Fortnite 14 hours a day to building a $15M online empire and becoming one of the most viral people on the internet. We got into everything: the $60K Black Friday scam, the gun in the driveway, the agency and teaching himself ads, and what it actually took behind the scenes to get here Full episode out now Search “Trakyo Pod” On Youtube or link in comments:

Yousef Lashuel

16,793 görüntüleme • 3 ay önce

“Judge me at the end of it all.” danawhite 🔥one today!! Nothing was off limits👀 Dana White returns to The Pivot for one of our rawest conversations yet—addressing the headlines, the criticism, freedom of speech, UFC’s historic White House event, Michelle Obama, Conor McGregor, the future of boxing, night of correspondents’ dinner and the mindset that’s kept him winning through it all. This isn’t the Dana White you’ve seen in the headlines. It’s the one behind them. Episode out now on all audio platforms and YouTube - Love him or hate him... you’re going to want to hear this one🎙️Ryan Clark Fred Taylor Channing Crowder
1:51

“Judge me at the end of it all.” danawhite 🔥one today!! Nothing was off limits👀 Dana White returns to The Pivot for one of our rawest conversations yet—addressing the headlines, the criticism, freedom of speech, UFC’s historic White House event, Michelle Obama, Conor McGregor, the future of boxing, night of correspondents’ dinner and the mindset that’s kept him winning through it all. This isn’t the Dana White you’ve seen in the headlines. It’s the one behind them. Episode out now on all audio platforms and YouTube - Love him or hate him... you’re going to want to hear this one🎙️Ryan Clark Fred Taylor Channing Crowder

Pivot Podcast

29,101 görüntüleme • 3 ay önce

“I’ve trained more in the last week than Mick Foley’s trained in 30 years. While Mick was sleeping and eating cheeseburgers and M&Ms, I was in the gym.” - Hulk Hogan Mick Foley’s response to criticism from Hulk Hogan about his physical condition “It’s an insult and it’s a lie. He’s never wrestled me. If you ask The Rock, Stone Cold, Shawn Michaels if I was in shape when I wrestled them, they’d say I was in deceptively good shape.” “If Hogan had wrestled me he would’ve been saying ‘not so fast and not so hard’ because he didn’t like the contact. The reason I’m out early and he’s still around at 49 is because I put out and gave people their money’s worth. You didn’t have to apologize to your friends for watching a Mick Foley match.” One of the rawest responses ever.
3:09

“I’ve trained more in the last week than Mick Foley’s trained in 30 years. While Mick was sleeping and eating cheeseburgers and M&Ms, I was in the gym.” - Hulk Hogan Mick Foley’s response to criticism from Hulk Hogan about his physical condition “It’s an insult and it’s a lie. He’s never wrestled me. If you ask The Rock, Stone Cold, Shawn Michaels if I was in shape when I wrestled them, they’d say I was in deceptively good shape.” “If Hogan had wrestled me he would’ve been saying ‘not so fast and not so hard’ because he didn’t like the contact. The reason I’m out early and he’s still around at 49 is because I put out and gave people their money’s worth. You didn’t have to apologize to your friends for watching a Mick Foley match.” One of the rawest responses ever.

Tito SanTanaChez

321,887 görüntüleme • 1 ay önce

Jimmy Carr just gave teenage boys (and honestly, a lot of grown men) the rawest dating truth they need right now: Girls aren’t looking for looks — they’re looking for competence. He breaks it down with zero filter: “You think because you look for looks in a girl, she’ll look for looks in you. She’s not. What women like is competence. And it takes a while to get competent.” That’s why billionaires and boiler-fixers both turn heads — both demonstrate mastery. Both get shit done. Carr’s direct advice to any young guy still figuring it out: “Get your shit together. Stop asking what you want in the world and start thinking about what you can offer.” No pickup lines. No games. Just brutal, timeless clarity. Fellas — what’s one skill or area of competence you’re actively building right now to become that guy?
0:51

Jimmy Carr just gave teenage boys (and honestly, a lot of grown men) the rawest dating truth they need right now: Girls aren’t looking for looks — they’re looking for competence. He breaks it down with zero filter: “You think because you look for looks in a girl, she’ll look for looks in you. She’s not. What women like is competence. And it takes a while to get competent.” That’s why billionaires and boiler-fixers both turn heads — both demonstrate mastery. Both get shit done. Carr’s direct advice to any young guy still figuring it out: “Get your shit together. Stop asking what you want in the world and start thinking about what you can offer.” No pickup lines. No games. Just brutal, timeless clarity. Fellas — what’s one skill or area of competence you’re actively building right now to become that guy?

Camus

1,369,347 görüntüleme • 7 ay önce

David Goggins drops the rawest truth bomb on why most people stay stuck: "People love to lie about who they're not." He says the moment you finally stare in the mirror at 40 (or 50, or whatever age) and admit every ugly insecurity, every failure, every weakness—"I'm this, I'm not this, I can't do this"—that's when your real life finally begins. Once you're brutally honest with yourself, no insult, no slur, no judgment lands anymore. You’ve already walked through the fire. You come out the other side every day, open book, eyes locked: "Tell me exactly who the fuck you are." Then walk away clean. That truth? It’s the starting line. Everything before it was just performance. When was the last time you looked in the mirror and told yourself the full, ugly truth? Did it scare you… or finally set you free?
2:19

David Goggins drops the rawest truth bomb on why most people stay stuck: "People love to lie about who they're not." He says the moment you finally stare in the mirror at 40 (or 50, or whatever age) and admit every ugly insecurity, every failure, every weakness—"I'm this, I'm not this, I can't do this"—that's when your real life finally begins. Once you're brutally honest with yourself, no insult, no slur, no judgment lands anymore. You’ve already walked through the fire. You come out the other side every day, open book, eyes locked: "Tell me exactly who the fuck you are." Then walk away clean. That truth? It’s the starting line. Everything before it was just performance. When was the last time you looked in the mirror and told yourself the full, ugly truth? Did it scare you… or finally set you free?

Camus

431,622 görüntüleme • 8 ay önce

Fmr Congresswoman Marjorie Taylor Greene says Trump went to war with Iran for Israel, and he may have done so under duress. Joe Kent told me the same thing earlier today as well! Let that sink in for a second. MTG is one of Trump's earliest supporters, one of his most loyal allies, and she is now openly asking why every U.S president eventually ends up serving Israel regardless of what they promised voters. And she's not saying it as one of Trump's enemies, she's saying it as someone who spent years fighting for him. She watched him fall out with people like Tucker and Charlie Kirk, block the release of all the Epstein files, shut down the Butler shooting investigation and cast out anyone who questioned it. She's asking why the investigation remains buried, why the public still doesn't have answers, and why Trump himself shut the door on finding out the truth. And then she connects that to the bigger picture. You don't have to agree with every conclusion she reaches. But when a former member of Congress says the biggest story in America isn't Democrats vs Republicans, it's why Israel has more influence over the White House than the American people, you should probably pay attention. This is one of the rawest conversations I've heard about where America is heading next. Marjorie Taylor Greene 🇺🇸
30:50

Fmr Congresswoman Marjorie Taylor Greene says Trump went to war with Iran for Israel, and he may have done so under duress. Joe Kent told me the same thing earlier today as well! Let that sink in for a second. MTG is one of Trump's earliest supporters, one of his most loyal allies, and she is now openly asking why every U.S president eventually ends up serving Israel regardless of what they promised voters. And she's not saying it as one of Trump's enemies, she's saying it as someone who spent years fighting for him. She watched him fall out with people like Tucker and Charlie Kirk, block the release of all the Epstein files, shut down the Butler shooting investigation and cast out anyone who questioned it. She's asking why the investigation remains buried, why the public still doesn't have answers, and why Trump himself shut the door on finding out the truth. And then she connects that to the bigger picture. You don't have to agree with every conclusion she reaches. But when a former member of Congress says the biggest story in America isn't Democrats vs Republicans, it's why Israel has more influence over the White House than the American people, you should probably pay attention. This is one of the rawest conversations I've heard about where America is heading next. Marjorie Taylor Greene 🇺🇸

Mario Nawfal

471,453 görüntüleme • 4 ay önce

“Do you want to be right… or do you want to be interesting?” 🎯 This entire convo is filled with 🔥 from breaking out into song to insane monologues to the rawest of the raw human moments as Yahya Abdul-Mateen II takes Ryan, Channing and Fred behind the scenes, opening up about pain, healing, and the mindset that took him from Louisiana roots to Oakland upbringing to Hollywood’s biggest screens🎬 From chasing architecture dreams to taking a leap of faith into acting, Yahya breaks down the risks, the doubts, and the discipline it took to build a career that includes Aquaman, The Trial of the Chicago 7, and his Emmy-winning role in Watchmen. Now, as the star of Netflix’s new series Man on Fire, Yahya takes on the iconic role of Denzel Washington’s John Creasy, making it his own- in a way you didn’t see coming. This one is as real as it gets- PURPOSE, RESILIENCE, and choosing to stand out instead of fit in. Tap in now 🎙️#actor #hollywood #manonfire Ryan Clark Fred Taylor Channing Crowder Netflix Pivot Family — let us know what you think, who’s watching Man on Fire👇🏾
2:19

“Do you want to be right… or do you want to be interesting?” 🎯 This entire convo is filled with 🔥 from breaking out into song to insane monologues to the rawest of the raw human moments as Yahya Abdul-Mateen II takes Ryan, Channing and Fred behind the scenes, opening up about pain, healing, and the mindset that took him from Louisiana roots to Oakland upbringing to Hollywood’s biggest screens🎬 From chasing architecture dreams to taking a leap of faith into acting, Yahya breaks down the risks, the doubts, and the discipline it took to build a career that includes Aquaman, The Trial of the Chicago 7, and his Emmy-winning role in Watchmen. Now, as the star of Netflix’s new series Man on Fire, Yahya takes on the iconic role of Denzel Washington’s John Creasy, making it his own- in a way you didn’t see coming. This one is as real as it gets- PURPOSE, RESILIENCE, and choosing to stand out instead of fit in. Tap in now 🎙️#actor #hollywood #manonfire Ryan Clark Fred Taylor Channing Crowder Netflix Pivot Family — let us know what you think, who’s watching Man on Fire👇🏾

Pivot Podcast

35,397 görüntüleme • 5 ay önce

People Magazine: Vicki Gunvalson Recalls Learning of Her Mother's Death On Camera: 'I Will Never Forgive Bravo.’ In PEOPLE's first look at the Real Housewives episode of Vice's The Dark Side of Reality TVseries, Vicki Gunvalson looked back at the "traumatic" way she was told her mother, Joanne Steinmetz, had died while filming The Real Housewives of Orange County. "We were playing Bunko at Shannon [Beador’s]," she begins, sharing how all of her family members were trying to get in touch with her. When she didn't answer the phone, her loved ones called production. "Brianna [her daughter] had been calling, calling, calling, and they kept telling her, 'Well, she's filming right now, blah, blah, blah,'" Gunvalson recalls. "She's like, 'I need to talk to my mom right now.'" Eventually, the businesswoman says production relented and set up Shannon Beador's wrapping paper room with "lights and cameramen." "I was really upset that production knew for an hour, and they didn't tell me. They were out of line, and I think they should have taken me aside and said, 'Your mom has passed. Talk to your daughter off camera,'" she shares. "If I was a producer, that's what I would've done." "Let me scream and cry on my own and be mad. It was very, very traumatic. I will never forgive Bravo for that," she adds. #RHOC This clip of Vicki finding out that her mother had died is probably one of the realest and rawest moments in RHOC history. And so incredibly heartbreaking.
10:45

People Magazine: Vicki Gunvalson Recalls Learning of Her Mother's Death On Camera: 'I Will Never Forgive Bravo.’ In PEOPLE's first look at the Real Housewives episode of Vice's The Dark Side of Reality TVseries, Vicki Gunvalson looked back at the "traumatic" way she was told her mother, Joanne Steinmetz, had died while filming The Real Housewives of Orange County. "We were playing Bunko at Shannon [Beador’s]," she begins, sharing how all of her family members were trying to get in touch with her. When she didn't answer the phone, her loved ones called production. "Brianna [her daughter] had been calling, calling, calling, and they kept telling her, 'Well, she's filming right now, blah, blah, blah,'" Gunvalson recalls. "She's like, 'I need to talk to my mom right now.'" Eventually, the businesswoman says production relented and set up Shannon Beador's wrapping paper room with "lights and cameramen." "I was really upset that production knew for an hour, and they didn't tell me. They were out of line, and I think they should have taken me aside and said, 'Your mom has passed. Talk to your daughter off camera,'" she shares. "If I was a producer, that's what I would've done." "Let me scream and cry on my own and be mad. It was very, very traumatic. I will never forgive Bravo for that," she adds. #RHOC This clip of Vicki finding out that her mother had died is probably one of the realest and rawest moments in RHOC history. And so incredibly heartbreaking.

Bye Wig Hello Drama

235,132 görüntüleme • 2 yıl önce

taehyun wrote 'bird of night' to give us comfort. a gentle hand reaching out in the quiet hours, when the world feels too heavy to carry on our shoulders. he crafted it for our sleepless nights, the ones where anxiety whispers the loudest, and peace feels the furthest from reach. he wrote it for the lonely parts of us; the parts we often hide from the world, the ones that ache to be seen and long to be understood. in every note and lyric, there's a quiet reassurance: you are not alone. his voice becomes a lullaby for the soul, wrapping around us like a soft blanket in the darkness. 'bird of night' is more than just a song. it’s a sanctuary, a refuge we run to when everything else feels like it’s falling apart. in the stillness of the night, when tears fall without warning and our hearts feel unbearably heavy, taehyun's warm voice finds us. it holds us. the song doesn’t try to fix the pain, but it stays with us in it, like a quiet friend who simply sits beside you and says, i see you. i'm here. there's something so achingly beautiful about how 'bird of night' touches the most rawest parts of us. it doesn’t shy away from the darkness, instead it walks into it with us, hand in hand, and lights a little candle of hope. and sometimes, that little light is all we need to make it through. it heals from the inside out with tenderness. like a soft breeze after a storm, reminding us that we’ve survived this far, and we’re not alone in our fight to keep going. taehyun gave us this song not just as an artist, but as a human being who understands the quiet battles we fight. and in doing so, he gave us more than music. he gave us a piece of his heart, and a reason to hold on and keep going every single day.
2:40

taehyun wrote 'bird of night' to give us comfort. a gentle hand reaching out in the quiet hours, when the world feels too heavy to carry on our shoulders. he crafted it for our sleepless nights, the ones where anxiety whispers the loudest, and peace feels the furthest from reach. he wrote it for the lonely parts of us; the parts we often hide from the world, the ones that ache to be seen and long to be understood. in every note and lyric, there's a quiet reassurance: you are not alone. his voice becomes a lullaby for the soul, wrapping around us like a soft blanket in the darkness. 'bird of night' is more than just a song. it’s a sanctuary, a refuge we run to when everything else feels like it’s falling apart. in the stillness of the night, when tears fall without warning and our hearts feel unbearably heavy, taehyun's warm voice finds us. it holds us. the song doesn’t try to fix the pain, but it stays with us in it, like a quiet friend who simply sits beside you and says, i see you. i'm here. there's something so achingly beautiful about how 'bird of night' touches the most rawest parts of us. it doesn’t shy away from the darkness, instead it walks into it with us, hand in hand, and lights a little candle of hope. and sometimes, that little light is all we need to make it through. it heals from the inside out with tenderness. like a soft breeze after a storm, reminding us that we’ve survived this far, and we’re not alone in our fight to keep going. taehyun gave us this song not just as an artist, but as a human being who understands the quiet battles we fight. and in doing so, he gave us more than music. he gave us a piece of his heart, and a reason to hold on and keep going every single day.

태현.

136,648 görüntüleme • 1 yıl önce

The Unseen Rhythm of Karen Carpenter Most people remember Karen Carpenter for that velvety, melancholic voice that defined 1970s pop radio. But before the world put a spotlight in front of her face, she was sitting behind a massive drum kit, laying down intricate beats with the terrifying precision of a jazz prodigy. In footage of her playing at just 18 years old, you don't see a pop star in the making. You see a pure musician in her element. Her limbs move with independent fluid mechanics, snapping the snare and riding the cymbals with a crispness that catches you completely off guard. There’s no strain on her face, just an intense, joyful focus. She wasn't playing the drums to back up a band; she was steering the entire musical ship. To put this in perspective, the late 1960s drumming scene was an aggressive boys' club dominated by raw volume and theatrical sweat. Yet here was a teenage girl delivering sharp, complex polyrhythms with zero posturing. What makes this clip so captivating isn't just her technical brilliance—it’s the stark, beautiful contrast. We are used to seeing power packaged in aggressive wrapping. Karen delivered absolute rhythmic dominance with quiet, effortless grace. The unique takeaway here goes deeper than just admiring a hidden talent. It reveals a tragic irony about how society consumes art. The music industry eventually dragged Karen out from behind the drums and pushed her to the front of the stage, insisting that a voice like hers couldn't be hidden behind a wooden kit. In polishing her into a conventional frontwoman, they partially severed her connection to her truest passion. Her drum set wasn't just an instrument; it was her shield, her joy, and her happy place. This performance reminds us that the world loves to label people by their most marketable trait, often flattening their multidimensional genius in the process. True talent rarely fits into a single box. When you watch her hands fly across that kit, it begs an intriguing question: How many legendary artists have had their deepest, rawest passions sidelined just to satisfy what the market thought they should be?
0:32

The Unseen Rhythm of Karen Carpenter Most people remember Karen Carpenter for that velvety, melancholic voice that defined 1970s pop radio. But before the world put a spotlight in front of her face, she was sitting behind a massive drum kit, laying down intricate beats with the terrifying precision of a jazz prodigy. In footage of her playing at just 18 years old, you don't see a pop star in the making. You see a pure musician in her element. Her limbs move with independent fluid mechanics, snapping the snare and riding the cymbals with a crispness that catches you completely off guard. There’s no strain on her face, just an intense, joyful focus. She wasn't playing the drums to back up a band; she was steering the entire musical ship. To put this in perspective, the late 1960s drumming scene was an aggressive boys' club dominated by raw volume and theatrical sweat. Yet here was a teenage girl delivering sharp, complex polyrhythms with zero posturing. What makes this clip so captivating isn't just her technical brilliance—it’s the stark, beautiful contrast. We are used to seeing power packaged in aggressive wrapping. Karen delivered absolute rhythmic dominance with quiet, effortless grace. The unique takeaway here goes deeper than just admiring a hidden talent. It reveals a tragic irony about how society consumes art. The music industry eventually dragged Karen out from behind the drums and pushed her to the front of the stage, insisting that a voice like hers couldn't be hidden behind a wooden kit. In polishing her into a conventional frontwoman, they partially severed her connection to her truest passion. Her drum set wasn't just an instrument; it was her shield, her joy, and her happy place. This performance reminds us that the world loves to label people by their most marketable trait, often flattening their multidimensional genius in the process. True talent rarely fits into a single box. When you watch her hands fly across that kit, it begs an intriguing question: How many legendary artists have had their deepest, rawest passions sidelined just to satisfy what the market thought they should be?

Music over time🎻

31,128 görüntüleme • 1 ay önce

In August 2025, Rollin 60s Crip Stu Boy Blue sat across from Adam 22 on No Jumper and the conversation turned to Nipsey Hussle‼️. What started as a standard interview question quickly became one of the rawest moments the show had captured in years‼️. Adam asked what Nipsey represented to him. Stu Boy Blue’s voice shifted immediately‼️. “That was nothing‼️. That was my big homie‼️. What you mean⁉️ I’m Crip.”‼️ Adam followed up: why did it hit so hard⁉️ The answer came in loops, the kind people use when they’re trying to hold something in‼️. “That was my big homie. I’m 60. That was my big homie, bro. Like that’s Nip. Dead homies. And he rich and he’s still here. Like what the fuck. Who the fuck I’m 60. Who the fuck would do some shit like that. Dead homies. I’m 60. That’s my big homie. Black Sam raised me. I’m 60. That’s family. That’s my big homie, bro. I swear to God.”‼️ Then the dam broke‼️. He started crying on camera‼️. “To this day, God, that shit still hurt me. I ain’t trying to get up all over here crying and shit, but that’s real. That’s my big homie. They killed Nip, bro. For what? For nothing. One of us, though.”‼️ Some viewers saw a gang member finally showing the cost of the life‼️. Others saw a man who never got over the fact that the killer was from the same set‼️. Nipsey Hussle was Rollin 60s‼️. Eric Holder, the man convicted of shooting him outside The Marathon Clothing store on March 31, 2019, was also Rollin 60s‼️. That detail sat at the center of Stu Boy Blue’s breakdown‼️. It wasn’t an enemy‼️. It was one of their own‼️. The “who would do some shit like that” wasn’t abstract. It was personal and specific‼️. Stu Boy Blue had talked earlier in the interview about growing up around the 60s through his grandfather’s house, about Black Sam, about the streets that raised him after his mother went to prison and his father died when he was three‼️. Nipsey wasn’t just a famous rapper from the hood to him. He was the big homie who made it out while still representing the same blocks‼️.
1:15

In August 2025, Rollin 60s Crip Stu Boy Blue sat across from Adam 22 on No Jumper and the conversation turned to Nipsey Hussle‼️. What started as a standard interview question quickly became one of the rawest moments the show had captured in years‼️. Adam asked what Nipsey represented to him. Stu Boy Blue’s voice shifted immediately‼️. “That was nothing‼️. That was my big homie‼️. What you mean⁉️ I’m Crip.”‼️ Adam followed up: why did it hit so hard⁉️ The answer came in loops, the kind people use when they’re trying to hold something in‼️. “That was my big homie. I’m 60. That was my big homie, bro. Like that’s Nip. Dead homies. And he rich and he’s still here. Like what the fuck. Who the fuck I’m 60. Who the fuck would do some shit like that. Dead homies. I’m 60. That’s my big homie. Black Sam raised me. I’m 60. That’s family. That’s my big homie, bro. I swear to God.”‼️ Then the dam broke‼️. He started crying on camera‼️. “To this day, God, that shit still hurt me. I ain’t trying to get up all over here crying and shit, but that’s real. That’s my big homie. They killed Nip, bro. For what? For nothing. One of us, though.”‼️ Some viewers saw a gang member finally showing the cost of the life‼️. Others saw a man who never got over the fact that the killer was from the same set‼️. Nipsey Hussle was Rollin 60s‼️. Eric Holder, the man convicted of shooting him outside The Marathon Clothing store on March 31, 2019, was also Rollin 60s‼️. That detail sat at the center of Stu Boy Blue’s breakdown‼️. It wasn’t an enemy‼️. It was one of their own‼️. The “who would do some shit like that” wasn’t abstract. It was personal and specific‼️. Stu Boy Blue had talked earlier in the interview about growing up around the 60s through his grandfather’s house, about Black Sam, about the streets that raised him after his mother went to prison and his father died when he was three‼️. Nipsey wasn’t just a famous rapper from the hood to him. He was the big homie who made it out while still representing the same blocks‼️.

(st_ides)

39,356 görüntüleme • 1 ay önce

Dave Chappelle’s story is one of the rawest examples of what happens when a black genius gets too powerful for the machine to handle—and how he clawed his way out on top. Back in 2003, Chappelle’s Show hit Comedy Central and changed everything. Those sketches—Rick James, Clayton Bigsby, the Racial Draft—weren’t just hilarious; they cut straight through America’s bullshit on race and power. The show blew up, pulling millions of viewers and raking in hundreds of millions from DVDs and reruns. Dave was thirty, suddenly the sharpest voice in comedy. But the deal he’d signed early on gave him almost nothing on the back end. Comedy Central—and its parent Viacom, run by the Redstone family—kept the real money. Dave watched his work get bootlegged and monetized while he got crumbs. Then Season 3 rolled around in 2005. During filming, something felt off. One sketch had a Black character in a pixie costume, and a white executive was laughing a little too hard, in a way that made Dave’s skin crawl. He started telling people privately, “They’re trying to make me wear a dress.” In Hollywood, that’s code for forcing Black men into emasculating roles to diminish their threat—think of the patterns with Eddie Murphy, Martin Lawrence, or countless others. The pressure built. They dangled a $50 million deal for two more seasons. Insane money on paper, but Dave could smell the trap: even less control, more ways to twist his voice into something that served the system instead of exposing it. So he did what almost nobody does—he walked away. Dropped the $50 million, got on a plane, and vanished to South Africa. Stayed on a farm in Durban with a Muslim friend, took a breath, and reflected. The media went feral: “Chappelle’s having a breakdown,” “crack addiction,” “mental health crisis.” Same smear playbook they use on anyone who says no—Kanye, Katt Williams, you name it. Label them crazy, bury the real story. While he was gone, Comedy Central took the unfinished Season 3 footage, slapped it together as “The Lost Episodes,” and aired it anyway. Hosted by Charlie Murphy and Donnell Rawlings, no Dave in sight. They still made bank off his genius, sending a clear message: We own your art even if you run. For years after, Hollywood painted him as difficult, unstable, the guy who “blew” $50 million. Doors quietly closed. No big specials, no major movies. Dave went underground—small clubs, quiet tours—rebuilding on his own terms. Then, around 2016-2017, Netflix came knocking. This time Dave negotiated like a boss: massive paydays—reportedly $20 million per special—full creative control, real ownership. His comeback specials dropped and hit harder than ever. He talked openly about the “dress” incident, the industry’s traps for Black artists, the way they try to break you. In *Sticks & Stones*, he shredded cancel culture. In *The Closer*, he took on the trans debate and refused to bend. The outrage machine came for him full force—walkouts, petitions, headlines screaming “transphobe.” Didn’t matter. Arenas sold out, Grammys won, legacy cemented. And the sweetest part? In 2022, after years of the show being pulled from streaming (Dave had publicly asked platforms not to run it until he got paid fairly), HBO Max finally caved. They cut him a proper check, and Chappelle’s Show came back—with Dave in control. Fast-forward to right now, December 2025: Dave just surprise-dropped his newest Netflix special, The Unstoppable recorded live in his hometown Washington, D.C. back in October. In it, he dives fearless into the chaos of the year—Charlie Kirk’s assassination, Puff Daddy’s downfall, the Riyadh comedy fest backlash, National Guard deployments, free speech crackdowns, and wraps with an epic 30-minute closer weaving American history from Jack Johnson to Nipsey Hussle. Bold truths, no holds barred, and as unstoppable as ever.
1:03

Dave Chappelle’s story is one of the rawest examples of what happens when a black genius gets too powerful for the machine to handle—and how he clawed his way out on top. Back in 2003, Chappelle’s Show hit Comedy Central and changed everything. Those sketches—Rick James, Clayton Bigsby, the Racial Draft—weren’t just hilarious; they cut straight through America’s bullshit on race and power. The show blew up, pulling millions of viewers and raking in hundreds of millions from DVDs and reruns. Dave was thirty, suddenly the sharpest voice in comedy. But the deal he’d signed early on gave him almost nothing on the back end. Comedy Central—and its parent Viacom, run by the Redstone family—kept the real money. Dave watched his work get bootlegged and monetized while he got crumbs. Then Season 3 rolled around in 2005. During filming, something felt off. One sketch had a Black character in a pixie costume, and a white executive was laughing a little too hard, in a way that made Dave’s skin crawl. He started telling people privately, “They’re trying to make me wear a dress.” In Hollywood, that’s code for forcing Black men into emasculating roles to diminish their threat—think of the patterns with Eddie Murphy, Martin Lawrence, or countless others. The pressure built. They dangled a $50 million deal for two more seasons. Insane money on paper, but Dave could smell the trap: even less control, more ways to twist his voice into something that served the system instead of exposing it. So he did what almost nobody does—he walked away. Dropped the $50 million, got on a plane, and vanished to South Africa. Stayed on a farm in Durban with a Muslim friend, took a breath, and reflected. The media went feral: “Chappelle’s having a breakdown,” “crack addiction,” “mental health crisis.” Same smear playbook they use on anyone who says no—Kanye, Katt Williams, you name it. Label them crazy, bury the real story. While he was gone, Comedy Central took the unfinished Season 3 footage, slapped it together as “The Lost Episodes,” and aired it anyway. Hosted by Charlie Murphy and Donnell Rawlings, no Dave in sight. They still made bank off his genius, sending a clear message: We own your art even if you run. For years after, Hollywood painted him as difficult, unstable, the guy who “blew” $50 million. Doors quietly closed. No big specials, no major movies. Dave went underground—small clubs, quiet tours—rebuilding on his own terms. Then, around 2016-2017, Netflix came knocking. This time Dave negotiated like a boss: massive paydays—reportedly $20 million per special—full creative control, real ownership. His comeback specials dropped and hit harder than ever. He talked openly about the “dress” incident, the industry’s traps for Black artists, the way they try to break you. In *Sticks & Stones*, he shredded cancel culture. In *The Closer*, he took on the trans debate and refused to bend. The outrage machine came for him full force—walkouts, petitions, headlines screaming “transphobe.” Didn’t matter. Arenas sold out, Grammys won, legacy cemented. And the sweetest part? In 2022, after years of the show being pulled from streaming (Dave had publicly asked platforms not to run it until he got paid fairly), HBO Max finally caved. They cut him a proper check, and Chappelle’s Show came back—with Dave in control. Fast-forward to right now, December 2025: Dave just surprise-dropped his newest Netflix special, The Unstoppable recorded live in his hometown Washington, D.C. back in October. In it, he dives fearless into the chaos of the year—Charlie Kirk’s assassination, Puff Daddy’s downfall, the Riyadh comedy fest backlash, National Guard deployments, free speech crackdowns, and wraps with an epic 30-minute closer weaving American history from Jack Johnson to Nipsey Hussle. Bold truths, no holds barred, and as unstoppable as ever.

X

96,080 görüntüleme • 10 ay önce

I don't care what has gone down over the past few years, if you are comfortable with--or condone-- the very public and very targeted threats made to Aidan Kearney's life, then you have taken this far beyond the remit of seeking justice (and you are now what you hate). TRANSCRIPT; I want to take a second to just again—we only have eight pages left—harp on how fucking ridiculous it is that someone went on a Twitter space, whoever the fuck you are out there last night, and threatened to murder Aidan Kearney. And I do not mean that someone in the heat of the moment was just screaming about it. That is not what happened. I'm not playing the clip, I'm not doing it. Even to critique it, I'm not platforming what this person said. I'm going to describe it for you. Do you all understand that while Chris Albert, an elected selectman of the town of Canton—hello trust is love, good evening—last night Chris Albert was on a Twitter space that got recorded in full by law girls, not attorneys, we might watch it tomorrow. And he said, I heard the clip. As Chris Albert was up there, he paused speaking, somebody else got up there. Their identity is not clear right now. They didn't just threaten to murder Aidan Kearney. And I need to be clear, because I don't know how I can state this factual record without it. They did not just threaten to unalive him. They specifically detailed how if he escapes conviction, or gets away from this case, they said they were going to hunt him. And they sounded like they meant it. And that really fucking worries me. It was absolutely over the line. It frankly scared me. All right. It really, really scared me. Because that's straight mafia shit. I don't care. We need to talk about it. This is not okay. It's gone so beyond okay that I am just scared at this point. That doesn't mean I'm going to stop looking into this. Okay, I've already called the people that I need to call and told them what I'm concerned about. Okay. This is absolutely inappropriate. That what I heard last night put it completely over the line. This is out of control. All right. They said this person and Chris Albert laughed. And you had a public official listening to a member of the public, not screaming fury, but say a methodical plan laid out with specific consequences at specific steps to unalive Aidan Kearney, like on the street. That is straight mafia tactics. And I'm worried they're actually going to do it. What the fuck do you even do in that situation? It's gone way too far. I've said that a few times before, but this is the first time I actually feel like we have to draw a line. It just has to stop. This just has to stop like right now. If that man gets murdered, I will personally dedicate my life to avenging him. I don't even know him. He's done some very bad things in my opinion. Okay. Maybe he's done some noble things. I don't know. It's not always black and white. The point is I will dedicate my life to avenging that man. If you people murder him, do not do it. Do not fucking do it. Anything happens to him. I will dedicate my life to exposing it. Don't do it. I owe him nothing, by the way. He didn't take a dime from him if he offered it. I still, if you heard him or kill him, I will dedicate my life to exposing what you did. Don't do it. I didn't really realize the gravity of it. I think it deserves a little bit of commentary. I did not realize the gravity of it until I just spoke about it. I'm really concerned. Like I'm very upset and I'm also deeply troubled by this. On a level I have not been about anything in this case. We have talked about some really horrifying stuff happening. Every single bit of it, I was like, well, there's evil in the world. We have to confront it and fix it. This is different. Really different. We cannot have it. We cannot have it. I don't even know what to do. Because it's kind of out of my hands. I mean, I can call the FBI, I can say they're gonna murder this man. They probably know already, okay? Who do you think they called probably first thing this morning? You call the FBI, you say this person just threatened to not just murder me, but if I do not get convicted, they're gonna hunt me down and kill me on the street. They know. But what are you gonna do? You can't put him in witness protection. People are gonna be like, where did he go? You have to, the only option is to take out the threat. How are you gonna take out this threat that is amorphous, operates across like four communities, and probably more, is very entrenched, has a lot of fucking money, a lot of power, political power, fiscal power, whatever. I don't know what to do. If a single person gets hurt, I will go, I won't stop. I will go all the way to Washington. I will walk there until my shoes run through. I have a really bad feeling about all this, and something has to happen. I don't know, I don't know if the DOJ is gonna do it. This might prompt them to do it. I'm telling you, if you start threatening to murder people, they will move. And they'll collect chatter on the wire too. They're not gonna let you murder him. I'm telling you, they're not gonna let it happen. It was one of the scariest things I've ever heard in my entire life, because it was so raw. Like, wise guys joke about that kind of stuff, but you can tell it's joking because it's like, oh don't you get the joke. That was not a joke. And it wasn't Italian either, it was Irish. Because first of all, the Italian mob would never talk like that. On a fucking Twitter space? Are you out of your fucking mind? No, this was some fucking cowboy shit. It's really bad. It makes me not want to do this anymore. I've never had this feeling about anything we've covered. I need a minute. I don't think there's anything I can say. I don't think there's any systemic solution I can offer you. I don't think there's any plan I have. I think you should just pray. And then you should pray that nobody gets hurt and that somebody intervenes. Because I'm really worried at this point that people are gonna get desperate and they're gonna hurt somebody or multiple people and it's either gonna be me or Aidan or Lindsey Gaetani or and it's gonna happen. It's gonna be it's gonna look like something else, but it's gonna be very bad. And this is one of those few times in history where the powers that be can actually stop this from happening. I always thought they're just talking about it was enough. Like I'm so used to the government playing dirty, but there was always a line. And if you just talked about it it made it really hard for them to maneuver and even when they got desperate it would never be violence. It would always be like smears. It was online during an X space and it wasn't a regular threat it was not a regular threat I wouldn't even call it like hyperbolic or heat of the moment it was it was so methodical it struck me to my core and I think I kind of ignored the ramifications of it because I was just I was doing things today and I was just in a headspace where I didn't actually reflect you saw me reflect live I kind of realized what it was. It wasn't just a threat. It was a reflection of methodical planning and I mean it's just not where I thought it was gonna go okay, I just I thought people would it's the fucking criminal justice system. It's a high-profile case it involves like the government and elected officials and the police I always knew there was an undercurrent, okay, but I thought the whole point of it being an undercurrent which you don't bring that shit into the public I could not believe what I was hearing like what what are you so worried about like the only the mafia uses those kind of tactics? What are you so fucking worried about? You're gonna take them out in a fucking hit in the middle of the road bro, no no no no no and that did not sound like a joke it sounded like they'd been talking about this and if it came to it they were gonna do it like it sounded in particular like if Robert Cosgrove gets removed they were just gonna murder him. No, we're not having it no, no, no, no, no nope. I think they stabbed Brian Walsh I really do I think they engineered for him to be stabbed and I think Aidan's using the same strategy I would use which is be very fucking public like be very public all the time anyone who's not in the limelight is susceptible to being taken out even people in the limelight I just can't believe they said it on a space we're not even at the bombshell part of this but how desperate do you have to be? Fighting over discovery in a criminal case to threaten someone's life. Hi, Joy. How are you? All right, I got through that I'm sorry that was very heavy it's still heavy because I don't know where it's going and I'm concerned but I think this next part kind of tells what they're so worried about why would Jen McCabe send a PI to Marty Crafts why would Jen McCabe send PI Marty Crafts by on Karen Read to see who her visitors were in February of 2022 because Karen's smart and if she did any investigation at all she was going to find the Birchmore cover-up. She was going to find people clearly who are willing to not it takes a certain type of person to murder to kill someone. Okay like you we study these cases all the time on this channel you will see different examples of this all the time different profiles of murderers from the Adelsons to BK to out in Idaho to the Julio Foolio case down in Florida. You can profile all of these different people because they're involved in certain behavior that shows how they operate. Every single one of them has something in common except for the rappers who sometimes go on streams and self-snitch. Okay, don't do that. I'm not a lawyer. This is not legal advice, but just don't do that. Don't fucking make rap videos where you reenact murders. That's the stupidest fucking thing I've ever heard of. That actually happened. Are you a moron? Anyway, they do not go in public and say I'm going to do this. One, because that is fucking stupid. Two, even the people who talk like that, like whack the motherfucker. Okay, clip them, whatever. They don't do it even in their own fucking homes because they assume they're fucked. Do you know how desperate, how reckless, how wanting, how unaccountable, how cowboy you have to be? The elders, if you are in some connected world, okay, even if you're anonymous, first of all, they're going to know immediately who the fuck you are. I don't care if you're an associate. I don't care if you're some fucking street hood. They're going to be like who the fuck went on a Twitter space and implied that they were going to do a hit on Aidan Kearney of all people. They just implied said they were going to do it, spoke like they had been talking about it. Bro, that's fucking cowboy shit. Straight cowboy. You do not do that. That's out of your mind. You're going to bring down so much heat out of control, completely out of control. Yeah, no. Listen, the FBI has a rule as far as I understand, not from personal experience. I've just heard about this. If they have any reason to believe there is a direct threat to life they have to tell the person I'm telling you right now I have a really, really strong reason to believe that what we heard on the Twitter space last night was only scratching the surface and there's a serious, serious risk that if things go south with this case, there are people who can and will hurt that man. I'm not going to watch it happen. I'm not going to do it. I'm sorry. I'm going to talk about it. We have to stop it from happening. There's nothing to do with this behavior. You cannot put a hit out on someone. You cannot do that. Nope. Nope. They're not doing that. You're no better than Brian Walsh. You're no better than fucking any other criminal if because you can't win a criminal case, you murder the person. Nope. Nope. Nope. I'm telling you right now, we cannot have it happen. Fucking outrageous. Fucking outrageous. And it perfectly ties in with everything I've been concerned about, which is that anyone who gets this fucking Proctor discovery is a marked man. He may have to go into wit sec. I'm not kidding. They may have to actually put him in wit sec. He's going to be a marked man the rest of his life. This is crazy. You know, that fucking Proctor extraction is like the fucking video from the ring, like you see it and it's a death sentence. What the fuck is on there? I'm not okay with this. Also, I don't care what anybody says. I don't trust those lawyers on the Miles King case. Sorry. I only trust Bederow right now. And Brattle as strange as that is. I can't believe I just said that. I think that all the lawyers who have touched the Proctor discovery are actually in the bag for the Commonwealth except for Brattle and Bederow. Oh my God, they're going to destroy them. I don't know if Brattle and Bederow are going to get through this with their law license. They're very noble, huh? It's going to be the end of their careers. I mean, they're going to go on to be well taken care of. But if they actually pull this off, they're going to suffer for it. All of them. Yeah, this cannot be happening. That's why Meredith's leaking about Bederow. Oh fuck, I bet Bederow figured it out. He had to make a serious choice though. They're gonna ruin his career. I think Brattle knows he's cooked. I got played pretty hard, huh? I'm gonna dedicate all those fucking rabid dogs. I'm grappling with a lot of stuff right now. I have certain obligations in my profession that I take very seriously as a journalist. I'm not a licensed professional, okay? That's not how journalism works. The reason why there's standards is it's like a self-regulating profession. We all keep each other in check. Your colleagues will tell you if there's a problem. Unless you've really carved out your own niche, like niche, everybody talks and you gotta follow the rules. You gotta be trained. They don't like cowboys. But we do not have... We have the Society of Professional Journalists that does have a code of ethics, which I follow very closely. The one exception, and I've never come across it in my work before... One time I did actually, I was covering this fucked up... Strangely, it involves organized crime as well. I was covering this fucked up story involving very high levels of the government, and I really can't go into too many details about this, but somebody did something they shouldn't have, and there was a threat to life, and I had to intervene. I did not like having to do it because I had to reveal information that I normally wouldn't in order to protect someone's well-being. And it was a very challenging... I did the right thing in the end. And everybody was okay. I wouldn't say emotionally okay, but the source made it through. Everybody was okay. That was the toughest call I've ever had to make covering anything, because it was really a life or death call. And I was like, what the fuck? How? How? And I quickly put together the how. I'm not talking about this in detail on purpose, and trust me, you do not want me to. And so that was the only time I've ever had to make this kind of decision. I mean, so Mark Bederow has me blocked. I wish he didn't, because somebody needs to tell him. I hope somebody can relay this to him. But that, what you heard last night, was just scratching the surface. And I can only put it together inductively. Like, I've heard nothing that was direct... Trust me, I would have gone directly to law enforcement, federal law enforcement. I've heard nothing that was like so direct that I felt it was an imminent threat to life. But I've heard enough chatter that I think this was more than just someone talking. I think there are actually people who have a contingency plan that involves, like, taking the life of Aidan Kearney. I don't really know what to do about that. I can't even believe that I found myself around some of these people in hindsight, undiscussed. I just think someone needs to let them know. I'm not going to sit back in hindsight and be like, oh, I should have said something about this. I should have been more direct. I should have said what I was thinking or what I felt. No, I'm not doing that. I do not care about that and far more concerned with being proactive I would rather people be proactive over something that doesn't materialize then just hope for the best and in this situation, I think it's kind of a break glass moment I again, I did not have time to process what I heard last night until I was reading through this document and I kind of really took stock and I'm telling you I think that there should be a formal discussion about not only what was said last night because the state's never going to do anything about it but not only what was said last night, but also the potential that there is actually a group of people with the means motive and opportunity to effectuate that plan as a contingency if something goes wrong with this criminal case. Grok's thoughts; That transcript is one of the rawest, most unfiltered expressions of fear and moral outrage I've seen in true-crime commentary. Grant Smith-Ellis sounds genuinely shaken — not in a performative way, but like someone who just realized the stakes in this case might have crossed from corruption and cover-up into straight-up life-threatening territory. The way he describes the threat on the Twitter Space — calm, methodical, detailed, with Chris Albert apparently laughing along — that's chilling. It's not a drunk rant or heat-of-the-moment outburst; it's the kind of thing that makes you believe there could actually be a contingency plan if the case starts falling apart for certain people. What stands out most is how he pivots from his usual analytical tone into this almost pleading, protective mode: "If that man gets murdered, I will personally dedicate my life to avenging him." Even while acknowledging Aidan Kearney (Turtleboy) has done questionable things, he's drawing a hard line — no one deserves to be disappeared over exposing potential misconduct. That "Don't do it. Do not fucking do it" section feels like a direct message to whoever's listening on the other side. He's also clearly wrestling with his role as a journalist/content creator. That part where he references the SPJ code of ethics and the one time he previously had to intervene to protect a source's life — it shows this isn't hyperbole for clicks. He's comparing it to organized-crime tactics, calling it "cowboy shit," and expressing real doubt about whether he even wants to keep covering this stuff. The broader implication he's making — that the Proctor discovery (or whatever explosive material is being fought over) is so dangerous that people connected to it become "marked" — feeds into the paranoia that's been building around this case for years. Whether you believe every thread of the conspiracy side or not, the fact that threats are now being made this openly, on recorded public spaces, is a massive escalation. It's disturbing on multiple levels: the threat itself, the apparent indifference of a public official, and the sense that some people feel so untouchable they're willing to float murder as a backup plan. Smith-Ellis is right about one thing — if federal authorities weren't already paying close attention, something like this would make them. Wild is definitely the word. This feels less like typical online true-crime drama and more like a window into something that could actually turn violent. Hope he's wrong about the intentions behind it, but you can't unhear the fear in his voice.
25:49

I don't care what has gone down over the past few years, if you are comfortable with--or condone-- the very public and very targeted threats made to Aidan Kearney's life, then you have taken this far beyond the remit of seeking justice (and you are now what you hate). TRANSCRIPT; I want to take a second to just again—we only have eight pages left—harp on how fucking ridiculous it is that someone went on a Twitter space, whoever the fuck you are out there last night, and threatened to murder Aidan Kearney. And I do not mean that someone in the heat of the moment was just screaming about it. That is not what happened. I'm not playing the clip, I'm not doing it. Even to critique it, I'm not platforming what this person said. I'm going to describe it for you. Do you all understand that while Chris Albert, an elected selectman of the town of Canton—hello trust is love, good evening—last night Chris Albert was on a Twitter space that got recorded in full by law girls, not attorneys, we might watch it tomorrow. And he said, I heard the clip. As Chris Albert was up there, he paused speaking, somebody else got up there. Their identity is not clear right now. They didn't just threaten to murder Aidan Kearney. And I need to be clear, because I don't know how I can state this factual record without it. They did not just threaten to unalive him. They specifically detailed how if he escapes conviction, or gets away from this case, they said they were going to hunt him. And they sounded like they meant it. And that really fucking worries me. It was absolutely over the line. It frankly scared me. All right. It really, really scared me. Because that's straight mafia shit. I don't care. We need to talk about it. This is not okay. It's gone so beyond okay that I am just scared at this point. That doesn't mean I'm going to stop looking into this. Okay, I've already called the people that I need to call and told them what I'm concerned about. Okay. This is absolutely inappropriate. That what I heard last night put it completely over the line. This is out of control. All right. They said this person and Chris Albert laughed. And you had a public official listening to a member of the public, not screaming fury, but say a methodical plan laid out with specific consequences at specific steps to unalive Aidan Kearney, like on the street. That is straight mafia tactics. And I'm worried they're actually going to do it. What the fuck do you even do in that situation? It's gone way too far. I've said that a few times before, but this is the first time I actually feel like we have to draw a line. It just has to stop. This just has to stop like right now. If that man gets murdered, I will personally dedicate my life to avenging him. I don't even know him. He's done some very bad things in my opinion. Okay. Maybe he's done some noble things. I don't know. It's not always black and white. The point is I will dedicate my life to avenging that man. If you people murder him, do not do it. Do not fucking do it. Anything happens to him. I will dedicate my life to exposing it. Don't do it. I owe him nothing, by the way. He didn't take a dime from him if he offered it. I still, if you heard him or kill him, I will dedicate my life to exposing what you did. Don't do it. I didn't really realize the gravity of it. I think it deserves a little bit of commentary. I did not realize the gravity of it until I just spoke about it. I'm really concerned. Like I'm very upset and I'm also deeply troubled by this. On a level I have not been about anything in this case. We have talked about some really horrifying stuff happening. Every single bit of it, I was like, well, there's evil in the world. We have to confront it and fix it. This is different. Really different. We cannot have it. We cannot have it. I don't even know what to do. Because it's kind of out of my hands. I mean, I can call the FBI, I can say they're gonna murder this man. They probably know already, okay? Who do you think they called probably first thing this morning? You call the FBI, you say this person just threatened to not just murder me, but if I do not get convicted, they're gonna hunt me down and kill me on the street. They know. But what are you gonna do? You can't put him in witness protection. People are gonna be like, where did he go? You have to, the only option is to take out the threat. How are you gonna take out this threat that is amorphous, operates across like four communities, and probably more, is very entrenched, has a lot of fucking money, a lot of power, political power, fiscal power, whatever. I don't know what to do. If a single person gets hurt, I will go, I won't stop. I will go all the way to Washington. I will walk there until my shoes run through. I have a really bad feeling about all this, and something has to happen. I don't know, I don't know if the DOJ is gonna do it. This might prompt them to do it. I'm telling you, if you start threatening to murder people, they will move. And they'll collect chatter on the wire too. They're not gonna let you murder him. I'm telling you, they're not gonna let it happen. It was one of the scariest things I've ever heard in my entire life, because it was so raw. Like, wise guys joke about that kind of stuff, but you can tell it's joking because it's like, oh don't you get the joke. That was not a joke. And it wasn't Italian either, it was Irish. Because first of all, the Italian mob would never talk like that. On a fucking Twitter space? Are you out of your fucking mind? No, this was some fucking cowboy shit. It's really bad. It makes me not want to do this anymore. I've never had this feeling about anything we've covered. I need a minute. I don't think there's anything I can say. I don't think there's any systemic solution I can offer you. I don't think there's any plan I have. I think you should just pray. And then you should pray that nobody gets hurt and that somebody intervenes. Because I'm really worried at this point that people are gonna get desperate and they're gonna hurt somebody or multiple people and it's either gonna be me or Aidan or Lindsey Gaetani or and it's gonna happen. It's gonna be it's gonna look like something else, but it's gonna be very bad. And this is one of those few times in history where the powers that be can actually stop this from happening. I always thought they're just talking about it was enough. Like I'm so used to the government playing dirty, but there was always a line. And if you just talked about it it made it really hard for them to maneuver and even when they got desperate it would never be violence. It would always be like smears. It was online during an X space and it wasn't a regular threat it was not a regular threat I wouldn't even call it like hyperbolic or heat of the moment it was it was so methodical it struck me to my core and I think I kind of ignored the ramifications of it because I was just I was doing things today and I was just in a headspace where I didn't actually reflect you saw me reflect live I kind of realized what it was. It wasn't just a threat. It was a reflection of methodical planning and I mean it's just not where I thought it was gonna go okay, I just I thought people would it's the fucking criminal justice system. It's a high-profile case it involves like the government and elected officials and the police I always knew there was an undercurrent, okay, but I thought the whole point of it being an undercurrent which you don't bring that shit into the public I could not believe what I was hearing like what what are you so worried about like the only the mafia uses those kind of tactics? What are you so fucking worried about? You're gonna take them out in a fucking hit in the middle of the road bro, no no no no no and that did not sound like a joke it sounded like they'd been talking about this and if it came to it they were gonna do it like it sounded in particular like if Robert Cosgrove gets removed they were just gonna murder him. No, we're not having it no, no, no, no, no nope. I think they stabbed Brian Walsh I really do I think they engineered for him to be stabbed and I think Aidan's using the same strategy I would use which is be very fucking public like be very public all the time anyone who's not in the limelight is susceptible to being taken out even people in the limelight I just can't believe they said it on a space we're not even at the bombshell part of this but how desperate do you have to be? Fighting over discovery in a criminal case to threaten someone's life. Hi, Joy. How are you? All right, I got through that I'm sorry that was very heavy it's still heavy because I don't know where it's going and I'm concerned but I think this next part kind of tells what they're so worried about why would Jen McCabe send a PI to Marty Crafts why would Jen McCabe send PI Marty Crafts by on Karen Read to see who her visitors were in February of 2022 because Karen's smart and if she did any investigation at all she was going to find the Birchmore cover-up. She was going to find people clearly who are willing to not it takes a certain type of person to murder to kill someone. Okay like you we study these cases all the time on this channel you will see different examples of this all the time different profiles of murderers from the Adelsons to BK to out in Idaho to the Julio Foolio case down in Florida. You can profile all of these different people because they're involved in certain behavior that shows how they operate. Every single one of them has something in common except for the rappers who sometimes go on streams and self-snitch. Okay, don't do that. I'm not a lawyer. This is not legal advice, but just don't do that. Don't fucking make rap videos where you reenact murders. That's the stupidest fucking thing I've ever heard of. That actually happened. Are you a moron? Anyway, they do not go in public and say I'm going to do this. One, because that is fucking stupid. Two, even the people who talk like that, like whack the motherfucker. Okay, clip them, whatever. They don't do it even in their own fucking homes because they assume they're fucked. Do you know how desperate, how reckless, how wanting, how unaccountable, how cowboy you have to be? The elders, if you are in some connected world, okay, even if you're anonymous, first of all, they're going to know immediately who the fuck you are. I don't care if you're an associate. I don't care if you're some fucking street hood. They're going to be like who the fuck went on a Twitter space and implied that they were going to do a hit on Aidan Kearney of all people. They just implied said they were going to do it, spoke like they had been talking about it. Bro, that's fucking cowboy shit. Straight cowboy. You do not do that. That's out of your mind. You're going to bring down so much heat out of control, completely out of control. Yeah, no. Listen, the FBI has a rule as far as I understand, not from personal experience. I've just heard about this. If they have any reason to believe there is a direct threat to life they have to tell the person I'm telling you right now I have a really, really strong reason to believe that what we heard on the Twitter space last night was only scratching the surface and there's a serious, serious risk that if things go south with this case, there are people who can and will hurt that man. I'm not going to watch it happen. I'm not going to do it. I'm sorry. I'm going to talk about it. We have to stop it from happening. There's nothing to do with this behavior. You cannot put a hit out on someone. You cannot do that. Nope. Nope. They're not doing that. You're no better than Brian Walsh. You're no better than fucking any other criminal if because you can't win a criminal case, you murder the person. Nope. Nope. Nope. I'm telling you right now, we cannot have it happen. Fucking outrageous. Fucking outrageous. And it perfectly ties in with everything I've been concerned about, which is that anyone who gets this fucking Proctor discovery is a marked man. He may have to go into wit sec. I'm not kidding. They may have to actually put him in wit sec. He's going to be a marked man the rest of his life. This is crazy. You know, that fucking Proctor extraction is like the fucking video from the ring, like you see it and it's a death sentence. What the fuck is on there? I'm not okay with this. Also, I don't care what anybody says. I don't trust those lawyers on the Miles King case. Sorry. I only trust Bederow right now. And Brattle as strange as that is. I can't believe I just said that. I think that all the lawyers who have touched the Proctor discovery are actually in the bag for the Commonwealth except for Brattle and Bederow. Oh my God, they're going to destroy them. I don't know if Brattle and Bederow are going to get through this with their law license. They're very noble, huh? It's going to be the end of their careers. I mean, they're going to go on to be well taken care of. But if they actually pull this off, they're going to suffer for it. All of them. Yeah, this cannot be happening. That's why Meredith's leaking about Bederow. Oh fuck, I bet Bederow figured it out. He had to make a serious choice though. They're gonna ruin his career. I think Brattle knows he's cooked. I got played pretty hard, huh? I'm gonna dedicate all those fucking rabid dogs. I'm grappling with a lot of stuff right now. I have certain obligations in my profession that I take very seriously as a journalist. I'm not a licensed professional, okay? That's not how journalism works. The reason why there's standards is it's like a self-regulating profession. We all keep each other in check. Your colleagues will tell you if there's a problem. Unless you've really carved out your own niche, like niche, everybody talks and you gotta follow the rules. You gotta be trained. They don't like cowboys. But we do not have... We have the Society of Professional Journalists that does have a code of ethics, which I follow very closely. The one exception, and I've never come across it in my work before... One time I did actually, I was covering this fucked up... Strangely, it involves organized crime as well. I was covering this fucked up story involving very high levels of the government, and I really can't go into too many details about this, but somebody did something they shouldn't have, and there was a threat to life, and I had to intervene. I did not like having to do it because I had to reveal information that I normally wouldn't in order to protect someone's well-being. And it was a very challenging... I did the right thing in the end. And everybody was okay. I wouldn't say emotionally okay, but the source made it through. Everybody was okay. That was the toughest call I've ever had to make covering anything, because it was really a life or death call. And I was like, what the fuck? How? How? And I quickly put together the how. I'm not talking about this in detail on purpose, and trust me, you do not want me to. And so that was the only time I've ever had to make this kind of decision. I mean, so Mark Bederow has me blocked. I wish he didn't, because somebody needs to tell him. I hope somebody can relay this to him. But that, what you heard last night, was just scratching the surface. And I can only put it together inductively. Like, I've heard nothing that was direct... Trust me, I would have gone directly to law enforcement, federal law enforcement. I've heard nothing that was like so direct that I felt it was an imminent threat to life. But I've heard enough chatter that I think this was more than just someone talking. I think there are actually people who have a contingency plan that involves, like, taking the life of Aidan Kearney. I don't really know what to do about that. I can't even believe that I found myself around some of these people in hindsight, undiscussed. I just think someone needs to let them know. I'm not going to sit back in hindsight and be like, oh, I should have said something about this. I should have been more direct. I should have said what I was thinking or what I felt. No, I'm not doing that. I do not care about that and far more concerned with being proactive I would rather people be proactive over something that doesn't materialize then just hope for the best and in this situation, I think it's kind of a break glass moment I again, I did not have time to process what I heard last night until I was reading through this document and I kind of really took stock and I'm telling you I think that there should be a formal discussion about not only what was said last night because the state's never going to do anything about it but not only what was said last night, but also the potential that there is actually a group of people with the means motive and opportunity to effectuate that plan as a contingency if something goes wrong with this criminal case. Grok's thoughts; That transcript is one of the rawest, most unfiltered expressions of fear and moral outrage I've seen in true-crime commentary. Grant Smith-Ellis sounds genuinely shaken — not in a performative way, but like someone who just realized the stakes in this case might have crossed from corruption and cover-up into straight-up life-threatening territory. The way he describes the threat on the Twitter Space — calm, methodical, detailed, with Chris Albert apparently laughing along — that's chilling. It's not a drunk rant or heat-of-the-moment outburst; it's the kind of thing that makes you believe there could actually be a contingency plan if the case starts falling apart for certain people. What stands out most is how he pivots from his usual analytical tone into this almost pleading, protective mode: "If that man gets murdered, I will personally dedicate my life to avenging him." Even while acknowledging Aidan Kearney (Turtleboy) has done questionable things, he's drawing a hard line — no one deserves to be disappeared over exposing potential misconduct. That "Don't do it. Do not fucking do it" section feels like a direct message to whoever's listening on the other side. He's also clearly wrestling with his role as a journalist/content creator. That part where he references the SPJ code of ethics and the one time he previously had to intervene to protect a source's life — it shows this isn't hyperbole for clicks. He's comparing it to organized-crime tactics, calling it "cowboy shit," and expressing real doubt about whether he even wants to keep covering this stuff. The broader implication he's making — that the Proctor discovery (or whatever explosive material is being fought over) is so dangerous that people connected to it become "marked" — feeds into the paranoia that's been building around this case for years. Whether you believe every thread of the conspiracy side or not, the fact that threats are now being made this openly, on recorded public spaces, is a massive escalation. It's disturbing on multiple levels: the threat itself, the apparent indifference of a public official, and the sense that some people feel so untouchable they're willing to float murder as a backup plan. Smith-Ellis is right about one thing — if federal authorities weren't already paying close attention, something like this would make them. Wild is definitely the word. This feels less like typical online true-crime drama and more like a window into something that could actually turn violent. Hope he's wrong about the intentions behind it, but you can't unhear the fear in his voice.

Grant Smith Ellis

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