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Recognise this melody? ✨ Ode to Joy from Beethoven’s mighty ‘Choral’ Symphony with BBC Scottish Symphony Orchestra, BBC Symphony Chorus and soloists Eleanor Dennis, Karen Cargill, 𝐍𝐢𝐜𝐤𝐲 𝐒𝐩𝐞𝐧𝐜𝐞, Michael Mofidian conducted by Ryan Wigglesworth Listen on @bbcsounds, watch on @bbciplayer

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BBC Proms

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114,902 görüntüleme • 3 yıl önce •via X (Twitter)

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BBC Scottish Symphony Orchestra profil fotoğrafı
BBC Scottish Symphony Orchestra3 yıl önce

@nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer What a night! 🤩

Miles Golding #LowSkilled B Mus LTCL LRSM profil fotoğrafı
Miles Golding #LowSkilled B Mus LTCL LRSM3 yıl önce

@BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer There you go again, lefty Remoaning BBC, sneaking in the EU anthem despite having regained our sovereignty.

ian flood profil fotoğrafı
ian flood3 yıl önce

@BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer about 30 seconds in you can hear the sound of Richard Tice exploding if you listen carefully

Jean-Jacques Buteau profil fotoğrafı
Jean-Jacques Buteau3 yıl önce

@BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer Such a beautiful choir within the incredible 9th Symphony of a genius in such a beautiful event @bbcproms. And European Union's anthem... Come back one day United Kingdom!

Dave 🌻🏳️‍🌈🎶🍰🧘🏻‍♂️💆🏼‍♂️😺 profil fotoğrafı
Dave 🌻🏳️‍🌈🎶🍰🧘🏻‍♂️💆🏼‍♂️😺3 yıl önce

@bbcarts @BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer It was absolutely magnificent!

Bernie MacLaughlin profil fotoğrafı
Bernie MacLaughlin3 yıl önce

@BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer Stunning, just stunning and SO uplifting ! 👏👏👏

Carlos H profil fotoğrafı
Carlos H3 yıl önce

@BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer I wonder if the brexit party deplorables were there with their backs turned.

Vijay Srao profil fotoğrafı
Vijay Srao3 yıl önce

@BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer Clockwork Orange 🍊

Dean Taylor profil fotoğrafı
Dean Taylor3 yıl önce

@BBCSSO @nickythespence @MichaelMofidian @BBCSounds @BBCiPlayer @MatthewJToms next year I’m booking more

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‘Joy, loud and clear’ thrillingly sung by the BBC Singers and the National Youth Choir — ‘Ode to Joy’ with the Aurora Orchestra Celebrating the 200th anniversary of Beethoven’s monumental Ninth Symphony 🎉 Watch this ⭐️⭐️⭐️⭐️⭐️ ‘unforgettable evening’ on BBC iPlayer
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‘Joy, loud and clear’ thrillingly sung by the BBC Singers and the National Youth Choir — ‘Ode to Joy’ with the Aurora Orchestra Celebrating the 200th anniversary of Beethoven’s monumental Ninth Symphony 🎉 Watch this ⭐️⭐️⭐️⭐️⭐️ ‘unforgettable evening’ on BBC iPlayer

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Yes, oh yes, it's good to be back! Grieg's Piano Concerto, performed by Paul Lewis and BBC Symphony Orchestra & Chorus, conducted by Dalia Stasevska 🇫🇮 🇺🇦. Watch now on BBC Two and BBC iPlayer.

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What a silence! The final heartstopping moments of Mahler's Ninth Symphony, conducted by Sir Simon Rattle in his final UK performance with London Symphony Orchestra. Watch the amazing 'farewell symphony' in, alongside Poulenc's Figure humaine with the BBC Singers, on BBC iPlayer now.
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What a silence! The final heartstopping moments of Mahler's Ninth Symphony, conducted by Sir Simon Rattle in his final UK performance with London Symphony Orchestra. Watch the amazing 'farewell symphony' in, alongside Poulenc's Figure humaine with the BBC Singers, on BBC iPlayer now.

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Tonight on BBC Two we perform Poulenc's choral masterpiece Figure humaine, a searing hymn to freedom conducted by Sir Simon Rattle. Followed by Mahler's Ninth Symphony in Rattle's final UK performance as London Symphony Orchestra’s music director. Watch on BBC Two & BBC iPlayer at 7.30pm.
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Tonight on BBC Two we perform Poulenc's choral masterpiece Figure humaine, a searing hymn to freedom conducted by Sir Simon Rattle. Followed by Mahler's Ninth Symphony in Rattle's final UK performance as London Symphony Orchestra’s music director. Watch on BBC Two & BBC iPlayer at 7.30pm.

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🚀 Superstar pianist Yuja dazzles us with Rachmaninov’s Rhapsody on a Theme of Paganini. 📺 Watch her spectacular performance with the BBC Symphony Orchestra & Chorus and conductor Klaus Mäkelä tonight from 7pm on BBC iPlayer and BBC Four.
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🚀 Superstar pianist Yuja dazzles us with Rachmaninov’s Rhapsody on a Theme of Paganini. 📺 Watch her spectacular performance with the BBC Symphony Orchestra & Chorus and conductor Klaus Mäkelä tonight from 7pm on BBC iPlayer and BBC Four.

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Michael Jackson “Will You Be There” studio footage. The full version of the song includes a prelude featuring the Cleveland Orchestra and the Cleveland Orchestra Chorus performing a portion of Beethoven’s ninth symphony. The segment is from the fourth movement and is a lesser known portion of the famous “Ode To Joy.”
8:43

Michael Jackson “Will You Be There” studio footage. The full version of the song includes a prelude featuring the Cleveland Orchestra and the Cleveland Orchestra Chorus performing a portion of Beethoven’s ninth symphony. The segment is from the fourth movement and is a lesser known portion of the famous “Ode To Joy.”

Michael Jackson Crave

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👑Coronation Sanctus by Roxanna Panufnik was commissioned for the coronation of King Charles III at Westminster Abbey on 6 May. Conducted by Marin Alsop, tonight we perform a version for orchestra with BBC Symphony Orchestra & Chorus 🎶
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👑Coronation Sanctus by Roxanna Panufnik was commissioned for the coronation of King Charles III at Westminster Abbey on 6 May. Conducted by Marin Alsop, tonight we perform a version for orchestra with BBC Symphony Orchestra & Chorus 🎶

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A humble symphony to the world in the title of “New Beginnings” which is Symphony No. 1. of mine.. With the Universe’s blessings, and as per facts and data, I’m humbled to be recognised as the youngest Indian and Asian composer to compose and record an original symphony. This symphony of ours has been played and recorded by one of the world’s greatest orchestras, the London Symphony Orchestra, conducted by the legendary Matt Dunkley. The official Audio Launch & Premiere is happening on June 21st, World Music Day, 4 PM onwards, at The Music Academy, Chennai. The symphony will also release the same day on all audio streaming platforms. Tickets are now live on BookMyShow. Event name: Lydian’s Symphony No. 1 “New Beginnings” This is a ticketed event with a humble minimum cost, as a mark of respect to this art form, the musicians, technicians, patrons, and everyone who made this possible. Sincere thanks to our Project Producer Andrew T. Mackay, Bohemia Junction Ltd. Would love to see all my beloved well-wishers, musicians, and music lovers on this auspicious day. This is just a start. ❤️🙏🏽🎻🎺🎼 #Symphony #LondonSymphonyOrchestra #MattDunkley #NewBeginnings #Classical

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#BBCProms at Christmas 🎄 Here's another chance to listen to the Royal Scottish National Orchestra, conducted by Thomas Søndergård, with violinist Nicola Benedetti perform Wynton Marsalis, Britten and Bernstein. Tonight on BBC Radio 3 📻

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What does a synthesizer concerto sound like? 🎼 Check out this excerpt from the Synthesizer Concerto world premier by Gabriel Prokofiev - performed by Casa da Música + soloist Inna Faliks on a Minimoog Model D. In this section the Minimoog has a driving melody that references both early acid house and classical music. Inna adjusts the Filter to increase the drama, then at the end of the clip, the 1st violins produce an imitation of a synth pitch-bend, giving Inna time to reprogram the sound of the synth. Catch Synthesizer Concerto in our hometown of Asheville, NC with the Asheville Symphony on Nov 14th & 15th, 2026. #Moog #synth #symphony

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2:17

When the Germans and Finns were bombing and starving Leningrad, they expected a long, hopeless scream from a dying city. Instead, they heard Shostakovich’s Symphony No. 7. By August 1942 the siege had lasted nearly a year. Musicians of the Leningrad Radio Orchestra had already died of starvation. When rehearsals resumed in March, only 15 emaciated players were strong enough to hold their instruments. Conductor Karl Eliasberg was so weak he had to be carried to early rehearsals. Yet on 9 August the orchestra performed the Leningrad Symphony in a packed Philharmonic Hall. Loudspeakers carried the music across the starving city - and straight to the German lines. Flutist Galina Lelyukhina later recalled: “The Germans went insane. They thought the city was dead!” After the war two German soldiers told Eliasberg that hearing the concert convinced them they would lose: “We felt your will, which could overcome hunger, fear and even death.” Watch the story of that concert. This is what resilience sounded like under the blockade.

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Israeli conductor Ilan Volkov stunned the audience with an emotional speech denouncing Israel’s war on Gaza at the BBC Proms in London. Volkov, who led the BBC Scottish Symphony Orchestra at the Royal Albert Hall, said he carried “great pain” and could no longer stay silent. The BBC cut its broadcast before his speech, saying it was not informed in advance. He described the killing of thousands of Palestinians, the repeated displacement of families, and the collapse of hospitals and schools. “Innocent Palestinians are being killed in thousands, displaced again and again, without hospitals and schools, not knowing when the next meal will come,” he told the audience. “We cannot let this go on any longer, every moment that passes puts the safety of millions at risk.” Volkov later announced in an interview that he will no longer perform in Israel in protest against its atrocities in Gaza.

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I’d like to share with you a story from a listener. 🎶✨ "I happened to come across this by chance. I’d only ever heard it on the violin, so this is my first time hearing it on the cello. It’s a piece I’ve always kept deep in my heart. It takes me back to late autumn, long ago, when I was in graduate school for architecture. I met a female student from Daegu by chance. Using a project as an excuse, I went down to Eunhaesa Temple. The air was thick with the scent of apples along the roadside… and the fresh fragrance of her kiss, sharp and vivid, like grass cleanly cut by a sickle. All of those senses seem to be fully contained in this piece. Thank you. I’ve subscribed. I hope to hear more beautiful performances like this often." 𝐒𝐨𝐧𝐠 𝐟𝐫𝐨𝐦 𝐚 𝐒𝐞𝐜𝐫𝐞𝐭 𝐆𝐚𝐫𝐝𝐞𝐧🌿 Cello : Yoon Kyung Cho(CelloDeck) Millennium Symphony Orchestra Arr. : Yera Kim
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I’d like to share with you a story from a listener. 🎶✨ "I happened to come across this by chance. I’d only ever heard it on the violin, so this is my first time hearing it on the cello. It’s a piece I’ve always kept deep in my heart. It takes me back to late autumn, long ago, when I was in graduate school for architecture. I met a female student from Daegu by chance. Using a project as an excuse, I went down to Eunhaesa Temple. The air was thick with the scent of apples along the roadside… and the fresh fragrance of her kiss, sharp and vivid, like grass cleanly cut by a sickle. All of those senses seem to be fully contained in this piece. Thank you. I’ve subscribed. I hope to hear more beautiful performances like this often." 𝐒𝐨𝐧𝐠 𝐟𝐫𝐨𝐦 𝐚 𝐒𝐞𝐜𝐫𝐞𝐭 𝐆𝐚𝐫𝐝𝐞𝐧🌿 Cello : Yoon Kyung Cho(CelloDeck) Millennium Symphony Orchestra Arr. : Yera Kim

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

14,198 görüntüleme • 6 ay önce

Hûn amadene ku guhdarîkirina stranên Mehmet Atlı bi orkestrayeke senfonîk re? Mehmet Atlı û Orkêstra Senfonîya Dîcleyê “Ji Kokên xwe heta Cîhanîyekê — Yekbûna Deng û Hest” Orkêstra Senfonîya Dîcleyê, ku orkêstra senfonîya taybet a yekemîn a Başûrê Kurdistanê ye, vê carê bi deng û muzîkaya helbestî ya Mehmet Atlı re tê hevdîtin. Di rêwiyekî polifonîk de, ji muzîka klasik heta stranên gelan, dengên ku ji kokên Amedê têne xistin, bi lawaziyên cîhanî re têne tevlîkirin. Mehmet Atlı, bi stranên Kurmancî, Dimilî û Tirkî, dîroka yek cografyayê dîsa bi dengê xwe re jî nû dike. Orkêstra Senfonîya Dîcleyê di rêveberiya Serhat Atalay de, cûre-cûreyîya çandî ya herêmê bi zimanê cîhanî ya muzîkê re tê hevgirtin. Ev projeyê taybet; wekî bangiyekî muzîkî ya şefqetê, berxwedanê û nasnameyê, “Çîrokeke polifonîk ji kenarên Dîcleyê tê zêdekirin.” Mehmet Atlı şarkılarını senfoni orkestrasıyla deneyimlemeye hazır mısınız? Mehmet Atlı & Tigris Senfoni Orkestrası “Köklerden Evrensele Uzanan Bir Buluşma” Diyarbakır'ın müzik tarihinde bir ilki temsil eden Güneydoğu’nun ilk özel senfoni orkestrası Tigris Senfoni, bu anlamlı projede sanatçı Mehmet Atlı’nın derin ve şiirsel sesiyle buluşuyor. Klasik müziğin disiplinli yapısından, halk ezgilerinin ruhuna uzanan çok sesli bu benzersiz yolculukta, Diyarbakır'ın köklerinden beslenen otantik sesler, zengin evrensel tınılarla ustaca harmanlanıyor. Mehmet Atlı, Kurmancî, Dimilî (Zazaca) ve Türkçe seslendirdiği eserlerle, kadim bir coğrafyanın tarihini, acılarını, umutlarını ve hikâyesini yeniden seslendiriyor. Şef Serhat Atalay yönetimindeki Tigris Senfoni Orkestrası, Kürt kültürel mirasının çeşitliliğini müziğin evrensel diliyle görkemli bir şekilde sahneye taşıyor. Bu özel proje; sadece bir konser değil, aynı zamanda şefkatin, toplumsal direncin ve güçlü aidiyet duygusunun müzikal bir manifestosu olarak, “Tigris’in kıyılarından yükselen çok sesli ve unutulmaz bir hikâye” sunuyor. Are you ready to experience Mehmet Atlı's songs performed by a symphony orchestra? Mehmet Atlı and the Tigris Symphony Orchestra: "A Meeting Extending from the Roots to the Universal". "A Meeting Extending from the Roots to the Universal" The Tigris Symphony is the first private symphony orchestra in the Southeast and represents a milestone in Diyarbakır's musical history. This meaningful project showcases the deep, poetic voice of artist Mehmet Atlı. On this unique polyphonic journey stretching from the disciplined structure of classical music to the soul of folk melodies, the authentic sounds of Diyarbakır's roots are blended masterfully with rich, universal tones. Through his works in Kurmanji, Dimili (Zazaki) and Turkish, Mehmet Atlı re-voices the history, suffering, hopes and stories of an ancient land. Conducted by Serhat Atalay, the orchestra brings the diversity of Kurdish cultural heritage to the stage through the universal language of music. This special project presents not just a concert, but a musical manifestation of compassion, social resilience and a strong sense of belonging, telling "an unforgettable polyphonic story rising from the banks of the Tigris". Damezrênerên Projeyê / Projenin Kurucuları / Project Founders: Mehmet Atlı Serhat Atalay Ulaş Baransel Gördük / Arista Ajans Organizasyon
0:29

Hûn amadene ku guhdarîkirina stranên Mehmet Atlı bi orkestrayeke senfonîk re? Mehmet Atlı û Orkêstra Senfonîya Dîcleyê “Ji Kokên xwe heta Cîhanîyekê — Yekbûna Deng û Hest” Orkêstra Senfonîya Dîcleyê, ku orkêstra senfonîya taybet a yekemîn a Başûrê Kurdistanê ye, vê carê bi deng û muzîkaya helbestî ya Mehmet Atlı re tê hevdîtin. Di rêwiyekî polifonîk de, ji muzîka klasik heta stranên gelan, dengên ku ji kokên Amedê têne xistin, bi lawaziyên cîhanî re têne tevlîkirin. Mehmet Atlı, bi stranên Kurmancî, Dimilî û Tirkî, dîroka yek cografyayê dîsa bi dengê xwe re jî nû dike. Orkêstra Senfonîya Dîcleyê di rêveberiya Serhat Atalay de, cûre-cûreyîya çandî ya herêmê bi zimanê cîhanî ya muzîkê re tê hevgirtin. Ev projeyê taybet; wekî bangiyekî muzîkî ya şefqetê, berxwedanê û nasnameyê, “Çîrokeke polifonîk ji kenarên Dîcleyê tê zêdekirin.” Mehmet Atlı şarkılarını senfoni orkestrasıyla deneyimlemeye hazır mısınız? Mehmet Atlı & Tigris Senfoni Orkestrası “Köklerden Evrensele Uzanan Bir Buluşma” Diyarbakır'ın müzik tarihinde bir ilki temsil eden Güneydoğu’nun ilk özel senfoni orkestrası Tigris Senfoni, bu anlamlı projede sanatçı Mehmet Atlı’nın derin ve şiirsel sesiyle buluşuyor. Klasik müziğin disiplinli yapısından, halk ezgilerinin ruhuna uzanan çok sesli bu benzersiz yolculukta, Diyarbakır'ın köklerinden beslenen otantik sesler, zengin evrensel tınılarla ustaca harmanlanıyor. Mehmet Atlı, Kurmancî, Dimilî (Zazaca) ve Türkçe seslendirdiği eserlerle, kadim bir coğrafyanın tarihini, acılarını, umutlarını ve hikâyesini yeniden seslendiriyor. Şef Serhat Atalay yönetimindeki Tigris Senfoni Orkestrası, Kürt kültürel mirasının çeşitliliğini müziğin evrensel diliyle görkemli bir şekilde sahneye taşıyor. Bu özel proje; sadece bir konser değil, aynı zamanda şefkatin, toplumsal direncin ve güçlü aidiyet duygusunun müzikal bir manifestosu olarak, “Tigris’in kıyılarından yükselen çok sesli ve unutulmaz bir hikâye” sunuyor. Are you ready to experience Mehmet Atlı's songs performed by a symphony orchestra? Mehmet Atlı and the Tigris Symphony Orchestra: "A Meeting Extending from the Roots to the Universal". "A Meeting Extending from the Roots to the Universal" The Tigris Symphony is the first private symphony orchestra in the Southeast and represents a milestone in Diyarbakır's musical history. This meaningful project showcases the deep, poetic voice of artist Mehmet Atlı. On this unique polyphonic journey stretching from the disciplined structure of classical music to the soul of folk melodies, the authentic sounds of Diyarbakır's roots are blended masterfully with rich, universal tones. Through his works in Kurmanji, Dimili (Zazaki) and Turkish, Mehmet Atlı re-voices the history, suffering, hopes and stories of an ancient land. Conducted by Serhat Atalay, the orchestra brings the diversity of Kurdish cultural heritage to the stage through the universal language of music. This special project presents not just a concert, but a musical manifestation of compassion, social resilience and a strong sense of belonging, telling "an unforgettable polyphonic story rising from the banks of the Tigris". Damezrênerên Projeyê / Projenin Kurucuları / Project Founders: Mehmet Atlı Serhat Atalay Ulaş Baransel Gördük / Arista Ajans Organizasyon

Mehmet Atlı

15,993 görüntüleme • 10 ay önce

The Epic of Resistance 🎼 This is not just a symphony. This is what resistance sounds like. Composed by Majid Entezami, the Epic of Khorramshahr is not played… it is remembered. It carries the echo of the Battle of Khorramshahr during the Iran–Iraq War... when a city was shattered and occupied… then reclaimed by a people who refused to disappear. They believed fire would silence it. They believed steel would break it. They believed time would erase it. But they misunderstood something fundamental: You can destroy buildings… but not belief. You can occupy land… but not dignity. Listen. The violins do not mourn defeat— they rise like voices from beneath the dust. The drums are not war— they are the pulse of a nation that never stopped beating. The crescendo is not sound— it is return. Like Jerusalem… Khorramshahr fell— and then Khorramshahr rose — and so too will Jerusalem. And in its rising, a message was written into history: That oppression is loud… but resistance is eternal. Today, the same rhythm echoes— in every people who refuse humiliation, in every nation that stands when it is told to kneel, in every voice that says: enough. The oppressed the world over, do not hear this music as the past— but as a covenant. A promise carried across generations: That injustice exhausts itself. That arrogance overreaches. That truth, though tested, does not break. This is why the melody does not end. It advances— from rubble to resistance, from resistance to resurgence, from resurgence to victory. History has a pattern: Empires arrive with certainty. They leave with silence. But those who endure— write the final verse. And so the symphony continues… not as memory alone— but as prophecy. Victory is not a moment. It is a direction. And those who refuse to surrender are already moving toward it… They see victory—and joy and smiles— in Tehran and Gaza, in Beirut and Sana’a, in Baghdad and Jerusalem… in every city with a resisting soul and a tight fist... as candle by candle is rekindled, and as light by light is ignited across the world… until the darkness fades, until racism ends, and until supremacism dismantled.
2:52

The Epic of Resistance 🎼 This is not just a symphony. This is what resistance sounds like. Composed by Majid Entezami, the Epic of Khorramshahr is not played… it is remembered. It carries the echo of the Battle of Khorramshahr during the Iran–Iraq War... when a city was shattered and occupied… then reclaimed by a people who refused to disappear. They believed fire would silence it. They believed steel would break it. They believed time would erase it. But they misunderstood something fundamental: You can destroy buildings… but not belief. You can occupy land… but not dignity. Listen. The violins do not mourn defeat— they rise like voices from beneath the dust. The drums are not war— they are the pulse of a nation that never stopped beating. The crescendo is not sound— it is return. Like Jerusalem… Khorramshahr fell— and then Khorramshahr rose — and so too will Jerusalem. And in its rising, a message was written into history: That oppression is loud… but resistance is eternal. Today, the same rhythm echoes— in every people who refuse humiliation, in every nation that stands when it is told to kneel, in every voice that says: enough. The oppressed the world over, do not hear this music as the past— but as a covenant. A promise carried across generations: That injustice exhausts itself. That arrogance overreaches. That truth, though tested, does not break. This is why the melody does not end. It advances— from rubble to resistance, from resistance to resurgence, from resurgence to victory. History has a pattern: Empires arrive with certainty. They leave with silence. But those who endure— write the final verse. And so the symphony continues… not as memory alone— but as prophecy. Victory is not a moment. It is a direction. And those who refuse to surrender are already moving toward it… They see victory—and joy and smiles— in Tehran and Gaza, in Beirut and Sana’a, in Baghdad and Jerusalem… in every city with a resisting soul and a tight fist... as candle by candle is rekindled, and as light by light is ignited across the world… until the darkness fades, until racism ends, and until supremacism dismantled.

Sami Al-Arian

103,097 görüntüleme • 5 ay önce

If you watch long enough, a comet will appear. Before then, you will see our Solar System from inside the orbit of Mercury as recorded by NASA's Parker Solar Probe looping around the Sun. The video captures coronal streamers into the solar wind, a small Coronal Mass Ejection, and planets including, in order of appearance, Mercury, Venus, Saturn, Earth, Mars, and Jupiter. Between the emergence of Earth and Mars, Comet Tsuchinshan-ATLAS appears with a distinctive tail. The continuous fleeting streaks are high energy particles from the Sun impacting Parker's sideways looking camera. The featured time-lapse video was taken last year during Encounter 21, Parker's 21st close approach to the Sun. Studying data and images from Parker are delivering a better understanding of the dynamic Sun's effects on Earth's space weather as well as humanity's power grids, spacecraft, and space-faring astronauts. Video Credit: NASA, JHUAPL, Naval Research Lab, Parker Solar Probe; h/t: Richard Petarius III; Music: Russian Easter Festival Overture, Op. 36 by N. Rimsky-Korsakov; Source: Musopen; Performance: Czech National Symphony Orchestra (via Musopen); Music Credit: Wikimedia Commons
1:19

If you watch long enough, a comet will appear. Before then, you will see our Solar System from inside the orbit of Mercury as recorded by NASA's Parker Solar Probe looping around the Sun. The video captures coronal streamers into the solar wind, a small Coronal Mass Ejection, and planets including, in order of appearance, Mercury, Venus, Saturn, Earth, Mars, and Jupiter. Between the emergence of Earth and Mars, Comet Tsuchinshan-ATLAS appears with a distinctive tail. The continuous fleeting streaks are high energy particles from the Sun impacting Parker's sideways looking camera. The featured time-lapse video was taken last year during Encounter 21, Parker's 21st close approach to the Sun. Studying data and images from Parker are delivering a better understanding of the dynamic Sun's effects on Earth's space weather as well as humanity's power grids, spacecraft, and space-faring astronauts. Video Credit: NASA, JHUAPL, Naval Research Lab, Parker Solar Probe; h/t: Richard Petarius III; Music: Russian Easter Festival Overture, Op. 36 by N. Rimsky-Korsakov; Source: Musopen; Performance: Czech National Symphony Orchestra (via Musopen); Music Credit: Wikimedia Commons

Astronomy Picture of the Day

76,298 görüntüleme • 1 yıl önce

This video presents the “Dies Irae” from Mozart’s Requiem in D minor, K. 626, performed by the Collegium Musicum Berlin orchestra and chorus. The movement stands among the most powerful and dramatic passages in the entire work. It depicts the “Day of Wrath” with relentless rhythmic drive, mighty choral outbursts, and orchestral imagery that evokes the very shaking of the earth and heavens. From a considered and traditional perspective, the reasons listeners hold this performance in such high esteem rest upon three essential pillars: The direct bond between Man and The Creator: The “Dies Irae” portrays the final day of reckoning. What moves audiences so profoundly is that Mozart does not present this day as one of hopeless terror, but rather as a solemn awakening of conscience. The fierce brass fanfares, coupled with the urgent scales of the strings, resemble stern warnings from on high. Immediately afterwards the chorus enters, not in lamentation, but in urgent supplication and a profound longing for divine protection. In traditional culture, this is the very heart of the relationship between creature and Creator: reverent fear joined to absolute trust. A musical structure in accordance with Nature: Classical music of this period is founded upon strict mathematical laws and harmonic principles. Those of traditional outlook believe these laws were not invented by man, but rather reflect the divine order and harmony of the cosmos itself (Harmonia). In this performance, although the tempo is driven to great speed and intensity, the entire ensemble – orchestra and chorus alike – remains impeccably precise; not a single note descends into chaos. Such discipline is regarded as the pinnacle of traditional art: where even the most vehement human emotion is subordinated to, and perfectly reconciled within, a higher and more noble order. The power of spiritual catharsis: Traditional culture views great art not merely as entertainment but as a means of purifying the soul. The urgent, majestic sweep of the “Dies Irae” compels the listener to set aside the trivial concerns of daily life and confront the great questions of existence and the immortality of the soul. The auditory shock delivered here ultimately brings a profound sense of relief – as though the spirit has been cleansed by a mighty storm. In sum, listeners cherish this work because it preserves, in its fullest splendour, the essential virtues of traditional culture: reverence for the Divine, artistic discipline, and the eternal human aspiration toward transcendent beauty.
1:41

This video presents the “Dies Irae” from Mozart’s Requiem in D minor, K. 626, performed by the Collegium Musicum Berlin orchestra and chorus. The movement stands among the most powerful and dramatic passages in the entire work. It depicts the “Day of Wrath” with relentless rhythmic drive, mighty choral outbursts, and orchestral imagery that evokes the very shaking of the earth and heavens. From a considered and traditional perspective, the reasons listeners hold this performance in such high esteem rest upon three essential pillars: The direct bond between Man and The Creator: The “Dies Irae” portrays the final day of reckoning. What moves audiences so profoundly is that Mozart does not present this day as one of hopeless terror, but rather as a solemn awakening of conscience. The fierce brass fanfares, coupled with the urgent scales of the strings, resemble stern warnings from on high. Immediately afterwards the chorus enters, not in lamentation, but in urgent supplication and a profound longing for divine protection. In traditional culture, this is the very heart of the relationship between creature and Creator: reverent fear joined to absolute trust. A musical structure in accordance with Nature: Classical music of this period is founded upon strict mathematical laws and harmonic principles. Those of traditional outlook believe these laws were not invented by man, but rather reflect the divine order and harmony of the cosmos itself (Harmonia). In this performance, although the tempo is driven to great speed and intensity, the entire ensemble – orchestra and chorus alike – remains impeccably precise; not a single note descends into chaos. Such discipline is regarded as the pinnacle of traditional art: where even the most vehement human emotion is subordinated to, and perfectly reconciled within, a higher and more noble order. The power of spiritual catharsis: Traditional culture views great art not merely as entertainment but as a means of purifying the soul. The urgent, majestic sweep of the “Dies Irae” compels the listener to set aside the trivial concerns of daily life and confront the great questions of existence and the immortality of the soul. The auditory shock delivered here ultimately brings a profound sense of relief – as though the spirit has been cleansed by a mighty storm. In sum, listeners cherish this work because it preserves, in its fullest splendour, the essential virtues of traditional culture: reverence for the Divine, artistic discipline, and the eternal human aspiration toward transcendent beauty.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

12,742 görüntüleme • 2 ay önce