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Reference vs Final anim comparison of Compsognathus Idle I did back then for Instinction. #vfx #cgi #games #animation #dinosaur #animals #birds #art #movies #rendering #UnrealEngine

Mrinal Soni

2,484 subscribers

174,283 просмотров • 1 год назад •via X (Twitter)

Животные Искусство #vfx #cgi #games #animation #dinosaur #animals #birds #art #movies #rendering #UnrealEngine

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Deinotherium Idle animation I made for the upcoming game Instinction, Prehistoric Action-Adventure . This is just a test render I made using Unreal Engine. Keep an eye out for more updates here : #vfx #cgi #gaming #dinosaur #prehistoric #elephant #animation #UnrealEngine5

Deinotherium Idle animation I made for the upcoming game Instinction, Prehistoric Action-Adventure . This is just a test render I made using Unreal Engine. Keep an eye out for more updates here : #vfx #cgi #gaming #dinosaur #prehistoric #elephant #animation #UnrealEngine5

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See the side-by-side comparison of reference footage and final animation of Deinonychus eating and looking around by Mrinal Soni for Instinction, Prehistoric Action-Adventure. More prehistoric creature animation and real-life references:

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Talesworth Game Studio

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“The Last Meatball” Animation: jboogx.creative & enigmatic_e Movement: jboogx.creative & enigmatic_e Reference Imagery: FLUX on Civitai Jboogx and I have known each other for the better part of the last 12 months. I think we've both been inspired by each other's work and dedication to exploring all the ways we can push these tools to their limits for VFX and animation. We didn't want to force a collaboration, but recently, Jboogx was inspired by the work I've been doing and how I incorporate myself into my animations. This idea is a playful take on 'Atlas carrying the boulder,' but with a twist—let's make Atlas out of spaghetti and the boulder a meatball, to fit more with what Jboogx has been doing on the food side of things lately (shoutout to our good friend James Gerde -@gerdegotit @gerdedoesit @gerdemadeit, who did the first spaghetti animation). Since I was going to record myself, it wouldn't have been right if Jboogx didn't as well! This is just a taste of what’s possible. I'm located in Germany, and Jboogx is in Hawaii. A world apart, and we pulled this together in 48 hours. BTS coming soon 😉

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enigmatic_e

11,422 просмотров • 2 лет назад

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I decided to establish a comms constellation around Kerbin using three equally spaced relay satellites in geostationary orbits. It was a single launch mission. I circularized at 2,863,334 meters above Kerbin, which places the orbital period at 6 hours - the same duration as a Kerbin day. This gives the appearance that the satellite hovers over one spot on the planet. I launched the first relay there, then burned retrograde to reduce the periapsis until my instruments reported a 4 hour orbital period - 2/3s of a Kerbin day. Once I got back around to apogee, I launched the second relay and circularized, then did it once more for the final relay.

ControlledPairs

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My name with a rope Create yours using Seedance 2.5 Prompt : Using the reference image as the exact final frame, create a 10-second stop-motion-inspired fluid CGI animation of a single thick red braided rope forming the word “Smiling” on a pure white seamless background. At the beginning, the rope is loose and unformed, scattered in soft loops across the frame, with 4–5 tiny clay-like miniature characters wearing simple rope-green overalls and no distinct facial features standing around it. They quickly grab the rope and work together, pulling, stretching, coiling, twisting, and tying it into shape. The rope progressively transforms into the cursive letters “S-m-i-l-i-n-g”, moving smoothly from left to right. Each letter must be created entirely from the same continuous rope, with realistic braided fibers, intricate knots, overlapping loops, natural crossings, and clean negative spaces matching the reference image. The characters playfully climb over and around the rope while shaping each letter, coordinating their movements as the word becomes recognizable. The camera remains completely static and top-down, with consistent soft studio lighting, subtle shadows beneath the rope, and no background elements. In the final 1–2 seconds, the characters finish the last knot on the “g,” step back and hop away, leaving the completed “Smiling” rope artwork clearly visible and matching the reference image. No cuts, no camera movement, no independently generated text, no extra objects. Smooth continuous motion, tactile rope physics, realistic fibers, playful miniature stop-motion aesthetic blended with polished CGI.

My name with a rope Create yours using Seedance 2.5 Prompt : Using the reference image as the exact final frame, create a 10-second stop-motion-inspired fluid CGI animation of a single thick red braided rope forming the word “Smiling” on a pure white seamless background. At the beginning, the rope is loose and unformed, scattered in soft loops across the frame, with 4–5 tiny clay-like miniature characters wearing simple rope-green overalls and no distinct facial features standing around it. They quickly grab the rope and work together, pulling, stretching, coiling, twisting, and tying it into shape. The rope progressively transforms into the cursive letters “S-m-i-l-i-n-g”, moving smoothly from left to right. Each letter must be created entirely from the same continuous rope, with realistic braided fibers, intricate knots, overlapping loops, natural crossings, and clean negative spaces matching the reference image. The characters playfully climb over and around the rope while shaping each letter, coordinating their movements as the word becomes recognizable. The camera remains completely static and top-down, with consistent soft studio lighting, subtle shadows beneath the rope, and no background elements. In the final 1–2 seconds, the characters finish the last knot on the “g,” step back and hop away, leaving the completed “Smiling” rope artwork clearly visible and matching the reference image. No cuts, no camera movement, no independently generated text, no extra objects. Smooth continuous motion, tactile rope physics, realistic fibers, playful miniature stop-motion aesthetic blended with polished CGI.

Smiling Khan

12,893 просмотров • 20 дней назад

you are making video games all wrong for decades almost all game art time went into reverse-engineering the end result you start with concept art of what you WANT it to look like. then for YEARS you walk the computer backwards into something it can process: a rendering engine, 3d assets that fit that engine, and a gamer’s local hardware that has to turn all of that back into a high fidelity image incredibly slow. incredibly expensive. but it was the best we had ai makes that pipeline faster as everyone is figuring out today. but they’re missing the real unlock: YOU DON’T NEED THAT PIPELINE AT ALL if you have a reference for the end look, you don’t model it in 3d. you don’t reverse-engineer into an engine you keep a very basic greybox model of the world as the source of truth, and track every entity in real time. it doesn’t need to look good at all… the player never sees it! a fast video model turns that into the “game” in real time. it doesn’t have to look like a game. it can look like a 2d cartoon or cinematic live action fal’s h3 max is very fast. astra 6 low-effort too. neither is fully realtime yet but together they can generate continuous, coherent, player-controlled scenes, faster than playback early demo:

you are making video games all wrong for decades almost all game art time went into reverse-engineering the end result you start with concept art of what you WANT it to look like. then for YEARS you walk the computer backwards into something it can process: a rendering engine, 3d assets that fit that engine, and a gamer’s local hardware that has to turn all of that back into a high fidelity image incredibly slow. incredibly expensive. but it was the best we had ai makes that pipeline faster as everyone is figuring out today. but they’re missing the real unlock: YOU DON’T NEED THAT PIPELINE AT ALL if you have a reference for the end look, you don’t model it in 3d. you don’t reverse-engineer into an engine you keep a very basic greybox model of the world as the source of truth, and track every entity in real time. it doesn’t need to look good at all… the player never sees it! a fast video model turns that into the “game” in real time. it doesn’t have to look like a game. it can look like a 2d cartoon or cinematic live action fal’s h3 max is very fast. astra 6 low-effort too. neither is fully realtime yet but together they can generate continuous, coherent, player-controlled scenes, faster than playback early demo:

Udi Wertheimer

124,873 просмотров • 1 месяц назад

Step 1 : input your char reference, poster and your product into GPT Image 2 and then put the prompt : Use the woman on image 1 as the main subject. create a vertical poster ad inspired by the reference poster style. show the image 1 woman holding the kimchi jar with her left hand, while the right hand eating kimchi to her mouth. with framing wide lens, low angle from the reference poster. This step is where you lock the visual direction. Step 2 : take the generated image into Seedance 2.0 and convert it into motion. Set it to 1080p if your design includes a lot of typography, this helps preserve text clarity. You can also strengthen your prompt by adding keywords like: “dynamic motion design commercial advertisement” to push the result closer to a polished ad style. Important note : If your design contains heavy typography, expect some inconsistencies in text rendering. The best approach is to generate multiple variations and select the cleanest result. For this sample, I generated it 4 times before landing on the final version.

Step 1 : input your char reference, poster and your product into GPT Image 2 and then put the prompt : Use the woman on image 1 as the main subject. create a vertical poster ad inspired by the reference poster style. show the image 1 woman holding the kimchi jar with her left hand, while the right hand eating kimchi to her mouth. with framing wide lens, low angle from the reference poster. This step is where you lock the visual direction. Step 2 : take the generated image into Seedance 2.0 and convert it into motion. Set it to 1080p if your design includes a lot of typography, this helps preserve text clarity. You can also strengthen your prompt by adding keywords like: “dynamic motion design commercial advertisement” to push the result closer to a polished ad style. Important note : If your design contains heavy typography, expect some inconsistencies in text rendering. The best approach is to generate multiple variations and select the cleanest result. For this sample, I generated it 4 times before landing on the final version.

DStudioproject

11,413 просмотров • 5 месяцев назад

But despite all the hype back then, several aspects of the movie felt off. How did Rudy manage to escape the jaguar from the tree? All we saw was the jaguar roaring and chasing after him, yet it still couldn’t catch Rudy, who was already half-exhausted. I understand the narrative of the last breath, but they could have made it more believable. Secondly, the timing of the moon crossing over the sun to create the eclipse was too fast. The time it took for the priest to react to something they rarely witnessed didn’t seem to connect properly. I’ll leave that for astronomers to confirm. However, looking back now, compared to some movies, I would still rate this film higher than many on Tubi, but...#mixofusng

But despite all the hype back then, several aspects of the movie felt off. How did Rudy manage to escape the jaguar from the tree? All we saw was the jaguar roaring and chasing after him, yet it still couldn’t catch Rudy, who was already half-exhausted. I understand the narrative of the last breath, but they could have made it more believable. Secondly, the timing of the moon crossing over the sun to create the eclipse was too fast. The time it took for the priest to react to something they rarely witnessed didn’t seem to connect properly. I’ll leave that for astronomers to confirm. However, looking back now, compared to some movies, I would still rate this film higher than many on Tubi, but...#mixofusng

Oyebanji Akins

22,272 просмотров • 2 лет назад

One girl. One sword. One unstoppable dinosaur. ⚔️🦖 When courage meets the ultimate battle, legends are born. Created with MiniMax H3 Prompt: Create a 14-second ultra-realistic Hollywood-style action fantasy film scene featuring a brave young female warrior battling a massive realistic Tyrannosaurus Rex inside an ancient jungle filled with ruined temples, giant trees, mist, mud, rain, smoke, and dramatic sunlight. Visual Style: Premium Hollywood blockbuster, photorealistic, cinematic, epic scale, realistic human anatomy, realistic dinosaur skin and movement, dramatic lighting, detailed environment, natural physics, intense facial expressions, high-end VFX, ARRI Alexa 35 look, anamorphic lens, shallow depth of field, HDR, subtle film grain, 4K cinematic quality, dynamic camera movement, realistic motion blur. 0–2 seconds — Establishing Shot: Wide cinematic shot of an ancient jungle temple in the middle of a mysterious rainforest. The female warrior stands alone in the ruins, holding a large sword in one hand. Her clothes are rugged fantasy-warrior clothing, slightly wet from the rain. Mist moves through the trees while birds fly in the distant sky. Slow camera push-in toward her. 2–3 seconds — Hero Close-Up: Cut to a dramatic close-up of the girl's face. Her hair is slightly wet and moving in the wind. She looks determined and fearless. Small scratches and dirt are visible on her face. She slowly raises her sword and prepares for battle. 3–4 seconds — Dinosaur Reveal: Suddenly, a massive realistic T-Rex emerges from behind the jungle trees and roars aggressively. Its enormous jaws open, sharp teeth visible, water and mud splashing around its feet. Low-angle camera makes the dinosaur look huge and terrifying. 4–6 seconds — First Attack: The dinosaur charges toward the girl at full speed. She runs toward the side and performs a fast dodge at the last second. The dinosaur crashes through trees and debris behind her. Use handheld camera movement, fast tracking, realistic impact and flying dust. 6–8 seconds — Sword Counterattack: The girl quickly turns around and attacks with her sword. Show a dramatic slow-motion moment as she swings the sword toward the dinosaur. The dinosaur moves its head aggressively while roaring. Strong cinematic camera movement follows the sword. 8–10 seconds — Epic Jump: The dinosaur attacks again. The girl jumps onto a large fallen tree and then leaps into the air above the dinosaur. Her hair and clothing move naturally in slow motion. Camera rotates around her as she raises the sword for the final strike. 10–12 seconds — Final Strike: She lands a powerful cinematic sword strike against the dinosaur's armored hide. Create a dramatic impact with dust, rainwater, debris and strong camera shake. Keep the action non-gory and suitable for a blockbuster fantasy film. 12–13.5 seconds — Dinosaur Falls Back: The dinosaur loses balance and falls backward into the muddy ground with a huge impact. Water, dust and leaves fly into the air. The girl lands safely and stands ready, breathing heavily. 13.5–14 seconds — Hero Ending: Slow cinematic push-in toward the girl. She lowers the sword slightly and looks directly toward the camera with a powerful, fearless expression. Behind her, the defeated dinosaur lies in the misty jungle. Golden sunlight breaks through the clouds, creating an epic silhouette and emotional Hollywood-style ending. Camera & Cinematography: Wide establishing shots, low-angle dinosaur shots, close-up facial shots, handheld action camera, tracking shots, 360-degree movement during the jump, dramatic slow motion during key action moments, shallow depth of field for close-ups, realistic motion blur, cinematic composition. Lighting & Atmosphere: Dark stormy jungle atmosphere mixed with warm golden sunlight, volumetric light rays, wet surfaces, realistic rain, mist, smoke, flying leaves, dust and water particles.

One girl. One sword. One unstoppable dinosaur. ⚔️🦖 When courage meets the ultimate battle, legends are born. Created with MiniMax H3 Prompt: Create a 14-second ultra-realistic Hollywood-style action fantasy film scene featuring a brave young female warrior battling a massive realistic Tyrannosaurus Rex inside an ancient jungle filled with ruined temples, giant trees, mist, mud, rain, smoke, and dramatic sunlight. Visual Style: Premium Hollywood blockbuster, photorealistic, cinematic, epic scale, realistic human anatomy, realistic dinosaur skin and movement, dramatic lighting, detailed environment, natural physics, intense facial expressions, high-end VFX, ARRI Alexa 35 look, anamorphic lens, shallow depth of field, HDR, subtle film grain, 4K cinematic quality, dynamic camera movement, realistic motion blur. 0–2 seconds — Establishing Shot: Wide cinematic shot of an ancient jungle temple in the middle of a mysterious rainforest. The female warrior stands alone in the ruins, holding a large sword in one hand. Her clothes are rugged fantasy-warrior clothing, slightly wet from the rain. Mist moves through the trees while birds fly in the distant sky. Slow camera push-in toward her. 2–3 seconds — Hero Close-Up: Cut to a dramatic close-up of the girl's face. Her hair is slightly wet and moving in the wind. She looks determined and fearless. Small scratches and dirt are visible on her face. She slowly raises her sword and prepares for battle. 3–4 seconds — Dinosaur Reveal: Suddenly, a massive realistic T-Rex emerges from behind the jungle trees and roars aggressively. Its enormous jaws open, sharp teeth visible, water and mud splashing around its feet. Low-angle camera makes the dinosaur look huge and terrifying. 4–6 seconds — First Attack: The dinosaur charges toward the girl at full speed. She runs toward the side and performs a fast dodge at the last second. The dinosaur crashes through trees and debris behind her. Use handheld camera movement, fast tracking, realistic impact and flying dust. 6–8 seconds — Sword Counterattack: The girl quickly turns around and attacks with her sword. Show a dramatic slow-motion moment as she swings the sword toward the dinosaur. The dinosaur moves its head aggressively while roaring. Strong cinematic camera movement follows the sword. 8–10 seconds — Epic Jump: The dinosaur attacks again. The girl jumps onto a large fallen tree and then leaps into the air above the dinosaur. Her hair and clothing move naturally in slow motion. Camera rotates around her as she raises the sword for the final strike. 10–12 seconds — Final Strike: She lands a powerful cinematic sword strike against the dinosaur's armored hide. Create a dramatic impact with dust, rainwater, debris and strong camera shake. Keep the action non-gory and suitable for a blockbuster fantasy film. 12–13.5 seconds — Dinosaur Falls Back: The dinosaur loses balance and falls backward into the muddy ground with a huge impact. Water, dust and leaves fly into the air. The girl lands safely and stands ready, breathing heavily. 13.5–14 seconds — Hero Ending: Slow cinematic push-in toward the girl. She lowers the sword slightly and looks directly toward the camera with a powerful, fearless expression. Behind her, the defeated dinosaur lies in the misty jungle. Golden sunlight breaks through the clouds, creating an epic silhouette and emotional Hollywood-style ending. Camera & Cinematography: Wide establishing shots, low-angle dinosaur shots, close-up facial shots, handheld action camera, tracking shots, 360-degree movement during the jump, dramatic slow motion during key action moments, shallow depth of field for close-ups, realistic motion blur, cinematic composition. Lighting & Atmosphere: Dark stormy jungle atmosphere mixed with warm golden sunlight, volumetric light rays, wet surfaces, realistic rain, mist, smoke, flying leaves, dust and water particles.

liana

11,360 просмотров • 2 месяцев назад

iOS vs. Android app quality difference. I don’t get why devs discriminate even in little things like this. - On WhatsApp for iOS, you can swipe left on a message to quickly see delivered, read, and voice message heard status. Very useful in group chats. - On WhatsApp for Android you have to tap and hold the message, select 3-dots, then select Info to see the same thing. I get it when devs can’t put iOS’s design language or animation quality in their Android apps, but things like these should be pretty easy to implement. Maybe it’s because they thought this gesture might interfere with Android’s back gesture, but I believe there’s a clear distinction between swiping from the edge and swiping in the middle of a message.

iOS vs. Android app quality difference. I don’t get why devs discriminate even in little things like this. - On WhatsApp for iOS, you can swipe left on a message to quickly see delivered, read, and voice message heard status. Very useful in group chats. - On WhatsApp for Android you have to tap and hold the message, select 3-dots, then select Info to see the same thing. I get it when devs can’t put iOS’s design language or animation quality in their Android apps, but things like these should be pretty easy to implement. Maybe it’s because they thought this gesture might interfere with Android’s back gesture, but I believe there’s a clear distinction between swiping from the edge and swiping in the middle of a message.

Adan

382,564 просмотров • 3 лет назад