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Remembering this TV Gold. When a false allegation against Ryan Thomas happened in Big Brother. I felt for him immensely as it could have ruined his life and career in TV had the camera not caught the scene where he did nothing wrong. But, I was pleased because it... highlighted what so many men go through yet don't get the justice of the cameras and their lives are ruined. She's pissed off into oblivion never to be seen again. Good. He went onto win big brother. Good and what really pleased me was the public support for him. But her lies were quite unbelievable. So brazenly playing the victim card. If it does actually ever happen to her, she will never be believed. Can't say I'd be sorry.show more

FHousebunny

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431,330 просмотров • 8 дней назад •via X (Twitter)

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John Methu: I have known President William Ruto for quite some time, especially since I was elected, amongst his most favourite legislators then was myself. I have visited most of his farms. He campaigned for me, and I campaigned for him. It would be inappropriate for anybody to say that what I said was not appropriate before the president. I don’t fear him. I respect him as the head of state, as the commander in chief, as a parent; his sons are my age mates. It would be wrong for me to disrespect him, but it would also be wrong for me to fear him because if I fear him, I will not be a good leader #CitizenSundayLive

John Methu: I have known President William Ruto for quite some time, especially since I was elected, amongst his most favourite legislators then was myself. I have visited most of his farms. He campaigned for me, and I campaigned for him. It would be inappropriate for anybody to say that what I said was not appropriate before the president. I don’t fear him. I respect him as the head of state, as the commander in chief, as a parent; his sons are my age mates. It would be wrong for me to disrespect him, but it would also be wrong for me to fear him because if I fear him, I will not be a good leader #CitizenSundayLive

Citizen TV Kenya

120,369 просмотров • 4 месяцев назад

When making The Departed, Jack Nicholson told Matt Damon, “I never would've made it this far in my career if I wasn't a great fucking writer.” Meaning, he would contribute great ideas to a story through his performance and improvisation. Damon recalls a perfect example of this: “And I'll give you one story - it was my favorite thing that happened on The Departed, was this story about a scene that I was not in, but he (Nicholson) was - it was 1 eighth of a page, and it said Costello - which is the name of his character - ‘Costello executes man kneeling in the marshes.’ Now, most people look at that, and they'll go, ‘All right, it's gonna be one shot - that's gonna be an hour of work, and that's all I'm doing that day, or whatever.’ He looked at that, and he goes, ‘Okay, I can do that, but I think I can make it better.’ And so he's telling me this story. He goes, (in Jack Nicholson’s voice) ‘So what I do is,’… he goes, ‘I come from the Roger Corman School, so I'm not gonna add any time, and I'm not gonna add to your budget. But instead of a man kneeling in the marshes, I make it a woman.’ ...And he goes, ‘So I'm gonna execute a woman, but I'm not gonna be alone. I put Ray (Winston) in the scene with me - and I shoot her in the back of the head like it says in the script. But if you leave the camera rolling, after she falls, I turn to Ray and I say, geez, she fell funny. Now that's a really sinister thing to say. Because it means I do this a lot, and there's a way people fall. And she didn't fall that way.’ And I go, ‘oh yeah, I get it man, I get it.’ ‘Now you could end the scene there, but if you leave the camera rolling, Ray steps forward, and he reveals that he's holding an axe. She's gonna chop her up. Now you could end the scene there.’ He goes, ‘But if you leave the camera rolling, I turn to Ray and say, “wait, I think I wanna fuck her again.”’ And he goes, ‘Now that's a very sinister line.’ I get it, I get it, it's really, really, really disturbing. And he says, Now you could end the scene there, but if you keep the camera rolling, Ray stops and looks at me, and there's a pause. And I go….ah! He goes, ‘And that's a sinister thing to do, “'cause we're making a joke out of this whole thing.” And I go, yeah, I get it, I get it. ‘Now you could end the scene there, but if you leave the camera rolling, Ray says, “Francis, you really oughta see someone.” And so that's what they did. He took this one eighth of a page scene, and he did all of that, and they had two cameras on it, so it could cut back and forth. And what Marty ended up cutting was he shoots her, she falls, he says, “Geez, she fell funny.” And Ray looks at him and says, “Francis, you really oughta see someone.” But he just gave him all of these options, as dark and as sick as you wanna go.” Quote comes from Matt Damon's appearance on the What A Joke Show with Papa and Fortune

When making The Departed, Jack Nicholson told Matt Damon, “I never would've made it this far in my career if I wasn't a great fucking writer.” Meaning, he would contribute great ideas to a story through his performance and improvisation. Damon recalls a perfect example of this: “And I'll give you one story - it was my favorite thing that happened on The Departed, was this story about a scene that I was not in, but he (Nicholson) was - it was 1 eighth of a page, and it said Costello - which is the name of his character - ‘Costello executes man kneeling in the marshes.’ Now, most people look at that, and they'll go, ‘All right, it's gonna be one shot - that's gonna be an hour of work, and that's all I'm doing that day, or whatever.’ He looked at that, and he goes, ‘Okay, I can do that, but I think I can make it better.’ And so he's telling me this story. He goes, (in Jack Nicholson’s voice) ‘So what I do is,’… he goes, ‘I come from the Roger Corman School, so I'm not gonna add any time, and I'm not gonna add to your budget. But instead of a man kneeling in the marshes, I make it a woman.’ ...And he goes, ‘So I'm gonna execute a woman, but I'm not gonna be alone. I put Ray (Winston) in the scene with me - and I shoot her in the back of the head like it says in the script. But if you leave the camera rolling, after she falls, I turn to Ray and I say, geez, she fell funny. Now that's a really sinister thing to say. Because it means I do this a lot, and there's a way people fall. And she didn't fall that way.’ And I go, ‘oh yeah, I get it man, I get it.’ ‘Now you could end the scene there, but if you leave the camera rolling, Ray steps forward, and he reveals that he's holding an axe. She's gonna chop her up. Now you could end the scene there.’ He goes, ‘But if you leave the camera rolling, I turn to Ray and say, “wait, I think I wanna fuck her again.”’ And he goes, ‘Now that's a very sinister line.’ I get it, I get it, it's really, really, really disturbing. And he says, Now you could end the scene there, but if you keep the camera rolling, Ray stops and looks at me, and there's a pause. And I go….ah! He goes, ‘And that's a sinister thing to do, “'cause we're making a joke out of this whole thing.” And I go, yeah, I get it, I get it. ‘Now you could end the scene there, but if you leave the camera rolling, Ray says, “Francis, you really oughta see someone.” And so that's what they did. He took this one eighth of a page scene, and he did all of that, and they had two cameras on it, so it could cut back and forth. And what Marty ended up cutting was he shoots her, she falls, he says, “Geez, she fell funny.” And Ray looks at him and says, “Francis, you really oughta see someone.” But he just gave him all of these options, as dark and as sick as you wanna go.” Quote comes from Matt Damon's appearance on the What A Joke Show with Papa and Fortune

Gangster Cinema Central

1,053,344 просмотров • 3 месяцев назад

ABC News’ Jonathan Karl: “if I were to say what the most surprising story was, I would say Marjorie Taylor Greene becomes not just a Trump critic —” Scott Jennings: “MTG became a lib. I mean that’s what happened this year. She got a little bent out of shape because the president wouldn't support her for a state-wide office in Georgia, which she was going to lose if she had gotten into it, by the way. And so she goes off the deep end. Look, I don't think these divisions and all this fraying are as big a deal as some people make it out to be. Trump is still extraordinarily popular among Republicans. He’s the strongest party boss in the modern era.” “And he can get his allies in Congress to do most anything he wants them to do. Which is why I think in the coming year they really ought to spend some time trying to codify, to Rick’s point, his executive orders and some of the other initiatives that he’s had. Really try to make it stick and really fight it out because I think a lot of the things he did would actually be pretty popular political debates to have. And so, why not spend a little time on that? And it would give him something to do this year.” “He's going to have to get out in the country too and, you know, Neera’s making the case against the Trump economy, but the line can be drawn between what he is doing and what mess was left. You started to see him do this in his address to the country.” “But that's another project for 2026. Get out and become the salesman in chief for the Republican agenda. He did it in '24 to great success.”

ABC News’ Jonathan Karl: “if I were to say what the most surprising story was, I would say Marjorie Taylor Greene becomes not just a Trump critic —” Scott Jennings: “MTG became a lib. I mean that’s what happened this year. She got a little bent out of shape because the president wouldn't support her for a state-wide office in Georgia, which she was going to lose if she had gotten into it, by the way. And so she goes off the deep end. Look, I don't think these divisions and all this fraying are as big a deal as some people make it out to be. Trump is still extraordinarily popular among Republicans. He’s the strongest party boss in the modern era.” “And he can get his allies in Congress to do most anything he wants them to do. Which is why I think in the coming year they really ought to spend some time trying to codify, to Rick’s point, his executive orders and some of the other initiatives that he’s had. Really try to make it stick and really fight it out because I think a lot of the things he did would actually be pretty popular political debates to have. And so, why not spend a little time on that? And it would give him something to do this year.” “He's going to have to get out in the country too and, you know, Neera’s making the case against the Trump economy, but the line can be drawn between what he is doing and what mess was left. You started to see him do this in his address to the country.” “But that's another project for 2026. Get out and become the salesman in chief for the Republican agenda. He did it in '24 to great success.”

RedWave Press

380,417 просмотров • 8 месяцев назад

Emma Stone reveals Andrew Garfield lied directly to her about appearing in Spider-Man: No Way Home. "I asked him if he was going to be in that, and he was like, 'I don't know what you're talking about.'" "I was like, 'What? Oh, I guess that means no.' But it wasn't no, it was yes." "Good for him. He kept it really close to the vest." "I actually have not seen it... It would be very emotional, I'm sure. But I heard it was fantastic. I will see it, eventually."

Emma Stone reveals Andrew Garfield lied directly to her about appearing in Spider-Man: No Way Home. "I asked him if he was going to be in that, and he was like, 'I don't know what you're talking about.'" "I was like, 'What? Oh, I guess that means no.' But it wasn't no, it was yes." "Good for him. He kept it really close to the vest." "I actually have not seen it... It would be very emotional, I'm sure. But I heard it was fantastic. I will see it, eventually."

Garaa

589,237 просмотров • 27 дней назад

This is so hard to watch. Savannah Guthrie on returning to Tuscon after her mom went missing and breaking down crying and apologizing to her family if whoever kidnapped their mom did it b/c Savannah's famous... "Just disbelief and hugging each other, and I think we were on the phone with the sheriff and trying to, you know, really make clear as -- I mean, from the very early moments, you know, Annie and Tommy were staying, this isn't -- this isn't that that you are used to where someone wanders off. She can't wander off. My mom, her -- her -- she was in tremendous pain. Her back was very bad. You know, she was trying to -- on a good day, she could walk down to the mailbox and get the mail, but most days not, so there wasn't a wander off. And the doors were propped open, and there was blood on the front doorstep, and the Ring camera had been yanked off, and so we were saying, this is -- this is not okay. This isn't -- something is very wrong here." "I think my brother -- I mean, my siblings are so amazing. My brother, you know, he spent his career in the military, and worked in intelligence, and was a fighter pilot, and is brilliant, and he saw very clearly right away what this was. And even on the phone when I called him, he knew. And he said, 'I think she's been kidnapped for ransom.' And I said, 'What? Well, why -- what? I mean, it sounds so -- like, how dumb could I be, but I just -- I didn't want to believe -- I just said do you think because of me? And he said, 'I'm sorry, sweetie, but, yeah, maybe.' But I knew that. I hoped not. I mean, we still don't know. Honestly, we don't know anything. We don't know anything. So, I don't know that it's because she's my mom and somebody thought, oh, that girl, that lady has money, we could get -- make a quick buck, I mean, that would make sense, but we don't know, but, yeah, that's probably, which is too much to bear to think that I brought this to her bedside -- that it's because of me. And I just have to say, I'm so sorry, mommy. I'm so sorry. I'm sorry to my sister, and my brother, and my kids, and my nephew, and Tommy, and my brother-in-law. Just, like, I'm so sorry, I'm so sorry."

This is so hard to watch. Savannah Guthrie on returning to Tuscon after her mom went missing and breaking down crying and apologizing to her family if whoever kidnapped their mom did it b/c Savannah's famous... "Just disbelief and hugging each other, and I think we were on the phone with the sheriff and trying to, you know, really make clear as -- I mean, from the very early moments, you know, Annie and Tommy were staying, this isn't -- this isn't that that you are used to where someone wanders off. She can't wander off. My mom, her -- her -- she was in tremendous pain. Her back was very bad. You know, she was trying to -- on a good day, she could walk down to the mailbox and get the mail, but most days not, so there wasn't a wander off. And the doors were propped open, and there was blood on the front doorstep, and the Ring camera had been yanked off, and so we were saying, this is -- this is not okay. This isn't -- something is very wrong here." "I think my brother -- I mean, my siblings are so amazing. My brother, you know, he spent his career in the military, and worked in intelligence, and was a fighter pilot, and is brilliant, and he saw very clearly right away what this was. And even on the phone when I called him, he knew. And he said, 'I think she's been kidnapped for ransom.' And I said, 'What? Well, why -- what? I mean, it sounds so -- like, how dumb could I be, but I just -- I didn't want to believe -- I just said do you think because of me? And he said, 'I'm sorry, sweetie, but, yeah, maybe.' But I knew that. I hoped not. I mean, we still don't know. Honestly, we don't know anything. We don't know anything. So, I don't know that it's because she's my mom and somebody thought, oh, that girl, that lady has money, we could get -- make a quick buck, I mean, that would make sense, but we don't know, but, yeah, that's probably, which is too much to bear to think that I brought this to her bedside -- that it's because of me. And I just have to say, I'm so sorry, mommy. I'm so sorry. I'm sorry to my sister, and my brother, and my kids, and my nephew, and Tommy, and my brother-in-law. Just, like, I'm so sorry, I'm so sorry."

Curtis Houck

57,644 просмотров • 5 месяцев назад

Back at the pizza shop for whatever reason we always only had teenagers apply so most of my workers were all high school kids. There was this one 16 year old girl who was working there who is as entitled as can be. Anytime she made a mistake and it was brought to her attention, she would call her dad and her dad would come up to the shop to defend her. On this day we were short a driver so I was helping out delivering pizzas while I had the employees tend to the store. The 16 year old girl was trying to joke around and be funny, she through a dough ball at someone and it got stuck in their hair. Almost like gum it was a pain to remove. So that person in turn through a tomato at her and it splattered all over her clothes. She immediately got red in the face and started to cry. She had already clocked out and left when I got back from a delivery. About 5 minutes later her dad shows up and berates me for letting that happen to his daughter. I check the cameras and saw what happened and I even showed it to him but he still feels it was wrong for a tomato to be thrown at her so told him she started it and the other girl with the dough in her hair had to get some of it cut off. I acknowledged that both parties were equally wrong for participating in it but I wasn’t going to fire the girl who threw the tomato as she was responding to doing being thrown in her hair. He wasn’t exactly reasonable in response to my actions so I ended up banning him from the store.

Back at the pizza shop for whatever reason we always only had teenagers apply so most of my workers were all high school kids. There was this one 16 year old girl who was working there who is as entitled as can be. Anytime she made a mistake and it was brought to her attention, she would call her dad and her dad would come up to the shop to defend her. On this day we were short a driver so I was helping out delivering pizzas while I had the employees tend to the store. The 16 year old girl was trying to joke around and be funny, she through a dough ball at someone and it got stuck in their hair. Almost like gum it was a pain to remove. So that person in turn through a tomato at her and it splattered all over her clothes. She immediately got red in the face and started to cry. She had already clocked out and left when I got back from a delivery. About 5 minutes later her dad shows up and berates me for letting that happen to his daughter. I check the cameras and saw what happened and I even showed it to him but he still feels it was wrong for a tomato to be thrown at her so told him she started it and the other girl with the dough in her hair had to get some of it cut off. I acknowledged that both parties were equally wrong for participating in it but I wasn’t going to fire the girl who threw the tomato as she was responding to doing being thrown in her hair. He wasn’t exactly reasonable in response to my actions so I ended up banning him from the store.

SonnyBoy🇺🇸

52,407 просмотров • 14 дней назад

Shaquille O’Neal says his mother refused to let him buy her a house, so he tricked her into touring one as his assistant, then told her it was hers “I realized when the money came in, my mother never had a house. I came in one day in San Antonio, we were driving and she pulled over. She was just looking at this house” “The house said for sale and she grabbed the thing, ain’t no way we would be able to afford it. It’s worth $300,000, a nice little house. I just seen her look at it and that kind of pissed me off” “So the first thing I did was buy her one. I had to trick her, because she’d say, ‘No baby, that’s your money.’ She’s not materialistic. So I made her my ‘assistant for the day’” “I walked her through it, 9,000 square feet, marble everywhere, ‘You like this house?’ She said, ‘Yeah, it’s kind of too big’ I said, ‘It’s yours.’ I never saw tears come so fast. I had to hand her the keys and leave”

Shaquille O’Neal says his mother refused to let him buy her a house, so he tricked her into touring one as his assistant, then told her it was hers “I realized when the money came in, my mother never had a house. I came in one day in San Antonio, we were driving and she pulled over. She was just looking at this house” “The house said for sale and she grabbed the thing, ain’t no way we would be able to afford it. It’s worth $300,000, a nice little house. I just seen her look at it and that kind of pissed me off” “So the first thing I did was buy her one. I had to trick her, because she’d say, ‘No baby, that’s your money.’ She’s not materialistic. So I made her my ‘assistant for the day’” “I walked her through it, 9,000 square feet, marble everywhere, ‘You like this house?’ She said, ‘Yeah, it’s kind of too big’ I said, ‘It’s yours.’ I never saw tears come so fast. I had to hand her the keys and leave”

katsu

206,167 просмотров • 1 месяц назад

Dolly Parton on why her husband never wanted to be seen in public with her and how she knew to keep his life private. “My husband did not want to be out there. He never did an interview in his life. When I first got here, I won Song of the Year and won my award in 1966, the year we got married. I wanted him to go with me, so he rented a tuxedo. I begged him to go. When we were leaving, he started taking off the jacket and said, ‘Now, I want you to do great, but don’t you ever ask me to go to another one of these damn things, ’cause I ain’t going.’ And he never did. I knew right then that I was just gonna keep him private as best I could. Never ask him to do nothing, and certainly he wasn’t gonna volunteer. He was very proud of me, of course, but we got along great because we didn’t have nothing to fight over like that.”

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Dolly Parton on why her husband never wanted to be seen in public with her and how she knew to keep his life private. “My husband did not want to be out there. He never did an interview in his life. When I first got here, I won Song of the Year and won my award in 1966, the year we got married. I wanted him to go with me, so he rented a tuxedo. I begged him to go. When we were leaving, he started taking off the jacket and said, ‘Now, I want you to do great, but don’t you ever ask me to go to another one of these damn things, ’cause I ain’t going.’ And he never did. I knew right then that I was just gonna keep him private as best I could. Never ask him to do nothing, and certainly he wasn’t gonna volunteer. He was very proud of me, of course, but we got along great because we didn’t have nothing to fight over like that.”

vintae

7,399,556 просмотров • 7 дней назад

Lamine Yamal says "I don't want to be Messi and he knows it" Q: "Why did it take so long for you to bring up Messi?" "He surprised me, honestly. There were points where he could have linked it, but he didn't. I knew the question was coming - but this is the latest it's come up" "I respect him for what he's been, for what he is for football. If we ever meet on a football field, there will be mutual respect - because we're both players, and because for me he's the best in history" "He also knows I'm a good player, that I respect him. It's mutual respect. And we both know I don't want to be Messi, and Messi knows I don't want to be him" "I want to follow my own path. I have no intention of playing like him, or wearing the 10 he wore. None of that"

Lamine Yamal says "I don't want to be Messi and he knows it" Q: "Why did it take so long for you to bring up Messi?" "He surprised me, honestly. There were points where he could have linked it, but he didn't. I knew the question was coming - but this is the latest it's come up" "I respect him for what he's been, for what he is for football. If we ever meet on a football field, there will be mutual respect - because we're both players, and because for me he's the best in history" "He also knows I'm a good player, that I respect him. It's mutual respect. And we both know I don't want to be Messi, and Messi knows I don't want to be him" "I want to follow my own path. I have no intention of playing like him, or wearing the 10 he wore. None of that"

Arslan

2,144,259 просмотров • 1 месяц назад

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Gangster Cinema Central

89,214 просмотров • 1 месяц назад

I'm recovering from surgery and decided to watch the Green Lantern. I've never seen it before and wanted to see if it really is as bad as every says it it - it is! But I noticed that about 30 mins into the film, there's a scene where Lively and Reynolds characters dance in a bar in an almost identical way to the slow dance scene from IEWU. The only difference is the characters were talking Could it be possible that Lively was trying to recreate the scene to be similar to the scene she did with her husband when she fell in love with him? Did she rewrite the scene to mirror the details of the dance? Is this what she means when she says her husband is "all over this movie"? Did Reynolds see this and get jealous because it hit a nerve? *side observation - she's rubbing her hands all over him and not intimacy coordinator is around

I'm recovering from surgery and decided to watch the Green Lantern. I've never seen it before and wanted to see if it really is as bad as every says it it - it is! But I noticed that about 30 mins into the film, there's a scene where Lively and Reynolds characters dance in a bar in an almost identical way to the slow dance scene from IEWU. The only difference is the characters were talking Could it be possible that Lively was trying to recreate the scene to be similar to the scene she did with her husband when she fell in love with him? Did she rewrite the scene to mirror the details of the dance? Is this what she means when she says her husband is "all over this movie"? Did Reynolds see this and get jealous because it hit a nerve? *side observation - she's rubbing her hands all over him and not intimacy coordinator is around

Leanne Newton

528,288 просмотров • 1 год назад

🚨 NOW: President Trump ERUPTS on the Obama and Biden DOJs for ruining patriots' LIVES, and the media ran cover for it "They went to JAIL, their families were ruined, they committed suic*de!" "We're reimbursing those people...they DESTROYED PEOPLE." 💯 "It was the most VIOLENT thing I've ever seen in politics. Yet if I say, let's look at this, they say, weaponization!" "What they did in terms of weaponization will NEVER be able to happen again." Nailed it.

🚨 NOW: President Trump ERUPTS on the Obama and Biden DOJs for ruining patriots' LIVES, and the media ran cover for it "They went to JAIL, their families were ruined, they committed suic*de!" "We're reimbursing those people...they DESTROYED PEOPLE." 💯 "It was the most VIOLENT thing I've ever seen in politics. Yet if I say, let's look at this, they say, weaponization!" "What they did in terms of weaponization will NEVER be able to happen again." Nailed it.

Eric Daugherty

143,932 просмотров • 3 месяцев назад

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Jaynit

1,254,845 просмотров • 4 месяцев назад

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Jaynit

385,989 просмотров • 6 месяцев назад

250727 warning in taipei #우지 white puppy trainee woozi <3 👤 i never scolded them, there were times when everyone was scolded and howoo were present, i have no memory of scolding howoo individually. they were the standard for trainees. woozi was able to learn choreography within an hour but he didn’t go home and waited for the others. so he was someone who never really expressed [when he had hardships]. if i were to give an extreme example, when he was a trainee he had to remove his wisdom teeth but he went to the practice room and sat there alone. so i asked him what was wrong and it was to the level where he said it was so painful that he wanted to go home. he was someone who even when he was in pain he didn’t express it, if he was struggling he didn’t say so, a white puppy who listened to instructions well

250727 warning in taipei #우지 white puppy trainee woozi <3 👤 i never scolded them, there were times when everyone was scolded and howoo were present, i have no memory of scolding howoo individually. they were the standard for trainees. woozi was able to learn choreography within an hour but he didn’t go home and waited for the others. so he was someone who never really expressed [when he had hardships]. if i were to give an extreme example, when he was a trainee he had to remove his wisdom teeth but he went to the practice room and sat there alone. so i asked him what was wrong and it was to the level where he said it was so painful that he wanted to go home. he was someone who even when he was in pain he didn’t express it, if he was struggling he didn’t say so, a white puppy who listened to instructions well

🌌

27,216 просмотров • 1 год назад

“But Serhat doesn’t deserve her.” Meanwhile, Serhat literally shifted the course of his entire life as a teenager, leaving behind everything he loved just so she could have what she wanted, even if that future didn’t include him. When he came back, he fought for her to stay in the mansion because he wanted her safe. He treated her better than anyone ever had. You might think it wasn’t enough, but he did the best he could, and Yıldız herself saw that! He stood against the clan. Against the norms. Against the culture. Against traditions. Against his mother. Against his brother. Against her own brother. Against the man she thought was her father. When he found out her family was fake, he brought her mother to her. And when he realized that woman was not the mother Yıldız deserved, he kicked her out. He saved her life multiple times. And no, before anyone says it, he was not the one putting her life in danger. Yıldız was constantly sacrificing herself out of love, and every single time he tried to stop her from doing that. People tried to take her away from him, and he never let that happen! Even when he divorced her and let her go, he couldn’t completely give up on her. You may call that selfish, but the man was terrified of losing her and believed he had no other choice. He gave up everything. Everything. And he is still ready to give up more if it meant she would be okay and with him. He didn’t care that people talked when she ran away with another man. He didn’t care when she got engaged to someone else. He didn’t care when she told him she didn’t love him and loved somebody else. Because he knew why she was doing those things. He knew she was sacrificing herself for him, just like he had sacrificed himself for her before. This is the same Serhat who learned that the blood feud was fake and immediately continued treating her like she was still his wife, because he never married her only because of that feud in the first place 🤷🏻‍♀️ He married her because, since childhood, he had been convinced she was his destiny! And the only reason he kept running away from her was to save her, not because he wanted to get rid of her. The same man who didn’t care whether she could give him children or not. The same man who said he wanted to build a life with HER, not a family. Meaning he didn’t want children. He wanted Yıldız. I genuinely don’t know what some people are watching. And if you don’t see what I see, that’s okay. We can have different povs but it is so obvious to me that there is something in this story that some people are completely missing🤷🏻‍♀️ Guess after all he doesn’t deserve her …

“But Serhat doesn’t deserve her.” Meanwhile, Serhat literally shifted the course of his entire life as a teenager, leaving behind everything he loved just so she could have what she wanted, even if that future didn’t include him. When he came back, he fought for her to stay in the mansion because he wanted her safe. He treated her better than anyone ever had. You might think it wasn’t enough, but he did the best he could, and Yıldız herself saw that! He stood against the clan. Against the norms. Against the culture. Against traditions. Against his mother. Against his brother. Against her own brother. Against the man she thought was her father. When he found out her family was fake, he brought her mother to her. And when he realized that woman was not the mother Yıldız deserved, he kicked her out. He saved her life multiple times. And no, before anyone says it, he was not the one putting her life in danger. Yıldız was constantly sacrificing herself out of love, and every single time he tried to stop her from doing that. People tried to take her away from him, and he never let that happen! Even when he divorced her and let her go, he couldn’t completely give up on her. You may call that selfish, but the man was terrified of losing her and believed he had no other choice. He gave up everything. Everything. And he is still ready to give up more if it meant she would be okay and with him. He didn’t care that people talked when she ran away with another man. He didn’t care when she got engaged to someone else. He didn’t care when she told him she didn’t love him and loved somebody else. Because he knew why she was doing those things. He knew she was sacrificing herself for him, just like he had sacrificed himself for her before. This is the same Serhat who learned that the blood feud was fake and immediately continued treating her like she was still his wife, because he never married her only because of that feud in the first place 🤷🏻‍♀️ He married her because, since childhood, he had been convinced she was his destiny! And the only reason he kept running away from her was to save her, not because he wanted to get rid of her. The same man who didn’t care whether she could give him children or not. The same man who said he wanted to build a life with HER, not a family. Meaning he didn’t want children. He wanted Yıldız. I genuinely don’t know what some people are watching. And if you don’t see what I see, that’s okay. We can have different povs but it is so obvious to me that there is something in this story that some people are completely missing🤷🏻‍♀️ Guess after all he doesn’t deserve her …

Maurora🫦

15,500 просмотров • 3 месяцев назад

🎥 || Stephen Lord reveals that in Monza Lewis Hamilton felt quite emotional and left a personal note for Kimi Antonelli in his room, the note will be there forever as well. "Probably the one that I'm fondest of, happened this year and it's quite an interesting insight into the Lewis perhaps that the people don't see." "It was after the race in Monza. [..] I think the engineers had left so Lewis was upstairs in the room on his own. Lewis came down the stairs, ready to leave and head home. He goes to the bottom of the stairs and he stopped and then he turned around and he went back upstairs. He's forgotten something, didn't think much of it." "He came back down about 10 minutes later and he grabbed a guy that works with the team - Carlos. And you could see that Lewis was really quite emotional. And I was stood there and he said 'It's has only just occurred me that I'm never gonna see that room ever again' and he said 'I'm really emotional, it's like I can't leave, I feel kind of sad to walk away from that room because I been in that room for so many years and I'm never gonna see it again'. And he was really quite touched that he was leaving it behind." "Anyways, so off he went, I went back up to the room to pack his last few bits of driving kit and grab the helmets and everything." "I walked into the room and on the wall there's quite a long handwritten note. It was a note to Kimi. It was basically welcoming him to his new room and it was wishing him the best of luck, saying some really nice things about the team and how 'if you care for them, they'll care for you' because they're a great team. And I thought 'wow what a nice thing to do. Actually now we've had it glass cut so it'll be there forever." "I walked into the bathroom and next to the toilet, above the toilet roll holder was 'Lewis was here' with a big smiley face."

🎥 || Stephen Lord reveals that in Monza Lewis Hamilton felt quite emotional and left a personal note for Kimi Antonelli in his room, the note will be there forever as well. "Probably the one that I'm fondest of, happened this year and it's quite an interesting insight into the Lewis perhaps that the people don't see." "It was after the race in Monza. [..] I think the engineers had left so Lewis was upstairs in the room on his own. Lewis came down the stairs, ready to leave and head home. He goes to the bottom of the stairs and he stopped and then he turned around and he went back upstairs. He's forgotten something, didn't think much of it." "He came back down about 10 minutes later and he grabbed a guy that works with the team - Carlos. And you could see that Lewis was really quite emotional. And I was stood there and he said 'It's has only just occurred me that I'm never gonna see that room ever again' and he said 'I'm really emotional, it's like I can't leave, I feel kind of sad to walk away from that room because I been in that room for so many years and I'm never gonna see it again'. And he was really quite touched that he was leaving it behind." "Anyways, so off he went, I went back up to the room to pack his last few bits of driving kit and grab the helmets and everything." "I walked into the room and on the wall there's quite a long handwritten note. It was a note to Kimi. It was basically welcoming him to his new room and it was wishing him the best of luck, saying some really nice things about the team and how 'if you care for them, they'll care for you' because they're a great team. And I thought 'wow what a nice thing to do. Actually now we've had it glass cut so it'll be there forever." "I walked into the bathroom and next to the toilet, above the toilet roll holder was 'Lewis was here' with a big smiley face."

sin ⁴⁴

490,217 просмотров • 1 год назад

He wanted to leave. She wouldn’t let him. Instead, she started crying and playing the victim. She claimed he assaulted her, then said she was going to call for help, but ended up calling her mom. When he finally had a chance to leave, she ran after him, assaulted him again, and tried to force him back into the apartment. Now imagine if he hadn’t recorded any of this and he called the police. Do you think they would have believed he was being held against his will and attacked? There’s a good chance he would have been the one going to jail. This happens to men every day. If it weren’t for recordings like this, there would likely be many more innocent men behind bars. I hope he filed charges.

He wanted to leave. She wouldn’t let him. Instead, she started crying and playing the victim. She claimed he assaulted her, then said she was going to call for help, but ended up calling her mom. When he finally had a chance to leave, she ran after him, assaulted him again, and tried to force him back into the apartment. Now imagine if he hadn’t recorded any of this and he called the police. Do you think they would have believed he was being held against his will and attacked? There’s a good chance he would have been the one going to jail. This happens to men every day. If it weren’t for recordings like this, there would likely be many more innocent men behind bars. I hope he filed charges.

Daphne

54,612 просмотров • 1 месяц назад

Quentin Taratino said Lawrence Fishburne’s performance in King of New York was so incredible he thought - “he could be the greatest actor of his generation”. He explains: "As great as Christopher Walken is in this movie. To me, it's Larry Fishburne's movie - it was the rock that becomes a diamond aspect of the movie. It's why I could defend this movie against all comers, because to me, Fish's performance in this movie was comparable to a young Brando. It was the most exciting performance by an actor of his generation that I'd seen in a movie of that time. And I thought, well, that's it. There is a new Marlon Brando, and his name is Larry Fishburne - it was amazing, it was mesmerizing… He is the first hip hop gangster in movie history. That character had never been done before this. He invented that character. And he invented it as something to do. It wasn't in the original script. He came up with that himself… The three big Fishburne moments to me, is his opening sequence with…Tito. That's it, with Tito - black glove dude. And his reunion with Frank. And then it's the chicken scene (see below). Those are his three big arias. Not only that though - expressions that I would later hear for the rest of the decade, I actually heard for the first time in that scene. I'd never heard the expression; “I'll slap the black off you” before. That was the first time I heard it when Fish says it to Snipes. I've since heard it many times… And that was actually the first time I ever heard, “fuck you very much”. And I would proceed to hear that for the rest of the 90s. But those were the first times I'd ever heard those expressions… As terrific as he has been in other things - the level of excitement that I had over him when this movie was over, I have never had that excitement again. I thought, with this, he could be the greatest actor of his generation. That was an actual, real fucking thing. He could be the greatest actor of his generation after seeing this." Quote comes from The Rewatchables podcast

Quentin Taratino said Lawrence Fishburne’s performance in King of New York was so incredible he thought - “he could be the greatest actor of his generation”. He explains: "As great as Christopher Walken is in this movie. To me, it's Larry Fishburne's movie - it was the rock that becomes a diamond aspect of the movie. It's why I could defend this movie against all comers, because to me, Fish's performance in this movie was comparable to a young Brando. It was the most exciting performance by an actor of his generation that I'd seen in a movie of that time. And I thought, well, that's it. There is a new Marlon Brando, and his name is Larry Fishburne - it was amazing, it was mesmerizing… He is the first hip hop gangster in movie history. That character had never been done before this. He invented that character. And he invented it as something to do. It wasn't in the original script. He came up with that himself… The three big Fishburne moments to me, is his opening sequence with…Tito. That's it, with Tito - black glove dude. And his reunion with Frank. And then it's the chicken scene (see below). Those are his three big arias. Not only that though - expressions that I would later hear for the rest of the decade, I actually heard for the first time in that scene. I'd never heard the expression; “I'll slap the black off you” before. That was the first time I heard it when Fish says it to Snipes. I've since heard it many times… And that was actually the first time I ever heard, “fuck you very much”. And I would proceed to hear that for the rest of the 90s. But those were the first times I'd ever heard those expressions… As terrific as he has been in other things - the level of excitement that I had over him when this movie was over, I have never had that excitement again. I thought, with this, he could be the greatest actor of his generation. That was an actual, real fucking thing. He could be the greatest actor of his generation after seeing this." Quote comes from The Rewatchables podcast

Gangster Cinema Central

657,929 просмотров • 3 месяцев назад