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Ready Player One (2018) got brushed off as reference overload, but Spielberg keeps it moving and makes the spectacle land. The OASIS sequences, the pacing, and that sense of play carry it more than people admit.

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22,685 görüntüleme • 3 ay önce •via X (Twitter)

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“I looked forward to it for months. I had it all storyboarded and planned.” As Steven Spielberg shares his favourite sci-fi shots and sequences with Empire, he talks about recreating some of the locations from The Overlook Hotel in Ready Player One.
1:06

“I looked forward to it for months. I had it all storyboarded and planned.” As Steven Spielberg shares his favourite sci-fi shots and sequences with Empire, he talks about recreating some of the locations from The Overlook Hotel in Ready Player One.

Empire

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Ready Player One (2018) rules. Like the book, it isn’t chasing some grand thesis; it’s a love letter to pop culture and the joy of immersion. People knock it for being what it openly is, instead of just letting the spectacle do its thing.
1:51

Ready Player One (2018) rules. Like the book, it isn’t chasing some grand thesis; it’s a love letter to pop culture and the joy of immersion. People knock it for being what it openly is, instead of just letting the spectacle do its thing.

cinesthetic.

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When YouTube keeps making up rules and kicks us all off the platform for shooting more than one round every 10 seconds and instructing people people that the trigger is what makes the gun fire.
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When YouTube keeps making up rules and kicks us all off the platform for shooting more than one round every 10 seconds and instructing people people that the trigger is what makes the gun fire.

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A.I. Artificial Intelligence (2001) has one of the most haunting endings in sci-fi. People debate the tone because Kubrick developed it and Spielberg finished it, but that blend is what makes the film hit so strangely deep.
3:12

A.I. Artificial Intelligence (2001) has one of the most haunting endings in sci-fi. People debate the tone because Kubrick developed it and Spielberg finished it, but that blend is what makes the film hit so strangely deep.

cinesthetic.

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The federal government owns 1/3 of America. But environmental activists want it to grab even more. Former Bureau of Land Management director William Perry Pendley: “A third of the country… We got to add more to it? It makes no sense whatsoever!”
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The federal government owns 1/3 of America. But environmental activists want it to grab even more. Former Bureau of Land Management director William Perry Pendley: “A third of the country… We got to add more to it? It makes no sense whatsoever!”

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The federal government owns 1/3 of America. But environmental activists want it to grab even more. Former Bureau of Land Management director William Perry Pendley: “A third of the country… We got to add more to it? It makes no sense whatsoever!”
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The federal government owns 1/3 of America. But environmental activists want it to grab even more. Former Bureau of Land Management director William Perry Pendley: “A third of the country… We got to add more to it? It makes no sense whatsoever!”

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Close Encounters of the Third Kind (1977) is the kind of film no studio would greenlight today. Built on mystery and wonder rather than spectacle, it unfolds slowly and patiently, and somehow Spielberg made it timeless.
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Close Encounters of the Third Kind (1977) is the kind of film no studio would greenlight today. Built on mystery and wonder rather than spectacle, it unfolds slowly and patiently, and somehow Spielberg made it timeless.

cinesthetic.

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JB Pritzker brushed off $5.24 BILLION in unemployment fraud like it was nothing. But the reality is dead people got checks, criminals cashed in, and taxpayers got robbed. OPEN. THE. BOOKS.
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JB Pritzker brushed off $5.24 BILLION in unemployment fraud like it was nothing. But the reality is dead people got checks, criminals cashed in, and taxpayers got robbed. OPEN. THE. BOOKS.

Darren Bailey

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obviously much flashier examples, but this is the real Spielberg juice. little nothing moments that could have easily been standard coverage and cutting, but he instead just effortlessly does it in one and keeps things moving so you don’t even notice
0:35

obviously much flashier examples, but this is the real Spielberg juice. little nothing moments that could have easily been standard coverage and cutting, but he instead just effortlessly does it in one and keeps things moving so you don’t even notice

🟡 The tumboy 🟡

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The DoD's Emil Michael on defense strategy: "The pacing threat is China." "You can do more than one thing at one time, but it has to have a focus... and now it's moving, as it should in my view, to China," he tells our Jack Detsch at POLITICO Live's AI & Tech Summit.
1:02

The DoD's Emil Michael on defense strategy: "The pacing threat is China." "You can do more than one thing at one time, but it has to have a focus... and now it's moving, as it should in my view, to China," he tells our Jack Detsch at POLITICO Live's AI & Tech Summit.

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Life gets loud, but sometimes the only thing that makes sense is 60,000 people singing the same song together. ⚡⚡ #Oasis
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Life gets loud, but sometimes the only thing that makes sense is 60,000 people singing the same song together. ⚡⚡ #Oasis

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This Random Truck Is Going Viral And It's Not Just The "Moving" T Rex... The Weird Sign Makes No Sense And People Noticed Something Hanging Off The Back That They Can't Explain..
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Tucker Carlson says Russia “won in some sense” and the West should admit it. “They took land and aren’t giving it back. That’s victory.”
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Tucker Carlson says Russia “won in some sense” and the West should admit it. “They took land and aren’t giving it back. That’s victory.”

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Mourinho says he wants a Director of Play from the #8 position. And it makes sense.
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To celebrate the end of 2018, Nintendo created an animation that played in Shibuya Crossing. In it, Mario picks up a coin and transforms into presumably a Shiba Inu, making him Dog Mario. This makes sense, as 2018 was the Year of the Dog
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To celebrate the end of 2018, Nintendo created an animation that played in Shibuya Crossing. In it, Mario picks up a coin and transforms into presumably a Shiba Inu, making him Dog Mario. This makes sense, as 2018 was the Year of the Dog

No Context Super Mario

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The Adventures of Tintin (2011) still plays like a filmmaker having fun with pure adventure. Spielberg treats momentum, geography, and character like toys, not spectacle. It feels alive and confident, ending on the sense that its story has only just begun.
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The Adventures of Tintin (2011) still plays like a filmmaker having fun with pure adventure. Spielberg treats momentum, geography, and character like toys, not spectacle. It feels alive and confident, ending on the sense that its story has only just begun.

cinesthetic.

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Greatness is not exclusive or elusive, but the discipline and dedication to achieve it is. "It takes more than skills to be great. I am not the most skilled, but the thing that makes me a step further than people is the obsession and discipline I have for the game."
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Greatness is not exclusive or elusive, but the discipline and dedication to achieve it is. "It takes more than skills to be great. I am not the most skilled, but the thing that makes me a step further than people is the obsession and discipline I have for the game."

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Kinda fun actually. It takes a bit of precision but I think that makes it more fun than pogo bouncing off the purple mushrooms in HK.
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Kinda fun actually. It takes a bit of precision but I think that makes it more fun than pogo bouncing off the purple mushrooms in HK.

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Elon Musk: Manufacturing is fun—more smart people should get into it. “Very often, people think of manufacturing as just some rote process of making copies, which actually it isn't. Manufacturing is building the machine that makes the machine. If you think the machine is important, building the machine that makes the machine is also extremely important. And more often than not, what I found is that the manufacturing is harder than the original product. At Tesla, we can make one car very easily, but to make thousands of cars with high reliability and quality and where the cost is affordable is extremely hard. I'd say 10 times harder, maybe more. And then at SpaceX also, it may be approaching an order of magnitude harder to manufacture rockets and launch a lot of them than to design one in the first place. So, I really think a lot more smart people should be getting into manufacturing. And it's kind of fun. It's got a bad name for a while, but it's really interesting.” MIT AeroAstro, October 24, 2014

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