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Remembering the great Italian filmmaker, Bernardo Bertolucci, on his 85th birthday! Bernardo Bertolucci on why he described Hollywood as "The Big Nipple" in his Oscar acceptance speech for "The Last Emperor" (1987): "Interviewer: You described Hollywood as the big nipple. What did you suck from it? Bertolucci: No, that...

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DepressedBergman

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74,895 Aufrufe • vor 4 Monaten •via X (Twitter)

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“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.
2:55

“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.

rosie

47,583 Aufrufe • vor 6 Monaten

zhang hao sharing his thoughts after watching twice concert 🎻 the concert was really fun. it was amazing because it was a four-sided stage so there were a lot of movements. in terms of the performance, i think that the stage was a big help but it was amazing because sunbaenims were able to remember that many movements. i thought/got the impression that they practiced a lot. 🎻 i think that there was not a lot of talking parts (ments) and they just kept on doing stages/performances. there was also not a lot of vcr in between. i think it was fun that the band people just created the atmosphere inside the venue or the fans just did random dance challenges. i’ll give my opinion (to the company) and i think that it would be good if we can pick up some of those when we do our concert too. i saw how they (twice) prepared really hard and i was touched.
0:30

zhang hao sharing his thoughts after watching twice concert 🎻 the concert was really fun. it was amazing because it was a four-sided stage so there were a lot of movements. in terms of the performance, i think that the stage was a big help but it was amazing because sunbaenims were able to remember that many movements. i thought/got the impression that they practiced a lot. 🎻 i think that there was not a lot of talking parts (ments) and they just kept on doing stages/performances. there was also not a lot of vcr in between. i think it was fun that the band people just created the atmosphere inside the venue or the fans just did random dance challenges. i’ll give my opinion (to the company) and i think that it would be good if we can pick up some of those when we do our concert too. i saw how they (twice) prepared really hard and i was touched.

🌱

267,486 Aufrufe • vor 1 Jahr

Q: “Because I think a lot of people are familiar with, you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: “I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. ..I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.”
2:59

Q: “Because I think a lot of people are familiar with, you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: “I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. ..I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.”

hiro

35,872 Aufrufe • vor 6 Monaten

Bernardo Bertolucci on the advantage TV shows have over movies, his favourite TV shows & love for "Breaking Bad" (2008-2013): 1.) Bertolucci: I find inspiration in American TV series. Every series that Hollywood makes. Interviewer: Really? What shows do you enjoy? Bertolucci: You know, what everybody enjoys. The great ones. 'Mad Men' (2007-15), 'Breaking Bad' (2008-13). But I like also TV series which are minor. Not as big, theme-wise. I love the humble TV series. Maybe I like the fact that the story is stretched and stretched and stretched and never ends. I like 'Rubicon' (2010). They did one season. It wasn’t successful, so they ki!!ed it. I even love things like 'The Walking Dead' (2010-22). Interviewer: Setting the look and feel. One particular strength of a TV series: they let stories breathe. As in Apted or Linklater, you’re able to see characters age. Bertolucci: It’s wonderful! You see characters aging. You know what I love in TV series? That they can have the luxury of staying on face, on a close-up of a character, for 50 seconds. One minute! Nothing happens! Like the way it used to be in cinema. They have re-conquered time. Now, in cinema there is a convention now that all movies have to be fast. In a series, you don’t have that. It’s a great luxury. It’s very much like cinema used to be in the past, in a way." 2.) "The best work being done now is for television, 'Breaking Bad' – a masterpiece. 'House of Cards' (2013-18) – very, very good" 3.) My generation had an affair with American culture, there’s no doubt about it. A street lamp and a fire hydrant made me sing in the rain. But the American films I like now do not come from Hollywood studios but from television series, like ‘Mad Men,’ ‘Breaking Bad,’ ‘The Americans’ (2013-2018) “I like when they last 13 episodes but then there is a new series coming with another 13 episodes,” Bertolucci said, laughing, comparing them to novels printed in installments in 19th century newspapers. “Apart from a few independent productions, I think that everything that comes from Hollywood is generally sad. It makes me very sad." 4.) "I'm sad about 'Breaking Bad' ending. I want more." Source for the quotes: (1. "Even Making a Cup of Tea is Erotic: Bernardo Bertolucci on Me and You", John Magary, Filmmaker, 2014. 2. "Bernardo Bertolucci on butter, Brando, and being burned by Hollywood", John Preston, The Telegraph, 2018 3. "Bernardo Bertolucci Says He Prefers ‘Breaking Bad’ and ‘The Americans’ to Hollywood Movies These Days", Alison Willmore, Indiewire, 2013 4. IMDb)
2:05

Bernardo Bertolucci on the advantage TV shows have over movies, his favourite TV shows & love for "Breaking Bad" (2008-2013): 1.) Bertolucci: I find inspiration in American TV series. Every series that Hollywood makes. Interviewer: Really? What shows do you enjoy? Bertolucci: You know, what everybody enjoys. The great ones. 'Mad Men' (2007-15), 'Breaking Bad' (2008-13). But I like also TV series which are minor. Not as big, theme-wise. I love the humble TV series. Maybe I like the fact that the story is stretched and stretched and stretched and never ends. I like 'Rubicon' (2010). They did one season. It wasn’t successful, so they ki!!ed it. I even love things like 'The Walking Dead' (2010-22). Interviewer: Setting the look and feel. One particular strength of a TV series: they let stories breathe. As in Apted or Linklater, you’re able to see characters age. Bertolucci: It’s wonderful! You see characters aging. You know what I love in TV series? That they can have the luxury of staying on face, on a close-up of a character, for 50 seconds. One minute! Nothing happens! Like the way it used to be in cinema. They have re-conquered time. Now, in cinema there is a convention now that all movies have to be fast. In a series, you don’t have that. It’s a great luxury. It’s very much like cinema used to be in the past, in a way." 2.) "The best work being done now is for television, 'Breaking Bad' – a masterpiece. 'House of Cards' (2013-18) – very, very good" 3.) My generation had an affair with American culture, there’s no doubt about it. A street lamp and a fire hydrant made me sing in the rain. But the American films I like now do not come from Hollywood studios but from television series, like ‘Mad Men,’ ‘Breaking Bad,’ ‘The Americans’ (2013-2018) “I like when they last 13 episodes but then there is a new series coming with another 13 episodes,” Bertolucci said, laughing, comparing them to novels printed in installments in 19th century newspapers. “Apart from a few independent productions, I think that everything that comes from Hollywood is generally sad. It makes me very sad." 4.) "I'm sad about 'Breaking Bad' ending. I want more." Source for the quotes: (1. "Even Making a Cup of Tea is Erotic: Bernardo Bertolucci on Me and You", John Magary, Filmmaker, 2014. 2. "Bernardo Bertolucci on butter, Brando, and being burned by Hollywood", John Preston, The Telegraph, 2018 3. "Bernardo Bertolucci Says He Prefers ‘Breaking Bad’ and ‘The Americans’ to Hollywood Movies These Days", Alison Willmore, Indiewire, 2013 4. IMDb)

DepressedBergman

25,887 Aufrufe • vor 2 Monaten

"I like 'Kiss Me Deadly' (1955) very much. I just don't think it was as important a film as some people thought it was." --- Robert Aldrich Full Excerpt: "Interviewer: We all like 'Kiss Me Deadly' (1955), but hear that you don't. Aldrich: Oh no, that's not true. I like this one very much and I'm very proud of it. If you remember when it was made was the time all the New Wave directors were editors on Cahiers. And they read into it many more things than were intended. And I think it was Truffaut who asked me at Venice the following year if I wasn't proud and happy or something about the things that Cahiers had said about it. And I am a lot older and wiser now, and I suppose I should have said "Yes" and let it go at that. But I said something to the effect that I was very glad they said it, but I couldn't really take credit for all those rather deep and significant thoughts because they weren't all intended. I am glad that they were there; maybe some of them were subconscious, but I thought a lot of them were read in. And naturally, if you had been the author of this kind of thing, you would have felt a little bit cheated, and I think they did. I think they didn't resent it, but they felt a little hurt . . . No, I like the picture very much. I just don't think it was as important a film as some people thought it was." (Robert Aldrich's interview with Ian Cameron & Mark Shivas, 1963) P.S: On this day, 71 years ago "Kiss Me Deadly" (1955) premiered in New York City, USA.
1:14

"I like 'Kiss Me Deadly' (1955) very much. I just don't think it was as important a film as some people thought it was." --- Robert Aldrich Full Excerpt: "Interviewer: We all like 'Kiss Me Deadly' (1955), but hear that you don't. Aldrich: Oh no, that's not true. I like this one very much and I'm very proud of it. If you remember when it was made was the time all the New Wave directors were editors on Cahiers. And they read into it many more things than were intended. And I think it was Truffaut who asked me at Venice the following year if I wasn't proud and happy or something about the things that Cahiers had said about it. And I am a lot older and wiser now, and I suppose I should have said "Yes" and let it go at that. But I said something to the effect that I was very glad they said it, but I couldn't really take credit for all those rather deep and significant thoughts because they weren't all intended. I am glad that they were there; maybe some of them were subconscious, but I thought a lot of them were read in. And naturally, if you had been the author of this kind of thing, you would have felt a little bit cheated, and I think they did. I think they didn't resent it, but they felt a little hurt . . . No, I like the picture very much. I just don't think it was as important a film as some people thought it was." (Robert Aldrich's interview with Ian Cameron & Mark Shivas, 1963) P.S: On this day, 71 years ago "Kiss Me Deadly" (1955) premiered in New York City, USA.

DepressedBergman

16,770 Aufrufe • vor 3 Monaten

youngjae shared his side of the ring story and he said he was deeply touched by the gesture and has worn the swapped ring ever since. 🐶: the story about the birthday gift (the ring) here's what actually happened. it was the day we visited the hyundai event. i think hanjin and i were waiting either in the car or somewhere else after we all had ice cream together. i don't remember the details very clearly. after that shinyu and jihoon said “since we're here, let's stop by the chrome hearts store for a bit.” while looking at the rings, shinyu suddenly remembered that i wasn't wearing mine. i think he recalled that i had said it was too big because the size had been bought incorrectly. later that day, after we got back to the dorm we had gone to japan and returned the same day shinyu hyung called me over. he said, “youngjae, come here for a second.” i asked, “why?” then he held up the ring and asked, “this is your ring, right?” i said “yes” thhen he said, “I bought one too, but yours is too big, isn't it? if you're okay with it, do you want to swap with me? i think i can wear this one on any finger, so let's exchange.” i was really grateful, i said, “hyung, thank you really, thank you so much.” from then on, i kept wearing the ring. i was genuinely touched. i remember thinking, “as expected, our tws leader is the best leader.” i was honestly so surprised and just kept thanking him. shinyu later shared this story himself. (during the cheotsarangz live) i had actually been intentionally keeping it to myself because i thought shinyu was a little embarrassed about it. i figured i'd tell the story later if we ever did a livestream together or something. i don't remember exactly, but i think shinyu said something like, “it would've been nice if youngjae had been the one to tell the story.” lr at least it was something along those lines. i can't remember his exact words so that's it.
2:33

youngjae shared his side of the ring story and he said he was deeply touched by the gesture and has worn the swapped ring ever since. 🐶: the story about the birthday gift (the ring) here's what actually happened. it was the day we visited the hyundai event. i think hanjin and i were waiting either in the car or somewhere else after we all had ice cream together. i don't remember the details very clearly. after that shinyu and jihoon said “since we're here, let's stop by the chrome hearts store for a bit.” while looking at the rings, shinyu suddenly remembered that i wasn't wearing mine. i think he recalled that i had said it was too big because the size had been bought incorrectly. later that day, after we got back to the dorm we had gone to japan and returned the same day shinyu hyung called me over. he said, “youngjae, come here for a second.” i asked, “why?” then he held up the ring and asked, “this is your ring, right?” i said “yes” thhen he said, “I bought one too, but yours is too big, isn't it? if you're okay with it, do you want to swap with me? i think i can wear this one on any finger, so let's exchange.” i was really grateful, i said, “hyung, thank you really, thank you so much.” from then on, i kept wearing the ring. i was genuinely touched. i remember thinking, “as expected, our tws leader is the best leader.” i was honestly so surprised and just kept thanking him. shinyu later shared this story himself. (during the cheotsarangz live) i had actually been intentionally keeping it to myself because i thought shinyu was a little embarrassed about it. i figured i'd tell the story later if we ever did a livestream together or something. i don't remember exactly, but i think shinyu said something like, “it would've been nice if youngjae had been the one to tell the story.” lr at least it was something along those lines. i can't remember his exact words so that's it.

𝐦𝐚𝐢

19,574 Aufrufe • vor 16 Tagen

TRUMP: I WANT TO CONGRATULATE MILEI ON THE MIDTERMS WIN -Reporter: What do you make of the Argentine elections and the win of Milei's party? -Trump: I love that question because that was a big win in Argentina. I want to congratulate the victor. I think it was a big victory and Milei had a lot of help from us. (...) I give Scott (Bessent), Jamieson (Greer), and Marco (Rubio) a lot of credit. (...) The polls were very wrong in the Argentine election. The polls really got it wrong, they said it was going to be lost. And not only was it won, but it was won by a lot. I hope we helped. Javier Milei
1:05

TRUMP: I WANT TO CONGRATULATE MILEI ON THE MIDTERMS WIN -Reporter: What do you make of the Argentine elections and the win of Milei's party? -Trump: I love that question because that was a big win in Argentina. I want to congratulate the victor. I think it was a big victory and Milei had a lot of help from us. (...) I give Scott (Bessent), Jamieson (Greer), and Marco (Rubio) a lot of credit. (...) The polls were very wrong in the Argentine election. The polls really got it wrong, they said it was going to be lost. And not only was it won, but it was won by a lot. I hope we helped. Javier Milei

Argentina's Milei News 🇦🇷🤝🌎

19,052 Aufrufe • vor 9 Monaten

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010
6:40

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010

Gangster Cinema Central

85,366 Aufrufe • vor 1 Monat

#SEONGHWA visited Teotihuacán in the morning before leaving Mexico! ⭐️: Now I… It's my last day in Mexico today. I'm going back home soon. Right now I'm feeling very tired, you know? This morning, for a bit, I went to see the… like a mountain here in Mexico. It's that, um, what was it? That massive, the, uh, what was the name? That.. oh, what was it? I can't remember. Anyway, I went to that really big place, and it was very healing. But it was so high up that my legs hurt a bit from the climb up? I heard that it's the world's third biggest pyramid so, this morning I went, and I also took lots of pictures. Ah that's right! Someone commented the place names here. Teotihuacán. Ah, yes, the name's really hard! So, I visited Teotihuacán and it was really… I was completely overwhelmed there and seeing it I really kind of felt like, you know, a bit inspired and also healed. The way it survived the marks of time without crumbling, that was seriously cool/ impressive. As for the pictures, I think I'll upload them once I'm back in Korea. I'll organise them a bit first. Yes.
2:27

#SEONGHWA visited Teotihuacán in the morning before leaving Mexico! ⭐️: Now I… It's my last day in Mexico today. I'm going back home soon. Right now I'm feeling very tired, you know? This morning, for a bit, I went to see the… like a mountain here in Mexico. It's that, um, what was it? That massive, the, uh, what was the name? That.. oh, what was it? I can't remember. Anyway, I went to that really big place, and it was very healing. But it was so high up that my legs hurt a bit from the climb up? I heard that it's the world's third biggest pyramid so, this morning I went, and I also took lots of pictures. Ah that's right! Someone commented the place names here. Teotihuacán. Ah, yes, the name's really hard! So, I visited Teotihuacán and it was really… I was completely overwhelmed there and seeing it I really kind of felt like, you know, a bit inspired and also healed. The way it survived the marks of time without crumbling, that was seriously cool/ impressive. As for the pictures, I think I'll upload them once I'm back in Korea. I'll organise them a bit first. Yes.

Everything Seonghwa

19,824 Aufrufe • vor 11 Monaten

Steven Spielberg reveals he turned down the entire Jaws franchise after the first film “I was not in control of Jaws, they offered me the whole franchise and I said I’m done after that first one, I’m done” “I kept saying fellas, we blew the shark up” “People hardly bought into the fact that the shark was as big as it was in Jaws, but they did buy into it, and it was not mythology it was science, it was a sea hunt movie, a big grand adventure of survival” “Where you gonna get another 26 foot long shark? And they said to me well, we’re gonna build one, and I said you got a credibility gap problem, so I didn’t get involved in that”
0:32

Steven Spielberg reveals he turned down the entire Jaws franchise after the first film “I was not in control of Jaws, they offered me the whole franchise and I said I’m done after that first one, I’m done” “I kept saying fellas, we blew the shark up” “People hardly bought into the fact that the shark was as big as it was in Jaws, but they did buy into it, and it was not mythology it was science, it was a sea hunt movie, a big grand adventure of survival” “Where you gonna get another 26 foot long shark? And they said to me well, we’re gonna build one, and I said you got a credibility gap problem, so I didn’t get involved in that”

Third

279,545 Aufrufe • vor 1 Monat

Q: Fred Vasseur said after the Spanish Grand Prix that you were carrying, both cars were carrying, an issue. How much was it affecting you in the Spanish Grand Prix? Lewis Hamilton: "Massively, massively. And yeah, unfortunately the team necessarily don't want us really to talk too much about it, but we both had issues and that were hindering us massively from halfway through the race already." "So what I didn't know is whether or not we had that problem, but obviously I said on the radio that it was the worst feeling car that I'd ever had, and it truly was with that issue. And at the end of the race, I was kind of like, geez, I've never experienced something this bad for such a prolonged time through a race. And it wasn't until after the TV interviews, I get back to the engineers and we find out there was an issue. So it was a bit of a relief to hear that because it definitely didn't feel so terrible afterwards." - F1 2025 Canada -
1:01

Q: Fred Vasseur said after the Spanish Grand Prix that you were carrying, both cars were carrying, an issue. How much was it affecting you in the Spanish Grand Prix? Lewis Hamilton: "Massively, massively. And yeah, unfortunately the team necessarily don't want us really to talk too much about it, but we both had issues and that were hindering us massively from halfway through the race already." "So what I didn't know is whether or not we had that problem, but obviously I said on the radio that it was the worst feeling car that I'd ever had, and it truly was with that issue. And at the end of the race, I was kind of like, geez, I've never experienced something this bad for such a prolonged time through a race. And it wasn't until after the TV interviews, I get back to the engineers and we find out there was an issue. So it was a bit of a relief to hear that because it definitely didn't feel so terrible afterwards." - F1 2025 Canada -

sim

27,142 Aufrufe • vor 1 Jahr

Dolly Parton explains why she was better suited to play a wh0re than a secretary: "Parton: 'The Best Little Wh0rehouse in Texas' (1982) was not fun. I loved Burt Reynolds and Jim Nabors and all those people, but at that particular time I was ill, and coming from a Broadway play, we already had everything against us. Interviewer: You got great reviews. Parton: I was happy with the success of it; it was just a hard one to do. (...) Interviewer: You don’t look it [only five feet tall]. Parton: I walk tall, I got a tall attitude. But I’m just a little bitty person. When people see me in airports the stop me and say, “Gee, I thought you were a big person.” When I was doing “Wh0rehouse” was when I got so sick. It was right after that diet that I gained so much more back. That was my second film, and it was so close to my personality as far as me getting to say what I wanted to say, dress the way that I like to dress, that I was real comfortable in the part. Like '9 to 5' (1980), I always joke about playing a secretary. That was good, but that was not really my true nature. Interviewer: You were great in that. Parton: I make a better wh0re than a secretary." (Dolly Parton's interview with Andy Warhol & Maura Moynihan, Interview Magazine, 2012)
1:45

Dolly Parton explains why she was better suited to play a wh0re than a secretary: "Parton: 'The Best Little Wh0rehouse in Texas' (1982) was not fun. I loved Burt Reynolds and Jim Nabors and all those people, but at that particular time I was ill, and coming from a Broadway play, we already had everything against us. Interviewer: You got great reviews. Parton: I was happy with the success of it; it was just a hard one to do. (...) Interviewer: You don’t look it [only five feet tall]. Parton: I walk tall, I got a tall attitude. But I’m just a little bitty person. When people see me in airports the stop me and say, “Gee, I thought you were a big person.” When I was doing “Wh0rehouse” was when I got so sick. It was right after that diet that I gained so much more back. That was my second film, and it was so close to my personality as far as me getting to say what I wanted to say, dress the way that I like to dress, that I was real comfortable in the part. Like '9 to 5' (1980), I always joke about playing a secretary. That was good, but that was not really my true nature. Interviewer: You were great in that. Parton: I make a better wh0re than a secretary." (Dolly Parton's interview with Andy Warhol & Maura Moynihan, Interview Magazine, 2012)

DepressedBergman

116,824 Aufrufe • vor 2 Monaten

Kevin Costner recounts the exact moment he knew he’d made it as a Hollywood star. Howard Stern: “How many years were there from when you, let’s say, graduated high school?” Kevin Costner: “Probably six or seven years. I was just knocking around, taking odd jobs, auditioning for things, and constantly getting rejected.” “People always ask, ‘What was your moment? What was your big break?’” “It’s really clear to me. I knew when I got the job in The Big Chill. Not what happened later, not getting cut out of the movie. I’m saying when I got the job. I was driving home on the freeway, and I knew it had happened for me.” Howard Stern: “It’s so funny because The Big Chill is the movie where you’re the guy who got cut out.” Kevin Costner: “But it had already happened for me, right? I was on the freeway, and I didn’t care anymore what happened after that. I knew I was in the right room, with the right guy, with the right people. I knew it was on. Not when the movie came out. I knew it was on the day I left the audition with the part.” Howard Stern: “That was the day you said to yourself, ‘I’m an actor.’” Kevin Costner: “That’s exactly right. Wally Niesita was the casting director, and she had such a force of will. She helped me with Lawrence Kasdan. But people only look at the obvious. If you want to ask when the moment was, it was really two moments. The moment I decided I wasn’t going to worry anymore about what people thought of me, and I wasn’t going to let my parents’ worries define my life. I didn’t care. They were going to catch up with my life. That was the first moment. The second was driving home after getting The Big Chill. Those were the two most important moments of my life.”
1:36

Kevin Costner recounts the exact moment he knew he’d made it as a Hollywood star. Howard Stern: “How many years were there from when you, let’s say, graduated high school?” Kevin Costner: “Probably six or seven years. I was just knocking around, taking odd jobs, auditioning for things, and constantly getting rejected.” “People always ask, ‘What was your moment? What was your big break?’” “It’s really clear to me. I knew when I got the job in The Big Chill. Not what happened later, not getting cut out of the movie. I’m saying when I got the job. I was driving home on the freeway, and I knew it had happened for me.” Howard Stern: “It’s so funny because The Big Chill is the movie where you’re the guy who got cut out.” Kevin Costner: “But it had already happened for me, right? I was on the freeway, and I didn’t care anymore what happened after that. I knew I was in the right room, with the right guy, with the right people. I knew it was on. Not when the movie came out. I knew it was on the day I left the audition with the part.” Howard Stern: “That was the day you said to yourself, ‘I’m an actor.’” Kevin Costner: “That’s exactly right. Wally Niesita was the casting director, and she had such a force of will. She helped me with Lawrence Kasdan. But people only look at the obvious. If you want to ask when the moment was, it was really two moments. The moment I decided I wasn’t going to worry anymore about what people thought of me, and I wasn’t going to let my parents’ worries define my life. I didn’t care. They were going to catch up with my life. That was the first moment. The second was driving home after getting The Big Chill. Those were the two most important moments of my life.”

𝓢𝓵𝓪𝓶 👁️⃤

162,969 Aufrufe • vor 1 Monat

Jesse James breaks down what was fair and unfair about the public fallout from his divorce with Sandra Bullock "The adultery part was totally fair... I deserved what I had coming" "I think the adultery part was totally fair because I made big mistakes and did stuff I shouldn't have, and so I deserved what I had coming" "The whole Nazi part of it wasn't fair... I think that was fueled by her and her publicist. They knew that stuff wasn't true" "They asked them, 'Is Jesse a Nazi?'... and her exact quote to Us Magazine was, 'That's not the man I married.' It just poured gasoline on it and made it erupt" "That stuff kind of hurts me because, man, I grew up in an all-black neighborhood and we adopted a Black son" "Not because he was Black. My requirement for the adoption was like, 'Hey, I want the kid that needs us the most'"
1:23

Jesse James breaks down what was fair and unfair about the public fallout from his divorce with Sandra Bullock "The adultery part was totally fair... I deserved what I had coming" "I think the adultery part was totally fair because I made big mistakes and did stuff I shouldn't have, and so I deserved what I had coming" "The whole Nazi part of it wasn't fair... I think that was fueled by her and her publicist. They knew that stuff wasn't true" "They asked them, 'Is Jesse a Nazi?'... and her exact quote to Us Magazine was, 'That's not the man I married.' It just poured gasoline on it and made it erupt" "That stuff kind of hurts me because, man, I grew up in an all-black neighborhood and we adopted a Black son" "Not because he was Black. My requirement for the adoption was like, 'Hey, I want the kid that needs us the most'"

CryptoJoe

649,786 Aufrufe • vor 17 Tagen

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)
1:46

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 Aufrufe • vor 7 Monaten

Trump to Senate Republicans: "I thought we would have a discussion after the press leaves about what last night represented and what we should do about it. And also about the shutdown...the shutdown was a big factor, negative, for the Republicans. And they say that I wasn't on the ballot was the biggest factor. I don't know about that but I was honored that they said that."
0:29

Trump to Senate Republicans: "I thought we would have a discussion after the press leaves about what last night represented and what we should do about it. And also about the shutdown...the shutdown was a big factor, negative, for the Republicans. And they say that I wasn't on the ballot was the biggest factor. I don't know about that but I was honored that they said that."

The Bulwark

390,672 Aufrufe • vor 9 Monaten

A Patient Cured Is A Customer Lost. ER Doctor Threatened With Termination For Prescribing Medicine Insurance Company Disagreed With Read that again. A big insurance company deciding medication, NOT DOCTORS and won’t let a hospital prescribe certain medication or they’ll be terminated “The reason I'm sitting here before you today is because there was a patient who had early SARS 2 and she was well enough to go home, which meant I, as the ER doctor, could prescribe something for her. She wasn't gonna go upstairs. I prescribed hydroxychloroquine and zinc and I think I gave her Zithromax as well and I didn't think anything of it. I happened to call her 2 days later, she was doing great. It was my first one. I got a phone call that I was going to be fired if I ever did that again And I was stunned. Who is the call from? The call is from the it came from the CEO of the hospital, who told my medical director to call me and I said, what's driving this? And he said, I don't think it works. I said, no problem. Don't prescribe it then. You practice as an individual, as do I. But why do you care what I'm practicing? I'm prescribing my patient. He said, well, you know, there's a big insurance company. It was Kaiser at this hospital and Kaiser put their foot down and told the hospital not to prescribe hydroxychloroquine.”
0:53

A Patient Cured Is A Customer Lost. ER Doctor Threatened With Termination For Prescribing Medicine Insurance Company Disagreed With Read that again. A big insurance company deciding medication, NOT DOCTORS and won’t let a hospital prescribe certain medication or they’ll be terminated “The reason I'm sitting here before you today is because there was a patient who had early SARS 2 and she was well enough to go home, which meant I, as the ER doctor, could prescribe something for her. She wasn't gonna go upstairs. I prescribed hydroxychloroquine and zinc and I think I gave her Zithromax as well and I didn't think anything of it. I happened to call her 2 days later, she was doing great. It was my first one. I got a phone call that I was going to be fired if I ever did that again And I was stunned. Who is the call from? The call is from the it came from the CEO of the hospital, who told my medical director to call me and I said, what's driving this? And he said, I don't think it works. I said, no problem. Don't prescribe it then. You practice as an individual, as do I. But why do you care what I'm practicing? I'm prescribing my patient. He said, well, you know, there's a big insurance company. It was Kaiser at this hospital and Kaiser put their foot down and told the hospital not to prescribe hydroxychloroquine.”

Wall Street Apes

346,090 Aufrufe • vor 2 Jahren

BREAKING NEWS: Trump announces economic plan. “So there are some of the most brilliant people in Wall Street that are saying that if President Trump doesn't win, you're going to have a depression. I have to agree. I think that's true. Because I know how bad these people are. You know, they like to say that they did this and that. You saw the seven trillion that they said it was me for seven trillion. It wasn't me. It was them. They said that I had inflation. They took over 9% in inflation. No, no, I had 1% inflation. I had actually no inflation because if you look at the categories, we had just about no inflation. But I had a very minor-- I actually had a positive inflation. It was a perfect number. Because you don't want zero. I mean, I'm not going to give you a whole course on economics. But you don't want zero. 1% 1.4% is great. You want a little bit because you don't want to have deflation. Deflation is, in many ways, even worse. I had a perfect number right around the 1% number. It was perfect. And to show you, it stayed there for two years. And then he did all of the different borrowings that he did. And then he did so many things wrong. Every time he would do it, I'd say big mistake. And don't forget they sell hats. And they sell stories. Trump was right about everything. I happened right about a lot.”
1:25

BREAKING NEWS: Trump announces economic plan. “So there are some of the most brilliant people in Wall Street that are saying that if President Trump doesn't win, you're going to have a depression. I have to agree. I think that's true. Because I know how bad these people are. You know, they like to say that they did this and that. You saw the seven trillion that they said it was me for seven trillion. It wasn't me. It was them. They said that I had inflation. They took over 9% in inflation. No, no, I had 1% inflation. I had actually no inflation because if you look at the categories, we had just about no inflation. But I had a very minor-- I actually had a positive inflation. It was a perfect number. Because you don't want zero. I mean, I'm not going to give you a whole course on economics. But you don't want zero. 1% 1.4% is great. You want a little bit because you don't want to have deflation. Deflation is, in many ways, even worse. I had a perfect number right around the 1% number. It was perfect. And to show you, it stayed there for two years. And then he did all of the different borrowings that he did. And then he did so many things wrong. Every time he would do it, I'd say big mistake. And don't forget they sell hats. And they sell stories. Trump was right about everything. I happened right about a lot.”

Jim Stewartson, Decelerationist 🇨🇦🇺🇦🇺🇸

2,407,728 Aufrufe • vor 2 Jahren

🎥| “What's your highlight of being a Doncaster fan?” Louis Tomlinson: It probably means more in my in my adult life, to be honest. Um, I think you know, I think a big part of that for me was moving away from Doncaster and really missing my town. So, a way of kind of still staying connected with them and keeping me love and passion for the town, I suppose that it it's kind of just the obvious thing to be a big fan of where you're from, you know? Um, there's definitely some great moments growing up, but as I said, you know, th- there's not a lot of Donny fans in Doncaster, so, which is kind of crazy. There's a lot of big clubs near us. Two big Sheffield clubs, yourselves... Um, so, yeah, it definitely it definitely wasn't like the most attractive attractive prospect at school. There wasn't that many Donny fans, but we went on an amazing cup run. We beat Man City before they had all that money, which was amazing. We went out on penalties to Arsenal. I remember being there. And that was the first moment, I think, where I'd really attached emotion to football. I remember going home like absolutely devastated, like I'd just been finished by my girlfriend at the time. Just absolutely mortified, and I think it wasn't really until that moment that I really understood, you know, like, especially the emotions involved, and and especially a small club, that would have meant the world to us to win it. Obviously, I'm still talking about it now. But that's what it's all about with these smaller clubs. It's the cup runs. That's all you got to celebrate, really. We've had some playoff moments that were great as well, but I wasn't lucky enough to be at any of those games. So, for me, it was more about the cups growing up.” 🔗
1:31

🎥| “What's your highlight of being a Doncaster fan?” Louis Tomlinson: It probably means more in my in my adult life, to be honest. Um, I think you know, I think a big part of that for me was moving away from Doncaster and really missing my town. So, a way of kind of still staying connected with them and keeping me love and passion for the town, I suppose that it it's kind of just the obvious thing to be a big fan of where you're from, you know? Um, there's definitely some great moments growing up, but as I said, you know, th- there's not a lot of Donny fans in Doncaster, so, which is kind of crazy. There's a lot of big clubs near us. Two big Sheffield clubs, yourselves... Um, so, yeah, it definitely it definitely wasn't like the most attractive attractive prospect at school. There wasn't that many Donny fans, but we went on an amazing cup run. We beat Man City before they had all that money, which was amazing. We went out on penalties to Arsenal. I remember being there. And that was the first moment, I think, where I'd really attached emotion to football. I remember going home like absolutely devastated, like I'd just been finished by my girlfriend at the time. Just absolutely mortified, and I think it wasn't really until that moment that I really understood, you know, like, especially the emotions involved, and and especially a small club, that would have meant the world to us to win it. Obviously, I'm still talking about it now. But that's what it's all about with these smaller clubs. It's the cup runs. That's all you got to celebrate, really. We've had some playoff moments that were great as well, but I wasn't lucky enough to be at any of those games. So, for me, it was more about the cups growing up.” 🔗

World Tomlinson

11,298 Aufrufe • vor 1 Monat