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🚨 Roberto De Zerbi on the Tottenham fan protests regarding his relationship with Mason Greenwood: “I have seen the statements from the fans, but I am here to save Tottenham from relegation, not to be a politician. I said it in Marseille and I will say it again in...

1,506,490 Aufrufe • vor 4 Monaten •via X (Twitter)

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Acyn

576,942 Aufrufe • vor 6 Monaten

Anthony Edwards’ pitch to Jonathan Kuminga to join the Timberwolves, according to Aaron Turner: “I want you to come here and I want you to do everything you do and do it loudly. I feel where you’re coming from. I can understand what you’ve dealt with through these parts of your career and I want you to come in here and be Jonathan Kuminga.” Full quote by NBA agent Aaron Turner on the latest episode of The KOC Show: “Ant was a massive part of this whole thing because he said, ‘Listen, we’re gonna guard. Everybody’s going to guard.” Offensively, one of the biggest things Ant and Chris Finch said to him: ‘This whole thing of JK is a role player’ and all this stuff that’s been talked about, that was not the pitch. The pitch was, ‘Hey JK, we want you to come here and be the guy that we had to play against in the playoffs. Like, we want that dude. Like, we’re not asking you to go be something else. We’re asking you to be yourself. Now, are we going to have to all sacrifice and blend together our games? For sure.’” “But this whole thing of like, oh, he has to adapt. No. Ant, who is as unselfish of a star as you could imagine and super secure with who he is. His whole thing was, look, ‘I want you to come here and I want you to do everything you do and do it loudly. I feel where you’re coming from. I can understand what you’ve dealt with through these parts of your career and I want you to come in here and be Jonathan Kuminga.’” “And that was the pitch from Chris Finch as well of like, look, ‘we’re all going to guard, and you know, again, everybody here on this team will have to sacrifice. Everybody’s going to have to make sure that they’re making the right play and not necessarily getting caught up in my turn, your turn.’ And I’m sure Chris Finch will figure that out. When you have a great team, people have to sacrifice. But the pitch was not come here and oh, you got to be this quote unquote, whatever you want to call it, role player. The thing was, hey, come here, be you. We’re all going to have to sacrifice. But if it’s about winning, and it’s always going to be about winning, and that’s the most important thing, this thing has a chance to really work. And you know, Ant having reached out like that, Chris Finch following up, Tim Connelly following up, Alex Rodriguez following up, it was very aligned in the pitch and it made a lot of sense and it resonated with him and me.”

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Josh Chambers

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George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

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I’m writing this while I’m still in it. Still stressed. Still exhausted. Still after crying. And I’m still working through the night. I need people to understand what this really looks like. The posts you see do not come from some calm, quiet, comfortable life. They are written in the middle of pressure, fatigue, sickness, grief, and responsibility. I take a photo, I write my story, and I post it. Then I keep working. Because I have to. Because my guys need me. Because I cannot give up. Because if I stop, the consequences are real. Every single day, I make the choice to stay here. And yes, sometimes that choice hurts. I am human. I know I could go home. I know there is a beautiful life waiting for me somewhere else. I know what I am missing. I know what rest could look like. I know what peace could feel like. But I stay. I stay because my boys cannot simply go home. I stay because they do not have the freedoms I have as a foreigner under contract. I stay because love is not a feeling here. Love is duty. Love is sacrifice. Love is showing up again and again, even when you are breaking. Right now, I am doing the work of five or six people in this brigade. Not because I have endless strength. Not because I never fall apart. Not because I am some kind of machine. I do it because I care that much. I do it because I am passionate, because I believe in #Ukraine I am a soldier. Not a volunteer. This is not something I step in and out of when it is convenient or I have the energy. This is my duty. 24/7. I save my vacation because when I finally leave for a little while, I do not want a getaway. I do not want a trip. I do not want sightseeing. I do not want Kyiv. I do not want the Carpathians. I want to go home to #Canada. And until the day I can do that, I work. Every post. Every video. Every message. Every fundraiser. I am on duty. Every four to six weeks, I scrape together a few hours to take care of myself and try to remember what normal feels like. But the truth is that I am tired. And some of what I do might look small from the outside. It might look ordinary. It might even look stupid. It is not. Because if I do not do these things, people will die. And yes, they may die anyway. This is war. There are no guarantees here. There are no perfect endings. There is only the fight to give them a better chance, one more chance, any chance at all. YOU give them that fighting chance. And that is why I am asking you, from the deepest and most exhausted part of me, to help. I cannot do this alone. I am one person doing the work of five or six people. But with you, I am not alone. With you, thousands of hands help carry this weight. With you, this burden becomes survivable. With you, these men have more than hope, they have support, action, and a chance to make it through. Please do not scroll past this. Please do not assume someone else will step in. Please do not underestimate how much this matters. #Support93

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