Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Released in March 1983, Blue Monday appeared as a standalone single and later featured on the Power, Corruption & Lies era. It became the best-selling 12-inch single of all time, reaching number nine on the UK Singles Chart and redefining the sound of electronic dance music in the mainstream....

Batfox_Pictures's profile picture

Batfox Pictures

16,235 subscribers

32,130 Aufrufe • vor 8 Monaten •via X (Twitter)

KunstMusik
LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

. New Order - Blue Monday on Stylophone⁠ ⁠ New Order’s seminal track "Blue Monday" was released on March 7, 1983, by Factory Records. Celebrating its 40th anniversary in 2023, the 12-inch single remains the best-selling 12-inch record of all time. Designed to look like a floppy disk, its pioneering electronic sound revolutionised alternative dance music.⁠ ⁠ #stylophone #neworder #bluemonday #electronicmusic #synths
1:25

. New Order - Blue Monday on Stylophone⁠ ⁠ New Order’s seminal track "Blue Monday" was released on March 7, 1983, by Factory Records. Celebrating its 40th anniversary in 2023, the 12-inch single remains the best-selling 12-inch record of all time. Designed to look like a floppy disk, its pioneering electronic sound revolutionised alternative dance music.⁠ ⁠ #stylophone #neworder #bluemonday #electronicmusic #synths

STYLOPHONE

12,840 Aufrufe • vor 6 Monaten

New Order’s Blue Monday (1983) wasn’t meant to be a hit — it was made as a track to play after gigs instead of doing encores. Instead, it became the best-selling 12-inch single of all time. That bassline, the drum machine, the sequencers — it changed electronic music forever.
1:28

New Order’s Blue Monday (1983) wasn’t meant to be a hit — it was made as a track to play after gigs instead of doing encores. Instead, it became the best-selling 12-inch single of all time. That bassline, the drum machine, the sequencers — it changed electronic music forever.

Ministry of Cults

74,432 Aufrufe • vor 1 Jahr

Released in 1983, Blue Monday by New Order changed electronic music forever. With its pulsing beat, detached vocals, and synth-driven melancholy, it became the best-selling 12” single of all time — and still sounds like the future.
0:28

Released in 1983, Blue Monday by New Order changed electronic music forever. With its pulsing beat, detached vocals, and synth-driven melancholy, it became the best-selling 12” single of all time — and still sounds like the future.

Ministry of Cults

32,610 Aufrufe • vor 1 Jahr

"Situation" is a single by the British synth-pop band Yazoo from 1982. Released in the UK as the B-side of Yazoo's debut single "Only You," it peaked at number two on the UK singles chart. It was released as a single in North America, reaching number 73 on the US Billboard Hot 100 and peaking in the top 40 on the Canadian chart, reaching number 31. In late summer 1982, it became Yazoo's first song to top the Billboard Hot Dance Club Play chart, holding the number one position for four weeks. The song also topped the Black Singles chart, reaching number 31.
1:00

"Situation" is a single by the British synth-pop band Yazoo from 1982. Released in the UK as the B-side of Yazoo's debut single "Only You," it peaked at number two on the UK singles chart. It was released as a single in North America, reaching number 73 on the US Billboard Hot 100 and peaking in the top 40 on the Canadian chart, reaching number 31. In late summer 1982, it became Yazoo's first song to top the Billboard Hot Dance Club Play chart, holding the number one position for four weeks. The song also topped the Black Singles chart, reaching number 31.

🎵💖Loves classical music🎻🎹

120,705 Aufrufe • vor 4 Monaten

New Order released "Bizarre Love Triangle" in 1986 as part of their album Brotherhood, blending post-punk roots with electronic dance production that defined their shift into synth-driven pop. Built around sequenced drum machines, melodic basslines, and layered synth textures, the song stands out for its contrast between upbeat instrumentation and lyrics about emotional confusion and romantic uncertainty.
0:47

New Order released "Bizarre Love Triangle" in 1986 as part of their album Brotherhood, blending post-punk roots with electronic dance production that defined their shift into synth-driven pop. Built around sequenced drum machines, melodic basslines, and layered synth textures, the song stands out for its contrast between upbeat instrumentation and lyrics about emotional confusion and romantic uncertainty.

Brian Roemmele

30,787 Aufrufe • vor 4 Monaten

🔥🔥💫✨In 1989, Belgian electronic group Technotronic released Pump Up the Jam, a house music track that helped propel underground club sounds into the global mainstream. Built on an infectious beat, bold rhythm, and an instantly recognizable vocal hook, the song captured the energy of late-80s club culture at a time when electronic music was still largely outside pop radio.🫶🫶 The impact was immediate. In early 1990, the track reached No. 2 on both the US Billboard Hot 100 and the UK Singles Chart, proving that electronic dance music could compete head-to-head with traditional pop on a global scale.
1:21

🔥🔥💫✨In 1989, Belgian electronic group Technotronic released Pump Up the Jam, a house music track that helped propel underground club sounds into the global mainstream. Built on an infectious beat, bold rhythm, and an instantly recognizable vocal hook, the song captured the energy of late-80s club culture at a time when electronic music was still largely outside pop radio.🫶🫶 The impact was immediate. In early 1990, the track reached No. 2 on both the US Billboard Hot 100 and the UK Singles Chart, proving that electronic dance music could compete head-to-head with traditional pop on a global scale.

💖🌼Music, Kindness, and Inspiring Stories

78,188 Aufrufe • vor 8 Monaten

Performed at Heaton Park, “Fools Gold” remains one of The Stone Roses’ most defining moments live. Originally released in 1989 as a standalone single, it reached number eight on the UK Singles Chart and became a cornerstone of the Madchester era. Built around a looping groove rather than a traditional chorus, the track blurred indie rock with dance music and helped reshape British guitar music. At Heaton Park, its hypnotic rhythm and extended jam sections captured the band’s cult status and the song’s enduring pull with massive outdoor crowds.
12:21

Performed at Heaton Park, “Fools Gold” remains one of The Stone Roses’ most defining moments live. Originally released in 1989 as a standalone single, it reached number eight on the UK Singles Chart and became a cornerstone of the Madchester era. Built around a looping groove rather than a traditional chorus, the track blurred indie rock with dance music and helped reshape British guitar music. At Heaton Park, its hypnotic rhythm and extended jam sections captured the band’s cult status and the song’s enduring pull with massive outdoor crowds.

Batfox Pictures

73,379 Aufrufe • vor 8 Monaten

Built around a sample from Twin Peaks, “Go” introduced Moby as one of the early breakout names in UK rave culture. Released in 1991, it became his first major hit, reaching the UK Top 10 and helping push electronic music further into the mainstream at the start of the decade.
2:35

Built around a sample from Twin Peaks, “Go” introduced Moby as one of the early breakout names in UK rave culture. Released in 1991, it became his first major hit, reaching the UK Top 10 and helping push electronic music further into the mainstream at the start of the decade.

Batfox Pictures

53,330 Aufrufe • vor 4 Monaten

"Girls & Boys" is from Parklife (1994), the album that helped place Blur at the center of the Britpop movement. Released as a single, it became a major hit, reaching #5 on the UK Singles Chart. Its colorful, highly stylized video captured the song’s club-ready energy and playful decadence. The track signaled Blur’s full embrace of a sharper, more accessible and knowingly pop sound rooted in dance rhythms, satire and British social observation.
3:18

"Girls & Boys" is from Parklife (1994), the album that helped place Blur at the center of the Britpop movement. Released as a single, it became a major hit, reaching #5 on the UK Singles Chart. Its colorful, highly stylized video captured the song’s club-ready energy and playful decadence. The track signaled Blur’s full embrace of a sharper, more accessible and knowingly pop sound rooted in dance rhythms, satire and British social observation.

Ladytron Fan Account

31,123 Aufrufe • vor 23 Tagen

If there’s a synth-pop track that can make a dance floor move from the very first synth note, it’s “Don’t Go” by Yazoo. Released in 1982, the song brought together Vince Clarke’s crisp, futuristic synthesizers and Alison Moyet’s powerful, soulful vocals—a combination that gave Yazoo a distinctive sound and helped define the early synth-pop era. “Don’t Go” became a major international success, reaching No. 2 on the UK Singles Chart and topping the U.S. Dance chart for two weeks. Its influence didn’t end with the ’80s. The song became a favorite among DJs and producers, inspiring remixes and later reinterpretations. Decades later, its instantly recognizable synth hook was sampled for “Turn Me On” by Riton and Oliver Heldens, introducing that unmistakable Yazoo sound to a new generation. More than four decades later, “Don’t Go” still feels like pure dance-floor electricity. Some songs belong to an era. Others keep the party going.
1:30

If there’s a synth-pop track that can make a dance floor move from the very first synth note, it’s “Don’t Go” by Yazoo. Released in 1982, the song brought together Vince Clarke’s crisp, futuristic synthesizers and Alison Moyet’s powerful, soulful vocals—a combination that gave Yazoo a distinctive sound and helped define the early synth-pop era. “Don’t Go” became a major international success, reaching No. 2 on the UK Singles Chart and topping the U.S. Dance chart for two weeks. Its influence didn’t end with the ’80s. The song became a favorite among DJs and producers, inspiring remixes and later reinterpretations. Decades later, its instantly recognizable synth hook was sampled for “Turn Me On” by Riton and Oliver Heldens, introducing that unmistakable Yazoo sound to a new generation. More than four decades later, “Don’t Go” still feels like pure dance-floor electricity. Some songs belong to an era. Others keep the party going.

Classic Moments ✨

19,268 Aufrufe • vor 23 Tagen

"Atomic" is from Blondie’s 1979 album Eat to the Beat. The disco-punk hybrid became a huge hit, reaching #1 on the UK Singles Chart in 1980 and performing well across Europe. It showcased the band’s ability to blend new wave with dance music.
3:31

"Atomic" is from Blondie’s 1979 album Eat to the Beat. The disco-punk hybrid became a huge hit, reaching #1 on the UK Singles Chart in 1980 and performing well across Europe. It showcased the band’s ability to blend new wave with dance music.

Ladytron Fan Account

29,992 Aufrufe • vor 9 Tagen

"Situation" is a 1982 single by the British band Yazoo. Originally released in the UK as Yazoo's debut single, "Only You" peaked at number two on the UK Singles Chart. Released as a single in North America, it reached number 73 on the US Billboard Hot 100 chart and peaked in the top 40 on the Canadian chart, reaching number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks.
1:29

"Situation" is a 1982 single by the British band Yazoo. Originally released in the UK as Yazoo's debut single, "Only You" peaked at number two on the UK Singles Chart. Released as a single in North America, it reached number 73 on the US Billboard Hot 100 chart and peaked in the top 40 on the Canadian chart, reaching number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks.

💜Music is Love💜

311,387 Aufrufe • vor 8 Monaten

Situation" is a 1982 single by the British band Yazoo. The song was released in the UK as the B-side of Yazoo's debut single "Only You," reaching number two on the UK singles chart. Released as a single in North America, it peaked at number 73 on the US Billboard Hot 100 chart and reached the top 40 on the Canadian chart, peaking at number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks. It also broke through the charts. Black Singles, ranked 31st.
2:57

Situation" is a 1982 single by the British band Yazoo. The song was released in the UK as the B-side of Yazoo's debut single "Only You," reaching number two on the UK singles chart. Released as a single in North America, it peaked at number 73 on the US Billboard Hot 100 chart and reached the top 40 on the Canadian chart, peaking at number 31. In late summer 1982, Yazoo's first song to top the Billboard Hot Dance Club Play chart, remaining at number one for four weeks. It also broke through the charts. Black Singles, ranked 31st.

💖🌼Music, Kindness, and Inspiring Stories

266,147 Aufrufe • vor 8 Monaten

"I Feel Love" comes from Donna Summer's 1977 album I Remember Yesterday, a concept album that moves through different musical eras, with the title track representing the past, the middle of the album reflecting the present, and "I Feel Love" representing the future. Produced and co-written by Giorgio Moroder and Pete Bellotte, the track was built around Moog synthesizers, sequenced electronic rhythms and Donna Summer's hypnotic vocals, creating a sound that was radically futuristic for its time. The song helped change the course of electronic and dance music. According to a famous story, Brian Eno heard the track while visiting David Bowie's studio and immediately told Bowie that he had heard "the sound of the future." "I Feel Love" topped the UK Singles Chart for four weeks in 1977 and reached No. 9 on the Billboard Hot 100 in the United States, while also topping the US Dance/Disco chart. Its influence can be heard throughout later electronic, house, techno and synth-pop music.
2:58

"I Feel Love" comes from Donna Summer's 1977 album I Remember Yesterday, a concept album that moves through different musical eras, with the title track representing the past, the middle of the album reflecting the present, and "I Feel Love" representing the future. Produced and co-written by Giorgio Moroder and Pete Bellotte, the track was built around Moog synthesizers, sequenced electronic rhythms and Donna Summer's hypnotic vocals, creating a sound that was radically futuristic for its time. The song helped change the course of electronic and dance music. According to a famous story, Brian Eno heard the track while visiting David Bowie's studio and immediately told Bowie that he had heard "the sound of the future." "I Feel Love" topped the UK Singles Chart for four weeks in 1977 and reached No. 9 on the Billboard Hot 100 in the United States, while also topping the US Dance/Disco chart. Its influence can be heard throughout later electronic, house, techno and synth-pop music.

Ladytron Fan Account

40,983 Aufrufe • vor 1 Monat

Stardust - Music Sounds Better with You (1998) The only song released by the French House duo. As well as topping the US Dance Chart, the single peaked at #2 in the UK Top 40 & became one of the UK's biggest-selling singles. Defo among the best dance tracks of all time.
4:19

Stardust - Music Sounds Better with You (1998) The only song released by the French House duo. As well as topping the US Dance Chart, the single peaked at #2 in the UK Top 40 & became one of the UK's biggest-selling singles. Defo among the best dance tracks of all time.

Ian Phillips: Music, TV & Film Classics

50,760 Aufrufe • vor 7 Monaten

17 years ago, Hilary Duff released “Reach Out” as the lead single of her "Best Of" compilation. The track became a club hit, topping Billboard’s Hot Dance Club Play chart, and its music video premiered on MySpace on October 28, 2008.
1:27

17 years ago, Hilary Duff released “Reach Out” as the lead single of her "Best Of" compilation. The track became a club hit, topping Billboard’s Hot Dance Club Play chart, and its music video premiered on MySpace on October 28, 2008.

y2k

32,155 Aufrufe • vor 11 Monaten

“I Ran (So Far Away)” was released in 1982 as the second single from A Flock of Seagulls' self-titled debut album. Written by Mike Score, Ali Score, Frank Maudsley, and Paul Reynolds and produced by Mike Howlett, the synth-pop/new wave track became a major American breakthrough, reaching No. 9 on the Billboard Hot 100, No. 3 on the Mainstream Rock chart and No. 8 on the Dance chart. It also topped the Australian Singles Chart and reached No. 7 in New Zealand, while peaking at only No. 43 in the UK. Guitarist Paul Reynolds joined the band after the song had already been written, and his distinctive, echoing guitar work became an important part of the finished recording.
3:30

“I Ran (So Far Away)” was released in 1982 as the second single from A Flock of Seagulls' self-titled debut album. Written by Mike Score, Ali Score, Frank Maudsley, and Paul Reynolds and produced by Mike Howlett, the synth-pop/new wave track became a major American breakthrough, reaching No. 9 on the Billboard Hot 100, No. 3 on the Mainstream Rock chart and No. 8 on the Dance chart. It also topped the Australian Singles Chart and reached No. 7 in New Zealand, while peaking at only No. 43 in the UK. Guitarist Paul Reynolds joined the band after the song had already been written, and his distinctive, echoing guitar work became an important part of the finished recording.

Ladytron Fan Account

15,134 Aufrufe • vor 2 Tagen

On The Tube in 1982, The Jam perform Beat Surrender as Paul Weller brought the band’s story to a deliberate close. The song appeared as a standalone single later that year and became their fourth UK number one, marking the end of The Jam at their commercial peak. Built around restraint, reflection, and a clear sense of finality, performances like this captured a band choosing resolution over repetition, stepping away just as British pop and mod revival culture reached its height.
3:32

On The Tube in 1982, The Jam perform Beat Surrender as Paul Weller brought the band’s story to a deliberate close. The song appeared as a standalone single later that year and became their fourth UK number one, marking the end of The Jam at their commercial peak. Built around restraint, reflection, and a clear sense of finality, performances like this captured a band choosing resolution over repetition, stepping away just as British pop and mod revival culture reached its height.

Batfox Pictures

55,277 Aufrufe • vor 9 Monaten