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Remote Viewer Warns of a Terrifying Coordinated Attack on a Major US City?! Remote Viewer, Daz Smith, looked at April world events and what he got back is potentially concerning... "...So it was large structures, weirdly higher than any of containership. I shouldn't have looked at that a bit...

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Future Forecasting Group

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14,822 views • 2 months ago •via X (Twitter)

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KAT: "I don't know what it was but I just felt a calm and a peace that I don't know, had to be coming from the woman above "I felt really confident…I felt like a kid. It was just fun out here. This is something as a kid you always dream about…to be in the NBA Finals "All day…weird feeling. I felt like a kid getting ready to play in my Saturday and Sunday AAU games "In a way I felt like I was seeing her in the stands "It was really fun. It was really comforting "Game 1 of the NBA Finals you're told how the pressure's gonna be… "I don't know, it felt like a certain presence was here that was very comforting and very loving and I felt like I could have fun out here––in Game 1 of the NBA Finals…" Shaq: Yes. Rest in peace to your beautiful mother"
1:14

KAT: "I don't know what it was but I just felt a calm and a peace that I don't know, had to be coming from the woman above "I felt really confident…I felt like a kid. It was just fun out here. This is something as a kid you always dream about…to be in the NBA Finals "All day…weird feeling. I felt like a kid getting ready to play in my Saturday and Sunday AAU games "In a way I felt like I was seeing her in the stands "It was really fun. It was really comforting "Game 1 of the NBA Finals you're told how the pressure's gonna be… "I don't know, it felt like a certain presence was here that was very comforting and very loving and I felt like I could have fun out here––in Game 1 of the NBA Finals…" Shaq: Yes. Rest in peace to your beautiful mother"

New York Basketball

878,434 views • 29 days ago

Sam Altman on GPT 5: "This morning I was testing our new model and I got a question. I got emailed a question that I didn't quite understand. And I put it in the model, this is GPT-5, and it answered it perfectly. And I really kind of sat back in my chair and I was just like, oh man, here it is moment... I felt like useless relative to the AI in this thing that I felt like I should have been able to do and I couldn't. It was really hard. But the AI just did it like that. It was a weird feeling."
0:46

Sam Altman on GPT 5: "This morning I was testing our new model and I got a question. I got emailed a question that I didn't quite understand. And I put it in the model, this is GPT-5, and it answered it perfectly. And I really kind of sat back in my chair and I was just like, oh man, here it is moment... I felt like useless relative to the AI in this thing that I felt like I should have been able to do and I couldn't. It was really hard. But the AI just did it like that. It was a weird feeling."

Chris

5,664,499 views • 11 months ago

“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.
2:55

“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.

rosie

47,583 views • 5 months ago

Q: “Because I think a lot of people are familiar with, you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: “I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. ..I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.”
2:59

Q: “Because I think a lot of people are familiar with, you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: “I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. ..I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.”

hiro

35,872 views • 5 months ago

James Hodgkins a member of the Skywatcher team describes a UFO encounter he had with his family during the drone flap “my wife was like, do you think you can get one to show up? And I was like, yeah, let's try it as a family. And so I told them what to do” “one of them appeared a couple hundred feet, maybe like 300 feet, like at tree level. And it was startling. It's the first time I've ever been like, oh my God, it was so close” Source -Engaging The Phenomenon 🔗 in comments Transcript 👇🏼 JH -“So I live in New England while New Jersey was having that major drone flap, we were also having that here along the New England, further up on the New England coast. And the vibe was very different. Like it didn't feel like one thing, like, you know, I've done contact events, you know, in various places and a lot of those contact events, like it almost engenders like this real introspective like philosophical feeling, like contemplating the mysteries of the universe with your friends. You know, it felt different up here during that time period. I think it was from like November to January when New Jersey and everywhere else were having all the drones. And so I went out with my wife and kids and they wanted to see the drones and we saw a few of them in the distance and my wife was like, do you think you can get one to, to show up? And I was like, yeah, let's, let's try it as a family. And so I told them what to do, I walked 'em through kind of my ABC and one of them appeared a couple hundred feet, maybe like 300 feet, like at tree level. And it was startling. It's the first time I've ever been like, oh my God, it was so close. Yeah. And it felt, it didn't have that like introspective etheric quality to it. It felt very different. And I, you know, like others have said in the news like this isn't one thing, it's a little bit of, you know, perhaps foreign adversary, perhaps US technology, but there's a third bit there that seems to be something different that did not feel like any of my other contact experiences.”
1:36

James Hodgkins a member of the Skywatcher team describes a UFO encounter he had with his family during the drone flap “my wife was like, do you think you can get one to show up? And I was like, yeah, let's try it as a family. And so I told them what to do” “one of them appeared a couple hundred feet, maybe like 300 feet, like at tree level. And it was startling. It's the first time I've ever been like, oh my God, it was so close” Source -Engaging The Phenomenon 🔗 in comments Transcript 👇🏼 JH -“So I live in New England while New Jersey was having that major drone flap, we were also having that here along the New England, further up on the New England coast. And the vibe was very different. Like it didn't feel like one thing, like, you know, I've done contact events, you know, in various places and a lot of those contact events, like it almost engenders like this real introspective like philosophical feeling, like contemplating the mysteries of the universe with your friends. You know, it felt different up here during that time period. I think it was from like November to January when New Jersey and everywhere else were having all the drones. And so I went out with my wife and kids and they wanted to see the drones and we saw a few of them in the distance and my wife was like, do you think you can get one to, to show up? And I was like, yeah, let's, let's try it as a family. And so I told them what to do, I walked 'em through kind of my ABC and one of them appeared a couple hundred feet, maybe like 300 feet, like at tree level. And it was startling. It's the first time I've ever been like, oh my God, it was so close. Yeah. And it felt, it didn't have that like introspective etheric quality to it. It felt very different. And I, you know, like others have said in the news like this isn't one thing, it's a little bit of, you know, perhaps foreign adversary, perhaps US technology, but there's a third bit there that seems to be something different that did not feel like any of my other contact experiences.”

neandrewthal

14,527 views • 1 year ago

NEW: Joe Rogan says he had the most "realistic" bizarre dream of his life, says he encountered tall "playful" beings. "I was in some weird corridor that looked like a building, but was odd, very strange..." "These things felt very organic. Whatever this was, it felt like living, organic beings that were like us." "There was also a water element. It was hard to understand what the water element of it was, but there was some sort of an indication that there was water and that there was a protection from you going out into the water..."
4:30

NEW: Joe Rogan says he had the most "realistic" bizarre dream of his life, says he encountered tall "playful" beings. "I was in some weird corridor that looked like a building, but was odd, very strange..." "These things felt very organic. Whatever this was, it felt like living, organic beings that were like us." "There was also a water element. It was hard to understand what the water element of it was, but there was some sort of an indication that there was water and that there was a protection from you going out into the water..."

Collin Rugg

410,749 views • 7 months ago

Remote Viewer Sounds Alarm on Future Political Crisis Remote Viewer, Nyiam, looked at the future U.S. president of 2030, and saw a MAJOR psyop campaign meant to manipulate the mass population: "I see a motorcade moving. So my assumption here is some people involved with this target move in a motorcade. They don't travel alone. They have a security detail. You know, they're chauffeured around. They have an itinerary they're following. They're meeting with high level people. Law enforcement would be at the scene or aware that they're going somewhere." "And it reminded me of, like, when, you know, and all the leaders, like, go to the G7 or the G8, whatever it is now, GS six, 7 or 8, whatever number it's at right now. It's like that, like, oh, all these important people are coming somewhere and, you know, everyone can see that. Like, oh, here comes the motorcade." "I see, stage an audience, watching this. It's like, you know, podium people on stage type event here. It does have an official governmental feel. And it feels like a warning or a projection, foretelling. So, like they're saying, hey, something's going to happen or this is happening, and it does feel like a kind of desperate measures." "Last straw, mood to it. Like, you know, bad news. Like we're gonna have to make some compromises. You know, people aren't going to be happy to hear this kind of announcement." "I see, could be a courtroom. It does have, judges and jury kind of mood to it. You know, there's people sitting here, there's some other people seated. It has a debate or crisis management theme to it. I get the idea of an uprising and the idea of implementing controls in an emergency situation, almost like the lockdowns." "You know what I mean? Like they're talking like, oh, this happened. So in this situation, we're going to have to do something that we don't usually do, like, like a lockdown or an emergency measures type, discussion or maybe approval or something like that." "It does feel very panicked and rushed. It's like, figure it out. Fluid situation scrambling quickly reacting again. The idea of moving groups or swapping or changing, people or assets. And when I say assets, I'm feeling like it's more like people, like relocating them or switching them their positions, switching someone's positions. Sudden change is very reactionary." "It's a very much like an oh sh*t kind of moment. There's this feeling I get with this", "...something's getting out of control, and it does feel like putting a lid on it, putting the fire out, stunting its growth, you know, trapping it in and blocking it and preventing it." "All that, all that kind of stuff, applying the pressure. And it has a walls closing in kind of feel to it, like setting up boundaries or putting up walls or defenses to prevent or stifle something from happening, hurting the sheep. That was the kind of last impression I had. There." "...Changing something up that you not supposed to change. You know, the whole idea of reorganizing or shifting or swapping or moving something or someone. And it does have, like a, you know, legalities kind of feel to it. Maybe the precedence has something to do with it, like, a very rare and unusual type response that this triggers,"
4:50

Remote Viewer Sounds Alarm on Future Political Crisis Remote Viewer, Nyiam, looked at the future U.S. president of 2030, and saw a MAJOR psyop campaign meant to manipulate the mass population: "I see a motorcade moving. So my assumption here is some people involved with this target move in a motorcade. They don't travel alone. They have a security detail. You know, they're chauffeured around. They have an itinerary they're following. They're meeting with high level people. Law enforcement would be at the scene or aware that they're going somewhere." "And it reminded me of, like, when, you know, and all the leaders, like, go to the G7 or the G8, whatever it is now, GS six, 7 or 8, whatever number it's at right now. It's like that, like, oh, all these important people are coming somewhere and, you know, everyone can see that. Like, oh, here comes the motorcade." "I see, stage an audience, watching this. It's like, you know, podium people on stage type event here. It does have an official governmental feel. And it feels like a warning or a projection, foretelling. So, like they're saying, hey, something's going to happen or this is happening, and it does feel like a kind of desperate measures." "Last straw, mood to it. Like, you know, bad news. Like we're gonna have to make some compromises. You know, people aren't going to be happy to hear this kind of announcement." "I see, could be a courtroom. It does have, judges and jury kind of mood to it. You know, there's people sitting here, there's some other people seated. It has a debate or crisis management theme to it. I get the idea of an uprising and the idea of implementing controls in an emergency situation, almost like the lockdowns." "You know what I mean? Like they're talking like, oh, this happened. So in this situation, we're going to have to do something that we don't usually do, like, like a lockdown or an emergency measures type, discussion or maybe approval or something like that." "It does feel very panicked and rushed. It's like, figure it out. Fluid situation scrambling quickly reacting again. The idea of moving groups or swapping or changing, people or assets. And when I say assets, I'm feeling like it's more like people, like relocating them or switching them their positions, switching someone's positions. Sudden change is very reactionary." "It's a very much like an oh sh*t kind of moment. There's this feeling I get with this", "...something's getting out of control, and it does feel like putting a lid on it, putting the fire out, stunting its growth, you know, trapping it in and blocking it and preventing it." "All that, all that kind of stuff, applying the pressure. And it has a walls closing in kind of feel to it, like setting up boundaries or putting up walls or defenses to prevent or stifle something from happening, hurting the sheep. That was the kind of last impression I had. There." "...Changing something up that you not supposed to change. You know, the whole idea of reorganizing or shifting or swapping or moving something or someone. And it does have, like a, you know, legalities kind of feel to it. Maybe the precedence has something to do with it, like, a very rare and unusual type response that this triggers,"

Future Forecasting Group

17,614 views • 2 months ago

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q
1:15

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

HSNews

179,234 views • 3 months ago

Two firsthand participants in the recovery of downed UFOs. Two very similar (spiritual) encounters with a non-human intelligence: - Jonathan Weygandt: "I felt this presence... I thought the creatures were calling me, they were trying to communicate with me (telepathically)... it felt almost as if someone was reading your mind... it was a warm, loving feeling... these creatures are almost like angels." - Jake Barber: "I felt like something connected with me, tuned in to my soul... it was so overwhelming that I began to cry... I felt like I was possessed by the most beautiful spirit... it was loving but there was a sense of sadness at the same time... it was a feminine energy, it felt like the spirit of God, but not in any masculine sense." #ufo #uap #ovni
4:56

Two firsthand participants in the recovery of downed UFOs. Two very similar (spiritual) encounters with a non-human intelligence: - Jonathan Weygandt: "I felt this presence... I thought the creatures were calling me, they were trying to communicate with me (telepathically)... it felt almost as if someone was reading your mind... it was a warm, loving feeling... these creatures are almost like angels." - Jake Barber: "I felt like something connected with me, tuned in to my soul... it was so overwhelming that I began to cry... I felt like I was possessed by the most beautiful spirit... it was loving but there was a sense of sadness at the same time... it was a feminine energy, it felt like the spirit of God, but not in any masculine sense." #ufo #uap #ovni

UAP Juan

201,596 views • 1 year ago

“I woke to a crushing sensation, like if you were on the bottom of a dog pile of people on top of you, and I just wanted to scream, get off me so I can breathe. At that moment I heard, and ‘heard’ is not the right word for it, it was like a sensational sound that shot through my head behind my ear and went inside, not an audible sound, but a different sound that increased in pitch and intensity and ended in a soft pop that felt like it was in the center of my head. That overpressure wave shot through my body from head to toes and I felt every single muscle in my body lock up, like being electrocuted. It was like nothing I’ve ever felt in my life before or after, and I thought, is this one of those sleep paralysis demons, because every single muscle then relaxed and I felt like I was falling through the bed and floor.”
22:27

“I woke to a crushing sensation, like if you were on the bottom of a dog pile of people on top of you, and I just wanted to scream, get off me so I can breathe. At that moment I heard, and ‘heard’ is not the right word for it, it was like a sensational sound that shot through my head behind my ear and went inside, not an audible sound, but a different sound that increased in pitch and intensity and ended in a soft pop that felt like it was in the center of my head. That overpressure wave shot through my body from head to toes and I felt every single muscle in my body lock up, like being electrocuted. It was like nothing I’ve ever felt in my life before or after, and I thought, is this one of those sleep paralysis demons, because every single muscle then relaxed and I felt like I was falling through the bed and floor.”

Shawn Ryan

382,068 views • 4 months ago

Asked to reflect on navigating a “hellish” public breakup, Perrie acknowledges that she receives criticism for answering questions about it, “[but] I’m like, ‘But it really affected me massively’”: “People are gonna hate me talking about it… I can’t catch a break. If I talk about this, they’re like: ‘Why are you talking about it?!’ But anyway, shut up! Yeah, [it’s my life]. When you go through heartbreak, it is hellish. You can’t eat, you can’t sleep, you feel horrendous. You don’t feel good enough and you feel like you’ve been left for something better, or whatever it is… Then what makes it even worse is, I feel like the world was then looking at me, laughing at me. I felt embarrassed; I felt horrified. I had serious breakdowns. I did. Because it wasn’t just the heartbreak I was dealing with. I was dealing with everybody looking at me, and I felt ridiculed. I just couldn’t cope with it; I hated it. I was breaking down in performances, which isn’t like me at all. I was crying constantly. I think I was depressed… I know that sounds ridiculous! But I think it was this plus this plus this, and everything on top. It was like, I had to be there for the girls; I had to be switched on; I had to power through for Little Mix – but I also just wanted to be left the fuck alone. But I also was getting followed every two seconds and asked about it 24/7, and it was the headlines, it was everywhere, and it was a lot! And this is the thing – when people are like, ‘Stop talking about it!’ I’m like, ‘But it really affected me massively’.”
1:54

Asked to reflect on navigating a “hellish” public breakup, Perrie acknowledges that she receives criticism for answering questions about it, “[but] I’m like, ‘But it really affected me massively’”: “People are gonna hate me talking about it… I can’t catch a break. If I talk about this, they’re like: ‘Why are you talking about it?!’ But anyway, shut up! Yeah, [it’s my life]. When you go through heartbreak, it is hellish. You can’t eat, you can’t sleep, you feel horrendous. You don’t feel good enough and you feel like you’ve been left for something better, or whatever it is… Then what makes it even worse is, I feel like the world was then looking at me, laughing at me. I felt embarrassed; I felt horrified. I had serious breakdowns. I did. Because it wasn’t just the heartbreak I was dealing with. I was dealing with everybody looking at me, and I felt ridiculed. I just couldn’t cope with it; I hated it. I was breaking down in performances, which isn’t like me at all. I was crying constantly. I think I was depressed… I know that sounds ridiculous! But I think it was this plus this plus this, and everything on top. It was like, I had to be there for the girls; I had to be switched on; I had to power through for Little Mix – but I also just wanted to be left the fuck alone. But I also was getting followed every two seconds and asked about it 24/7, and it was the headlines, it was everywhere, and it was a lot! And this is the thing – when people are like, ‘Stop talking about it!’ I’m like, ‘But it really affected me massively’.”

JADE tea room ☕️

242,257 views • 23 days ago

Robert Pattinson making a drink inspired by THE BATMAN. "So this is an Old Fashioned, the granddaddy of drinks, for The Batman, the granddaddy of superheroes and the most relevant and important. [...] Well since I started doing the part, you look into the kind of legacy of it. So many people have seen it, there's characters that look like the Batman in like ancient civilizations. I mean there's something about that face that's a very deep and primal thing. It connects to people, it connects to children, it connects to adults, and then the legacy of the movies as well. [...] It seemed like one of those parts that was, it's like climbing Everest or something. Like you kind of, you don't really feel like it's a possibility but I felt something in my heart but I really, really wanted to do it."
2:49

Robert Pattinson making a drink inspired by THE BATMAN. "So this is an Old Fashioned, the granddaddy of drinks, for The Batman, the granddaddy of superheroes and the most relevant and important. [...] Well since I started doing the part, you look into the kind of legacy of it. So many people have seen it, there's characters that look like the Batman in like ancient civilizations. I mean there's something about that face that's a very deep and primal thing. It connects to people, it connects to children, it connects to adults, and then the legacy of the movies as well. [...] It seemed like one of those parts that was, it's like climbing Everest or something. Like you kind of, you don't really feel like it's a possibility but I felt something in my heart but I really, really wanted to do it."

Robert Pattinson Photos | Fansite

24,280 views • 2 months ago

🐰 i still remember when we went overseas on tour, taehyun said that his body was sweltering after the concert so he was going to have a ice shower and brought a bunch of ice 🐿️😆😆😆 🐰 he was like “this is refreshing~” and had a lower body bath and the next day he looked like he was dying 🐿️ i got a body ache all over the next day 🐰 i saw him and thought “i shouldn’t have a ice bath”…but i don’t go into cold bath tubs either 🐿️ ah really? 🐰 yeah 🐿️ i like it a lot, it’s really cold but there is a little bit of a mental effect of going in there plus it was really hot so i went in and it was very electrifying in a good way…like i was getting healthier! so i was like “this feels great~” but then…i was like “what’s this? i’m definitely out of the ice but it’s still cold..” 🐰 it wasn’t you feeling like you were getting healthier 🐿️ it wasn’t me feeling like i was getting healthier, it was the virus in my body getting healthier
0:56

🐰 i still remember when we went overseas on tour, taehyun said that his body was sweltering after the concert so he was going to have a ice shower and brought a bunch of ice 🐿️😆😆😆 🐰 he was like “this is refreshing~” and had a lower body bath and the next day he looked like he was dying 🐿️ i got a body ache all over the next day 🐰 i saw him and thought “i shouldn’t have a ice bath”…but i don’t go into cold bath tubs either 🐿️ ah really? 🐰 yeah 🐿️ i like it a lot, it’s really cold but there is a little bit of a mental effect of going in there plus it was really hot so i went in and it was very electrifying in a good way…like i was getting healthier! so i was like “this feels great~” but then…i was like “what’s this? i’m definitely out of the ice but it’s still cold..” 🐰 it wasn’t you feeling like you were getting healthier 🐿️ it wasn’t me feeling like i was getting healthier, it was the virus in my body getting healthier

💬

45,308 views • 3 months ago

Interview from 5 months ago with “RA” the new UFO whistleblower Randy Anderson by Gerb Here he describes the sphere encounter and the possible consciousness connection and how his memories of the incident are strangely fuzzy Link to full interview in comments H/T wow RA - “Both the items they had under there, they said somehow interacted with consciousness and, and the way he said it, this is why it's so fuzzy, he said, I wouldn't quote these things 'cause I'm gonna try to just remember the, the, the context. And I, and I can again, like when I meditate and I think about this, I can usually get more back. But just, just like sitting here talking to you and remembering it, it's difficult sometimes. But I remember him saying, we don't understand quite how to operate the systems or how they, but they do interact with consciousness so certain and some people they interact with and some people they don't. So certain people will go up to the object and it will respond. And some people go up to the object and it does nothing. So certain types of, I don't know if that's related to DNA or to consciousness or what, whatever, but it's different. People will have a different response and they, they had us kind of walked closer to the, the window and nothing happened. So we didn't, I mean, I don't know if we got closer or something would've happened, but they, I don't know if they were even looking for that, but maybe, you know, that they, that's one thing he said that like certain people will go near the object and will react. And he didn't describe how it would react. He instead it would react,” RA - “There's a really weird component to this, and I don't know what this means, but when I think back to this particular memory and, and this never happens to me in any other thing, I, I get real fuzzy. It gets real fuzzy, like, like almost like something was purposely done to to, to make it that way. Because I have a very photographic memory and things I've done in the military. Like I can tell you the color of the buttons on a shirt of a guy that I sniped from, you know, 800 feet, 800 meters away. So I mean, I, there's for me to not remember this is really bothers me, but there's, there's some cloudiness when I try to access this part of my brain, you know, I can definitely, maybe it's, it could definitely be the, the objects itself that had, and it felt this, this is why it's difficult because it obviously, it felt weird being down there. Okay. There's, there's something like, there was just, it is an unnatural feeling we're doing. It felt like we were doing something that wasn't normal. I mean, the fact that we were so deep underground, me and the dude were kind of freaked out and, and, but we didn't display that outwardly because we're trained to not do that, you know? But internally, yeah, I was like, what the hell is going on? And when they talk about optimal stuff, they didn't say it like, by the way, aliens are real like you or anything like of that sort. It was just, oh yeah, this is the off world technology division, this is Chuck, this is whatever. And just started talking like everything was normal and we just went along with it because we acted like it was normal, but the first time I'd ever been exposed to it and it, it was a lot to take in. So that could be part of it too.”
4:48

Interview from 5 months ago with “RA” the new UFO whistleblower Randy Anderson by Gerb Here he describes the sphere encounter and the possible consciousness connection and how his memories of the incident are strangely fuzzy Link to full interview in comments H/T wow RA - “Both the items they had under there, they said somehow interacted with consciousness and, and the way he said it, this is why it's so fuzzy, he said, I wouldn't quote these things 'cause I'm gonna try to just remember the, the, the context. And I, and I can again, like when I meditate and I think about this, I can usually get more back. But just, just like sitting here talking to you and remembering it, it's difficult sometimes. But I remember him saying, we don't understand quite how to operate the systems or how they, but they do interact with consciousness so certain and some people they interact with and some people they don't. So certain people will go up to the object and it will respond. And some people go up to the object and it does nothing. So certain types of, I don't know if that's related to DNA or to consciousness or what, whatever, but it's different. People will have a different response and they, they had us kind of walked closer to the, the window and nothing happened. So we didn't, I mean, I don't know if we got closer or something would've happened, but they, I don't know if they were even looking for that, but maybe, you know, that they, that's one thing he said that like certain people will go near the object and will react. And he didn't describe how it would react. He instead it would react,” RA - “There's a really weird component to this, and I don't know what this means, but when I think back to this particular memory and, and this never happens to me in any other thing, I, I get real fuzzy. It gets real fuzzy, like, like almost like something was purposely done to to, to make it that way. Because I have a very photographic memory and things I've done in the military. Like I can tell you the color of the buttons on a shirt of a guy that I sniped from, you know, 800 feet, 800 meters away. So I mean, I, there's for me to not remember this is really bothers me, but there's, there's some cloudiness when I try to access this part of my brain, you know, I can definitely, maybe it's, it could definitely be the, the objects itself that had, and it felt this, this is why it's difficult because it obviously, it felt weird being down there. Okay. There's, there's something like, there was just, it is an unnatural feeling we're doing. It felt like we were doing something that wasn't normal. I mean, the fact that we were so deep underground, me and the dude were kind of freaked out and, and, but we didn't display that outwardly because we're trained to not do that, you know? But internally, yeah, I was like, what the hell is going on? And when they talk about optimal stuff, they didn't say it like, by the way, aliens are real like you or anything like of that sort. It was just, oh yeah, this is the off world technology division, this is Chuck, this is whatever. And just started talking like everything was normal and we just went along with it because we acted like it was normal, but the first time I'd ever been exposed to it and it, it was a lot to take in. So that could be part of it too.”

neandrewthal

41,422 views • 1 year ago

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'
3:56

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

22,952 views • 5 months ago

"I like 'Kiss Me Deadly' (1955) very much. I just don't think it was as important a film as some people thought it was." --- Robert Aldrich Full Excerpt: "Interviewer: We all like 'Kiss Me Deadly' (1955), but hear that you don't. Aldrich: Oh no, that's not true. I like this one very much and I'm very proud of it. If you remember when it was made was the time all the New Wave directors were editors on Cahiers. And they read into it many more things than were intended. And I think it was Truffaut who asked me at Venice the following year if I wasn't proud and happy or something about the things that Cahiers had said about it. And I am a lot older and wiser now, and I suppose I should have said "Yes" and let it go at that. But I said something to the effect that I was very glad they said it, but I couldn't really take credit for all those rather deep and significant thoughts because they weren't all intended. I am glad that they were there; maybe some of them were subconscious, but I thought a lot of them were read in. And naturally, if you had been the author of this kind of thing, you would have felt a little bit cheated, and I think they did. I think they didn't resent it, but they felt a little hurt . . . No, I like the picture very much. I just don't think it was as important a film as some people thought it was." (Robert Aldrich's interview with Ian Cameron & Mark Shivas, 1963) P.S: On this day, 71 years ago "Kiss Me Deadly" (1955) premiered in New York City, USA.
1:14

"I like 'Kiss Me Deadly' (1955) very much. I just don't think it was as important a film as some people thought it was." --- Robert Aldrich Full Excerpt: "Interviewer: We all like 'Kiss Me Deadly' (1955), but hear that you don't. Aldrich: Oh no, that's not true. I like this one very much and I'm very proud of it. If you remember when it was made was the time all the New Wave directors were editors on Cahiers. And they read into it many more things than were intended. And I think it was Truffaut who asked me at Venice the following year if I wasn't proud and happy or something about the things that Cahiers had said about it. And I am a lot older and wiser now, and I suppose I should have said "Yes" and let it go at that. But I said something to the effect that I was very glad they said it, but I couldn't really take credit for all those rather deep and significant thoughts because they weren't all intended. I am glad that they were there; maybe some of them were subconscious, but I thought a lot of them were read in. And naturally, if you had been the author of this kind of thing, you would have felt a little bit cheated, and I think they did. I think they didn't resent it, but they felt a little hurt . . . No, I like the picture very much. I just don't think it was as important a film as some people thought it was." (Robert Aldrich's interview with Ian Cameron & Mark Shivas, 1963) P.S: On this day, 71 years ago "Kiss Me Deadly" (1955) premiered in New York City, USA.

DepressedBergman

16,770 views • 2 months ago

KAT: "I just felt a calm and a peace that had to be come from the woman above (his mom). I felt like a kid. It was just fun out here. It felt like I was a kid getting ready to go play my Saturday AAU games and Sunday AAU games. In a way I felt like I was seeing her in the stands"
1:11

KAT: "I just felt a calm and a peace that had to be come from the woman above (his mom). I felt like a kid. It was just fun out here. It felt like I was a kid getting ready to go play my Saturday AAU games and Sunday AAU games. In a way I felt like I was seeing her in the stands"

Oh No He Didn't

3,940,266 views • 29 days ago

🎥| “Already I fucking love this city. I love this country. I love the people. This was the first country as a band when I was about, when I was about 19 years old, I think. Um, it was pretty much one of the only countries I've ever been to really outside of the UK. It was the first country as a band. You don't have to cheer for me. I do appreciate it though. It was the first time as a band that, you know, it felt like maybe might have a few fans outside of the UK and I remember that being really, really excited. And I think we were here for about four or five weeks. We actually recorded What Makes You Beautiful. I know you like it but shit song. So... it was so this is, this is one of, there's not many countries that kind of grab me with nostalgia like this. And it's also not many countries that I would go out and have about a two hour walk, which I did yesterday. I'm not much of a walker, but I wanted to get myself out. It was really cool to see. It was really, really cool to see it with this, this country had a massive, massive impression on me as a young lad and I have it to have a lot to thank this country for. So, yeah, thank you. Thank you for being cool. Alright, it's emotional.” Louis Tomlinson on stage at #HDWGHWTStockholm (Via centr_mass)
1:29

🎥| “Already I fucking love this city. I love this country. I love the people. This was the first country as a band when I was about, when I was about 19 years old, I think. Um, it was pretty much one of the only countries I've ever been to really outside of the UK. It was the first country as a band. You don't have to cheer for me. I do appreciate it though. It was the first time as a band that, you know, it felt like maybe might have a few fans outside of the UK and I remember that being really, really excited. And I think we were here for about four or five weeks. We actually recorded What Makes You Beautiful. I know you like it but shit song. So... it was so this is, this is one of, there's not many countries that kind of grab me with nostalgia like this. And it's also not many countries that I would go out and have about a two hour walk, which I did yesterday. I'm not much of a walker, but I wanted to get myself out. It was really cool to see. It was really, really cool to see it with this, this country had a massive, massive impression on me as a young lad and I have it to have a lot to thank this country for. So, yeah, thank you. Thank you for being cool. Alright, it's emotional.” Louis Tomlinson on stage at #HDWGHWTStockholm (Via centr_mass)

World Tomlinson

35,330 views • 3 months ago