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Robert Bresson, 'The Devil, Probably', 1977 [excerpt]

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Synekura Audio

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22,112 次观看 • 6 个月前 •via X (Twitter)

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On this day, 48 years ago, Robert Bresson's "The Devil, Probably" (1977) was released in France.
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On this day, 48 years ago, Robert Bresson's "The Devil, Probably" (1977) was released in France.

DepressedBergman

59,129 次观看 • 1 年前

DIRECTED BY ROBERT BRESSON 📽️ Now playing! The iconoclastic artist stripped cinema to its essence to reveal nothing less than the very soul of his subjects. DIARY OF A COUNTRY PRIEST THE DEVIL, PROBABLY PICKPOCKET AU HASARD BALTHAZAR and more!
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DIRECTED BY ROBERT BRESSON 📽️ Now playing! The iconoclastic artist stripped cinema to its essence to reveal nothing less than the very soul of his subjects. DIARY OF A COUNTRY PRIEST THE DEVIL, PROBABLY PICKPOCKET AU HASARD BALTHAZAR and more!

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Nobody captured the ritual of the human touch quite like Robert Bresson
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Nobody captured the ritual of the human touch quite like Robert Bresson

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Andrei Tarkovsky on Robert Bresson

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"إنّ وضوح الرؤية مُزعج، لأنه يجعلنا نرى الأشياء كما هي فعلًا." — جان لو رون دالمبير . The Devil Probably 1977
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"إنّ وضوح الرؤية مُزعج، لأنه يجعلنا نرى الأشياء كما هي فعلًا." — جان لو رون دالمبير . The Devil Probably 1977

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Au Hasard Balthazar, Robert Bresson (1966)
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Au Hasard Balthazar, Robert Bresson (1966)

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Al azar, Baltasar (Robert Bresson, 1966).
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Al azar, Baltasar (Robert Bresson, 1966).

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"The Princess and the Ogre". Excerpt from 1977 Soviet animated film.
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Lancelot of the Lake (1974) by the great French Catholic Director Robert Bresson
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In 1977, Rainer Werner Fassbinder was a member of the jury at the Berlin Film Festival. He threatened to walk out with British critic Derek Malcolm unless their support for Bresson’s 'The Devil, Probably' (1977) for the top prize was made public. The movie ended up sharing the second prize, the Silver Bear, with two other films. Fassbinder's thoughts on the film: "Fassbinder: Robert Bresson's 'The Devil, Probably' (1977), which is the most shattering film I've seen in this Berlin Festival. I think it's a major film; but then people say - but what if you show a film like this to the man in the street and he doesn't understand it? First of all, I think that's wrong. But even if it's true, doesn't it mean that in the future - and this world will probably last for another few thousand years - this film will be more important than all the rubbish which is now considered important but which never really goes deep enough? The questions Bresson asks will never be unimportant. Interviewer: What about the problems raised in Bresson's film - are they rejecting all existing political forms? Fassbinder: Yes, rejecting every commitment. Because commitment for the film's young characters - whom he seems to understand so well - is mainly an escape into an 'occupation' which keeps that commitment alive. An escape from the awareness that everything goes on regardless of you and your commitment." ("Robert Bresson", Edited by James Quandt, 1998) P.S: On this day, 49 years ago, 'The Devil, Probably' (1977) was released in France.
1:24

In 1977, Rainer Werner Fassbinder was a member of the jury at the Berlin Film Festival. He threatened to walk out with British critic Derek Malcolm unless their support for Bresson’s 'The Devil, Probably' (1977) for the top prize was made public. The movie ended up sharing the second prize, the Silver Bear, with two other films. Fassbinder's thoughts on the film: "Fassbinder: Robert Bresson's 'The Devil, Probably' (1977), which is the most shattering film I've seen in this Berlin Festival. I think it's a major film; but then people say - but what if you show a film like this to the man in the street and he doesn't understand it? First of all, I think that's wrong. But even if it's true, doesn't it mean that in the future - and this world will probably last for another few thousand years - this film will be more important than all the rubbish which is now considered important but which never really goes deep enough? The questions Bresson asks will never be unimportant. Interviewer: What about the problems raised in Bresson's film - are they rejecting all existing political forms? Fassbinder: Yes, rejecting every commitment. Because commitment for the film's young characters - whom he seems to understand so well - is mainly an escape into an 'occupation' which keeps that commitment alive. An escape from the awareness that everything goes on regardless of you and your commitment." ("Robert Bresson", Edited by James Quandt, 1998) P.S: On this day, 49 years ago, 'The Devil, Probably' (1977) was released in France.

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L'Argent (1983, Bresson) "Robert Bresson is to French cinema what Mozart is to German music and Dostoyevsky is to Russian literature." --- Jean-Luc Godard
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L'Argent (1983, Bresson) "Robert Bresson is to French cinema what Mozart is to German music and Dostoyevsky is to Russian literature." --- Jean-Luc Godard

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"Marusya's Carousel". Excerpt from 1977 Soviet animated film.
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Winter in Moscow. Excerpt from 1977 Soviet TV film.
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Winter in Moscow. Excerpt from 1977 Soviet TV film.

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