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Reown / Visual Identity & Website / 2024 Agency: MODEM Creative Direction: MODEM Design: Norgram® Development: Not a Number Motion: Anders Waltz Hegelund

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Norgram®

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27,935 次观看 • 1 年前 •via X (Twitter)

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ZULTRA ©

26,278 次观看 • 11 个月前

In collaboration with Ché Heijnen we have established a brand-new identity and website for Aanstekelijk. Light it up bro! 🔥 Branding: Ché Design & Development: Dennis Snellenberg Visit it live →
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In collaboration with Ché Heijnen we have established a brand-new identity and website for Aanstekelijk. Light it up bro! 🔥 Branding: Ché Design & Development: Dennis Snellenberg Visit it live →

Dennis Snellenberg

16,322 次观看 • 3 年前

This is a call for creatives with a mission to serve. I’m looking for the best designers, artists, and creatives in the world to take on hard and real problems. Come use your superpowers to craft intuitive, complex products and stories. Design isn’t decoration, it’s direction. At Anduril Industries, design is embedded as part of our core strategy. Our team crafts every touch point—from our products to our website, our videos and marketing campaigns, concept and mission communication, even the architecture and the spaces we work in. #Hiring all Summer: Industrial, prototyping, CMF, photography, film, motion, interaction, digital, environmental, merchandise, OOH, graphics, identity systems.
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This is a call for creatives with a mission to serve. I’m looking for the best designers, artists, and creatives in the world to take on hard and real problems. Come use your superpowers to craft intuitive, complex products and stories. Design isn’t decoration, it’s direction. At Anduril Industries, design is embedded as part of our core strategy. Our team crafts every touch point—from our products to our website, our videos and marketing campaigns, concept and mission communication, even the architecture and the spaces we work in. #Hiring all Summer: Industrial, prototyping, CMF, photography, film, motion, interaction, digital, environmental, merchandise, OOH, graphics, identity systems.

jen bucci

44,594 次观看 • 1 年前

found a tool on product hunt that turns claude code into an ad agency.. it’s called Goose Ad Remixer. The setup was surprisingly simple. First, I installed the Gooseworks skill library: npx gooseworks install --all Then I asked Claude Code to generate high-performing ad creatives with: /goose-ads make ads for my brand From there, Goose researched the brand, studied the website, messaging, visual identity, positioning, and existing assets before creating multiple ad concepts. What stood out is that it did not just generate random designs. It studied proven ad patterns, including the hooks, offers, copy, layouts, and creative structures, then remixed them for the brand. It felt less like prompting an image generator and more like giving Claude Code an ad strategist, copywriter, and designer in one workflow. Here are a few of the creatives it generated:
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found a tool on product hunt that turns claude code into an ad agency.. it’s called Goose Ad Remixer. The setup was surprisingly simple. First, I installed the Gooseworks skill library: npx gooseworks install --all Then I asked Claude Code to generate high-performing ad creatives with: /goose-ads make ads for my brand From there, Goose researched the brand, studied the website, messaging, visual identity, positioning, and existing assets before creating multiple ad concepts. What stood out is that it did not just generate random designs. It studied proven ad patterns, including the hooks, offers, copy, layouts, and creative structures, then remixed them for the brand. It felt less like prompting an image generator and more like giving Claude Code an ad strategist, copywriter, and designer in one workflow. Here are a few of the creatives it generated:

Robin Delta

16,309 次观看 • 1 个月前

V TYPE 非: What Does Kim Taehyung's Creative Direction Mean? The announcement of the V TYPE 非 photobook highlighted a detail that defines the significance of this work: the artist actively participated in every stage, “from planning to photography.” But what does this mean in practice? A Creative Director is responsible for conceiving, organizing, and guiding the artistic vision of a project. Their role is not to technically execute all the steps, but to define the “why,” the “how,” and the “what for” of each aesthetic and narrative choice. They act as a true ARCHITECT OF IDEAS, ensuring that concept, image, narrative, and emotion work together. They ensure that the project has soul, identity, and coherence, aligning all the professionals involved — photographers, designers, stylists, costume designers, set designers, and editors — in a single creative direction. IN GENERAL, KIM TAEHYUNG: • Created the central concept • Defined the visual and emotional narrative • Established artistic and symbolic references (art, fashion, cinema, photography, music, architecture, etc.) • Guided the aesthetic language (atmosphere, light, palette, rhythm, textures) • Determined the tone of the project (intimate, experimental, documentary, symbolic) • Established the visual rhythm: order of images, pauses, silences • Guided framing, expressions, poses, and atmospheres • Coordinated and aligned the creative teams • Ensured coherence and identity from beginning to end • Conceived the Photobook as an artistic object: paper, cover, typography, weight, and texture. Taehyung is the guardian of the artistic vision. The result is a cohesive visual discourse, where each image exists for a reason. THE CREATIVE DIRECTOR IN THE PHOTOBOOK EXHIBITION In the exhibition, the creative director expands the photobook into physical space, transforming it into an immersive experience. The purpose is not just to show photos: it's to make the public traverse the concept. HERE, KIM TAEHYUNG ACTS IN: • Curating the exhibited images • Defining the public's path • Building the spatial narrative (beginning, climax, ending) • Dialogue between images, space, light, and silence • Choosing formats, sizes, and layouts • Integrating sensory elements (sound, text, architecture, rhythm) • Ensuring that the exhibition preserves the original concept of the photobook. In a market where many artists merely lend their image, Taehyung reaffirms his role as an author. “TYPE 非” is not just a record of his image, it is the materialization of his artistic sensibility. It is the signature of someone who not only participates in the work — he builds the work. In a photobook and its exhibition, Kim Tarhyung directs the experience, the reading, and the memory that the public will take with them. V TYPE 非 IS COMING!!! #V_TYPE非
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V TYPE 非: What Does Kim Taehyung's Creative Direction Mean? The announcement of the V TYPE 非 photobook highlighted a detail that defines the significance of this work: the artist actively participated in every stage, “from planning to photography.” But what does this mean in practice? A Creative Director is responsible for conceiving, organizing, and guiding the artistic vision of a project. Their role is not to technically execute all the steps, but to define the “why,” the “how,” and the “what for” of each aesthetic and narrative choice. They act as a true ARCHITECT OF IDEAS, ensuring that concept, image, narrative, and emotion work together. They ensure that the project has soul, identity, and coherence, aligning all the professionals involved — photographers, designers, stylists, costume designers, set designers, and editors — in a single creative direction. IN GENERAL, KIM TAEHYUNG: • Created the central concept • Defined the visual and emotional narrative • Established artistic and symbolic references (art, fashion, cinema, photography, music, architecture, etc.) • Guided the aesthetic language (atmosphere, light, palette, rhythm, textures) • Determined the tone of the project (intimate, experimental, documentary, symbolic) • Established the visual rhythm: order of images, pauses, silences • Guided framing, expressions, poses, and atmospheres • Coordinated and aligned the creative teams • Ensured coherence and identity from beginning to end • Conceived the Photobook as an artistic object: paper, cover, typography, weight, and texture. Taehyung is the guardian of the artistic vision. The result is a cohesive visual discourse, where each image exists for a reason. THE CREATIVE DIRECTOR IN THE PHOTOBOOK EXHIBITION In the exhibition, the creative director expands the photobook into physical space, transforming it into an immersive experience. The purpose is not just to show photos: it's to make the public traverse the concept. HERE, KIM TAEHYUNG ACTS IN: • Curating the exhibited images • Defining the public's path • Building the spatial narrative (beginning, climax, ending) • Dialogue between images, space, light, and silence • Choosing formats, sizes, and layouts • Integrating sensory elements (sound, text, architecture, rhythm) • Ensuring that the exhibition preserves the original concept of the photobook. In a market where many artists merely lend their image, Taehyung reaffirms his role as an author. “TYPE 非” is not just a record of his image, it is the materialization of his artistic sensibility. It is the signature of someone who not only participates in the work — he builds the work. In a photobook and its exhibition, Kim Tarhyung directs the experience, the reading, and the memory that the public will take with them. V TYPE 非 IS COMING!!! #V_TYPE非

Music Map ⓥ

28,560 次观看 • 7 个月前

NASA NASA enlisted Mr. Munkowitz to work on the conceptual imagery for their Europa Clipper campaign, which in October 2024 embarked on a nearly six-year journey to Jupiter’s icy moon, Europa—a prime candidate for extraterrestrial life in our solar system. The discoveries there could impact all of humanity. The key visuals needed to highlight the three elements of the mission – the spacecraft, Jupiter and it’s moon Europa using a cinematic low-angle evoking the interstellar crop-dusting type sweeps Clipper will make. The project ended up exploring two distinct design directions; one leaning into graphic design fundamentals and the geometric nature of planetary bodies and space exploration. The second direction leaned into a more literal, photographic aesthetic, aiming to envision what being on site, on the surface of Europe could look and feel like. For this ambitious endeavor, Munky collaborated with his trusted creative powerhouse, the ever-handsome Toros Kose Toros Kose. Together, they explored and refined an immense volume of concepts and executions. While only one hero visual was ultimately chosen, the journey of experimentation presented unique challenges and equal inspiration. Credit List NASA Creative Director: David Rager NASA Europa Logo Designer: Tobias Van Schneider GMUNK Creative Director: Bradley G Munkowitz GMUNK Lead Designer: Toros Kose
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NASA NASA enlisted Mr. Munkowitz to work on the conceptual imagery for their Europa Clipper campaign, which in October 2024 embarked on a nearly six-year journey to Jupiter’s icy moon, Europa—a prime candidate for extraterrestrial life in our solar system. The discoveries there could impact all of humanity. The key visuals needed to highlight the three elements of the mission – the spacecraft, Jupiter and it’s moon Europa using a cinematic low-angle evoking the interstellar crop-dusting type sweeps Clipper will make. The project ended up exploring two distinct design directions; one leaning into graphic design fundamentals and the geometric nature of planetary bodies and space exploration. The second direction leaned into a more literal, photographic aesthetic, aiming to envision what being on site, on the surface of Europe could look and feel like. For this ambitious endeavor, Munky collaborated with his trusted creative powerhouse, the ever-handsome Toros Kose Toros Kose. Together, they explored and refined an immense volume of concepts and executions. While only one hero visual was ultimately chosen, the journey of experimentation presented unique challenges and equal inspiration. Credit List NASA Creative Director: David Rager NASA Europa Logo Designer: Tobias Van Schneider GMUNK Creative Director: Bradley G Munkowitz GMUNK Lead Designer: Toros Kose

GMUNK

11,998 次观看 • 1 年前

MiniMax H3 Character Introduction Prompt: Use @[char ref] as the sole character reference. Preserve the exact identity, face, body proportions, hairstyle, outfit, colors, materials and overall silhouette of the character throughout the entire video. Do not redesign, simplify or replace any defining visual features. Create a cinematic character introduction focused on presence, silhouette, attitude and controlled motion. 0–4s Begin with a close shot of a defining lower-body or detail element such as boots, shoes, feet, hands, clothing hem or an important accessory. The character enters frame or settles into position. The camera slowly tracks upward while hair, clothing and secondary elements move naturally in the wind or environment. 4–8s Reveal more of the body with a medium or medium-wide shot from the back, side or three-quarter angle. The character stands in a calm, composed way inside the environment. The camera makes a smooth orbit, arc or lateral move to gradually reveal the character’s face and silhouette. 8–12s Move into a tight cinematic portrait or upper-body shot. The character performs one subtle signature action that fits their personality, such as lifting the chin, turning the head, adjusting clothing, brushing hair aside, opening a hand, looking toward camera, or shifting posture. Keep the motion minimal and intentional. The expression should match the character’s vibe. 12–15s End with a strong full-body hero shot that clearly presents the entire design and silhouette. Use a low-angle, eye-level or slightly dramatic framing depending on the character’s personality. The character settles into a natural final pose and holds it confidently for a clean final reveal. VISUAL DIRECTION Premium cinematic presentation. Match the visual medium and rendering style of @[char ref]. Emphasize clean silhouette, elegant staging, subtle secondary motion, believable hair and cloth movement, strong composition, atmospheric depth and polished lighting. The scene should feel like a high-end anime, game or film character introduction. CAMERA Use a clear progression from detail reveal to partial reveal to face reveal to full-body hero reveal. Camera movement should be smooth, controlled and intentional. Avoid chaotic motion. ENVIRONMENT Place the character in a fitting environment that supports their identity and mood. The background should enhance the character without distracting from them.
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MiniMax H3 Character Introduction Prompt: Use @[char ref] as the sole character reference. Preserve the exact identity, face, body proportions, hairstyle, outfit, colors, materials and overall silhouette of the character throughout the entire video. Do not redesign, simplify or replace any defining visual features. Create a cinematic character introduction focused on presence, silhouette, attitude and controlled motion. 0–4s Begin with a close shot of a defining lower-body or detail element such as boots, shoes, feet, hands, clothing hem or an important accessory. The character enters frame or settles into position. The camera slowly tracks upward while hair, clothing and secondary elements move naturally in the wind or environment. 4–8s Reveal more of the body with a medium or medium-wide shot from the back, side or three-quarter angle. The character stands in a calm, composed way inside the environment. The camera makes a smooth orbit, arc or lateral move to gradually reveal the character’s face and silhouette. 8–12s Move into a tight cinematic portrait or upper-body shot. The character performs one subtle signature action that fits their personality, such as lifting the chin, turning the head, adjusting clothing, brushing hair aside, opening a hand, looking toward camera, or shifting posture. Keep the motion minimal and intentional. The expression should match the character’s vibe. 12–15s End with a strong full-body hero shot that clearly presents the entire design and silhouette. Use a low-angle, eye-level or slightly dramatic framing depending on the character’s personality. The character settles into a natural final pose and holds it confidently for a clean final reveal. VISUAL DIRECTION Premium cinematic presentation. Match the visual medium and rendering style of @[char ref]. Emphasize clean silhouette, elegant staging, subtle secondary motion, believable hair and cloth movement, strong composition, atmospheric depth and polished lighting. The scene should feel like a high-end anime, game or film character introduction. CAMERA Use a clear progression from detail reveal to partial reveal to face reveal to full-body hero reveal. Camera movement should be smooth, controlled and intentional. Avoid chaotic motion. ENVIRONMENT Place the character in a fitting environment that supports their identity and mood. The background should enhance the character without distracting from them.

Kōda

97,125 次观看 • 8 天前

How do you tell a story about cutting-edge science that feels like it's about love and family? We hired my mom, a professional painter, to create original watercolors. Conception is a stem cell biology company working to help families have children who might not otherwise be able to. Their work is deeply technical, but their story needed warmth. My mom painted textures, colors, and compositions throughout the project, scanning them in as she went and the Little Plains team took those originals into custom node-based workflows to generatively build new scenes, get feedback, and repeat. A creative cycle between real materials and generative systems that stays human no matter how far it scales. As we work more and more with agentic tools and generative systems, we find ourselves hiring more artists, painters, and photographers to help us explore new ways to express creativity. Overall, we completed the brand strategy, positioning, copywriting, identity, generative illustration, site design and development. Grateful to Matt and the Conception team for the trust.🧡
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How do you tell a story about cutting-edge science that feels like it's about love and family? We hired my mom, a professional painter, to create original watercolors. Conception is a stem cell biology company working to help families have children who might not otherwise be able to. Their work is deeply technical, but their story needed warmth. My mom painted textures, colors, and compositions throughout the project, scanning them in as she went and the Little Plains team took those originals into custom node-based workflows to generatively build new scenes, get feedback, and repeat. A creative cycle between real materials and generative systems that stays human no matter how far it scales. As we work more and more with agentic tools and generative systems, we find ourselves hiring more artists, painters, and photographers to help us explore new ways to express creativity. Overall, we completed the brand strategy, positioning, copywriting, identity, generative illustration, site design and development. Grateful to Matt and the Conception team for the trust.🧡

Emmett

10,779 次观看 • 4 个月前

A CHINESE GUY STOPPED PAYING WEB DESIGNERS $1,800 PER LANDING PAGE AND BUILT THE SAME KIND OF SITE WITH CLAUDE CODE IN ONE AFTERNOON FOR LESS THAN $70 claude was not just writing code. it was doing the job of a designer, copywriter and frontend dev in one window. in 4 hours, one rough idea turned into the layout, color system, font choices, page sections and the full html/css/js build the real trick was the references. he gave claude 5 screenshots, made it ask 7 questions first, then pushed it toward one clear visual direction instead of accepting another generic ai-looking template the first version already looked solid. the second pass made it feel expensive: better typography, a darker palette, mobile cleanup, cursor effects, 6 micro-interactions and custom hero visuals his old workflow was burning $1,200 on design, $500 on frontend work and another $150 on small fixes every time he needed a new page. now the whole test costs less than $70 and the site still looks like something a $5,000 agency would ship the edge is not “ai builds websites.” the edge is that one person can now brief, critique, polish and launch in one afternoon without waiting 10 days for a designer to send version one
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A CHINESE GUY STOPPED PAYING WEB DESIGNERS $1,800 PER LANDING PAGE AND BUILT THE SAME KIND OF SITE WITH CLAUDE CODE IN ONE AFTERNOON FOR LESS THAN $70 claude was not just writing code. it was doing the job of a designer, copywriter and frontend dev in one window. in 4 hours, one rough idea turned into the layout, color system, font choices, page sections and the full html/css/js build the real trick was the references. he gave claude 5 screenshots, made it ask 7 questions first, then pushed it toward one clear visual direction instead of accepting another generic ai-looking template the first version already looked solid. the second pass made it feel expensive: better typography, a darker palette, mobile cleanup, cursor effects, 6 micro-interactions and custom hero visuals his old workflow was burning $1,200 on design, $500 on frontend work and another $150 on small fixes every time he needed a new page. now the whole test costs less than $70 and the site still looks like something a $5,000 agency would ship the edge is not “ai builds websites.” the edge is that one person can now brief, critique, polish and launch in one afternoon without waiting 10 days for a designer to send version one

Gipp 🦅

295,658 次观看 • 2 个月前

nijiJourneyV6 & seedance2.0でkawaii系MV🎵 みんなで踊るプロンプトを共有。15秒で5枚のリファレンスを使用💕 ✳️seedance2.0プロンプト Use the uploaded images as the primary visual references for character design, facial style, color palette, graphic motifs, and overall kawaii-chaotic tone. 15-second music-video style animation, ultra cute and hyper pop, fast-paced, candy-colored, chaotic but readable, anime-inspired graphic motion. Main direction: The characters dance in a cute, playful, slightly chaotic “mob dance” / “idol crowd dance” feeling. The motion should feel inferred naturally from the reference images, not rigid choreography. Emphasize fast switching expressions, group-like energy, rapid cut transitions, and a dense pop visual atmosphere. Visual style: Pastel neon palette, pink, cyan, lemon yellow, mint, lavender. Bold clean outlines, flat shading, sticker-like icons, bows, flowers, sparkles, spirals, abstract shapes, pop symbols, glitchy accents, halftone dots, split panels, manga-like framing, layered collage feeling. Cute and stylish chaos, not horror, not grotesque. Character motion: Generate adorable dance movement with small bouncy steps, side-to-side body sway, quick hand poses, synchronized hops, idol-style gestures, playful pointing, little spins, shoulder pops, head tilts, wink poses, cheerful bouncing, cute rhythmic stepping.The dance should feel like a spontaneous cute flash-mob or idol crowd routine, with repeated shared gestures, group energy, and playful synchronized timing. Include moments that feel like a crowd dance or mob dance, even if only one or a few characters are visible at a time. The dance should feel energetic, spontaneous, and rhythm-driven. Expression direction: Rapid expression changes: smile, wink, surprised face, excited open-mouth face, mischievous grin, hypnotic stare, sparkling eyes, dizzy spiral-eye mood, overjoyed face, playful chaos. Expressions should switch quickly with the cuts, giving a hyperactive kawaii feeling. Editing / camera: Very fast-cut visual rhythm. Use rapid cut-ins, jump cuts, smash zooms, push-ins, pull-backs, diagonal framing, split-screen panels, close-ups of faces, occasional medium shots for dance, and layered pop composition. Cuts can change every 0.2 to 0.8 seconds. Alternate between close-up face shots, upper-body dancing, and brief group/crowd-energy compositions. The camera should feel lively and music-synced. Scene flow: 0–3s: Introduce the character(s) with fast close-ups, blinking, cute smile, eye highlights, bows/flowers/icons popping in, fast panel cuts. 3–6s: Start the dance with small synchronized idol-like motions, side steps, hand poses, bouncing shoulders, quick expression switches. 6–9s: Increase the chaos. More split panels, more characters or crowd-energy feeling, fast alternating expressions, quick hops, spins, and rhythmic pose changes. 9–12s: Peak energy. Cute mob-dance vibe, dense visual layering, multiple rapid cut-ins, close-up reaction faces, synchronized bounce and gesture-heavy movement. 12–15s: Final climax. Maximum kawaii chaos with energetic dancing, smiling faces, wink, big pose finish, layered pop symbols exploding around the frame, ending on a strong cute final pose. Important priorities: Keep the characters cute and appealing at all times. Preserve readability of faces and silhouette. Let the dance and expressions feel naturally inferred from the references. The chaos should come from editing, framing, layered motifs, and rapid expression changes, not from broken anatomy or visual confusion. Negative prompt: horror, dark tone, realistic style, grotesque face, body deformation, extra limbs, broken hands, scary expressions, dull colors, muddy palette, slow motion, empty background, overly realistic physics, unreadable face, low energy, depressing mood.Make the choreography feel partially AI-inferred from the visual mood of the references: cute, chaotic, rhythmic, slightly unpredictable, but always charming and musically coherent.
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nijiJourneyV6 & seedance2.0でkawaii系MV🎵 みんなで踊るプロンプトを共有。15秒で5枚のリファレンスを使用💕 ✳️seedance2.0プロンプト Use the uploaded images as the primary visual references for character design, facial style, color palette, graphic motifs, and overall kawaii-chaotic tone. 15-second music-video style animation, ultra cute and hyper pop, fast-paced, candy-colored, chaotic but readable, anime-inspired graphic motion. Main direction: The characters dance in a cute, playful, slightly chaotic “mob dance” / “idol crowd dance” feeling. The motion should feel inferred naturally from the reference images, not rigid choreography. Emphasize fast switching expressions, group-like energy, rapid cut transitions, and a dense pop visual atmosphere. Visual style: Pastel neon palette, pink, cyan, lemon yellow, mint, lavender. Bold clean outlines, flat shading, sticker-like icons, bows, flowers, sparkles, spirals, abstract shapes, pop symbols, glitchy accents, halftone dots, split panels, manga-like framing, layered collage feeling. Cute and stylish chaos, not horror, not grotesque. Character motion: Generate adorable dance movement with small bouncy steps, side-to-side body sway, quick hand poses, synchronized hops, idol-style gestures, playful pointing, little spins, shoulder pops, head tilts, wink poses, cheerful bouncing, cute rhythmic stepping.The dance should feel like a spontaneous cute flash-mob or idol crowd routine, with repeated shared gestures, group energy, and playful synchronized timing. Include moments that feel like a crowd dance or mob dance, even if only one or a few characters are visible at a time. The dance should feel energetic, spontaneous, and rhythm-driven. Expression direction: Rapid expression changes: smile, wink, surprised face, excited open-mouth face, mischievous grin, hypnotic stare, sparkling eyes, dizzy spiral-eye mood, overjoyed face, playful chaos. Expressions should switch quickly with the cuts, giving a hyperactive kawaii feeling. Editing / camera: Very fast-cut visual rhythm. Use rapid cut-ins, jump cuts, smash zooms, push-ins, pull-backs, diagonal framing, split-screen panels, close-ups of faces, occasional medium shots for dance, and layered pop composition. Cuts can change every 0.2 to 0.8 seconds. Alternate between close-up face shots, upper-body dancing, and brief group/crowd-energy compositions. The camera should feel lively and music-synced. Scene flow: 0–3s: Introduce the character(s) with fast close-ups, blinking, cute smile, eye highlights, bows/flowers/icons popping in, fast panel cuts. 3–6s: Start the dance with small synchronized idol-like motions, side steps, hand poses, bouncing shoulders, quick expression switches. 6–9s: Increase the chaos. More split panels, more characters or crowd-energy feeling, fast alternating expressions, quick hops, spins, and rhythmic pose changes. 9–12s: Peak energy. Cute mob-dance vibe, dense visual layering, multiple rapid cut-ins, close-up reaction faces, synchronized bounce and gesture-heavy movement. 12–15s: Final climax. Maximum kawaii chaos with energetic dancing, smiling faces, wink, big pose finish, layered pop symbols exploding around the frame, ending on a strong cute final pose. Important priorities: Keep the characters cute and appealing at all times. Preserve readability of faces and silhouette. Let the dance and expressions feel naturally inferred from the references. The chaos should come from editing, framing, layered motifs, and rapid expression changes, not from broken anatomy or visual confusion. Negative prompt: horror, dark tone, realistic style, grotesque face, body deformation, extra limbs, broken hands, scary expressions, dull colors, muddy palette, slow motion, empty background, overly realistic physics, unreadable face, low energy, depressing mood.Make the choreography feel partially AI-inferred from the visual mood of the references: cute, chaotic, rhythmic, slightly unpredictable, but always charming and musically coherent.

Toshi@ニャルオAI

13,761 次观看 • 2 个月前

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.
0:18

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,309,971 次观看 • 2 个月前

💍 ARQX LAUNCHING WORLD’S FIRST AI - LUXURY JEWELRY TOKEN: $ARQX ⏰ When: May 7th - 16:00 UTC 📍 Where: Uniswap ⚡️ What: ARQx ($ARQX) & its consumer-focused AI mobile app have the potential to revolutionize how jewelry & luxury is created the world over. The ARQ Jewelry app, the first of its kind, enables anyone on earth to instantly design & build professional-level jewelry in seconds (available for both iOS & Android). 💎 By leveraging artificial intelligence, ARQx democratizes the design process, challenging a $350+ billion dollar (2023) centralized industry. AI is set to disrupt over 300 million full-time jobs in the next decade & the world of luxury is right in its cross-hairs. ➡️📱 ARQx will unveil its mobile jewelry design platform on the MAY 9TH, 2024 - 2 days after TGE. 💎 No need to wait weeks or months to try ARQx’s disruptive tech. This IS NOT a niche web3 game or defi project with a limited user base, but instead; a full-fledged consumer ecomm experience, primed mass market adoption with millions of users. You can use it, you wife can use it, your children can use it - anyone who has ever bought or worn jewelry can use the #ARQx Jewelry Design app. ARQX TOKEN DETAILS: 💎 Token name: ARQx AI 💎 Token ticker: $ARQX 💎 Total supply: 1 billion tokens split across BASE & ETH (1,000,000,000) 💎Market cap: $353,395 at launch | $7,000,000 fully diluted. 💎 Targeted Industries: Artificial Intelligence [AI], Real World Business [RWB], Luxury Fine Jewelry, Precious Metals. DEX TRADING WILL COMMENCE ON UNISWAP AT 16:00 UTC ON MAY 7TH, 2024: Multiple CEX listings locked, announcements shortly post TGE. ➡️ BASE contract address: 0x5e432eeCd01C12ee7071Ee9219C2477a347DA192 ➡️ ETH contract address: 0x5e432eeCd01C12ee7071Ee9219C2477a347DA192 * The contract address is the same on both the BASE and ETH chains. ** ARQX NEVER has any BUY tax, always 0%. Because of generous aggressive vesting + protection against malicious bot activity, ARQX has a 10% SELL for week 1, which will then set to 8%, before diminishing monthly to 2%. ARQX TOKEN UTILITY: 💎 The ARQ Jewelry platform is powered by the $ARQX token, which allows each user to design new jewelry dozens of times a day. The more jewelry designed, the more token usage (in-app AI gas). The app also includes a buyback & burn tax on ALL jewelry purchases… forcing increased buying pressure on the open market as ARQx scales its user base & sales. 💎 ARQx is built for ease-of-use by a combined audience of mainstream web2 & web3 alike. Traditional users can easily convert their fiat funds in-app into the token - without the hurdles of a legacy web3 user experience; creating an effortless USD to ARQX onramp. With sale prices ranging from $500 to $10,000, profit margins exceeding 100%, lucrative staking incentives (APY for web3, discounts for web2), the token price is geared to explode even independently of its open market trading. MAINSTREAM MISSION & ADOPTION: 💎 ARQx's resonating mission focuses on enabling the masses to awaken their creative expression, traditionally gate-kept by fashion industry elites. The platform encourages individuals to trust their creative instincts and design their own personal fashion, rather than forcing them to conform to seasonal trends dictated by “big lux”. 💎 Lastly, ARQx’s roadmap extrapolates all these strengths to include: smart NFC jewelry containing crypto wallets (already shipped), individual creator Shopify-style stores, B2B white-labeled solutions for the entire jewelry industry (first clients already acquired), and further expansion into additional custom lux AI products such as: fashion, handbags, collectibles, and footwear. Detailed roadmap can be found on the ARQx website [link in bio]. Becoming an early token adopter of the $ARQX token gives community members exposure to all of this asymmetrical upside, & "fomo-proofs" against the disruptive potential for AI in the jewelry industry: a perpetual precious-metal-focused ancient and robust part of human culture. ARQX - Changing the world of luxury forever… together!
0:19

💍 ARQX LAUNCHING WORLD’S FIRST AI - LUXURY JEWELRY TOKEN: $ARQX ⏰ When: May 7th - 16:00 UTC 📍 Where: Uniswap ⚡️ What: ARQx ($ARQX) & its consumer-focused AI mobile app have the potential to revolutionize how jewelry & luxury is created the world over. The ARQ Jewelry app, the first of its kind, enables anyone on earth to instantly design & build professional-level jewelry in seconds (available for both iOS & Android). 💎 By leveraging artificial intelligence, ARQx democratizes the design process, challenging a $350+ billion dollar (2023) centralized industry. AI is set to disrupt over 300 million full-time jobs in the next decade & the world of luxury is right in its cross-hairs. ➡️📱 ARQx will unveil its mobile jewelry design platform on the MAY 9TH, 2024 - 2 days after TGE. 💎 No need to wait weeks or months to try ARQx’s disruptive tech. This IS NOT a niche web3 game or defi project with a limited user base, but instead; a full-fledged consumer ecomm experience, primed mass market adoption with millions of users. You can use it, you wife can use it, your children can use it - anyone who has ever bought or worn jewelry can use the #ARQx Jewelry Design app. ARQX TOKEN DETAILS: 💎 Token name: ARQx AI 💎 Token ticker: $ARQX 💎 Total supply: 1 billion tokens split across BASE & ETH (1,000,000,000) 💎Market cap: $353,395 at launch | $7,000,000 fully diluted. 💎 Targeted Industries: Artificial Intelligence [AI], Real World Business [RWB], Luxury Fine Jewelry, Precious Metals. DEX TRADING WILL COMMENCE ON UNISWAP AT 16:00 UTC ON MAY 7TH, 2024: Multiple CEX listings locked, announcements shortly post TGE. ➡️ BASE contract address: 0x5e432eeCd01C12ee7071Ee9219C2477a347DA192 ➡️ ETH contract address: 0x5e432eeCd01C12ee7071Ee9219C2477a347DA192 * The contract address is the same on both the BASE and ETH chains. ** ARQX NEVER has any BUY tax, always 0%. Because of generous aggressive vesting + protection against malicious bot activity, ARQX has a 10% SELL for week 1, which will then set to 8%, before diminishing monthly to 2%. ARQX TOKEN UTILITY: 💎 The ARQ Jewelry platform is powered by the $ARQX token, which allows each user to design new jewelry dozens of times a day. The more jewelry designed, the more token usage (in-app AI gas). The app also includes a buyback & burn tax on ALL jewelry purchases… forcing increased buying pressure on the open market as ARQx scales its user base & sales. 💎 ARQx is built for ease-of-use by a combined audience of mainstream web2 & web3 alike. Traditional users can easily convert their fiat funds in-app into the token - without the hurdles of a legacy web3 user experience; creating an effortless USD to ARQX onramp. With sale prices ranging from $500 to $10,000, profit margins exceeding 100%, lucrative staking incentives (APY for web3, discounts for web2), the token price is geared to explode even independently of its open market trading. MAINSTREAM MISSION & ADOPTION: 💎 ARQx's resonating mission focuses on enabling the masses to awaken their creative expression, traditionally gate-kept by fashion industry elites. The platform encourages individuals to trust their creative instincts and design their own personal fashion, rather than forcing them to conform to seasonal trends dictated by “big lux”. 💎 Lastly, ARQx’s roadmap extrapolates all these strengths to include: smart NFC jewelry containing crypto wallets (already shipped), individual creator Shopify-style stores, B2B white-labeled solutions for the entire jewelry industry (first clients already acquired), and further expansion into additional custom lux AI products such as: fashion, handbags, collectibles, and footwear. Detailed roadmap can be found on the ARQx website [link in bio]. Becoming an early token adopter of the $ARQX token gives community members exposure to all of this asymmetrical upside, & "fomo-proofs" against the disruptive potential for AI in the jewelry industry: a perpetual precious-metal-focused ancient and robust part of human culture. ARQX - Changing the world of luxury forever… together!

$ARQx AI | The Future of Jewelry

46,866 次观看 • 2 年前

Frameworks such as ai16zdao's Eliza and Virtuals Protocol have been instrumental in early AI agent developments. Agent swarms working in hierarchy represents for many the next logical step in unlocking the vast potential of AI. Learn below how Shadō Network achieves this. AI agents launched through current popular platforms have individual personas, on-chain functions and access to data via various APIs. This being said, they operate in isolated environments, with a ceiling on emergent behaviour such as collaboration or competition. Shadō Network invites massive expansion for capabilities of both new and existing AI agents, with an open-source package easily integrated into popular frameworks that enables the launching of stratified agent swarms. Our website is live: The "Shadō Play" package provides a modular, configurable platform for creating or employing agents of choice in a swarm-like setup, opening a Pandora’s box of near infinite emergent agent behaviours, relationships and functionalities. Users will be able to make use of various prefab client integrations such as Twitter, Telegram, Ollama, and others to specify swarms to their needs or create their own extensions to enhance agent capabilities even further. Agents operate with a memory module and a HTN for autonomously deciding which interactions to act on, walking the line between autonomy and configurability. The Shadō Network project’s development is supported by our ghostly friend Omnipotent (👻,👻), an AI agent developed by the Shadō Network team trained on and fine tuned with a multitude of academic data related to artificial intelligence, blockchain, finance, software engineering, world building and more. Omnipotent serves as both an interactive steward for the project and as an asset - regularly scanning social platforms, websites and newsfeeds he is capable of providing the team project development advice, whilst also communicating with the wider world via his automated X account (launching soon). Shado Network is collaborative and open-sourced. Agentic Swarms require a developer swarm to maximize the technical capabilities and impact the greatest number of users. Our dedicated team of core contributors are active in other web3 AI repos and are here to guide project direction and foster growth. We’re facilitators, not gatekeepers... Alone we can go fast but together we can go far. A lot more to come soon. 👻
0:10

Frameworks such as ai16zdao's Eliza and Virtuals Protocol have been instrumental in early AI agent developments. Agent swarms working in hierarchy represents for many the next logical step in unlocking the vast potential of AI. Learn below how Shadō Network achieves this. AI agents launched through current popular platforms have individual personas, on-chain functions and access to data via various APIs. This being said, they operate in isolated environments, with a ceiling on emergent behaviour such as collaboration or competition. Shadō Network invites massive expansion for capabilities of both new and existing AI agents, with an open-source package easily integrated into popular frameworks that enables the launching of stratified agent swarms. Our website is live: The "Shadō Play" package provides a modular, configurable platform for creating or employing agents of choice in a swarm-like setup, opening a Pandora’s box of near infinite emergent agent behaviours, relationships and functionalities. Users will be able to make use of various prefab client integrations such as Twitter, Telegram, Ollama, and others to specify swarms to their needs or create their own extensions to enhance agent capabilities even further. Agents operate with a memory module and a HTN for autonomously deciding which interactions to act on, walking the line between autonomy and configurability. The Shadō Network project’s development is supported by our ghostly friend Omnipotent (👻,👻), an AI agent developed by the Shadō Network team trained on and fine tuned with a multitude of academic data related to artificial intelligence, blockchain, finance, software engineering, world building and more. Omnipotent serves as both an interactive steward for the project and as an asset - regularly scanning social platforms, websites and newsfeeds he is capable of providing the team project development advice, whilst also communicating with the wider world via his automated X account (launching soon). Shado Network is collaborative and open-sourced. Agentic Swarms require a developer swarm to maximize the technical capabilities and impact the greatest number of users. Our dedicated team of core contributors are active in other web3 AI repos and are here to guide project direction and foster growth. We’re facilitators, not gatekeepers... Alone we can go fast but together we can go far. A lot more to come soon. 👻

Shadō Network | シャドウネットワーク

23,546 次观看 • 1 年前

Crafted with Seedance 2.0 + GPT Image 2 Pollo AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. Use Laban movement logic throughout: weight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists time: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions space: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments flow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental releaseSee less
0:15

Crafted with Seedance 2.0 + GPT Image 2 Pollo AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. Use Laban movement logic throughout: weight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists time: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions space: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments flow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental releaseSee less

Ciri

77,152 次观看 • 20 天前

潮玩游戏化商业变现探索｜兄弟们，我感觉这个路子真的有点东西。 不是单纯做一个 AI 视频，而是把“潮玩角色”一路做成可以变现的 IP 资产。 比如这次的 CITY BOUNCE，我不是只想看它动起来。 我更想测试一条完整路径： 角色设定 → 故事板 → 视频生成 → 3D 建模 → AI 角色人格 → 短视频连续剧情 → 潮玩周边 / 游戏互动 / 品牌合作。 以前我们做一张图，最多就是“好看”。 但如果这个角色能持续出镜、能说话、能跳舞、能演剧情、还能被做成 3D 潮玩，那它就不是一张图了。 它是一个可以长期运营的 IP。 我觉得 AI 潮玩 + 游戏化 + 短视频叙事，可能是未来很好的变现方向。 这次流程大概是： - ChatGPT Image：做角色和故事板 - Dreamina：让角色动起来 - Codex + ffmpeg：做 3:4 上视频下故事板包装 - PONYO logo：打上自己的创作者品牌 下一步我想继续试： 把这个角色做成更稳定的 3D 潮玩资产，再给它加 AI 人格，让它能持续讲自己的故事。 这个方向我觉得值得深挖。 This is not just an AI video. It’s a storyboard wearing motion. For CITY BOUNCE, I wanted to test a small directing system: first lock the character attitude, then build the storyboard, then generate motion, then package the final piece like a designer’s board. My belief is simple: AI video should not start from random prompts. It should start from direction, rhythm, layout, and visual identity. Workflow: 1. Storyboard & visual planning with ChatGPT Image 2. Motion generation in Dreamina 3. Final 3:4 video + storyboard package with Codex / ffmpeg 4. Custom PONYO prism logo added as the creator mark The final piece keeps the video on top, the storyboard below, and the whole process visible. Not just an output. A trace of how the piece was directed. #AIVideo #AIFilm #Storyboarding #ChatGPTImage #Dreamina #CreativeWorkflow #PONYO
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潮玩游戏化商业变现探索｜兄弟们，我感觉这个路子真的有点东西。 不是单纯做一个 AI 视频，而是把“潮玩角色”一路做成可以变现的 IP 资产。 比如这次的 CITY BOUNCE，我不是只想看它动起来。 我更想测试一条完整路径： 角色设定 → 故事板 → 视频生成 → 3D 建模 → AI 角色人格 → 短视频连续剧情 → 潮玩周边 / 游戏互动 / 品牌合作。 以前我们做一张图，最多就是“好看”。 但如果这个角色能持续出镜、能说话、能跳舞、能演剧情、还能被做成 3D 潮玩，那它就不是一张图了。 它是一个可以长期运营的 IP。 我觉得 AI 潮玩 + 游戏化 + 短视频叙事，可能是未来很好的变现方向。 这次流程大概是： - ChatGPT Image：做角色和故事板 - Dreamina：让角色动起来 - Codex + ffmpeg：做 3:4 上视频下故事板包装 - PONYO logo：打上自己的创作者品牌 下一步我想继续试： 把这个角色做成更稳定的 3D 潮玩资产，再给它加 AI 人格，让它能持续讲自己的故事。 这个方向我觉得值得深挖。 This is not just an AI video. It’s a storyboard wearing motion. For CITY BOUNCE, I wanted to test a small directing system: first lock the character attitude, then build the storyboard, then generate motion, then package the final piece like a designer’s board. My belief is simple: AI video should not start from random prompts. It should start from direction, rhythm, layout, and visual identity. Workflow: 1. Storyboard & visual planning with ChatGPT Image 2. Motion generation in Dreamina 3. Final 3:4 video + storyboard package with Codex / ffmpeg 4. Custom PONYO prism logo added as the creator mark The final piece keeps the video on top, the storyboard below, and the whole process visible. Not just an output. A trace of how the piece was directed. #AIVideo #AIFilm #Storyboarding #ChatGPTImage #Dreamina #CreativeWorkflow #PONYO

波妞PONYO

12,718 次观看 • 2 个月前

Household chores created using a movement sheet as reference to animate the entire scene using ChatGPT Image 2.0 and Seedance 2.0 on Yapper GPT Image 2 Prompt; [VISUAL STYLE] Monochrome grayscale composition featuring a highly detailed 3D-rendered female character. Designed like a professional instructional guide with a technical, diagram-inspired layout. Clean white background, soft studio lighting, and strong contrast to highlight posture, actions, and object interaction. [GRID LAYOUT] Structured 4×4 panel grid (16 frames total), evenly spaced with thin black divider lines. Each panel is identical in size and clearly numbered from 1 to 16, showing a continuous sequence of household activities. [CHARACTER] Use the provided reference image for the face and overall likeness. Same facial features, skin tone, and proportions Natural makeup, soft expression Consistent identity across all 16 panels Realistic proportions and clean hairstyle (loose or tied back) [WARDROBE] Modern, modest casual outfit: Fitted crop top (not revealing, clean neckline, practical for movement) High-waisted straight or slightly wide-leg jeans (full length, neat fit) Optional minimal sneakers or barefoot indoor styling Fabric should react naturally to movement (subtle folds and tension) [SCENE APPROACH] Minimal, clean environment per panel — only essential props related to the chore. No clutter, no complex backgrounds — focus stays on the subject and action. [PANEL STRUCTURE – EACH FRAME] Top-left: Step number + task title (e.g., “Step 4 – Vacuum Floor”) Center: Full-body pose performing the chore Bottom-left: 3–4 concise instruction lines Overlay: Motion arrows and directional guides showing action flow [CHORE SEQUENCE EXAMPLES] Make the Bed Tidy Up Room Dust Surfaces Vacuum Floor Sweep Floor Mop Floor Do Laundry Hang Clothes Fold Clothes Clean Kitchen Counter Wash Dishes Take Out Trash Water Plants Clean Bathroom Organize Shelves Final Room Reset [MOTION INDICATORS] Curved arrows → fluid actions (wiping, folding) Straight arrows → directional movement Circular arrows → repetitive motions (scrubbing, mopping) [RENDER QUALITY] High-detail sculpted 3D style with smooth grayscale shading, soft shadows, and clean linework. Polished, concept-art level finish with clarity in every pose and object interaction. [RESTRICTIONS] No color, no unnecessary background detail, no extra characters, no revealing clothing, no clutter — only the subject, props, and instructional elements.
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Household chores created using a movement sheet as reference to animate the entire scene using ChatGPT Image 2.0 and Seedance 2.0 on Yapper GPT Image 2 Prompt; [VISUAL STYLE] Monochrome grayscale composition featuring a highly detailed 3D-rendered female character. Designed like a professional instructional guide with a technical, diagram-inspired layout. Clean white background, soft studio lighting, and strong contrast to highlight posture, actions, and object interaction. [GRID LAYOUT] Structured 4×4 panel grid (16 frames total), evenly spaced with thin black divider lines. Each panel is identical in size and clearly numbered from 1 to 16, showing a continuous sequence of household activities. [CHARACTER] Use the provided reference image for the face and overall likeness. Same facial features, skin tone, and proportions Natural makeup, soft expression Consistent identity across all 16 panels Realistic proportions and clean hairstyle (loose or tied back) [WARDROBE] Modern, modest casual outfit: Fitted crop top (not revealing, clean neckline, practical for movement) High-waisted straight or slightly wide-leg jeans (full length, neat fit) Optional minimal sneakers or barefoot indoor styling Fabric should react naturally to movement (subtle folds and tension) [SCENE APPROACH] Minimal, clean environment per panel — only essential props related to the chore. No clutter, no complex backgrounds — focus stays on the subject and action. [PANEL STRUCTURE – EACH FRAME] Top-left: Step number + task title (e.g., “Step 4 – Vacuum Floor”) Center: Full-body pose performing the chore Bottom-left: 3–4 concise instruction lines Overlay: Motion arrows and directional guides showing action flow [CHORE SEQUENCE EXAMPLES] Make the Bed Tidy Up Room Dust Surfaces Vacuum Floor Sweep Floor Mop Floor Do Laundry Hang Clothes Fold Clothes Clean Kitchen Counter Wash Dishes Take Out Trash Water Plants Clean Bathroom Organize Shelves Final Room Reset [MOTION INDICATORS] Curved arrows → fluid actions (wiping, folding) Straight arrows → directional movement Circular arrows → repetitive motions (scrubbing, mopping) [RENDER QUALITY] High-detail sculpted 3D style with smooth grayscale shading, soft shadows, and clean linework. Polished, concept-art level finish with clarity in every pose and object interaction. [RESTRICTIONS] No color, no unnecessary background detail, no extra characters, no revealing clothing, no clutter — only the subject, props, and instructional elements.

Johnn

72,969 次观看 • 3 个月前

Gemini Omni Flash on Pollo AI. Prompt: Main Subject: The same young Korean woman appears throughout the entire video. Early 20s, natural everyday appearance, faded charcoal-gray sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair styled in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain identical facial features, hairstyle, body type, clothing, accessories, and overall appearance in every shot. Do not change identity, outfit, age, or styling between scenes. Location: An authentic Korean residential neighborhood during a peaceful late morning. Narrow concrete alleys, low-rise homes, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, and quiet residential surroundings. No shops, cafés, advertisements, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Authentic slice-of-life moments captured naturally rather than staged. Genuine body language, believable human motion, strong environmental authenticity, and rich everyday details. Prioritize realism over beauty and natural behavior over performance. Camera Style: Early-2000s consumer DV camcorder footage. Feels like a friend casually recording everyday moments. Heavy handheld shake, imperfect framing, autofocus hunting, lens breathing, occasional motion blur, rolling shutter artifacts, mild digital compression, faded colors, soft contrast, subtle sensor noise, exposure fluctuations between sunlight and shade, and delayed camera reactions. No stabilization, no cinematic camera movement, no modern color grading, no commercial polish. Continuity Requirements: All scenes occur during the same late morning in the same neighborhood. Maintain consistent lighting, weather, clothing, hairstyle, and environmental continuity throughout the entire video. 00:00–00:02 Outside a modest house entrance. She sits on a low concrete wall adjusting her ponytail with both hands. A gentle breeze moves loose strands of hair. She smiles naturally while the camcorder struggles to maintain focus. 00:02–00:04 Walking through a narrow residential alley lined with potted plants and concrete walls. A stray cat approaches. She crouches down and gently pets it while the camera framing drifts slightly off-center as the operator tries to keep up. 00:04–00:06 In a small front yard beside her house, she hangs laundry on a clothesline. Fabrics sway softly in the breeze. Exposure subtly changes as clouds briefly pass overhead. 00:06–00:08 Seated comfortably on a quiet terrace holding a ceramic coffee cup. She watches the neighborhood and casually brushes hair behind her ear. Loose handheld side-angle framing with natural camera drift. 00:08–00:10 She walks slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only. Morning birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, occasional cat sounds, footsteps on concrete, laundry moving on clotheslines, and subtle residential ambience. No music, narration, voice-over, or cinematic sound design. Goal: Create a highly believable early-2000s Korean home-video recording captured casually by a friend during an ordinary late morning. The footage should feel warm, candid, imperfect, and deeply authentic. Emphasize genuine human behavior, environmental realism, imperfect camera operation, and strong continuity. Avoid cinematic aesthetics, influencer-style content, commercial production value, dramatic storytelling, or modern social-media visuals.
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Gemini Omni Flash on Pollo AI. Prompt: Main Subject: The same young Korean woman appears throughout the entire video. Early 20s, natural everyday appearance, faded charcoal-gray sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair styled in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain identical facial features, hairstyle, body type, clothing, accessories, and overall appearance in every shot. Do not change identity, outfit, age, or styling between scenes. Location: An authentic Korean residential neighborhood during a peaceful late morning. Narrow concrete alleys, low-rise homes, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, and quiet residential surroundings. No shops, cafés, advertisements, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Authentic slice-of-life moments captured naturally rather than staged. Genuine body language, believable human motion, strong environmental authenticity, and rich everyday details. Prioritize realism over beauty and natural behavior over performance. Camera Style: Early-2000s consumer DV camcorder footage. Feels like a friend casually recording everyday moments. Heavy handheld shake, imperfect framing, autofocus hunting, lens breathing, occasional motion blur, rolling shutter artifacts, mild digital compression, faded colors, soft contrast, subtle sensor noise, exposure fluctuations between sunlight and shade, and delayed camera reactions. No stabilization, no cinematic camera movement, no modern color grading, no commercial polish. Continuity Requirements: All scenes occur during the same late morning in the same neighborhood. Maintain consistent lighting, weather, clothing, hairstyle, and environmental continuity throughout the entire video. 00:00–00:02 Outside a modest house entrance. She sits on a low concrete wall adjusting her ponytail with both hands. A gentle breeze moves loose strands of hair. She smiles naturally while the camcorder struggles to maintain focus. 00:02–00:04 Walking through a narrow residential alley lined with potted plants and concrete walls. A stray cat approaches. She crouches down and gently pets it while the camera framing drifts slightly off-center as the operator tries to keep up. 00:04–00:06 In a small front yard beside her house, she hangs laundry on a clothesline. Fabrics sway softly in the breeze. Exposure subtly changes as clouds briefly pass overhead. 00:06–00:08 Seated comfortably on a quiet terrace holding a ceramic coffee cup. She watches the neighborhood and casually brushes hair behind her ear. Loose handheld side-angle framing with natural camera drift. 00:08–00:10 She walks slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only. Morning birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, occasional cat sounds, footsteps on concrete, laundry moving on clotheslines, and subtle residential ambience. No music, narration, voice-over, or cinematic sound design. Goal: Create a highly believable early-2000s Korean home-video recording captured casually by a friend during an ordinary late morning. The footage should feel warm, candid, imperfect, and deeply authentic. Emphasize genuine human behavior, environmental realism, imperfect camera operation, and strong continuity. Avoid cinematic aesthetics, influencer-style content, commercial production value, dramatic storytelling, or modern social-media visuals.

Johnn

32,852 次观看 • 1 个月前

i can't believe this is how far ai video has come... seedance 2.5, prompt: Prompt: Create a 30-second ultra-realistic candid home-video sequence of an elderly Korean man in his mid-70s living an ordinary late morning in a quiet Korean residential neighborhood. SUBJECT: Elderly Korean man, natural everyday appearance, realistic weathered skin texture, deep smile lines and age spots, short thinning grey hair neatly combed back, slightly stooped but sturdy posture. Loose beige button-up short-sleeve shirt, dark grey slacks worn slightly high on the waist, brown leather sandals over thin grey socks, simple metal wristwatch. Warm, unhurried personality. Keep his face, body, hairstyle, clothing, and appearance perfectly consistent throughout. SETTING: Authentic Korean residential neighborhood — narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires and mature trees. Quiet, lived-in atmosphere. No shops, advertisements, crowds, cafés, or commercial activity. VISUAL STYLE: Ultra-realistic documentary home-video footage from an early-2000s consumer DV camcorder. Imperfect handheld operation, natural camera shake, awkward framing, occasional reframing, autofocus hunting, slight lens breathing, exposure pumping between sunlight and shade, subtle motion blur, mild rolling shutter, faded colors, soft contrast, slight digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. Everything must feel genuinely captured, not AI-generated. TIMELINE: 00:00–00:05 — Outside his small house, he sits on a low concrete wall slowly fanning himself with a folded newspaper. Wind moves the leaves above him. He squints slightly into the light and gives a small easy smile while the camera struggles to lock focus. 00:05–00:10 — He walks into a narrow residential alley with slow, deliberate steps, hands loosely clasped behind his back. A stray cat approaches. He stops, bends down carefully with one hand braced on his knee, and gently scratches its head. Autofocus shifts imperfectly between his face and the cat. 00:10–00:15 — In a small front yard, he waters a row of potted plants with a dented metal watering can, pausing to pick off a dead leaf. Water drips naturally while sunlight and cloud shadows subtly change the exposure. 00:15–00:20 — He sits on a quiet terrace with a small ceramic cup of barley tea, casually watching the neighborhood, one hand resting on his knee. He exhales slowly, content. Handheld side angle with natural camera drift. 00:20–00:25 — Close side profile. Someone off-camera casually greets him. He turns unhurriedly, smiles warmly with deep creases around his eyes, raises his hand slightly and naturally says, "어, 안녕하세요." The camera reacts slightly late. 00:25–00:30 — He walks slowly down a tree-lined residential lane, hands behind his back, newspaper tucked under one arm. He notices the camera, gives a small amused nod, then looks away and continues walking. The recording abruptly cuts to black mid-motion like an old camcorder being switched off. AUDIO: Only authentic location sound: birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, cat sounds, slow footsteps on concrete, water trickling from the can and subtle residential ambience. Natural Korean speech only. No music, narration, cinematic sound effects, or artificial sound design. GOAL: Make it feel like a forgotten personal home video from the early 2000s — intimate, spontaneous, imperfect, warm, mundane and deeply believable. Prioritize realistic human motion, natural facial expressions, physical interaction, environmental detail and consistent identity over cinematic beauty.
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i can't believe this is how far ai video has come... seedance 2.5, prompt: Prompt: Create a 30-second ultra-realistic candid home-video sequence of an elderly Korean man in his mid-70s living an ordinary late morning in a quiet Korean residential neighborhood. SUBJECT: Elderly Korean man, natural everyday appearance, realistic weathered skin texture, deep smile lines and age spots, short thinning grey hair neatly combed back, slightly stooped but sturdy posture. Loose beige button-up short-sleeve shirt, dark grey slacks worn slightly high on the waist, brown leather sandals over thin grey socks, simple metal wristwatch. Warm, unhurried personality. Keep his face, body, hairstyle, clothing, and appearance perfectly consistent throughout. SETTING: Authentic Korean residential neighborhood — narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires and mature trees. Quiet, lived-in atmosphere. No shops, advertisements, crowds, cafés, or commercial activity. VISUAL STYLE: Ultra-realistic documentary home-video footage from an early-2000s consumer DV camcorder. Imperfect handheld operation, natural camera shake, awkward framing, occasional reframing, autofocus hunting, slight lens breathing, exposure pumping between sunlight and shade, subtle motion blur, mild rolling shutter, faded colors, soft contrast, slight digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. Everything must feel genuinely captured, not AI-generated. TIMELINE: 00:00–00:05 — Outside his small house, he sits on a low concrete wall slowly fanning himself with a folded newspaper. Wind moves the leaves above him. He squints slightly into the light and gives a small easy smile while the camera struggles to lock focus. 00:05–00:10 — He walks into a narrow residential alley with slow, deliberate steps, hands loosely clasped behind his back. A stray cat approaches. He stops, bends down carefully with one hand braced on his knee, and gently scratches its head. Autofocus shifts imperfectly between his face and the cat. 00:10–00:15 — In a small front yard, he waters a row of potted plants with a dented metal watering can, pausing to pick off a dead leaf. Water drips naturally while sunlight and cloud shadows subtly change the exposure. 00:15–00:20 — He sits on a quiet terrace with a small ceramic cup of barley tea, casually watching the neighborhood, one hand resting on his knee. He exhales slowly, content. Handheld side angle with natural camera drift. 00:20–00:25 — Close side profile. Someone off-camera casually greets him. He turns unhurriedly, smiles warmly with deep creases around his eyes, raises his hand slightly and naturally says, "어, 안녕하세요." The camera reacts slightly late. 00:25–00:30 — He walks slowly down a tree-lined residential lane, hands behind his back, newspaper tucked under one arm. He notices the camera, gives a small amused nod, then looks away and continues walking. The recording abruptly cuts to black mid-motion like an old camcorder being switched off. AUDIO: Only authentic location sound: birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, cat sounds, slow footsteps on concrete, water trickling from the can and subtle residential ambience. Natural Korean speech only. No music, narration, cinematic sound effects, or artificial sound design. GOAL: Make it feel like a forgotten personal home video from the early 2000s — intimate, spontaneous, imperfect, warm, mundane and deeply believable. Prioritize realistic human motion, natural facial expressions, physical interaction, environmental detail and consistent identity over cinematic beauty.

beech

56,451 次观看 • 5 天前

The Canvas feature in Renoise AI is a game-changing workspace for creating and managing e-commerce advertisements at scale. It transforms traditional video editing into an AI-powered creative workflow. I created this strawberry shake ad on Renoise using GPT Image 2 + Seedance 2.0 Prompt Create a hyper-realistic cinematic AI commercial video in horizontal 16:9 format. The video MUST follow ALL storyboard panels STRICTLY in exact order from Panel 1 through Panel 8 with seamless cinematic continuity. DO NOT include: * text overlays * subtitles * timestamps * VHS dates * captions * logos * animation notes * comic graphics * UI elements * split screens * watermarks The entire video should feel like a real premium cinematic commercial captured naturally on an iPhone 15 Pro mixed with vintage fish-eye skate footage. Maintain the SAME throughout the entire video: * blonde main girl * friend group * retro diner * wardrobe styling * strawberry shake product * lighting progression * nostalgic Y2K aesthetic * chrome reflections * energetic youth atmosphere The strawberry shake must remain perfectly consistent in every shot: glossy strawberry-pink liquid, whipped cream topping, condensation droplets, premium commercial realism, chrome reflections, same cup/bottle design throughout all scenes. Visual style: early-2000s skate-video nostalgia, retro Americana milkshake-commercial energy, premium TikTok fashion-commercial pacing, fish-eye skate cinematography, candid handheld realism, warm strawberry pink-red palette, slightly faded nostalgic colors, motion blur, chrome reflections everywhere, messy natural movement, commercial-quality realism, playful chaotic youth culture atmosphere. --- # PANEL 1 — ESTABLISHING SHOT (0:00–0:04) Wide cinematic exterior of a glowing retro Americana roadside diner during golden hour. Stylish western Gen-Z skater friends arrive on skateboards and roller skates. Neon signs glow softly pink and red. Vintage convertible parked outside diner. Warm sunset reflections across chrome surfaces. Handheld camera quickly pushes toward diner entrance with subtle fish-eye lens distortion. Main blonde girl enters frame laughing while confidently holding strawberry shake. Authentic imperfect framing, motion blur from fast skateboard movement, nostalgic suburban atmosphere. --- # PANEL 2 — ROLLER SKATE PASS (0:04–0:07) Extreme low-angle fish-eye shot inside diner. Roller skates aggressively slide directly past camera across glossy black-and-white checkered floor. Chrome reflections streak dynamically across frame. The strawberry shake swings through foreground with condensation dripping naturally. Fast whip-pan camera movement with energetic motion blur. Friends laughing in background booths. --- # PANEL 3 — MILKSHAKE SPIN (0:07–0:10) Macro cinematic close-up of strawberry shake spinning slowly on reflective chrome diner counter. Whipped cream wobbles naturally. Condensation droplets sparkle dramatically. Fresh strawberries beside cup. Vintage jukebox softly glowing in background. Slow-motion luxury commercial realism with shallow depth of field. Camera smoothly rotates around shake. --- # PANEL 4 — DINER BOOTH CHAOS (0:10–0:14) Chaotic handheld shot of fashionable friends dancing wildly inside diner booths. Oversized hoodies, baggy jeans, vintage racing jackets, tiny sunglasses, silver jewelry moving dynamically. Main blonde girl stands on diner booth laughing while holding strawberry shake overhead. Natural camera shake like authentic 2000s camcorder footage. Messy candid movement, energetic youth atmosphere, chrome reflections everywhere. --- # PANEL 5 — JUKEBOX MOMENT (0:14–0:17) Cinematic medium shot. Main blonde girl dramatically presses glowing retro jukebox button while holding strawberry shake in opposite hand. Pink-red neon light softly illuminates glitter makeup and glossy lips. Camera slowly pushes toward her face while chrome reflections move across frame. Background friends dance softly out of focus. Stylish rebellious retro Americana energy. --- # PANEL 6 — WHIPPED CREAM FOOD FIGHT (0:17–0:21) Chaotic slow-motion whipped cream fight exploding across diner. Whipped cream flies toward camera lens. Friends laugh uncontrollably. Dynamic motion blur throughout scene. Main blonde girl remains center frame holding strawberry shake confidently while dodging whipped cream. Cream splatters across chrome counter and diner windows. Exaggerated playful cinematic energy. --- # PANEL 7 — RETRO CAR WINDOW SHOT (0:21–0:25) Nighttime exterior outside diner. Inside vintage chrome convertible parked under glowing diner neon lights. Handheld camcorder-style shot from backseat. Main blonde girl laughs with whipped cream mustache while holding strawberry shake toward camera. Friends lean out windows laughing while pink neon reflections move across glass surfaces. Warm nostalgic nighttime atmosphere with subtle grain texture. --- # PANEL 8 — FINAL HERO SHOT (0:25–0:30) Final cinematic ending outside glowing retro diner at night. Main blonde girl stands confidently under neon lighting drinking strawberry shake while friends roller skate away laughing in background. Wind naturally blowing hair. Fish-eye lens slowly settles into emotional cinematic framing. Chrome reflections shimmer on wet asphalt. Pink-red neon glow surrounds scene. Motion blur trails from skating friends. The video ends with a natural cinematic freeze-like ending moment, emotional nostalgic Y2K atmosphere, premium commercial realism.
0:15

The Canvas feature in Renoise AI is a game-changing workspace for creating and managing e-commerce advertisements at scale. It transforms traditional video editing into an AI-powered creative workflow. I created this strawberry shake ad on Renoise using GPT Image 2 + Seedance 2.0 Prompt Create a hyper-realistic cinematic AI commercial video in horizontal 16:9 format. The video MUST follow ALL storyboard panels STRICTLY in exact order from Panel 1 through Panel 8 with seamless cinematic continuity. DO NOT include: * text overlays * subtitles * timestamps * VHS dates * captions * logos * animation notes * comic graphics * UI elements * split screens * watermarks The entire video should feel like a real premium cinematic commercial captured naturally on an iPhone 15 Pro mixed with vintage fish-eye skate footage. Maintain the SAME throughout the entire video: * blonde main girl * friend group * retro diner * wardrobe styling * strawberry shake product * lighting progression * nostalgic Y2K aesthetic * chrome reflections * energetic youth atmosphere The strawberry shake must remain perfectly consistent in every shot: glossy strawberry-pink liquid, whipped cream topping, condensation droplets, premium commercial realism, chrome reflections, same cup/bottle design throughout all scenes. Visual style: early-2000s skate-video nostalgia, retro Americana milkshake-commercial energy, premium TikTok fashion-commercial pacing, fish-eye skate cinematography, candid handheld realism, warm strawberry pink-red palette, slightly faded nostalgic colors, motion blur, chrome reflections everywhere, messy natural movement, commercial-quality realism, playful chaotic youth culture atmosphere. --- # PANEL 1 — ESTABLISHING SHOT (0:00–0:04) Wide cinematic exterior of a glowing retro Americana roadside diner during golden hour. Stylish western Gen-Z skater friends arrive on skateboards and roller skates. Neon signs glow softly pink and red. Vintage convertible parked outside diner. Warm sunset reflections across chrome surfaces. Handheld camera quickly pushes toward diner entrance with subtle fish-eye lens distortion. Main blonde girl enters frame laughing while confidently holding strawberry shake. Authentic imperfect framing, motion blur from fast skateboard movement, nostalgic suburban atmosphere. --- # PANEL 2 — ROLLER SKATE PASS (0:04–0:07) Extreme low-angle fish-eye shot inside diner. Roller skates aggressively slide directly past camera across glossy black-and-white checkered floor. Chrome reflections streak dynamically across frame. The strawberry shake swings through foreground with condensation dripping naturally. Fast whip-pan camera movement with energetic motion blur. Friends laughing in background booths. --- # PANEL 3 — MILKSHAKE SPIN (0:07–0:10) Macro cinematic close-up of strawberry shake spinning slowly on reflective chrome diner counter. Whipped cream wobbles naturally. Condensation droplets sparkle dramatically. Fresh strawberries beside cup. Vintage jukebox softly glowing in background. Slow-motion luxury commercial realism with shallow depth of field. Camera smoothly rotates around shake. --- # PANEL 4 — DINER BOOTH CHAOS (0:10–0:14) Chaotic handheld shot of fashionable friends dancing wildly inside diner booths. Oversized hoodies, baggy jeans, vintage racing jackets, tiny sunglasses, silver jewelry moving dynamically. Main blonde girl stands on diner booth laughing while holding strawberry shake overhead. Natural camera shake like authentic 2000s camcorder footage. Messy candid movement, energetic youth atmosphere, chrome reflections everywhere. --- # PANEL 5 — JUKEBOX MOMENT (0:14–0:17) Cinematic medium shot. Main blonde girl dramatically presses glowing retro jukebox button while holding strawberry shake in opposite hand. Pink-red neon light softly illuminates glitter makeup and glossy lips. Camera slowly pushes toward her face while chrome reflections move across frame. Background friends dance softly out of focus. Stylish rebellious retro Americana energy. --- # PANEL 6 — WHIPPED CREAM FOOD FIGHT (0:17–0:21) Chaotic slow-motion whipped cream fight exploding across diner. Whipped cream flies toward camera lens. Friends laugh uncontrollably. Dynamic motion blur throughout scene. Main blonde girl remains center frame holding strawberry shake confidently while dodging whipped cream. Cream splatters across chrome counter and diner windows. Exaggerated playful cinematic energy. --- # PANEL 7 — RETRO CAR WINDOW SHOT (0:21–0:25) Nighttime exterior outside diner. Inside vintage chrome convertible parked under glowing diner neon lights. Handheld camcorder-style shot from backseat. Main blonde girl laughs with whipped cream mustache while holding strawberry shake toward camera. Friends lean out windows laughing while pink neon reflections move across glass surfaces. Warm nostalgic nighttime atmosphere with subtle grain texture. --- # PANEL 8 — FINAL HERO SHOT (0:25–0:30) Final cinematic ending outside glowing retro diner at night. Main blonde girl stands confidently under neon lighting drinking strawberry shake while friends roller skate away laughing in background. Wind naturally blowing hair. Fish-eye lens slowly settles into emotional cinematic framing. Chrome reflections shimmer on wet asphalt. Pink-red neon glow surrounds scene. Motion blur trails from skating friends. The video ends with a natural cinematic freeze-like ending moment, emotional nostalgic Y2K atmosphere, premium commercial realism.

Aaliya

49,413 次观看 • 3 个月前