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Rhyming time

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Asafopowers🇬🇭🇬🇭

52,331 subscribers

112,724 Aufrufe • vor 1 Jahr •via X (Twitter)

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11 Kommentare

Profilbild von Gháñäïán Vàłvërdę🇺🇾 🇬🇭
Gháñäïán Vàłvërdę🇺🇾 🇬🇭vor 1 Jahr

The pic dey be me Waa 🤐❤️

Profilbild von Solar Heavy
Solar Heavyvor 1 Jahr

got a min for a new song?

Profilbild von Big Paradise
Big Paradisevor 1 Jahr

Akoa agyimii 😂😂😂😂😂😂😂😂😂😂😂

Profilbild von $¥D€ A ATTRAKTA 🇬🇭🇩🇪💎
$¥D€ A ATTRAKTA 🇬🇭🇩🇪💎vor 1 Jahr

OSI Team aa Wasa paa yɛ Manchester! 😂😂

Profilbild von Solution
Solutionvor 1 Jahr

The girl is good 👍, her composure throughout the video was top-notch 👌

Profilbild von NanaThan⍟s
NanaThan⍟svor 1 Jahr

Hands for touch you all 😂 😂 😂 😂

Profilbild von 𝑬𝒍𝒌𝒂𝒏𝒂𝒉™𓃵
𝑬𝒍𝒌𝒂𝒏𝒂𝒉™𓃵vor 1 Jahr

Kindly retweet and quote my pinned tweet for me please i take God begg u🫂😭🥹🙏

Profilbild von 🪖 General azay
🪖 General azayvor 1 Jahr

Team aa saa paa y3 d3n ? Hero: Manchester (united) Ahafo: Goood👿😹

Profilbild von Nkwa
Nkwavor 1 Jahr

The sundiata part weak me🤣🤣

Profilbild von Berry ☯︎🦍🥷
Berry ☯︎🦍🥷vor 1 Jahr

Naaa what can’t y’all do?😂😂😂

Profilbild von J.B Agbowada
J.B Agbowadavor 1 Jahr

But Last Hero always repeating your last statement doesn’t make it……

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Looting Lenny, rapping and rhyming has been a long-time tradition of Black Americans. History and culture💯
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Elzhi >>> The time Elzhi broke down rhyming patterns then casually dropped a crazy verse teaching people how to rap. Truly one of the most underrated.
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Elzhi >>> The time Elzhi broke down rhyming patterns then casually dropped a crazy verse teaching people how to rap. Truly one of the most underrated.

Andrew Barber

219,705 Aufrufe • vor 1 Jahr

Gemma 4 E4B is impressive for an on-device LLM. GPT-4ish quality, and expect hallucinations. Here is: “List five sociological theories starting with u and what they are. Then describe them in a rhyming verse” Its in real time, the last is a little bit of a stretch, but not bad!
0:39

Gemma 4 E4B is impressive for an on-device LLM. GPT-4ish quality, and expect hallucinations. Here is: “List five sociological theories starting with u and what they are. Then describe them in a rhyming verse” Its in real time, the last is a little bit of a stretch, but not bad!

Ethan Mollick

54,463 Aufrufe • vor 3 Monaten

Happy birthday Dave Chappelle “if skills sold, truth be told, lyrically I’ll probably be Talib Kweli, Truthfully, I wanna rhyme like Common Sense, But I did 5 Mill, I ain’t been rhyming like Common since” - JAY-Z Dave was actually with Talib & Common when they heard that for the 1st time 😂
1:34

Happy birthday Dave Chappelle “if skills sold, truth be told, lyrically I’ll probably be Talib Kweli, Truthfully, I wanna rhyme like Common Sense, But I did 5 Mill, I ain’t been rhyming like Common since” - JAY-Z Dave was actually with Talib & Common when they heard that for the 1st time 😂

💎🍾

198,560 Aufrufe • vor 11 Monaten

What are the odds Dave Chappelle, Kanye West, Talib Kweli, & Common were all together the first time they heard JAY-Z say; “if skills sold, truth be told, lyrically I’d probably be Talib Kweli, Truthfully, I wanna rhyme like Common Sense, But I did 5 Mill, I ain’t been rhyming like Common since,”
1:33

What are the odds Dave Chappelle, Kanye West, Talib Kweli, & Common were all together the first time they heard JAY-Z say; “if skills sold, truth be told, lyrically I’d probably be Talib Kweli, Truthfully, I wanna rhyme like Common Sense, But I did 5 Mill, I ain’t been rhyming like Common since,”

💎🍾

40,542 Aufrufe • vor 1 Monat

JAY-Z famously rapped “if skills sold, truth be told, lyrically I’ll probably be Talib Kweli, Truthfully, I wanna rhyme like Common Sense, But I did 5 Mill, I ain’t been rhyming like Common since”. Dave Chappelle was actually WITH Talib & Common when they initially heard it lol.🤯 It was also the same day Dave met Kanye for the 1st time.
1:34

JAY-Z famously rapped “if skills sold, truth be told, lyrically I’ll probably be Talib Kweli, Truthfully, I wanna rhyme like Common Sense, But I did 5 Mill, I ain’t been rhyming like Common since”. Dave Chappelle was actually WITH Talib & Common when they initially heard it lol.🤯 It was also the same day Dave met Kanye for the 1st time.

💎🍾

1,603,374 Aufrufe • vor 2 Jahren

I still feel like a 16 year old kid writing rhyming words in his phone…except those words have somehow made it to radio. This is a really special time for me…one that not long ago felt SO far away. Love you guys ❤️🙏🏻 Request “Man In The Sky” at your local station and film it if they play it!
0:49

I still feel like a 16 year old kid writing rhyming words in his phone…except those words have somehow made it to radio. This is a really special time for me…one that not long ago felt SO far away. Love you guys ❤️🙏🏻 Request “Man In The Sky” at your local station and film it if they play it!

Tom MacDonald

34,526 Aufrufe • vor 1 Jahr

THE NEXT 6 MONTHS WILL SURPRISE EVERYONE!! Bitcoin doesn't repeat. It rhymes. And right now it's rhyming louder than ever. 2017: base formed → parabolic pump 2021: base formed → parabolic pump 2026: base formed → pump is coming Called the $126K top, called every major bottom before it happened This accumulation range looks identical to both setups You are not late, you are exactly on time. You were warned before the next leg up!
0:21

THE NEXT 6 MONTHS WILL SURPRISE EVERYONE!! Bitcoin doesn't repeat. It rhymes. And right now it's rhyming louder than ever. 2017: base formed → parabolic pump 2021: base formed → parabolic pump 2026: base formed → pump is coming Called the $126K top, called every major bottom before it happened This accumulation range looks identical to both setups You are not late, you are exactly on time. You were warned before the next leg up!

ᴛʀᴀᴄᴇʀ

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Vance is out claiming victory and dictating terms, but the Iran war is nowhere near over, and the optics of where Trump signed should worry the White House for years. This framing from Patrick Henningsen reshaped how I see Iran's position. By forcing Lebanon into the package and making it stick, Iran did what a superpower does, drawing a red line and backing it with real hard power. They stood toe to toe with the world's strongest military and the region's best, got pounded, and came out dictating terms. That, Patrick says, vaults Iran to the top tier of the region, above Israel and Saudi But his warning is to stay cautious. Israel doesn't think week to week, it thinks in decades. They've occupied South Lebanon twice before and came back a third time. He pointed to history rhyming: the 1982 invasion was triggered by an assassination later pinned on the wrong group, and a similar false-flag spark could blow this open again The piece that stuck with me hardest? Patrick was in Tehran the week before the bombs fell. He says the "50,000 massacred protesters" story that justified this war came from US intelligence, and the real picture on the ground was very different. Patrick Henningsen
1:07:23

Vance is out claiming victory and dictating terms, but the Iran war is nowhere near over, and the optics of where Trump signed should worry the White House for years. This framing from Patrick Henningsen reshaped how I see Iran's position. By forcing Lebanon into the package and making it stick, Iran did what a superpower does, drawing a red line and backing it with real hard power. They stood toe to toe with the world's strongest military and the region's best, got pounded, and came out dictating terms. That, Patrick says, vaults Iran to the top tier of the region, above Israel and Saudi But his warning is to stay cautious. Israel doesn't think week to week, it thinks in decades. They've occupied South Lebanon twice before and came back a third time. He pointed to history rhyming: the 1982 invasion was triggered by an assassination later pinned on the wrong group, and a similar false-flag spark could blow this open again The piece that stuck with me hardest? Patrick was in Tehran the week before the bombs fell. He says the "50,000 massacred protesters" story that justified this war came from US intelligence, and the real picture on the ground was very different. Patrick Henningsen

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Yeat taps Kylie Jenner to rap on his new single "Let King Tonka Talk." The West Coast rhymer is readying the release of his new album, ADL (A Dangerous Lyfe/A Dangerous Love), which drops on March 27. On Friday (March 20), he put out the latest single, "Let King Tonka Talk" featuring King Kylie a.k.a. Kylie Jenner. Produced by Dylan Brady, one-half of experimental electronic duo 100 Gecs, "Let King Tonka Talk" features booming bass and blaring synths. "I just walked inside this club, I got two bi*ches down, they're grabbin' on me/She be thinkin' that just 'cause we f**ked, this shit is matrimony," Yeat raps. "When she find out that I f**ked her friend, she gon' be mad she knew me." Kylie kicks a brief verse in the middle of the chorus-less track, rhyming, "Hold on, let King Kylie talk/I just walked inside this club and all these bi*ches, yeah, they grabbin' on me (Phew, oh, don't let her)/They could never." This is not the first time Kylie has hopped on a hip-hop track. In 2016, she appeared on Burberry Perry's "Beautiful Day" featuring Lil Yachty, Justine Skye and Jordyn Woods.
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Yeat taps Kylie Jenner to rap on his new single "Let King Tonka Talk." The West Coast rhymer is readying the release of his new album, ADL (A Dangerous Lyfe/A Dangerous Love), which drops on March 27. On Friday (March 20), he put out the latest single, "Let King Tonka Talk" featuring King Kylie a.k.a. Kylie Jenner. Produced by Dylan Brady, one-half of experimental electronic duo 100 Gecs, "Let King Tonka Talk" features booming bass and blaring synths. "I just walked inside this club, I got two bi*ches down, they're grabbin' on me/She be thinkin' that just 'cause we f**ked, this shit is matrimony," Yeat raps. "When she find out that I f**ked her friend, she gon' be mad she knew me." Kylie kicks a brief verse in the middle of the chorus-less track, rhyming, "Hold on, let King Kylie talk/I just walked inside this club and all these bi*ches, yeah, they grabbin' on me (Phew, oh, don't let her)/They could never." This is not the first time Kylie has hopped on a hip-hop track. In 2016, she appeared on Burberry Perry's "Beautiful Day" featuring Lil Yachty, Justine Skye and Jordyn Woods.

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Cycles by Material Protocol Arts Cycles by Material Protocol Arts is a network sculpture composed of space and time, a meditation on recurrence and change. Time and its manner of repeating appear as themes in art and metaphysics through the ages. Heraclitus steps into and out of a river, a new man each time while history draws irregular spiral loops, rhyming and stuttering out its story. At its core, Cycles is a network artwork deployed on Ethereum. It comprises an abstract kinetic sculpture of rotating rings, composed of 512 individual lenses. Each lens represents a unique simulation, moving through parametric space and offering viewers a window into complex, evolving patterns. By using Ethereum as a networked computer, the artwork can develop over time and accept interactions via the network. Importantly, the core of Cycles isn't just a JavaScript file loaded and stored on Ethereum, but instead a program running live on Ethereum itself as a world computer sculpture. Using blockchain technology as material for art making offers artists the chance to make artworks that are new in the context of art history: those that continuously evolve, record their own history, and run autonomously with minimal intervention. Leveraging Ethereum's distributed nature and economic incentives, Cycles aspires to operate on an extended time scale allowing viewers to live with and experience its changes over years, decades or centuries. Cycles is a dynamically running network artwork. This distinction is important because in the history of computer-generated art, many artists have focused on designing computer systems to generate outputs such as drawings, videos, or sound recordings. This is a respectable tradition but this approach fails to express the dynamic and interactive nature of computer programs as artworks themselves. Cycles attempts to explore these qualities by creating a dynamic network artwork that runs continuously and autonomously on Ethereum, shifting the focus from the product of an art-making algorithm to the system itself. Dynamism is a prerequisite for interactivity which Cycles allows for its collectors. The piece includes a method to stop a lens’ movement by freezing it. This causes the lens to focus continuously on the same point in space, causing the changing qualities of its simulation to be fixed and allowing collectors to control its aesthetic presentation. Freezing is a weighted decision. Once a lens is frozen it will require certain conditions to be unlocked. Methods for unfreezing lenses will be unlocked over time. The fact that the behavior of the sculpture can be affected by lens owners means that its future state is non-deterministic and will never be able to be fully predicted. In technical terms, Cycles is composed of Solidity, JavaScript, and SVG code, stored and computed on the Ethereum blockchain. This design avoids external dependencies, ensuring the artwork's longevity and resistance to technical failures. While the current form of Cycles is complete, its nature as a software artwork allows for potential future development through non-destructive updates or connections to other systems. By rendering systemic processes as aesthetic experiences, Cycles offers viewers a unique perspective on the passage of time and the nature of change. It invites contemplation of the cyclical yet varied patterns that characterize both natural and human systems. As viewers engage with Cycles over extended periods, they are encouraged to reflect on their own relationship with time, change, and recurrence, viewing the artwork as a lens through which to observe the interplay of repetition and variation that shapes our existence.
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Cycles by Material Protocol Arts Cycles by Material Protocol Arts is a network sculpture composed of space and time, a meditation on recurrence and change. Time and its manner of repeating appear as themes in art and metaphysics through the ages. Heraclitus steps into and out of a river, a new man each time while history draws irregular spiral loops, rhyming and stuttering out its story. At its core, Cycles is a network artwork deployed on Ethereum. It comprises an abstract kinetic sculpture of rotating rings, composed of 512 individual lenses. Each lens represents a unique simulation, moving through parametric space and offering viewers a window into complex, evolving patterns. By using Ethereum as a networked computer, the artwork can develop over time and accept interactions via the network. Importantly, the core of Cycles isn't just a JavaScript file loaded and stored on Ethereum, but instead a program running live on Ethereum itself as a world computer sculpture. Using blockchain technology as material for art making offers artists the chance to make artworks that are new in the context of art history: those that continuously evolve, record their own history, and run autonomously with minimal intervention. Leveraging Ethereum's distributed nature and economic incentives, Cycles aspires to operate on an extended time scale allowing viewers to live with and experience its changes over years, decades or centuries. Cycles is a dynamically running network artwork. This distinction is important because in the history of computer-generated art, many artists have focused on designing computer systems to generate outputs such as drawings, videos, or sound recordings. This is a respectable tradition but this approach fails to express the dynamic and interactive nature of computer programs as artworks themselves. Cycles attempts to explore these qualities by creating a dynamic network artwork that runs continuously and autonomously on Ethereum, shifting the focus from the product of an art-making algorithm to the system itself. Dynamism is a prerequisite for interactivity which Cycles allows for its collectors. The piece includes a method to stop a lens’ movement by freezing it. This causes the lens to focus continuously on the same point in space, causing the changing qualities of its simulation to be fixed and allowing collectors to control its aesthetic presentation. Freezing is a weighted decision. Once a lens is frozen it will require certain conditions to be unlocked. Methods for unfreezing lenses will be unlocked over time. The fact that the behavior of the sculpture can be affected by lens owners means that its future state is non-deterministic and will never be able to be fully predicted. In technical terms, Cycles is composed of Solidity, JavaScript, and SVG code, stored and computed on the Ethereum blockchain. This design avoids external dependencies, ensuring the artwork's longevity and resistance to technical failures. While the current form of Cycles is complete, its nature as a software artwork allows for potential future development through non-destructive updates or connections to other systems. By rendering systemic processes as aesthetic experiences, Cycles offers viewers a unique perspective on the passage of time and the nature of change. It invites contemplation of the cyclical yet varied patterns that characterize both natural and human systems. As viewers engage with Cycles over extended periods, they are encouraged to reflect on their own relationship with time, change, and recurrence, viewing the artwork as a lens through which to observe the interplay of repetition and variation that shapes our existence.

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69,422 Aufrufe • vor 1 Jahr

Hip-hop is most distinguished by its lyricism, which has become the most vital aspect of a rapper’s craft. Without it, the classic albums, celebrated songs and innovative wordplay that have been cherished in the culture for decades would not exist. Over time, the art of lyricism has evolved alongside the genre and its artists, but many proven lyricists have remained at the forefront. While there have been countless complaints lately that the MCs who still pride themselves on serving immaculate bars of substance are not getting the proper spotlight and respect they deserve, lyricism is still thriving. In an era of vibes, Joey Bada$$ and J.I.D are two MCs rhyming with purpose. Their grit, grind and authenticity have brought them to a place where their skills on the mic are held in high regard. Joey and J.I.D keep the essence of hip-hop alive with every verse they write. That’s an achievement worth celebrating, which is why these artists are featured on the cover of XXL magazine. Both have gone from former Freshmen to award-winning artists thanks to their dedication to their craft. They each delivered standout albums this year that highlight the verbal artistry they’ve mastered: Joey’s Lonely at the Top and J.I.D’s God Does Like Ugly. Holding the line for potent rhymes in a trend-driven world is serious business for these guys. It’s likely the reason why they’ve connected outside the studio to become friends away from the music industry. As they are both close in age, fathers and passionate about their art, the bond runs deep with mutual respect. Two wordsmiths, one mission: set the mic on fire. Joey and J.I.D spoke individually in their own respective cover story interviews on everything from lyricism, their music and beyond. The real-deal friends also sat down together for a separate joint conversation on video to discuss sticking together as lyricists, satisfying fans over chasing awards, their goals, fatherhood and more. See their video interview:
0:51

Hip-hop is most distinguished by its lyricism, which has become the most vital aspect of a rapper’s craft. Without it, the classic albums, celebrated songs and innovative wordplay that have been cherished in the culture for decades would not exist. Over time, the art of lyricism has evolved alongside the genre and its artists, but many proven lyricists have remained at the forefront. While there have been countless complaints lately that the MCs who still pride themselves on serving immaculate bars of substance are not getting the proper spotlight and respect they deserve, lyricism is still thriving. In an era of vibes, Joey Bada$$ and J.I.D are two MCs rhyming with purpose. Their grit, grind and authenticity have brought them to a place where their skills on the mic are held in high regard. Joey and J.I.D keep the essence of hip-hop alive with every verse they write. That’s an achievement worth celebrating, which is why these artists are featured on the cover of XXL magazine. Both have gone from former Freshmen to award-winning artists thanks to their dedication to their craft. They each delivered standout albums this year that highlight the verbal artistry they’ve mastered: Joey’s Lonely at the Top and J.I.D’s God Does Like Ugly. Holding the line for potent rhymes in a trend-driven world is serious business for these guys. It’s likely the reason why they’ve connected outside the studio to become friends away from the music industry. As they are both close in age, fathers and passionate about their art, the bond runs deep with mutual respect. Two wordsmiths, one mission: set the mic on fire. Joey and J.I.D spoke individually in their own respective cover story interviews on everything from lyricism, their music and beyond. The real-deal friends also sat down together for a separate joint conversation on video to discuss sticking together as lyricists, satisfying fans over chasing awards, their goals, fatherhood and more. See their video interview:

XXL Magazine

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