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Red platforms. Ankle straps. Heels still on. A cuckboi does not get this view. Her pale feet pointed in patent leather while a Black man stands over the bed and closes the space a husband is not allowed to enter. Watch the right heel. The strap. The charm hanging...

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She's smart, but she's wrong. It's far worse for women than she projects. Every single one of the top men is already fucking somebody who is madly in love with them. Probably 3 girls at least share him and do anything he says while remaining absolutely loyal. If you want one of those men, you have to out-compete the 3 wives along with the 50 girls trying to get him. Precisely zero are single ever. To get a top man you have to first compete for the hareem, then to get him exclusive you must out-compete the hareem. A multi-year process. The alternative is simple - Choose a faithful and trusty loser. Nissans are more reliable than Ferraris. Maybe if you're lucky you'll get a BMW, it's not embarrassing to drive and people think it's good at a glance - but on closer inspection, it becomes very clear. It's still not a Ferrari. And the BMW man will still cheat anyway. I mean, you could argue he would cheat "less" but does that even matter? BMW man is more likely to fall in love with some idiot girl and leave you for her. Ferrari man won't. Can't be swayed by titties. Doesn't care. The years of dedication you have shown him can not be replaced by tits because he has endless access to tits unlike the BMW man who really isn't all that and you've had to settle for him because you know the Ferrari man is going to cheat and MAYBE the BMW man won't cheat... And then he cheats anyway. Advice? Get a Ferrari man and have his kids for millions. Done. Good luck.
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She's smart, but she's wrong. It's far worse for women than she projects. Every single one of the top men is already fucking somebody who is madly in love with them. Probably 3 girls at least share him and do anything he says while remaining absolutely loyal. If you want one of those men, you have to out-compete the 3 wives along with the 50 girls trying to get him. Precisely zero are single ever. To get a top man you have to first compete for the hareem, then to get him exclusive you must out-compete the hareem. A multi-year process. The alternative is simple - Choose a faithful and trusty loser. Nissans are more reliable than Ferraris. Maybe if you're lucky you'll get a BMW, it's not embarrassing to drive and people think it's good at a glance - but on closer inspection, it becomes very clear. It's still not a Ferrari. And the BMW man will still cheat anyway. I mean, you could argue he would cheat "less" but does that even matter? BMW man is more likely to fall in love with some idiot girl and leave you for her. Ferrari man won't. Can't be swayed by titties. Doesn't care. The years of dedication you have shown him can not be replaced by tits because he has endless access to tits unlike the BMW man who really isn't all that and you've had to settle for him because you know the Ferrari man is going to cheat and MAYBE the BMW man won't cheat... And then he cheats anyway. Advice? Get a Ferrari man and have his kids for millions. Done. Good luck.

Andrew Tate

2,603,938 Aufrufe • vor 2 Jahren

Jim Jarmusch on why editing is similar to sculpting & how he wanted "Dead Man" (1995) to feel like: "Interviewer: Are you the kind of director who finds the film in the cutting room or do you do the montage in your head as you shoot? Jarmusch: I’m in-between. When | go in the cutting room, I have a pretty good idea of how a scene was intended to be cut together. The editing is very important because you get to a Zen-like place where the film starts telling you how to cut it. A lot of scenes were shot for 'Dead Man' that are not in the film. Shooting is like cutting up big pieces of granite that are sort of in the right shape of the thing you want to sculpt out of them. And then you go back, and the shape is not exactly what you had in mind so you sculpt them some more. I like the process. That’s why I never use a storyboard, and on 'Dead Man' I didn’t even have shot lists in advance. I don’t want to know in advance what we’re going to do because then we are not thinking on our feet. Interviewer: How did you work out the conception of the film’s look with DP Robby Miiller? It’s a black-and-white film with lots of shades of gray. And the landscapes were quite ugly but beautifully so. Jarmusch: We worked hard to use black and white like it was used in the ’30s and ’40s when the gray scale was the color palette. We wanted to avoid the recent “hard” black-and-white look, although the blacks are very black and the whites are very white. We wanted a feeling like a film by Mizoguchi. And when we were scouting for locations, whenever we saw any magnificent view, like a postcard type, we would appreciate it, Robby and I, and then turn out backs and look for our location with that out of view." (Jim Jarmusch's interview with Scott Macaulay, 1996) P.S: On this day, 30 years ago, "Dead Man" (1995) premiered at the Cannes Film Festival, France.

DepressedBergman

19,517 Aufrufe • vor 3 Monaten