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🚨 Rory & Mal agree with J. Cole that there may never be a “universal classic” in hip-hop again. They say the internet era made it impossible because now everyone has a platform to disagree. Mal says no matter how good Drake’s upcoming album Iceman sounds… “People already got... show more

CY Chels

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40,310 görüntüleme • 5 ay önce •via X (Twitter)

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🚨Mal says Drake’s Iceman run is something we may NEVER see another rapper do again in the streaming era After hearing Iceman had spent 13 weeks at No. 1 on the Top R&B/Hip-Hop Albums chart, Mal says rap simply doesn’t stream the way it used to: “There will never be another rapper that will do this.” “Rappers just don’t stream well anymore.” Via New Rory & Mal

🚨Mal says Drake’s Iceman run is something we may NEVER see another rapper do again in the streaming era After hearing Iceman had spent 13 weeks at No. 1 on the Top R&B/Hip-Hop Albums chart, Mal says rap simply doesn’t stream the way it used to: “There will never be another rapper that will do this.” “Rappers just don’t stream well anymore.” Via New Rory & Mal

CY Chels

336,897 görüntüleme • 7 gün önce

$J. Cole says the idea of a “universal classic” in hip-hop may be dead now because bias, hate and the internet have fractured music discourse 👀 "It's too many voices now. And it's too much bias. It's like politics now." “You think if Drake ‘Iceman’ come out and it’s something that I feel is a classic, you think that this n**** that don’t like Drake and been spending his whole time sh*tting on him is going to agree on his platform that it’s a classic? F** no.” "Now you have like niche classics... but the universal sh*t, it may be over." (via Lost In Vegas)$

J. Cole says the idea of a “universal classic” in hip-hop may be dead now because bias, hate and the internet have fractured music discourse 👀 "It's too many voices now. And it's too much bias. It's like politics now." “You think if Drake ‘Iceman’ come out and it’s something that I feel is a classic, you think that this n**** that don’t like Drake and been spending his whole time sh*tting on him is going to agree on his platform that it’s a classic? F** no.” "Now you have like niche classics... but the universal sh*t, it may be over." (via Lost In Vegas)

Kurrco

349,551 görüntüleme • 5 ay önce

🚨 Mal says he doesn’t want JAY-Z to drop another album. Mal argues today’s hip-hop climate is too obsessed with sales and chart numbers, saying people would be waiting to call JAY-Z’s next album a “flop” regardless of how good the music is. Rory disagrees, saying if JAY-Z still has something to say, he should drop it anyway.

🚨 Mal says he doesn’t want JAY-Z to drop another album. Mal argues today’s hip-hop climate is too obsessed with sales and chart numbers, saying people would be waiting to call JAY-Z’s next album a “flop” regardless of how good the music is. Rory disagrees, saying if JAY-Z still has something to say, he should drop it anyway.

CY Chels

77,472 görüntüleme • 1 ay önce

🚨 Mal says hip-hop is heading in a dangerous direction, arguing the next generation isn’t creating the iconic moments or timeless music of previous eras Mal points to Kendrick Lamar winning BET’s Best Male Hip-Hop Artist despite not releasing a solo project during the eligibility period, saying it shows the genre is still relying on the same names. He also argues today’s “microwave” recording process has replaced the time, care and perfection that went into classic hip-hop records, while questioning who the next true rap legends will be 15 years from now. Via Rory & Mal

🚨 Mal says hip-hop is heading in a dangerous direction, arguing the next generation isn’t creating the iconic moments or timeless music of previous eras Mal points to Kendrick Lamar winning BET’s Best Male Hip-Hop Artist despite not releasing a solo project during the eligibility period, saying it shows the genre is still relying on the same names. He also argues today’s “microwave” recording process has replaced the time, care and perfection that went into classic hip-hop records, while questioning who the next true rap legends will be 15 years from now. Via Rory & Mal

CY Chels

92,941 görüntüleme • 2 ay önce

🚨 DJ Akademiks reacts to Drake’s “What Did I Miss?” being the last rap song to hit the Billboard Hot 100 Top 10 and it’s been 9 months. Ak says people were celebrating a “changing of the guard” and claiming they were tired of Drake… but now everyone is posting stats saying hip-hop is dead. Ak also questions Kendrick Lamar being called “the hottest rapper in the world.” “When they said Kendrick was the hottest rapper… the rap game never been more dead.” “Hip-hop is starving… everybody just waiting for Drake to drop iceman.”

🚨 DJ Akademiks reacts to Drake’s “What Did I Miss?” being the last rap song to hit the Billboard Hot 100 Top 10 and it’s been 9 months. Ak says people were celebrating a “changing of the guard” and claiming they were tired of Drake… but now everyone is posting stats saying hip-hop is dead. Ak also questions Kendrick Lamar being called “the hottest rapper in the world.” “When they said Kendrick was the hottest rapper… the rap game never been more dead.” “Hip-hop is starving… everybody just waiting for Drake to drop iceman.”

CY Chels

81,429 görüntüleme • 5 ay önce

🚨 Rory & Mal say the Big 3 could be the last generation of rappers capable of stadium celebrations on Jay-Z’s level The two argue that after Drake, Kendrick and J. Cole, hip-hop may never see artists pull off anniversary runs on this scale again, saying only Jay-Z and Nas have truly shown what aging in rap can look like. They also believe Jay-Z’s three sold-out nights at Yankee Stadium proved the internet is “a very small group of people with very small opinions,” arguing online narratives rarely reflect reality. Via Rory & Mal

🚨 Rory & Mal say the Big 3 could be the last generation of rappers capable of stadium celebrations on Jay-Z’s level The two argue that after Drake, Kendrick and J. Cole, hip-hop may never see artists pull off anniversary runs on this scale again, saying only Jay-Z and Nas have truly shown what aging in rap can look like. They also believe Jay-Z’s three sold-out nights at Yankee Stadium proved the internet is “a very small group of people with very small opinions,” arguing online narratives rarely reflect reality. Via Rory & Mal

CY Chels

114,184 görüntüleme • 1 ay önce

The Ebro Laura Rosenberg Show discusses how different fandoms have been moving after the 2024 battle: Ebro: “Cole fans are the nicest people ever, they mind their own business. They’re out there enjoying their guy, loving the shows, loving the album…Cole fans are hip hop fans.” Rosenberg: “There are a lot of hip hop fans that are Drake fans and Kendrick fans. But there’s also a sect of Drake and Kendrick fans that are not hip hop fans, they were just rooting for them in a battle. They’re like team supporters.” Pusha T on ‘Call My Bluff’: “Sometimes I wish my fanbase was more like J. Cole’s” EbroLauraRosenberg

The Ebro Laura Rosenberg Show discusses how different fandoms have been moving after the 2024 battle: Ebro: “Cole fans are the nicest people ever, they mind their own business. They’re out there enjoying their guy, loving the shows, loving the album…Cole fans are hip hop fans.” Rosenberg: “There are a lot of hip hop fans that are Drake fans and Kendrick fans. But there’s also a sect of Drake and Kendrick fans that are not hip hop fans, they were just rooting for them in a battle. They’re like team supporters.” Pusha T on ‘Call My Bluff’: “Sometimes I wish my fanbase was more like J. Cole’s” EbroLauraRosenberg

Joey

138,774 görüntüleme • 22 gün önce

The Joe Budden Podcast admits they were wrong about J. Cole: “Now that the dust has settled, that album is really good. KOD is really really good. I didn’t realize it that first week how good it was” Mal goes on to add: “music expires in a week, even from major artists. Once Drake drops a album, in 3 weeks people are going to want a new album”

The Joe Budden Podcast admits they were wrong about J. Cole: “Now that the dust has settled, that album is really good. KOD is really really good. I didn’t realize it that first week how good it was” Mal goes on to add: “music expires in a week, even from major artists. Once Drake drops a album, in 3 weeks people are going to want a new album”

Caleb

66,076 görüntüleme • 3 ay önce

🚨 Rory & Mal on J. Cole’s The Fall Off Mal says Cole will never mentally get over the decision he made that day when he apologized on stage stressing Cole sounds stuck in that moment, with the confidence gone and the music coming from a near victim mentality, Disc 29 sounds like Off-Season Cole, while Disc 39 sounds more timid and reflective. Rory & Mal say “What If” dragged Kendrick and Drake back into the conversation unnecessarily, making it impossible to fully move on. Mal also questions why Kendrick isn’t on the album at all, saying whether it was cleared or not, the absence is loud.

🚨 Rory & Mal on J. Cole’s The Fall Off Mal says Cole will never mentally get over the decision he made that day when he apologized on stage stressing Cole sounds stuck in that moment, with the confidence gone and the music coming from a near victim mentality, Disc 29 sounds like Off-Season Cole, while Disc 39 sounds more timid and reflective. Rory & Mal say “What If” dragged Kendrick and Drake back into the conversation unnecessarily, making it impossible to fully move on. Mal also questions why Kendrick isn’t on the album at all, saying whether it was cleared or not, the absence is loud.

CY Chels

340,273 görüntüleme • 7 ay önce

Yoongi talking about Hip Hop Phile how rap line wrote their verses. One of yoongi favorite song in Dark & Wild Album. 🥹 🐈‍⬛: It's a track called Hip Hop Lover. In any case since we're into Hip Hop music, We wrote lyrics with regards to our attitude towards Hip Hop. For Rap Mon it's about how he started listening to music and rapping. For J-Hope he started out with dance and naturally fell into Hip Hop. For myself, I wrote lyrics about how I started to produce music at a young age and then started learning music properly. The melody is by Rap Mon When I first got to listen to the melody I thought that it was really good. I'm really pleased. Definitely one of my favorites of this album.

Yoongi talking about Hip Hop Phile how rap line wrote their verses. One of yoongi favorite song in Dark & Wild Album. 🥹 🐈‍⬛: It's a track called Hip Hop Lover. In any case since we're into Hip Hop music, We wrote lyrics with regards to our attitude towards Hip Hop. For Rap Mon it's about how he started listening to music and rapping. For J-Hope he started out with dance and naturally fell into Hip Hop. For myself, I wrote lyrics about how I started to produce music at a young age and then started learning music properly. The melody is by Rap Mon When I first got to listen to the melody I thought that it was really good. I'm really pleased. Definitely one of my favorites of this album.

•💜ʀᴏsᴇ⁷🥃🥢ᓚᕠᗢ•

134,954 görüntüleme • 15 gün önce

🚨 Akademiks GOES OFF on J. Cole while responding to Wayno’s criticism of Drake Ak says hip-hop media prefers “J. Cole-ass rappers” they can pressure into moving a certain way, calling Cole “spineless,” “spineless rapper,” and saying he has “no backbone.” Ak even says he has no interest in going to a J. Cole concert, joking it would be like a “science experiment” to see what kind of “spineless” people are there. Ak says that’s exactly why he respects Drake doing the opposite: “I like when the rapper says, ‘Nah, fck n*gga, I’m not gonna do it. Fck off.’”

🚨 Akademiks GOES OFF on J. Cole while responding to Wayno’s criticism of Drake Ak says hip-hop media prefers “J. Cole-ass rappers” they can pressure into moving a certain way, calling Cole “spineless,” “spineless rapper,” and saying he has “no backbone.” Ak even says he has no interest in going to a J. Cole concert, joking it would be like a “science experiment” to see what kind of “spineless” people are there. Ak says that’s exactly why he respects Drake doing the opposite: “I like when the rapper says, ‘Nah, fck n*gga, I’m not gonna do it. Fck off.’”

CY Chels

54,369 görüntüleme • 1 ay önce

🚨 DJ Akademiks Goes Live Ahead Of Drake’s “Iceman” Release & Announces A 12 Hour Stream Dedicated To The Album Rollout 🧊 🦉 Ak revealed he’ll be streaming all day leading into the release, breaking down: 👀 Alleged leaks 🎶 Possible diss tracks 📀 Album predictions 🔥 Fan reactions 🎤 Hip-hop topics & industry conversations 📡 Hidden details within the rollout Akademiks called today “Iceman Day” and made it clear the stream would eventually shift fully into “album release party mode” centered around Drake. 🗣️ “Today is a special day… We’re gonna have a good time. We’re gonna react to everybody’s reactions of what they think is going on and what maybe is going on.” He also admitted he personally doesn’t know the final tracklist or what records actually made the album: 🗣️ “I actually don’t know what’s on Iceman and what’s not. We’ll just see.” According to Ak, the first half of the stream would focus on general hip-hop conversations before transitioning exclusively into Drake content later in the night on Kick, where he says they’ll be able to freely listen to music live without interruptions. 🎧 “At a certain point it’s only gonna be about Aubrey, Drizzy, Drake Graham.” Akademiks also addressed what he feels has been a major shift in public perception surrounding Drake over the last two years, claiming many industry figures and fans turned against him during difficult moments only to now slowly reverse course as anticipation builds around Iceman. 🗣️ “I watched so many people switch sides… They acted like his reign was over.” He compared Drake’s current moment to past eras where major artists faced heavy criticism before bouncing back stronger, saying resilience is what defines hip-hop greats. 🏀 Ak even compared it to fans abandoning teams once they stop winning: 🗣️ “Everybody was a Golden State Warriors fan… what happened to them?” Ak says tonight’s stream will also include surprise guests, deep dives into Drake’s rollout strategy, and breakdowns of subtle details fans may have overlooked leading into the album release

🚨 DJ Akademiks Goes Live Ahead Of Drake’s “Iceman” Release & Announces A 12 Hour Stream Dedicated To The Album Rollout 🧊 🦉 Ak revealed he’ll be streaming all day leading into the release, breaking down: 👀 Alleged leaks 🎶 Possible diss tracks 📀 Album predictions 🔥 Fan reactions 🎤 Hip-hop topics & industry conversations 📡 Hidden details within the rollout Akademiks called today “Iceman Day” and made it clear the stream would eventually shift fully into “album release party mode” centered around Drake. 🗣️ “Today is a special day… We’re gonna have a good time. We’re gonna react to everybody’s reactions of what they think is going on and what maybe is going on.” He also admitted he personally doesn’t know the final tracklist or what records actually made the album: 🗣️ “I actually don’t know what’s on Iceman and what’s not. We’ll just see.” According to Ak, the first half of the stream would focus on general hip-hop conversations before transitioning exclusively into Drake content later in the night on Kick, where he says they’ll be able to freely listen to music live without interruptions. 🎧 “At a certain point it’s only gonna be about Aubrey, Drizzy, Drake Graham.” Akademiks also addressed what he feels has been a major shift in public perception surrounding Drake over the last two years, claiming many industry figures and fans turned against him during difficult moments only to now slowly reverse course as anticipation builds around Iceman. 🗣️ “I watched so many people switch sides… They acted like his reign was over.” He compared Drake’s current moment to past eras where major artists faced heavy criticism before bouncing back stronger, saying resilience is what defines hip-hop greats. 🏀 Ak even compared it to fans abandoning teams once they stop winning: 🗣️ “Everybody was a Golden State Warriors fan… what happened to them?” Ak says tonight’s stream will also include surprise guests, deep dives into Drake’s rollout strategy, and breakdowns of subtle details fans may have overlooked leading into the album release

Cousin Tino ™️

103,716 görüntüleme • 4 ay önce

🚨 DJ AKADEMIKS REACTS TO HEADLINES CLAIMING HIP-HOP IS “DOWN 30%” 📉🎤 DJ Akademiks is pushing back on the recent headlines suggesting that Hip-Hop & R&B are experiencing a major decline, arguing that the headlines leave out important context. 🧐 AKADEMIKS ARGUMENT: 🦂 Headlines make it sound like Hip-Hop has fallen off a cliff. 🦂 But according to the data he referenced, Hip-Hop/R&B still represents roughly one-third of streaming activity. 🦂 His biggest point: Hip-Hop reportedly went from being #1 to still being #1. 📊 🦂 Akademiks compared it to an NBA scoring champion averaging 40 points one season and 33 the next the production may be down, but if he’s still leading the league, calling him a “fall-off” can be misleading. 📉 SO WHAT ACTUALLY CHANGED? Akademiks argues that Hip-Hop’s market share has declined partly because artists simply aren’t releasing as much music as they were several years ago. Meanwhile, genres like Latin, Country, Pop, Dance & Electronic have continued growing and taking more of the overall market. 🎯 AKADEMIKS BIGGER POINT: He believes headlines saying “Hip-Hop is declining” can create a perception that the culture is dying potentially discouraging artists, labels, A&Rs and investors from putting more resources into Hip-Hop. And when fans aren’t getting enough new Hip-Hop music, they’ll naturally explore other genres. 🔥 THE DRAKE FACTOR Akademiks also pointed to Drake’s continued streaming dominance, arguing that Drake remaining one of the biggest streaming artists in the world challenges the idea that Hip-Hop itself has lost its audience. His conclusion: Hip-Hop may have lost market share but that doesn’t automatically mean Hip-Hop has “fallen off.” The bigger question is whether the decline is actually about demand, or simply about how much music artists are releasing. 👀 Do y’all think the “Hip-Hop is dying” headlines are misleading, or is the culture genuinely losing ground?

🚨 DJ AKADEMIKS REACTS TO HEADLINES CLAIMING HIP-HOP IS “DOWN 30%” 📉🎤 DJ Akademiks is pushing back on the recent headlines suggesting that Hip-Hop & R&B are experiencing a major decline, arguing that the headlines leave out important context. 🧐 AKADEMIKS ARGUMENT: 🦂 Headlines make it sound like Hip-Hop has fallen off a cliff. 🦂 But according to the data he referenced, Hip-Hop/R&B still represents roughly one-third of streaming activity. 🦂 His biggest point: Hip-Hop reportedly went from being #1 to still being #1. 📊 🦂 Akademiks compared it to an NBA scoring champion averaging 40 points one season and 33 the next the production may be down, but if he’s still leading the league, calling him a “fall-off” can be misleading. 📉 SO WHAT ACTUALLY CHANGED? Akademiks argues that Hip-Hop’s market share has declined partly because artists simply aren’t releasing as much music as they were several years ago. Meanwhile, genres like Latin, Country, Pop, Dance & Electronic have continued growing and taking more of the overall market. 🎯 AKADEMIKS BIGGER POINT: He believes headlines saying “Hip-Hop is declining” can create a perception that the culture is dying potentially discouraging artists, labels, A&Rs and investors from putting more resources into Hip-Hop. And when fans aren’t getting enough new Hip-Hop music, they’ll naturally explore other genres. 🔥 THE DRAKE FACTOR Akademiks also pointed to Drake’s continued streaming dominance, arguing that Drake remaining one of the biggest streaming artists in the world challenges the idea that Hip-Hop itself has lost its audience. His conclusion: Hip-Hop may have lost market share but that doesn’t automatically mean Hip-Hop has “fallen off.” The bigger question is whether the decline is actually about demand, or simply about how much music artists are releasing. 👀 Do y’all think the “Hip-Hop is dying” headlines are misleading, or is the culture genuinely losing ground?

Cousin Tino ™️

45,731 görüntüleme • 26 gün önce

🐺 honestly, when i think of YG, i think of hip-hop and that kind of image. but if you look back at the past, i think the deeper R&B side was also, in a way, part of YG's identity. like Big Mama seniors, for example. there were so many artists like that. these days, though, it feels like those kinds of colors are a bit hidden behind the hip-hop image. i think that's probably true. YG still has that side, but because the image they present is so strongly associated with hip-hop, it tends to get overshadowed. it's not that i want to push that ahead of hip-hop or anything. but for people who love YG's deep R&B style, i want them to be able to say, "this is also YG's color" personally, i have that kind of desire #박정우

🐺 honestly, when i think of YG, i think of hip-hop and that kind of image. but if you look back at the past, i think the deeper R&B side was also, in a way, part of YG's identity. like Big Mama seniors, for example. there were so many artists like that. these days, though, it feels like those kinds of colors are a bit hidden behind the hip-hop image. i think that's probably true. YG still has that side, but because the image they present is so strongly associated with hip-hop, it tends to get overshadowed. it's not that i want to push that ahead of hip-hop or anything. but for people who love YG's deep R&B style, i want them to be able to say, "this is also YG's color" personally, i have that kind of desire #박정우

jeongwooxharuto | 박정우 x 하루토

22,888 görüntüleme • 3 ay önce

🚨 Akademiks says some people in hip hop media genuinely believe him, Drake & Adin Ross are “gaming the algorithm” and controlling online music narratives… Ak says critics can’t understand why they constantly dominate timelines without relying on traditional media platforms he argues people expected him to disappear after Twitch, Complex & other opportunities ended… but says attention only kept growing Ak also says Drake’s popularity gets treated like a conspiracy because people still judge him against rappers instead of global acts “They thought they got rid of me… now they think it has to be bots.”

🚨 Akademiks says some people in hip hop media genuinely believe him, Drake & Adin Ross are “gaming the algorithm” and controlling online music narratives… Ak says critics can’t understand why they constantly dominate timelines without relying on traditional media platforms he argues people expected him to disappear after Twitch, Complex & other opportunities ended… but says attention only kept growing Ak also says Drake’s popularity gets treated like a conspiracy because people still judge him against rappers instead of global acts “They thought they got rid of me… now they think it has to be bots.”

CY Chels

17,437 görüntüleme • 3 ay önce

Fake, Hip Hop posers are on every social media app on your phone. That’s because the internet has changed the criteria for what it means to be Hip Hop. For the last 48 hours I’ve tussled with online influencers rockin’ Twitter handles like “Hip Hop Library” (🤦🏾) and “the president of hip hop” (😂) and it made me think, which in turn inspired me to write, about how easy it is to download Twitter, Insta or TikTok to your little pocket computer and conveniently integrate yourself into the Hip Hop community. Gift of gab is as far as y’all MF’s talent goes. Y’all nasty with those thumbs, I’ll give y’all that. But these clout chasers who dress up their social media profiles with fancy pictures, sleek looking videos from they bedrooms posing, and third hand YouTube content will NEVER come close to possessing the natural aptitude to DJ like someone of my caliber or rhyme with the verbal agility of a cunning linguist like Supernatural. Y’all are frauds, and although Hip Hop’s checks and balances have disappeared, consequently opening the floodgates for y’all no talent ass having, podcasting “who’s better, Drake or Mos Def?” “Hip Hop is FBA...” culture vultures to infiltrate our shit, whether it’s today, tomorrow, next week, month or year, heavyweight Hip Hop heroes like Nat and myself will forever be here for you to deal with when the Hip Hop day of reckoning comes!

Fake, Hip Hop posers are on every social media app on your phone. That’s because the internet has changed the criteria for what it means to be Hip Hop. For the last 48 hours I’ve tussled with online influencers rockin’ Twitter handles like “Hip Hop Library” (🤦🏾) and “the president of hip hop” (😂) and it made me think, which in turn inspired me to write, about how easy it is to download Twitter, Insta or TikTok to your little pocket computer and conveniently integrate yourself into the Hip Hop community. Gift of gab is as far as y’all MF’s talent goes. Y’all nasty with those thumbs, I’ll give y’all that. But these clout chasers who dress up their social media profiles with fancy pictures, sleek looking videos from they bedrooms posing, and third hand YouTube content will NEVER come close to possessing the natural aptitude to DJ like someone of my caliber or rhyme with the verbal agility of a cunning linguist like Supernatural. Y’all are frauds, and although Hip Hop’s checks and balances have disappeared, consequently opening the floodgates for y’all no talent ass having, podcasting “who’s better, Drake or Mos Def?” “Hip Hop is FBA...” culture vultures to infiltrate our shit, whether it’s today, tomorrow, next week, month or year, heavyweight Hip Hop heroes like Nat and myself will forever be here for you to deal with when the Hip Hop day of reckoning comes!

BROLICARM

36,587 görüntüleme • 2 yıl önce

🗣️People say “Kendrick went too far” during the battle - but 4 things they exclude is: 1.) hip hop battles have always been ruthless 2.) no one is forced to battle, both are willing participants 3.) Drake took it there first talking about Kendrick’s kids and wife 4.) lyrics have to be somewhat believable to really hit, the fact Drake already had allegations and video evidence of weird activity made it easy for Kendrick to use that angle Here is an example of hip hop in battle mode-you gotta be willing to take it if you gonna be in the ring- Tyroc vs O’fficial :

🗣️People say “Kendrick went too far” during the battle - but 4 things they exclude is: 1.) hip hop battles have always been ruthless 2.) no one is forced to battle, both are willing participants 3.) Drake took it there first talking about Kendrick’s kids and wife 4.) lyrics have to be somewhat believable to really hit, the fact Drake already had allegations and video evidence of weird activity made it easy for Kendrick to use that angle Here is an example of hip hop in battle mode-you gotta be willing to take it if you gonna be in the ring- Tyroc vs O’fficial :

HipHopKlipz36

150,847 görüntüleme • 1 ay önce

🚨JUST IN: PM Netanyahu, before his departure back to Israel: "There is a close, genuine, and open connection between Trump and me. The president believes that the Iranians already understand who they are dealing with. I think that the conditions he sets, combined with their understanding that they were wrong the last time when they did not reach an agreement, may lead them to agree to terms that will allow for a good agreement to be reached."

🚨JUST IN: PM Netanyahu, before his departure back to Israel: "There is a close, genuine, and open connection between Trump and me. The president believes that the Iranians already understand who they are dealing with. I think that the conditions he sets, combined with their understanding that they were wrong the last time when they did not reach an agreement, may lead them to agree to terms that will allow for a good agreement to be reached."

Raylan Givens

33,192 görüntüleme • 7 ay önce

Dear whoever you are, Your "20 years of struggle" doesn't give you the right to disrespect j-hope, especially when you clearly haven't sat with an album as critically acclaimed as “Jack In The Box”. And don't put him in the same sentence as idols from other labels who use company influence to collab with whoever's trending. j-hope and BTS started from the bottom if you didn’t know that, a struggling company, zero industry privileges, even mocked by parts of the Korean hip-hop scene early on. They didn't get here on luck. They got here on preparation meeting opportunity. Big Hit didn't make BTS, BTS made Big Hit /HYBE what it is today. Korean music critic Randy Suh put it well in a 2018 piece: "j-hope doesn't really owe the Korean hip hop scene much because it isn't where he got his start. He has since said with confidence that his musical roots are the 1980s and '90s hip hop that he grew up dancing to" He didn't come up through the underground rap scene, but he spent his late teens studying it and building a flow that's entirely his own. That groundwork is what made him the first South Korean artist to headline a major U.S. festival, not a Big Hit connection, but raw talent. That's also where he met J. Cole in person, told him he was his muse, and exchanged numbers. That friendship started artist to artist, not through some HYBE rep making a call. 🤨 “on the street” with J.Cole is j-hope’s way of paying respect to one his early hip-hop inspirations. He gave Jermaine has more bars in the song, that’s how much he respects him. j-hope only collaborates with people he genuinely respects. Korean hip-hop legends like Yoon Mirae and Gaeko who joined him on "Neuron" didn't show up because he's popular. They showed up because they believe in his skill, and because he's cited them as inspirations since day one. Years in the game don't automatically make you more deserving than someone else. Sure, some artists lean hard on their label, can't rap or sing live, and still get everything handed to them. But j-hope has never been one of them. Twenty years of experience should teach you the difference between resenting someone’s success and understanding it. j-hope’s is the kind you study, not the kind you dismiss.

Dear whoever you are, Your "20 years of struggle" doesn't give you the right to disrespect j-hope, especially when you clearly haven't sat with an album as critically acclaimed as “Jack In The Box”. And don't put him in the same sentence as idols from other labels who use company influence to collab with whoever's trending. j-hope and BTS started from the bottom if you didn’t know that, a struggling company, zero industry privileges, even mocked by parts of the Korean hip-hop scene early on. They didn't get here on luck. They got here on preparation meeting opportunity. Big Hit didn't make BTS, BTS made Big Hit /HYBE what it is today. Korean music critic Randy Suh put it well in a 2018 piece: "j-hope doesn't really owe the Korean hip hop scene much because it isn't where he got his start. He has since said with confidence that his musical roots are the 1980s and '90s hip hop that he grew up dancing to" He didn't come up through the underground rap scene, but he spent his late teens studying it and building a flow that's entirely his own. That groundwork is what made him the first South Korean artist to headline a major U.S. festival, not a Big Hit connection, but raw talent. That's also where he met J. Cole in person, told him he was his muse, and exchanged numbers. That friendship started artist to artist, not through some HYBE rep making a call. 🤨 “on the street” with J.Cole is j-hope’s way of paying respect to one his early hip-hop inspirations. He gave Jermaine has more bars in the song, that’s how much he respects him. j-hope only collaborates with people he genuinely respects. Korean hip-hop legends like Yoon Mirae and Gaeko who joined him on "Neuron" didn't show up because he's popular. They showed up because they believe in his skill, and because he's cited them as inspirations since day one. Years in the game don't automatically make you more deserving than someone else. Sure, some artists lean hard on their label, can't rap or sing live, and still get everything handed to them. But j-hope has never been one of them. Twenty years of experience should teach you the difference between resenting someone’s success and understanding it. j-hope’s is the kind you study, not the kind you dismiss.

HobiCasa ⊙⊝⊜ HEARD TEAR & 00:00 LIVE😭 🇨🇦🪥🤳👟

837,610 görüntüleme • 1 ay önce