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🚨📊 DJ Akademiks reacts to this week’s hip-hop streaming numbers and says Drake is operating in a completely different league from the rest of rap right now. 🦉 According to Ak, Drake is nearing ONE BILLION streams in a single week while most rappers struggle to even crack 100 million. 🗣️ “Drake did in ONE WEEK basically what the rest of the rap game did overall.” Ak says the numbers completely change the conversation around the “Big 3” debate and artist leverage in the music industry. 👀 Akademiks was shocked by several placements on the list: Lil Baby being Top 4 Gunna’s consistency Cardi B streaming lower than expected Juice WRLD massively outstreaming XXXTentacion NBA YoungBoy still doing huge numbers despite barely dropping music recently But the biggest target of Ak’s rant? J. Cole. 😳 Akademiks says people need to stop forcing J. Cole into the “Big 3” conversation strictly based on streaming numbers. 🗣️ “Numbers-wise, J. Cole ain’t in no Big 3.” Ak pointed out: J. Cole recently dropped an album Yet artists like Eminem, Rod Wave, Gunna, Future, Kendrick, Lil Baby, and Drake are still outperforming him in streams He even called Cole’s latest project: 🗣️ “The album that sold the most that nobody talks about.” Ak argues J. Cole may have a strong first-week fanbase, but not the same consistent streaming audience as Drake, Kendrick, or Future. 📈 Akademiks also broke down how Drake’s success impacts EVERY rapper’s future contracts. According to Ak: Drake’s next deal could approach billionaire-level numbers NBA YoungBoy should be asking for $ 100M+ Future is positioned for another massive payday Top artists benefit when the market leader raises the price ceiling 🗣️ “The leader sets the market.” Ak explained that if Drake proves his catalog is worth a billion-dollar valuation, every top-tier rapper below him can use those numbers to negotiate bigger contracts. 💰 He also highlighted how insane YoungBoy’s streaming power still is: 26 projects released Still one of the most streamed rappers in hip-hop Barely dropping new music recently Ak believes labels may eventually move away from album based contracts and toward time based deals because artists like YoungBoy release music too frequently for traditional structures. 🎤 Akademiks also gave props to Kendrick Lamar, saying Kendrick arguably has the strongest numbers relative to his smaller catalog compared to artists like Drake, Future, and YoungBoy who have released far more projects. But overall, Ak says the streaming gap between Drake and everyone else is becoming impossible to ignore. 🗣️ “Men lie, women lie… numbers don’t”

Cousin Tino ™️

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Big Tech's $1 trillion AI moat just got DESTROYED by a free Chinese download. Microsoft, Amazon, Google, and Meta are pouring fortunes into chips and data centers because they have been told that whoever builds the biggest model wins, and that lead becomes a fortress no one can cross. Last week a lab called Zhipu - it trades in Hong Kong as Knowledge Atlas Technology - released a model called GLM-5.2 and destroyed that idea in a single afternoon. It's open weights under an MIT license, which means anyone on earth can download it and build on it for free. On the coding and design benchmarks that actually matter, it went toe to toe with the best models America has - matching even Anthropic's Mythos-class work and beating OpenAI's flagship outright on the coding test everyone watches. And it does the work at roughly one-sixth the price. ONE-SIXTH And barely a year and a half ago a model called DeepSeek did the same thing and wiped the better part of $600 billion off Nvidia in a single session. This was only the first chapter. You cannot dig a moat around something your competitor is happy to give away. If 95% of frontier capability is free, open, and runs at a fraction of the cost, then the hundreds of billions being spent to defend the last 5% is NOT a moat. And now for the irony: The company that just proved the moat is worthless is itself the single most absurd valuation I have seen in a long career of watching absurd valuations. Zhipu did about $105 million in revenue last year and lost more than 4x what it took in. This week the market handed it a value of roughly $128 billion - at the peak, north of a 1,000x sales - on a float so thin that barely 4% of the stock actually trades. THINK about this... A company drowning in losses, doing 9 figures of revenue, priced like it does hundreds of billions, with almost nothing available to sell. So we now have a bubble in China detonating the entire justification for a bubble in America. Two manias pointed straight at each other. This is the lesson I've spent 45 years trying to beat into people. You can ignore valuation for a long time but you cannot ignore it forever. A moat story sold a trillion dollars of spending, a free download just exposed it, and the company that exposed it is priced for a fantasy of its own. When the picks-and-shovels crowd loses its monopoly on the picks, you want to be very careful what you are paying for the shovels. Numbers don't lie. Shoutout to Limitless - they were onto this story before almost anyone on Wall Street. One of the sharpest AI shows out there.

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Well done Anna Foster. 👏👏 BBC Radio 4’s Today programme just delivered a rare moment of actual accountability. Women and Equalities Minister Bridget Phillipson was doing the usual ministerial routine about the Simon Levy case: the seriousness, the horror, how she has “lost count” of the times she’s had to talk about another shocking failure, how she’s “had enough” of the endless “lessons need to be learned” script. Anna Foster refused the soft landing and delivered a blunt reality check: “You can’t come onto the programme and say to women: We are keeping you safe. We are doing everything we can to keep you safe. You’re unable to say that. Which must be a personal disappointment to you.” Phillipson was forced into a moment of honesty: in this case, women were left at risk, women were murdered and abused by a man who should never have been on the streets. There is “no getting away from that”. Exactly. You cannot spend years claiming your government is doing “everything” to protect women and girls, then admit in the same breath that a known, escalating sex offender was repeatedly bailed, poorly monitored, and free to rpe and kill. Simon Levy received a whole-life sentence this week for murdering two women and rping a third in 2025, all while on bail for prior sexual assaults. Police had flagged the danger. Courts still released him. Multiple failures across the Met, CPS and probation system. Yet the ministerial language remains the same soft script of regret and “we take this seriously”. Foster refused to let the platitudes stand. That is how these interviews should work. More of this, please.

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DANCING IN THE STREET UPGRADED 4K VIDEO WITH PREVIOUSLY UNSEEN FOOTAGE “Just as long as you are there...” The headline says it all, keep reading for the full press release and links. #BowieJaggerDITS DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET WATCH THE 12” REMIX UPGRADED 4K VIDEO FEATURING UNSEEN FOOTAGE HERE NOW 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” OUT NOW ON PARLOPHONE RECORDS 40 years ago this week, the David Bowie and Mick Jagger duet of the Motown classic, “Dancing In The Street” was released with all the proceeds benefiting famine relief. The track and video had been debuted six weeks earlier during Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for the relief of the famine in Ethiopia. The video, which, like the song, had been recorded and filmed in thirteen hours, only fourteen days earlier, was shown just before Bowie took to the stage at Wembley Stadium. The making of the video was documented at the time, but that footage has mainly remained unseen until today. The new 4K video for the Steve Thompson Mix remix of the track features behind-the-scenes footage from the late-night shoot at Spillers Millennium Mills in the East End of London. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100. To celebrate the 40th anniversary of ”Dancing In The Street,” a limited edition white vinyl 12" is available now, bringing together every one of the song's mixes for the first time. As with the original, 30% of the retail price from the sale of this single, representing royalties and proceeds, will be donated to the Band Aid Charitable Trust by David Bowie, Mick Jagger and Parlophone Records. Talking about the collaboration today, Mick Jagger comments ‘’We had such a laugh doing ‘Dancing in the Street’ with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET - 40th ANNIVERSARY LIMITED EDITION REMASTERED WHITE VINYL 12” - OUT NOW ON PARLOPHONE

David Bowie Official

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