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Rich green color, sharp terminations, and excellent luster. Peridot from Supat Valley, Kohistan, Pakistan Video: Fine Art Minerals Ghulam Mustafa

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18,467 次观看 • 1 年前 •via X (Twitter)

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Pakistan military and ISI has ordered the closure of the University of Balochistan’s Fine Arts Department 30 November 2025 Mahal Baloch, a young Baloch woman an artist and a final-year Fine Arts student at the University of Balochistan poured her heart into a powerful sculpture capturing the painful reality of water scarcity in Gwadar and across Balochistan. She titled her work Prince of Thirst, Prince of Hope a tribute to a land longing for dignity, justice, and life-giving water. But her courage was met not with encouragement, but with repression. Her art, which dared to speak the truth, angered Pakistan’s intelligence agencies and military establishment. Instead of listening, they silenced. Instead of dialogue, they delivered punishment. In an act as absurd as it is cruel, the authorities ordered the complete shutdown of the university’s entire Fine Arts Department simply because one young Baloch woman dared to express reality through sculpture. Today, Pakistan cries crocodile tears about the Taliban denying women an education while its own state forces shut down classrooms, censor creativity, and ban Baloch female students from pursuing art, expression, and higher learning. The hypocrisy could not be clearer. Yet despite these attempts to suffocate the Baloch voice, the spirit of Balochistan remains unbroken. Every act of repression only strengthens the resolve of the people. And in the future Republic of Balochistan, art is not be censored it is be celebrated. The new nation will open modern art institutes, cultural academies, and world-class educational departments designed to uplift women, nurture creativity, and honor the rich cultural soul of the Baloch people. Where one department was shut down by fear, dozens more will rise from hope. The hands that try to break the sculptor today will never stop the sculpture of tomorrow. Balochistan’s artists, students, and daughters will create again freely, proudly, and without fear.

Pakistan military and ISI has ordered the closure of the University of Balochistan’s Fine Arts Department 30 November 2025 Mahal Baloch, a young Baloch woman an artist and a final-year Fine Arts student at the University of Balochistan poured her heart into a powerful sculpture capturing the painful reality of water scarcity in Gwadar and across Balochistan. She titled her work Prince of Thirst, Prince of Hope a tribute to a land longing for dignity, justice, and life-giving water. But her courage was met not with encouragement, but with repression. Her art, which dared to speak the truth, angered Pakistan’s intelligence agencies and military establishment. Instead of listening, they silenced. Instead of dialogue, they delivered punishment. In an act as absurd as it is cruel, the authorities ordered the complete shutdown of the university’s entire Fine Arts Department simply because one young Baloch woman dared to express reality through sculpture. Today, Pakistan cries crocodile tears about the Taliban denying women an education while its own state forces shut down classrooms, censor creativity, and ban Baloch female students from pursuing art, expression, and higher learning. The hypocrisy could not be clearer. Yet despite these attempts to suffocate the Baloch voice, the spirit of Balochistan remains unbroken. Every act of repression only strengthens the resolve of the people. And in the future Republic of Balochistan, art is not be censored it is be celebrated. The new nation will open modern art institutes, cultural academies, and world-class educational departments designed to uplift women, nurture creativity, and honor the rich cultural soul of the Baloch people. Where one department was shut down by fear, dozens more will rise from hope. The hands that try to break the sculptor today will never stop the sculpture of tomorrow. Balochistan’s artists, students, and daughters will create again freely, proudly, and without fear.

Mir Yar Baloch

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PROMPT DROP 🚨 for Creators & NFT Collectors. 🎨 Minting the Self: Genesis of the Living Canvas🪽 The prompt is optimised to inherit the style, colour palette, and personality of your character. 💀 Drop your creations below 🌐 Keen to see what you mint 👀 🚨PROMPT👇🏼 Use the provided PFP/NFT character as the primary reference. The character must remain fully recognizable and true to its original design—preserve exact facial features, proportions, textures, materials, color palette, accessories, and overall personality. All elements in the scene must adapt to and harmonize with the character’s unique visual style—whether that is cartoon, anime, voxel, hyper-realistic, or stylized 3D. Create a hyper-detailed fine art studio scene where the character stands before a massive canvas. The painting on the canvas is a fully completed, master-level version of the same character, rendered in a refined, elevated interpretation of its original style. The character’s signature identity feature (mask, face, helmet, eyes, or defining trait) must be 100% complete, sharp, and highly detailed—serving as the focal anchor of the composition. They hold a paintbrush dripping with material true to their world (oil paint, neon energy, pixels, liquid chrome, etc.), and the colors precisely match their original palette—visually linking the act of painting to the formation of their body. The studio environment subtly inherits the character’s aesthetic and personality: Color grading aligns with the character’s palette (dark, vibrant, pastel, neon, etc.) Props and materials reflect their universe (futuristic, street, fantasy, minimal, luxury) Lighting style matches their mood (soft cinematic, harsh contrast, neon glow, ethereal light) A large window casts natural or stylized light consistent with the character’s world, enhancing texture, depth, and atmosphere. Paint or material drips from both the canvas and the character, seamlessly blending creator and creation, reality and artwork. Style Output: ultra-detailed, cinematic composition, faithful to the character’s original art direction, enhanced with fine art realism and high-end 3D rendering, 8K resolution, museum-quality lighting, rich textures, depth of field, and tactile detail.

PROMPT DROP 🚨 for Creators & NFT Collectors. 🎨 Minting the Self: Genesis of the Living Canvas🪽 The prompt is optimised to inherit the style, colour palette, and personality of your character. 💀 Drop your creations below 🌐 Keen to see what you mint 👀 🚨PROMPT👇🏼 Use the provided PFP/NFT character as the primary reference. The character must remain fully recognizable and true to its original design—preserve exact facial features, proportions, textures, materials, color palette, accessories, and overall personality. All elements in the scene must adapt to and harmonize with the character’s unique visual style—whether that is cartoon, anime, voxel, hyper-realistic, or stylized 3D. Create a hyper-detailed fine art studio scene where the character stands before a massive canvas. The painting on the canvas is a fully completed, master-level version of the same character, rendered in a refined, elevated interpretation of its original style. The character’s signature identity feature (mask, face, helmet, eyes, or defining trait) must be 100% complete, sharp, and highly detailed—serving as the focal anchor of the composition. They hold a paintbrush dripping with material true to their world (oil paint, neon energy, pixels, liquid chrome, etc.), and the colors precisely match their original palette—visually linking the act of painting to the formation of their body. The studio environment subtly inherits the character’s aesthetic and personality: Color grading aligns with the character’s palette (dark, vibrant, pastel, neon, etc.) Props and materials reflect their universe (futuristic, street, fantasy, minimal, luxury) Lighting style matches their mood (soft cinematic, harsh contrast, neon glow, ethereal light) A large window casts natural or stylized light consistent with the character’s world, enhancing texture, depth, and atmosphere. Paint or material drips from both the canvas and the character, seamlessly blending creator and creation, reality and artwork. Style Output: ultra-detailed, cinematic composition, faithful to the character’s original art direction, enhanced with fine art realism and high-end 3D rendering, 8K resolution, museum-quality lighting, rich textures, depth of field, and tactile detail.

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We are excited to share our work “Event-Aided Sharp Radiance Field Reconstruction for Fast-Flying Drones” published in IEEE Transactions on Robotics IEEE Transactions on Robotics (T-RO), which tackles sharp radiance field reconstruction under agile drone motion, where RGB frames are heavily motion-blurred and pose priors become unreliable! 4 years in the making! Code & dataset released! PDF: Code & Dataset: Full Narrated Video: High-speed flight is essential for time- and battery-constrained missions (e.g., inspection, exploration, search & rescue). However, fast motion corrupts visual data with severe motion blur and introduces drift/noise in visual-inertial odometry, making NeRF-based 3D reconstruction particularly brittle. We propose a unified framework that leverages asynchronous #EventCamera streams together with motion-blurred frames to reconstruct high-fidelity radiance fields from agile drone flights. Our key idea is to embed event-image fusion directly into radiance field optimization while jointly refining a shared, continuous-time camera trajectory initialized from event-based VIO. This enables us to recover sharp radiance fields and accurate trajectories without ground-truth supervision during training. We validate our method on synthetic data and on real sequences captured by a drone flying up to 2 m/s. Despite severe blur and noisy pose priors, our method preserves fine scene details and achieves a performance gain of over 50% on real-world data compared to state-of-the-art methods. Kudos to Rong Zou and Marco Cannici! Marco Cannici Reference: Rong Zou, Marco Cannici, Davide Scaramuzza Event-Aided Sharp Radiance Field Reconstruction for Fast-Flying Drones IEEE Transactions on Robotics (T-RO), 2026 NCCR Robotics European Research Council (ERC) AUTOASSESS UZH IfI University of Zurich UZH Science Prophesee SynSense UZH Space Hub

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What would it look like to fly past Triton, the largest moon of planet Neptune? Only one spacecraft has ever done this -- and the images of this dramatic encounter have been gathered into a video. In 1989, the Voyager 2 robotic spacecraft shot through the Neptune system with cameras blazing. Triton is slightly smaller than Earth's Moon but has ice volcanoes and a surface rich in frozen nitrogen. The first sequence in the video shows Voyager's approach to Triton, which, with the exception of an overall false green tint, appears in approximately true color. The mysterious cantaloupe terrain seen under the spacecraft soon changed from light to dark, with the terminator of night crossing underneath. After closest approach, Voyager pivoted to see the departing moon, now visible as a diminishing crescent. In 2015, the robotic New Horizons spacecraft famously flew past Pluto, an orb of similar size to Triton. Image Credit: NASA; JPL, Voyager 2, Digital composition: Paul Schenk (LPI, USRA)

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Pu-erh Tea (Xiao Qing Gan) 📍Guangdong Province, China 🇨🇳 Taste Guangdong: Xiao-qinggan is a fascinating example of botanical alchemy, transforming a simple unripe fruit into a natural curing vessel for ancient tea. To create this unique Chinese specialty, artisans core young, oil-rich Xinhui mandarins and tightly pack them with earthy, fermented Yunnan Pu-erh tea. Woven shut with natural fibers and gently roasted, the stuffed fruit undergoes a shared aging process. The porous tea leaves act as a sponge, deeply absorbing the sharp, aromatic essential oils from the baking green rind until the two ingredients fuse into a single unit. Instead of measuring out loose leaves, the entire roasted mandarin is dropped directly into the teapot to brew. The resulting dark, velvety infusion offers a striking contrast of flavors, perfectly balancing the damp, mossy depths of aged Pu-erh with a crisp, vibrant citrus finish. Video: م|𝓂

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The Republic of Balochistan’s Open Joint Letter to the United States of America and the People’s Republic of China Urging an End to Military Assistance and Financial Aid to Pakistan To: The Honorable Donald J. Trump, President of the United States of America and His Excellency Xi Jinping, President of the People’s Republic of China 15 August, 2026 Pakistan’s military establishment has lied to the world and deliberately spread disinformation by denying the air strikes carried out in Surab on 12 August 2026, which resulted in the killing of 30 innocent Baloch civilians, including women and children. Pakistan’s lies are nothing new. Its military establishment previously misled the three U.S. administrations of George W. Bush, Barack Obama, and Donald Trump regarding the presence and activities of Osama bin Laden. Pakistan is also misleading China about the grim situation in Balochistan and about the CPEC (China Pakistan Economic Corridor), where Pakistan’s own military is unable to travel by road after 6 p.m. Pakistan has lost ground control across Balochistan. Now, Islamabad’s military is deliberately targeting Baloch civilians by conducting air strike using US and Chinese produced fighter Jets and technology. The Trump administration must not trust Pakistan or provide relief to its corrupt and terrorist state, which supports terrorism and has been involved in the killing of thousands of U.S. servicemen in Afghanistan. in post 9/11. The Republic of Balochistan urges the United States to reconsider its longstanding military assistance to Pakistan. Under the Peace Gate I and II programs, Washington provided Pakistan with 40 F-16A/B fighters between 1983 and 1987. In 2006, the United States approved a further package including 18 F-16C/D Block 52s, modernization of 34 existing F-16s under the MLU program, AIM-120C missiles, and maintenance, technical, and engine-support assistance, with the broader package valued at approximately $5 billion. These capabilities must not be used against Baloch civilians. China has likewise provided Pakistan with extensive military assistance since the 1960s, including approximately 165 MiG-19 fighters and other weapons and equipment valued at around $200 million by the early 1970s. These aircraft were used against the Balochistan freedom movement in Kohistan Marri and Jhalawan. China later became Pakistan’s principal defense partner, supplying F-7s, A-5s, K-8s, missiles, naval systems, and the jointly developed JF-17 Thunder. In 2015, China agreed to supply Pakistan with eight Yuan-class submarines in a deal reportedly worth approximately $5 billion. The Republic of Balochistan urges Beijing to ensure that its military assistance and technology are not used to suppress the homegrown liberation movement of Balochistan. The Republic of Balochistan urges the United States to reconsider its longstanding military assistance to Pakistan. Under the Peace Gate I and II programs, Washington provided Pakistan with 40 F-16A/B fighters between 1983 and 1987. In 2006, the United States approved a further package including 18 F-16C/D Block 52s, modernization of 34 existing F-16s under the MLU program, AIM-120C missiles, and maintenance, technical, and engine-support assistance, with the broader package valued at approximately $5 billion. These capabilities must not be used against Baloch civilians. China has likewise provided Pakistan with extensive military assistance since the 1960s, including approximately 165 MiG-19 fighters and other weapons and equipment valued at around $200 million by the early 1970s. These aircraft were used against the Balochistan freedom movement in Kohistan Marri and Jhalawan. China later became Pakistan’s principal defense partner, supplying F-7s, A-5s, K-8s, missiles, naval systems, and the jointly developed JF-17 Thunder. In 2015, China agreed to supply Pakistan with eight Yuan-class submarines in a deal reportedly worth approximately $5 billion. The Republic of Balochistan urges Beijing to ensure that its military assistance and technology are not used to suppress the homegrown liberation movement of Balochistan. For decades, successive Pakistani governments and military administrations have possessed and employed military equipment, aircraft, weapons, technology, and logistical capabilities obtained primerily from foreign partners in offensive operations and state terrorism against the Baloch nation. The Republic of Balochistan maintains that Pakistan and Balochistan are separate nations and that Pakistan has no legitimate authority over Balochistan’s territory, sea and air space. The Republic therefore urges the United States and China two of the world’s most powerful states and permanent members of the UNSC (United Nations Security Council) to recognize the consequences of continuing military assistance to the rogue state of Pakistan, particularly where such assistance is being massively utilized against Baloch civilians. We are deeply concerned by video footage and reports showing Pakistan Air Force air strikes recently in the Surab area of Balochistan in which civilians, including women and children, are massacred. The Republic of Balochistan regards attacks deliberately directed against civilians as grave violations of international humanitarian law and, where established by the facts, as acts that fall within the legal definition of war crimes. The Republic of Balochistan further emphasizes that it is not opposed to legitimate international investment, economic cooperation, trade, or development. However, if the United States, China, or any other state seeks access to Balochistan’s natural resources, infrastructure, ports, air bases, critical minerals, energy, or markets, such engagement should take place through dialogue with only the Baloch people and their legitimate political representatives not through military, financial, or technological support for invading entity of Pakistan. If foreign governments provide Pakistan with military capabilities while simultaneously pursuing economic interests in Balochistan, the Republic considers this unacceptable and calls for an immediate reassessment of such policies. No external power should be permitted, in our view, to use military assistance to strengthen the occupational forces of Pakistan in a disputed political conflict while simultaneously benefiting from the territory and resources of the Republic of Balochistan. The Republic of Balochistan therefore calls upon Washington and Beijing to stop providing military assistance that could contribute to violations against Baloch civilians, establish transparent mechanisms to ensure that transferred weapons and aircraft are not used to suppress the homegrown liberation movement and against civilian populations. We further urge international community and our immediate neighbours to formally recognize Balochistan as a free and sovereign country and to pursue trade, investment, defense, and other relations with the Baloch people on the basis of political dialogue, mutual respect, economic partnership, and the principles of international law rather than through military support to the roque state of Pakistan. THE REPUBLIC OF BALOCHISTAN Donald J. Trump Hyrbyair Marri Secretary Marco Rubio Marco Rubio The White House U.S. Central Command People's Daily, China CHINA MFA Spokesperson 中国外交部发言人

The Republic of Balochistan’s Open Joint Letter to the United States of America and the People’s Republic of China Urging an End to Military Assistance and Financial Aid to Pakistan To: The Honorable Donald J. Trump, President of the United States of America and His Excellency Xi Jinping, President of the People’s Republic of China 15 August, 2026 Pakistan’s military establishment has lied to the world and deliberately spread disinformation by denying the air strikes carried out in Surab on 12 August 2026, which resulted in the killing of 30 innocent Baloch civilians, including women and children. Pakistan’s lies are nothing new. Its military establishment previously misled the three U.S. administrations of George W. Bush, Barack Obama, and Donald Trump regarding the presence and activities of Osama bin Laden. Pakistan is also misleading China about the grim situation in Balochistan and about the CPEC (China Pakistan Economic Corridor), where Pakistan’s own military is unable to travel by road after 6 p.m. Pakistan has lost ground control across Balochistan. Now, Islamabad’s military is deliberately targeting Baloch civilians by conducting air strike using US and Chinese produced fighter Jets and technology. The Trump administration must not trust Pakistan or provide relief to its corrupt and terrorist state, which supports terrorism and has been involved in the killing of thousands of U.S. servicemen in Afghanistan. in post 9/11. The Republic of Balochistan urges the United States to reconsider its longstanding military assistance to Pakistan. Under the Peace Gate I and II programs, Washington provided Pakistan with 40 F-16A/B fighters between 1983 and 1987. In 2006, the United States approved a further package including 18 F-16C/D Block 52s, modernization of 34 existing F-16s under the MLU program, AIM-120C missiles, and maintenance, technical, and engine-support assistance, with the broader package valued at approximately $5 billion. These capabilities must not be used against Baloch civilians. China has likewise provided Pakistan with extensive military assistance since the 1960s, including approximately 165 MiG-19 fighters and other weapons and equipment valued at around $200 million by the early 1970s. These aircraft were used against the Balochistan freedom movement in Kohistan Marri and Jhalawan. China later became Pakistan’s principal defense partner, supplying F-7s, A-5s, K-8s, missiles, naval systems, and the jointly developed JF-17 Thunder. In 2015, China agreed to supply Pakistan with eight Yuan-class submarines in a deal reportedly worth approximately $5 billion. The Republic of Balochistan urges Beijing to ensure that its military assistance and technology are not used to suppress the homegrown liberation movement of Balochistan. The Republic of Balochistan urges the United States to reconsider its longstanding military assistance to Pakistan. Under the Peace Gate I and II programs, Washington provided Pakistan with 40 F-16A/B fighters between 1983 and 1987. In 2006, the United States approved a further package including 18 F-16C/D Block 52s, modernization of 34 existing F-16s under the MLU program, AIM-120C missiles, and maintenance, technical, and engine-support assistance, with the broader package valued at approximately $5 billion. These capabilities must not be used against Baloch civilians. China has likewise provided Pakistan with extensive military assistance since the 1960s, including approximately 165 MiG-19 fighters and other weapons and equipment valued at around $200 million by the early 1970s. These aircraft were used against the Balochistan freedom movement in Kohistan Marri and Jhalawan. China later became Pakistan’s principal defense partner, supplying F-7s, A-5s, K-8s, missiles, naval systems, and the jointly developed JF-17 Thunder. In 2015, China agreed to supply Pakistan with eight Yuan-class submarines in a deal reportedly worth approximately $5 billion. The Republic of Balochistan urges Beijing to ensure that its military assistance and technology are not used to suppress the homegrown liberation movement of Balochistan. For decades, successive Pakistani governments and military administrations have possessed and employed military equipment, aircraft, weapons, technology, and logistical capabilities obtained primerily from foreign partners in offensive operations and state terrorism against the Baloch nation. The Republic of Balochistan maintains that Pakistan and Balochistan are separate nations and that Pakistan has no legitimate authority over Balochistan’s territory, sea and air space. The Republic therefore urges the United States and China two of the world’s most powerful states and permanent members of the UNSC (United Nations Security Council) to recognize the consequences of continuing military assistance to the rogue state of Pakistan, particularly where such assistance is being massively utilized against Baloch civilians. We are deeply concerned by video footage and reports showing Pakistan Air Force air strikes recently in the Surab area of Balochistan in which civilians, including women and children, are massacred. The Republic of Balochistan regards attacks deliberately directed against civilians as grave violations of international humanitarian law and, where established by the facts, as acts that fall within the legal definition of war crimes. The Republic of Balochistan further emphasizes that it is not opposed to legitimate international investment, economic cooperation, trade, or development. However, if the United States, China, or any other state seeks access to Balochistan’s natural resources, infrastructure, ports, air bases, critical minerals, energy, or markets, such engagement should take place through dialogue with only the Baloch people and their legitimate political representatives not through military, financial, or technological support for invading entity of Pakistan. If foreign governments provide Pakistan with military capabilities while simultaneously pursuing economic interests in Balochistan, the Republic considers this unacceptable and calls for an immediate reassessment of such policies. No external power should be permitted, in our view, to use military assistance to strengthen the occupational forces of Pakistan in a disputed political conflict while simultaneously benefiting from the territory and resources of the Republic of Balochistan. The Republic of Balochistan therefore calls upon Washington and Beijing to stop providing military assistance that could contribute to violations against Baloch civilians, establish transparent mechanisms to ensure that transferred weapons and aircraft are not used to suppress the homegrown liberation movement and against civilian populations. We further urge international community and our immediate neighbours to formally recognize Balochistan as a free and sovereign country and to pursue trade, investment, defense, and other relations with the Baloch people on the basis of political dialogue, mutual respect, economic partnership, and the principles of international law rather than through military support to the roque state of Pakistan. THE REPUBLIC OF BALOCHISTAN Donald J. Trump Hyrbyair Marri Secretary Marco Rubio Marco Rubio The White House U.S. Central Command People's Daily, China CHINA MFA Spokesperson 中国外交部发言人

Mir Yar Baloch

20,675 次观看 • 18 天前

Knox County Mayor Glenn Jacobs is observing #WomensHistoryMonth throughout March by sharing videos each Wednesday highlighting time spent in different Knox County Schools Science, Technology, Engineering, Art, and Math (STEAM) classrooms taught by female teachers. Today’s video features a visit with Gibbs Middle School art teacher Dorothy Verbick and STEM teacher Lauren Downs who collaborate often, allowing their students more opportunities to learn and create using traditional methods and emerging technologies. “Even for kids who may not be inclined to technology, when you show them, art is a part of it, I think it really opens up a different world for them,” said Mayor Jacobs. Downs taught math 6 years before achieving a master’s degree in educational technology and media and has dedicated the last 5 years to STEM education. “I like that my students see me in a STEM role as a female. If they’re a girl or a boy, if you have that STEM background, it’s going to let you do more in the future. I don’t personally feel you can have engineering and design without art and creativity,” said Downs. Verbick is a dedicated artist with 12 years of teaching experience and holds a bachelor’s in fine arts with a master’s in teaching. Through a creative STEM partnership, Verbick and Downs work on numerous projects highlighting the intersection of art and technology. “Art teaches creative thinking and problem solving. In every aspect we do there is art. From design and the idea of design thinking to science and engineering, prototyping and things like that. We do a lot of that in our classes,” said Verbick. Mayor Jacobs said celebrating women in STEAM is important for young girls because it shows them that women can succeed in technical fields—industry typically driven by men. The Mayor has already shared his visits with South Doyle High School STEM teacher Kathleen Devinney, Hardin Valley Elementary STEM Educators Jessica Everitt and Jana Yra, and West Valley Middle science teacher Bethany Saunders. Next week, he will share visit with Karns Middle School Math Teacher Rebecca Layton. Background: Women’s History Month became a national celebration when congress requested President Ronald Reagan to proclaim the week beginning March 7, 1982, as Women’s History Week. Petitioned by the National Women’s History Project, Congress designated the month of March 1987 as Women’s History Month. In 1995, it became an annual recognition. STEM classes aim to equip students with the skills and knowledge to compete in a global economy across science, technology, engineering, and math disciplines. STEAM classes do the same while also emphasizing soft skills and the arts including humanities, language arts, dance, drama, music, visual art, design, new media, and more. Research shows the number of roles requiring STEM expertise is growing at a rate that exceeds current workforce. Additionally, a 2019 LinkedIn report found that skills like creativity, persuasion, and collaboration are some of the most important to companies seeking prospective employees.

Knox County Mayor Glenn Jacobs is observing #WomensHistoryMonth throughout March by sharing videos each Wednesday highlighting time spent in different Knox County Schools Science, Technology, Engineering, Art, and Math (STEAM) classrooms taught by female teachers. Today’s video features a visit with Gibbs Middle School art teacher Dorothy Verbick and STEM teacher Lauren Downs who collaborate often, allowing their students more opportunities to learn and create using traditional methods and emerging technologies. “Even for kids who may not be inclined to technology, when you show them, art is a part of it, I think it really opens up a different world for them,” said Mayor Jacobs. Downs taught math 6 years before achieving a master’s degree in educational technology and media and has dedicated the last 5 years to STEM education. “I like that my students see me in a STEM role as a female. If they’re a girl or a boy, if you have that STEM background, it’s going to let you do more in the future. I don’t personally feel you can have engineering and design without art and creativity,” said Downs. Verbick is a dedicated artist with 12 years of teaching experience and holds a bachelor’s in fine arts with a master’s in teaching. Through a creative STEM partnership, Verbick and Downs work on numerous projects highlighting the intersection of art and technology. “Art teaches creative thinking and problem solving. In every aspect we do there is art. From design and the idea of design thinking to science and engineering, prototyping and things like that. We do a lot of that in our classes,” said Verbick. Mayor Jacobs said celebrating women in STEAM is important for young girls because it shows them that women can succeed in technical fields—industry typically driven by men. The Mayor has already shared his visits with South Doyle High School STEM teacher Kathleen Devinney, Hardin Valley Elementary STEM Educators Jessica Everitt and Jana Yra, and West Valley Middle science teacher Bethany Saunders. Next week, he will share visit with Karns Middle School Math Teacher Rebecca Layton. Background: Women’s History Month became a national celebration when congress requested President Ronald Reagan to proclaim the week beginning March 7, 1982, as Women’s History Week. Petitioned by the National Women’s History Project, Congress designated the month of March 1987 as Women’s History Month. In 1995, it became an annual recognition. STEM classes aim to equip students with the skills and knowledge to compete in a global economy across science, technology, engineering, and math disciplines. STEAM classes do the same while also emphasizing soft skills and the arts including humanities, language arts, dance, drama, music, visual art, design, new media, and more. Research shows the number of roles requiring STEM expertise is growing at a rate that exceeds current workforce. Additionally, a 2019 LinkedIn report found that skills like creativity, persuasion, and collaboration are some of the most important to companies seeking prospective employees.

Knox Co. Government

10,444 次观看 • 3 年前

$this guy made >5 Million views with AI basic long-form videos here is how i’ve copied the channel with CalliopeLabs: 1- took 5 screenshots 2- sent them to gemini asking for a JSON 3- pasted this into the Visual Style lab: { “general_visual_style”: “art style of 19th-century Realism, classic oil painting on textured canvas, heavy impasto technique with visible thick paint and palette knife ridges, expressive and loose brushwork similar to Ilya Repin and John Singer Sargent”, “atmosphere”: “atmospheric volumetric lighting with dramatic light shafts and floating dust particles, deep chiaroscuro contrasts, historical color palette with muted tones and rich earth colors, tactile surface detail, museum masterpiece quality, cinematic composition, highly detailed but painterly finish, aged varnish look.” } the video u see below is a snippet from a vid automatically generated by Calliope nobody listened to me a month ago, but there is still an opportunity: he/she keeps posting, getting views and monetizing meaning that the niche is still hot I made a FREE tutorial, step by step on how to i replicated it with my own tool⬇️ follow me and drop a comment asking for it and i’ll send it to you :)$

this guy made >5 Million views with AI basic long-form videos here is how i’ve copied the channel with CalliopeLabs: 1- took 5 screenshots 2- sent them to gemini asking for a JSON 3- pasted this into the Visual Style lab: { “general_visual_style”: “art style of 19th-century Realism, classic oil painting on textured canvas, heavy impasto technique with visible thick paint and palette knife ridges, expressive and loose brushwork similar to Ilya Repin and John Singer Sargent”, “atmosphere”: “atmospheric volumetric lighting with dramatic light shafts and floating dust particles, deep chiaroscuro contrasts, historical color palette with muted tones and rich earth colors, tactile surface detail, museum masterpiece quality, cinematic composition, highly detailed but painterly finish, aged varnish look.” } the video u see below is a snippet from a vid automatically generated by Calliope nobody listened to me a month ago, but there is still an opportunity: he/she keeps posting, getting views and monetizing meaning that the niche is still hot I made a FREE tutorial, step by step on how to i replicated it with my own tool⬇️ follow me and drop a comment asking for it and i’ll send it to you :)

Sergio Gil

97,777 次观看 • 7 个月前

Appeal for the Protection of Balochistan’s Ancient Historical Heritage Independent Republic of Balochistan: 22 August, 2026 Balochistan has been blessed by nature not only with vast seas, immense mineral resources, and a highly strategic geographical location, but also with the honour of being one of the important centres of some of humanity’s oldest civilizations. Mehrgarh, the Indus Valley Civilization, and other ancient archaeological sites stand as living evidence of the thousands of years of Balochistan’s human, cultural, and civilizational history. Earlier this month, a large quantity of valuable ancient artefacts was discovered in Dera Bugti during excavations by local people, while just yesterday, local Baloch people in the oil and mineral rich region of the Kohlu District (Kohlu, Kahan of Kohistan Marri region is known the richest region of entire Balochistan. These discoveries have once again drawn the world’s attention to the deep and ancient civilizational history of Balochistan. Where is Kohlu? It is believed that It has more oil than Venezuela and Iran) also discovered ancient artefacts and archaeological remains. Kohlu is the hometown of Baloch nationalist leader Hyrbyair Marri HYRBYAIR MARRI the son of Baloch nationalist leader Nawab Khair Bakhsh Marri. Former army chief Gen. Pervez Musharraf offered billion royalty to the Nawab Marri and Hyrbyair Marri to allow Pakistan for oil, gas, gold, critical minerals exploration but both the leaders refused to allow Pakistani military to extract the Baloch resources. These artefacts are not merely old objects; they are living documents of Balochistan’s past. Every seal, vessel, ornament, tool, sculpture, or other ancient object preserves the story of an era from which valuable knowledge can be gained about human society, trade, art, religion, ways of life, and the evolution of civilization. Scientific research into these remains can contribute not only to understanding Balochistan but also to understanding the shared history of all humanity. It is a great honour for Balochistan that its land has preserved such ancient civilizations and historical heritage. The Republic of Balochistan appeals to all international institutions, archaeologists, historians, museums, and organizations working to preserve ancient civilizations, Mehrgarh, the Indus Valley Civilization, and human history to play their role in protecting Balochistan’s historical heritage. Balochistan urgently needs international attention and cooperation so that these precious artefacts can be preserved, documented, and made available for scientific research, while protecting them from illegal transfer, destruction, or loss. We are also deeply concerned that if this historical heritage falls into the hands rogue state of Pakistan who seek to erase Balochistan’s history, language, and culture rather than preserve them, these artefacts could also suffer irreparable damage. In the context of reports of destruction and pressure involving educational and cultural institutions, libraries, and materials related to Baloch history and culture in Balochistan, as well as actions against students, teachers, professors, and individuals conducting research on history, serious international concern is necessary regarding the protection of these ancient remains. This is not only a time to rediscover the past, but also to protect it. These archaeological remains are not merely the heritage of the Baloch people; they are part of the shared civilizational heritage of all humanity. The world must take immediate steps to protect Balochistan’s ancient historical heritage, provide experts with opportunities for research and documentation, and ensure that these rare testimonies of thousands of years of human history do not become victims of Pakistan's state terrorism, war, neglect, illegal trade, or any form of destruction. Balochistan wishes to preserve and present this magnificent heritage of its land to the world with dignity, so that future generations may also see, understand, and take pride in their ancient history.

Appeal for the Protection of Balochistan’s Ancient Historical Heritage Independent Republic of Balochistan: 22 August, 2026 Balochistan has been blessed by nature not only with vast seas, immense mineral resources, and a highly strategic geographical location, but also with the honour of being one of the important centres of some of humanity’s oldest civilizations. Mehrgarh, the Indus Valley Civilization, and other ancient archaeological sites stand as living evidence of the thousands of years of Balochistan’s human, cultural, and civilizational history. Earlier this month, a large quantity of valuable ancient artefacts was discovered in Dera Bugti during excavations by local people, while just yesterday, local Baloch people in the oil and mineral rich region of the Kohlu District (Kohlu, Kahan of Kohistan Marri region is known the richest region of entire Balochistan. These discoveries have once again drawn the world’s attention to the deep and ancient civilizational history of Balochistan. Where is Kohlu? It is believed that It has more oil than Venezuela and Iran) also discovered ancient artefacts and archaeological remains. Kohlu is the hometown of Baloch nationalist leader Hyrbyair Marri HYRBYAIR MARRI the son of Baloch nationalist leader Nawab Khair Bakhsh Marri. Former army chief Gen. Pervez Musharraf offered billion royalty to the Nawab Marri and Hyrbyair Marri to allow Pakistan for oil, gas, gold, critical minerals exploration but both the leaders refused to allow Pakistani military to extract the Baloch resources. These artefacts are not merely old objects; they are living documents of Balochistan’s past. Every seal, vessel, ornament, tool, sculpture, or other ancient object preserves the story of an era from which valuable knowledge can be gained about human society, trade, art, religion, ways of life, and the evolution of civilization. Scientific research into these remains can contribute not only to understanding Balochistan but also to understanding the shared history of all humanity. It is a great honour for Balochistan that its land has preserved such ancient civilizations and historical heritage. The Republic of Balochistan appeals to all international institutions, archaeologists, historians, museums, and organizations working to preserve ancient civilizations, Mehrgarh, the Indus Valley Civilization, and human history to play their role in protecting Balochistan’s historical heritage. Balochistan urgently needs international attention and cooperation so that these precious artefacts can be preserved, documented, and made available for scientific research, while protecting them from illegal transfer, destruction, or loss. We are also deeply concerned that if this historical heritage falls into the hands rogue state of Pakistan who seek to erase Balochistan’s history, language, and culture rather than preserve them, these artefacts could also suffer irreparable damage. In the context of reports of destruction and pressure involving educational and cultural institutions, libraries, and materials related to Baloch history and culture in Balochistan, as well as actions against students, teachers, professors, and individuals conducting research on history, serious international concern is necessary regarding the protection of these ancient remains. This is not only a time to rediscover the past, but also to protect it. These archaeological remains are not merely the heritage of the Baloch people; they are part of the shared civilizational heritage of all humanity. The world must take immediate steps to protect Balochistan’s ancient historical heritage, provide experts with opportunities for research and documentation, and ensure that these rare testimonies of thousands of years of human history do not become victims of Pakistan's state terrorism, war, neglect, illegal trade, or any form of destruction. Balochistan wishes to preserve and present this magnificent heritage of its land to the world with dignity, so that future generations may also see, understand, and take pride in their ancient history.

Mir Yar Baloch

21,741 次观看 • 12 天前

They weren’t dancing, they were summoning a forgotten power hidden within the rhythm of Habibi. Made with Seedance 2.0 on Yapper PROMPT: Create a 25-second surreal cinematic music video synchronized to Habibi by ANIGER. Set the scene in a grand palace hall draped with deep red velvet curtains, illuminated by intense crimson lighting, warm candlelight, and shimmering golden reflections. At the center stands a luxurious round banquet table covered in rich red velvet, decorated with ornate gold tableware, dozens of candles, and a massive arrangement of red roses. Surrounding the table are several faceless matte-black mannequins wearing ultra-detailed royal Middle Eastern-inspired attire: embroidered silk robes, jeweled turbans, layered gold necklaces, and flowing fabrics in crimson, emerald green, and gold. Part 1 — The Ritual Begins (0–15s) 0–5s: Wide establishing shot. The camera slowly dollies into the grand hall as the mannequins stand motionless around the feast table in elegant ceremonial poses. 5–10s: The mannequins raise their hands in synchronized ritual movements. Red and gold energy streams from their fingertips, converging into a glowing orb above the roses. Candle flames intensify and rose petals begin floating. 10–15s: The orb expands and pulses with the beat. Mystical symbols appear in the air as curtains billow and golden particles swirl around the room. Part 2 — The Summoning (15–25s) 15–20s: The glowing orb erupts into a towering column of crimson and gold light reaching to the ceiling. The mannequins continue their ceremonial movements as the room vibrates with magical energy. 20–23s: From the center of the light emerges a majestic spectral falcon made of glowing embers and golden particles. It spreads its wings above the table. 23–25s: Final overhead rotating hero shot. The mannequins freeze with arms raised in reverence while the falcon circles above and the enchanted tableau glows intensely. Visual Style Photorealistic 8K, cinematic realism, 35mm film look, ARRI ALEXA aesthetic, high-fashion editorial styling, volumetric lighting, atmospheric smoke, floating particles, rich red-and-gold color grading, mystical and hypnotic atmosphere. Negative Prompt blurry, low quality, visible faces, text, watermark, modern clothing, bright daylight, distorted anatomy, poor fabric detail, weak visual effects.

They weren’t dancing, they were summoning a forgotten power hidden within the rhythm of Habibi. Made with Seedance 2.0 on Yapper PROMPT: Create a 25-second surreal cinematic music video synchronized to Habibi by ANIGER. Set the scene in a grand palace hall draped with deep red velvet curtains, illuminated by intense crimson lighting, warm candlelight, and shimmering golden reflections. At the center stands a luxurious round banquet table covered in rich red velvet, decorated with ornate gold tableware, dozens of candles, and a massive arrangement of red roses. Surrounding the table are several faceless matte-black mannequins wearing ultra-detailed royal Middle Eastern-inspired attire: embroidered silk robes, jeweled turbans, layered gold necklaces, and flowing fabrics in crimson, emerald green, and gold. Part 1 — The Ritual Begins (0–15s) 0–5s: Wide establishing shot. The camera slowly dollies into the grand hall as the mannequins stand motionless around the feast table in elegant ceremonial poses. 5–10s: The mannequins raise their hands in synchronized ritual movements. Red and gold energy streams from their fingertips, converging into a glowing orb above the roses. Candle flames intensify and rose petals begin floating. 10–15s: The orb expands and pulses with the beat. Mystical symbols appear in the air as curtains billow and golden particles swirl around the room. Part 2 — The Summoning (15–25s) 15–20s: The glowing orb erupts into a towering column of crimson and gold light reaching to the ceiling. The mannequins continue their ceremonial movements as the room vibrates with magical energy. 20–23s: From the center of the light emerges a majestic spectral falcon made of glowing embers and golden particles. It spreads its wings above the table. 23–25s: Final overhead rotating hero shot. The mannequins freeze with arms raised in reverence while the falcon circles above and the enchanted tableau glows intensely. Visual Style Photorealistic 8K, cinematic realism, 35mm film look, ARRI ALEXA aesthetic, high-fashion editorial styling, volumetric lighting, atmospheric smoke, floating particles, rich red-and-gold color grading, mystical and hypnotic atmosphere. Negative Prompt blurry, low quality, visible faces, text, watermark, modern clothing, bright daylight, distorted anatomy, poor fabric detail, weak visual effects.

Shami

22,584 次观看 • 3 个月前

Created this winning ad using Picture to Ad video agent on Pollo AI Prompt Use the provided product image; Ultra-realistic lifestyle advertisement photo using the exact same woman’s face from the reference image, preserving all facial features, proportions, skin texture, eye shape, lips, nose, and identity accurately. A young woman with wavy light blonde hair wearing a chunky pink knitted beanie sits comfortably on a cozy bed in a warm bohemian-style bedroom. She wears a yellow t-shirt layered under an open multicolored plaid shirt. She is holding a Billy's Power Protein bar close to her mouth while taking a bite, gazing slightly off to the side with a calm, relaxed expression. The bedroom has a cozy artistic atmosphere with soft warm fairy lights glowing in the background, vintage posters covering the wall, hanging green plants, macrame wall decor, a teal record player on a nearby table, and colorful patterned bedding. Warm cinematic lighting with soft shadows, shallow depth of field, realistic skin tones, natural candid pose, ad aesthetic, cozy Gen Z lifestyle vibe, high-end commercial food photography, warm orange and teal color grading, authentic textures, subtle film grain, highly detailed realism, DSLR quality, 35mm lens look, natural indoor lighting, visually rich composition. Product focus: Billy's Power Protein bar clearly visible in hand and partially bitten. Branding clean and readable. Mood feels cozy, healthy, youthful, and inviting. #PolloAI #PhotoTo1000Sales #UGCAds

Created this winning ad using Picture to Ad video agent on Pollo AI Prompt Use the provided product image; Ultra-realistic lifestyle advertisement photo using the exact same woman’s face from the reference image, preserving all facial features, proportions, skin texture, eye shape, lips, nose, and identity accurately. A young woman with wavy light blonde hair wearing a chunky pink knitted beanie sits comfortably on a cozy bed in a warm bohemian-style bedroom. She wears a yellow t-shirt layered under an open multicolored plaid shirt. She is holding a Billy's Power Protein bar close to her mouth while taking a bite, gazing slightly off to the side with a calm, relaxed expression. The bedroom has a cozy artistic atmosphere with soft warm fairy lights glowing in the background, vintage posters covering the wall, hanging green plants, macrame wall decor, a teal record player on a nearby table, and colorful patterned bedding. Warm cinematic lighting with soft shadows, shallow depth of field, realistic skin tones, natural candid pose, ad aesthetic, cozy Gen Z lifestyle vibe, high-end commercial food photography, warm orange and teal color grading, authentic textures, subtle film grain, highly detailed realism, DSLR quality, 35mm lens look, natural indoor lighting, visually rich composition. Product focus: Billy's Power Protein bar clearly visible in hand and partially bitten. Branding clean and readable. Mood feels cozy, healthy, youthful, and inviting. #PolloAI #PhotoTo1000Sales #UGCAds

Sharon Riley

37,878 次观看 • 3 个月前

DIARY OF A CEO: “Do you think Jeffrey Epstein was a spy?” CIA WHISTLEBLOWER: “I believe very strongly he was a spy, yes.” DIARY OF A CEO: “And who do you think he was working for?” CIA WHISTLEBLOWER: “The Israelis. I’m confident it was the Israelis.” DIARY OF A CEO: “Why?” JOHN KIRIAKOU (CIA whistleblower): “Jeffrey Epstein is kind of the stereotypical example that they give you in training for what’s called an ‘access agent.’ This is a different kind of recruit. “So, for example, if you’re a foreign intelligence service and you want information, like close-in information from a former president, from the CEO of the biggest company in the world, from a member of the British royal family, you’re not going to recruit these guys. “You’re not going to recruit Bill Clinton or Bill Gates or Prince Andrew. So you do the next best thing. You recruit somebody who has regular access to them. And that person that you recruit is going to need to make these people feel comfortable and appreciated. “And so you give him plenty of money. So he has this house on an island, or he has the whole island. And maybe you bring in young girls, you get them in compromising positions, just in case you need to use what’s called ‘kompromat,’ compromising pictures. “We know now that Jeffrey Epstein’s house on the island had video cameras hidden, video cameras in literally every room, including the bathrooms. Why? Why would he care what was going on unless it was to use that information against people? “As I said, only the Israelis and the Russians use extortion as a motivator.” DIARY OF A CEO: “So would they have made Jeffrey Epstein rich in order to give him that access?” JOHN KIRIAKOU: “Yeah.” DIARY OF A CEO: “How could they have done that?” JOHN KIRIAKOU: “Oh, that’s easy. I mean, governments are the only ones really that can launder money unfettered. And you can also do it through real estate, through fine art, and through horses. Those are the three easiest ways to launder money today: fine art, real estate, and racehorses.” DIARY OF A CEO: “But presumably he would have spoken out at some point. No? He would have said something, or?” JOHN KIRIAKOU: “No. But it would explain why he got a sweetheart deal in 2006. I mean, this is a guy that’s been convicted of child sex crimes, and he gets six months of house arrest with an ankle bracelet? We have mandatory minimums in this country. That’s a five-year mandatory minimum, first offense.” DIARY OF A CEO: “He definitely had some interesting power, didn’t he?”

DIARY OF A CEO: “Do you think Jeffrey Epstein was a spy?” CIA WHISTLEBLOWER: “I believe very strongly he was a spy, yes.” DIARY OF A CEO: “And who do you think he was working for?” CIA WHISTLEBLOWER: “The Israelis. I’m confident it was the Israelis.” DIARY OF A CEO: “Why?” JOHN KIRIAKOU (CIA whistleblower): “Jeffrey Epstein is kind of the stereotypical example that they give you in training for what’s called an ‘access agent.’ This is a different kind of recruit. “So, for example, if you’re a foreign intelligence service and you want information, like close-in information from a former president, from the CEO of the biggest company in the world, from a member of the British royal family, you’re not going to recruit these guys. “You’re not going to recruit Bill Clinton or Bill Gates or Prince Andrew. So you do the next best thing. You recruit somebody who has regular access to them. And that person that you recruit is going to need to make these people feel comfortable and appreciated. “And so you give him plenty of money. So he has this house on an island, or he has the whole island. And maybe you bring in young girls, you get them in compromising positions, just in case you need to use what’s called ‘kompromat,’ compromising pictures. “We know now that Jeffrey Epstein’s house on the island had video cameras hidden, video cameras in literally every room, including the bathrooms. Why? Why would he care what was going on unless it was to use that information against people? “As I said, only the Israelis and the Russians use extortion as a motivator.” DIARY OF A CEO: “So would they have made Jeffrey Epstein rich in order to give him that access?” JOHN KIRIAKOU: “Yeah.” DIARY OF A CEO: “How could they have done that?” JOHN KIRIAKOU: “Oh, that’s easy. I mean, governments are the only ones really that can launder money unfettered. And you can also do it through real estate, through fine art, and through horses. Those are the three easiest ways to launder money today: fine art, real estate, and racehorses.” DIARY OF A CEO: “But presumably he would have spoken out at some point. No? He would have said something, or?” JOHN KIRIAKOU: “No. But it would explain why he got a sweetheart deal in 2006. I mean, this is a guy that’s been convicted of child sex crimes, and he gets six months of house arrest with an ankle bracelet? We have mandatory minimums in this country. That’s a five-year mandatory minimum, first offense.” DIARY OF A CEO: “He definitely had some interesting power, didn’t he?”

illuminatibot

1,695,159 次观看 • 7 个月前