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"r's run cycle 🏃✨" 15 frames. 13 artists. 14 art styles. 1 endless loop animation. each frame drawn in a completely different art style, compiled together into one run cycle.

gbeadese

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22,669 görüntüleme • 1 yıl önce •via X (Twitter)

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🛹TIME FOR REVEAL For Infinite Skate Ep2 I want to bring together my 3 passions: animation, art,and outdoor sports.The Ep2 animated loop is a skate ride in pools.These 10 infinite rides will take place in 10 different pools, each painted with a different original artwork.🧵⬇️ 1/4

🛹TIME FOR REVEAL For Infinite Skate Ep2 I want to bring together my 3 passions: animation, art,and outdoor sports.The Ep2 animated loop is a skate ride in pools.These 10 infinite rides will take place in 10 different pools, each painted with a different original artwork.🧵⬇️ 1/4

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My FIRST metal card is OUT! 🥰 Gold finish stainless steel, doublesided with my art & signature 💌 It's a limited print run & each one is engraved with a number 1-200 ✨ Gveaway here & on Patreon soon! 🎁 Playmats will be available with Turn 'em Sideways! 🌹

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Tezos

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🧐 Fun Fact: Ever wonder what's behind our name —OptimAI Network? "OP" stands for "Optimize," and "I" stands for "Intelligence" (AI). Now look closer at our logo—what do you see? Pi (π) transforming effortlessly into AI. In OptimAI, Pi is AI, and AI is Pi—representing an infinite cycle of data-driven learning, intelligence, and optimization. ⭐️Join OptimAI Lite Node program now: + Chrome Extension Node: + Telegram Node: 💡Every OptimAI Node you run helps build our #DePIN Reinforcement Data Network—mining data, fueling intelligent AI agents, and forming an endless loop of improvement. Keep connecting the dots with us—Mine Data, Fuel AI, Earn Rewards. Let's optimize intelligence together!

OptimAI Network

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From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

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Art on Tezos Friday Recap 🔔 → Opening tonight: STILL WET at Galerie Met in Berlin (Mariannenstrasse 33), a group show of physical and digital works by 18 artists across several continents, treating painting as an expanded medium spanning canvas, screen, 3D, GIFs, and machine learning traces. Curated by Kika Nicolela and Ruizhe Liang in collaboration with objkt. Reception 18:00 to 21:00, running August 15 to September 5. 🇩🇪🖌️ → Kento announced the two Open Call winners whose works will be turned into physical cards and included in Season 01 packs: Adiw & 𝖒𝖆𝖈𝖇𝖊𝖙𝖍 👏 → ACTZ “Vestige” auctions (Art Commission Tezos): For July with ACTZ - Art Commissions, Jesse 🏴‍☠️, Scott, muhju & Tipi ᑎᐱ selected five artists each to create new unique works around the theme "Vestige". Highlights and some live/recent auctions were posted Aug 13 by Art on Tezos. → #TezosTuesday spotlighted Solarchi, a collector and artist with an architecture background, who committed to collecting 1,000 tez from community replies and their own digging. 🤝 → 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 THE OBSOLETE MATTERS drops August 25 on objkt, thirty artists turning the question of obsolescence back on digital art itself, across generative systems, AI, 3D, digital painting, code, and collage. Curated by グレベンシ and Ilya Bliznets. 🕰️💾 → Artists’ Week: August (TheTezosCommunity / TheTezosCommunity ) is running. It includes Discord games (Gartic, Name That Artist, Quiz, Poker), Support Artists Days (community buys), and a “Let’s Talk Art” space that happened on Aug 13. More activities continue through the weekend. Don't Miss: → Ephemera Sunset (community auction event) via Antrum - Live today. Artists are listing 24-hour auctions themed around sunsets / fleeting light. Search #EphemeraSunset or #Ephemera2026 on X or check recent auctions on objkt. → PRECEDURE by goldcat curated by anika meier via objkt labs, starting from a single hand-made charcoal drawing and running it through procedural constraints so authorship shifts from gesture to rules, with a nod to early computer artists like Vera Molnár. ✏️⚙️ → Post_Histories by Space Case 😵‍💫 curated by anika meier via objkt labs, a series of interactive media carousels by ADHD that borrows the grammar of the multi-image social post and redirects it toward the contextual window of art. → Infinito Mesh Painting by Chris Follows via bootloader: → 1.p.3.r.d.3.C.h.1.r.1.c.0. by p.i.x.e.l.l.a.r.e. via bootloader: → Fugue by TOCA ME via drop.art Ი𐑼 Gurjos by Bárbara Bezina via drop.art Ი𐑼 📽️ Frog battle zero by daïchi mori

Art on Tezos Friday Recap 🔔 → Opening tonight: STILL WET at Galerie Met in Berlin (Mariannenstrasse 33), a group show of physical and digital works by 18 artists across several continents, treating painting as an expanded medium spanning canvas, screen, 3D, GIFs, and machine learning traces. Curated by Kika Nicolela and Ruizhe Liang in collaboration with objkt. Reception 18:00 to 21:00, running August 15 to September 5. 🇩🇪🖌️ → Kento announced the two Open Call winners whose works will be turned into physical cards and included in Season 01 packs: Adiw & 𝖒𝖆𝖈𝖇𝖊𝖙𝖍 👏 → ACTZ “Vestige” auctions (Art Commission Tezos): For July with ACTZ - Art Commissions, Jesse 🏴‍☠️, Scott, muhju & Tipi ᑎᐱ selected five artists each to create new unique works around the theme "Vestige". Highlights and some live/recent auctions were posted Aug 13 by Art on Tezos. → #TezosTuesday spotlighted Solarchi, a collector and artist with an architecture background, who committed to collecting 1,000 tez from community replies and their own digging. 🤝 → 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 THE OBSOLETE MATTERS drops August 25 on objkt, thirty artists turning the question of obsolescence back on digital art itself, across generative systems, AI, 3D, digital painting, code, and collage. Curated by グレベンシ and Ilya Bliznets. 🕰️💾 → Artists’ Week: August (TheTezosCommunity / TheTezosCommunity ) is running. It includes Discord games (Gartic, Name That Artist, Quiz, Poker), Support Artists Days (community buys), and a “Let’s Talk Art” space that happened on Aug 13. More activities continue through the weekend. Don't Miss: → Ephemera Sunset (community auction event) via Antrum - Live today. Artists are listing 24-hour auctions themed around sunsets / fleeting light. Search #EphemeraSunset or #Ephemera2026 on X or check recent auctions on objkt. → PRECEDURE by goldcat curated by anika meier via objkt labs, starting from a single hand-made charcoal drawing and running it through procedural constraints so authorship shifts from gesture to rules, with a nod to early computer artists like Vera Molnár. ✏️⚙️ → Post_Histories by Space Case 😵‍💫 curated by anika meier via objkt labs, a series of interactive media carousels by ADHD that borrows the grammar of the multi-image social post and redirects it toward the contextual window of art. → Infinito Mesh Painting by Chris Follows via bootloader: → 1.p.3.r.d.3.C.h.1.r.1.c.0. by p.i.x.e.l.l.a.r.e. via bootloader: → Fugue by TOCA ME via drop.art Ი𐑼 Gurjos by Bárbara Bezina via drop.art Ი𐑼 📽️ Frog battle zero by daïchi mori

Tezos

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Exploring diff visuals with Gen2. I'm amazed at how it takes a single block image to build neon streets, structures, and entire cityscapes. Anybody else toying with AI tonight⁉️ AI Art Workflow: 1. Crafted starting image in #Midjourney 2. Generated a 4-sec video with #Gen2 (no text prompt) 3. Extended first 4 secs to 18 secs 4. Repeated steps 2-3 twice, each time using the final frame from the previous 18-sec video to start the next 18-secs run 5. Merged all three 18-sec videos in #FinalCut Pro 6. Adjusted speed for fluidity 7. Final version published here is a 54-sec journey distilled into a 16-sec video with 🎶 #AIart #AIArtCommunity

Exploring diff visuals with Gen2. I'm amazed at how it takes a single block image to build neon streets, structures, and entire cityscapes. Anybody else toying with AI tonight⁉️ AI Art Workflow: 1. Crafted starting image in #Midjourney 2. Generated a 4-sec video with #Gen2 (no text prompt) 3. Extended first 4 secs to 18 secs 4. Repeated steps 2-3 twice, each time using the final frame from the previous 18-sec video to start the next 18-secs run 5. Merged all three 18-sec videos in #FinalCut Pro 6. Adjusted speed for fluidity 7. Final version published here is a 54-sec journey distilled into a 16-sec video with 🎶 #AIart #AIArtCommunity

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GPT Image 2 + Seedance 2 = cartoon chase scene. I wanted to see how far I could push storyboard-to-video consistency, so I created a full 15-second cat vs mouse sequence inside a completely destroyed house. The process was actually simple: - generated a 3x3 cinematic storyboard sheet in GPT Image 2 - designed every frame like a real animation pre-production sketch - added camera directions, motion cues, timing notes, and destruction progression - used Seedance 2 to animate the entire sequence into one continuous cinematic shot flow What surprised me most was how well Seedance 2.0 understood the visual continuity between frames. The flying debris, motion blur, exaggerated jumps, and camera movement felt surprisingly cohesive. . . .

GPT Image 2 + Seedance 2 = cartoon chase scene. I wanted to see how far I could push storyboard-to-video consistency, so I created a full 15-second cat vs mouse sequence inside a completely destroyed house. The process was actually simple: - generated a 3x3 cinematic storyboard sheet in GPT Image 2 - designed every frame like a real animation pre-production sketch - added camera directions, motion cues, timing notes, and destruction progression - used Seedance 2 to animate the entire sequence into one continuous cinematic shot flow What surprised me most was how well Seedance 2.0 understood the visual continuity between frames. The flying debris, motion blur, exaggerated jumps, and camera movement felt surprisingly cohesive. . . .

Beginnersblog

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THIS GUY JUST REBUILT A $35,000 ANIMATED SITE FOR $12. IF YOU RUN A WEB STUDIO, YOU SHOULD PROBABLY KEEP SCROLLING. Every agency billing $100-149/hr is selling you five departments wearing one invoice. Here’s each one - collapsed into a single agentic session. LAYER 1 - THE CONCEPT ROOM (Claude) Reads the brief, pulls references, and scripts the scroll: what the visitor feels at second 3, second 15, second 40. → Used to be a strategist and a wall of mood boards. Now it’s a conversation. LAYER 2 - THE MOTION STUDIO (Higgsfield) Cinematic clips from 30+ generative models - hero shots, transitions, ambient loops - all matched to the story from Layer 1. → Used to be a motion artist on retainer. Now it’s a prompt. LAYER 3 - THE DEV TEAM (Claude Code) Scaffolds the site, writes the GSAP ScrollTrigger timelines and Lenis smooth-scroll, extracts frames, optimizes every asset. → A full scroll-driven build with zero hand-coded keyframes. LAYER 4 - THE DESIGN DEPT (baked-in cinematic layer) Six effects, zero config: film grain, particles, vignette, glass cards, color tints, scroll pacing. → The polish that justified the invoice - now it ships by default. LAYER 5 - THE QA PASS (Claude) Checks load speed, mobile breakpoints, and whether the scroll actually lands - then rewrites whatever doesn’t. → Used to be a client call and a revision cycle. Now it’s one more turn in the same session. Five departments. One operator. One pass. A strategist, a motion artist, a developer, a designer, and a QA lead - weeks of handoffs - now run in a single session. For a Claude subscription and a few dollars of Higgsfield credits. The studio was never selling talent. It was selling overhead. And the overhead just became five layers. Follow me, reply “website” to this post and I will send you the step-by-step Playbook 👇

THIS GUY JUST REBUILT A $35,000 ANIMATED SITE FOR $12. IF YOU RUN A WEB STUDIO, YOU SHOULD PROBABLY KEEP SCROLLING. Every agency billing $100-149/hr is selling you five departments wearing one invoice. Here’s each one - collapsed into a single agentic session. LAYER 1 - THE CONCEPT ROOM (Claude) Reads the brief, pulls references, and scripts the scroll: what the visitor feels at second 3, second 15, second 40. → Used to be a strategist and a wall of mood boards. Now it’s a conversation. LAYER 2 - THE MOTION STUDIO (Higgsfield) Cinematic clips from 30+ generative models - hero shots, transitions, ambient loops - all matched to the story from Layer 1. → Used to be a motion artist on retainer. Now it’s a prompt. LAYER 3 - THE DEV TEAM (Claude Code) Scaffolds the site, writes the GSAP ScrollTrigger timelines and Lenis smooth-scroll, extracts frames, optimizes every asset. → A full scroll-driven build with zero hand-coded keyframes. LAYER 4 - THE DESIGN DEPT (baked-in cinematic layer) Six effects, zero config: film grain, particles, vignette, glass cards, color tints, scroll pacing. → The polish that justified the invoice - now it ships by default. LAYER 5 - THE QA PASS (Claude) Checks load speed, mobile breakpoints, and whether the scroll actually lands - then rewrites whatever doesn’t. → Used to be a client call and a revision cycle. Now it’s one more turn in the same session. Five departments. One operator. One pass. A strategist, a motion artist, a developer, a designer, and a QA lead - weeks of handoffs - now run in a single session. For a Claude subscription and a few dollars of Higgsfield credits. The studio was never selling talent. It was selling overhead. And the overhead just became five layers. Follow me, reply “website” to this post and I will send you the step-by-step Playbook 👇

ZEUS⚡️

141,226 görüntüleme • 1 ay önce

i just open sourced the workflow behind $2M AI video productions... i built 7 skills that run the pipeline end to end, built for Seedance 2.5 and they work in Claude Code, Codex, Hermes or any harness (works best with 1080p using Higgsfield CLI) here's how to use them, in order: /setup writes which image and video models you run into your project, once, so every skill reads the same stack /studio-init scaffolds the whole studio as a file tree from one question, the project name /film-breakdown walks your script scene by scene and writes a 22-field card for every shot /reference-board locks your references into a visual bible, a caption on every image and a ban list for the rest /asset-passport writes the exhaustive descriptor every later prompt will quote word for word /stress-test combat-tests each asset and flips it to locked only at 10 out of 10 repeatability /shot-prompt refuses to run until everything in frame is locked, then writes the 15-block prompt and logs every attempt get access to the skills and full breakdown of the pipeline in the article below:

i just open sourced the workflow behind $2M AI video productions... i built 7 skills that run the pipeline end to end, built for Seedance 2.5 and they work in Claude Code, Codex, Hermes or any harness (works best with 1080p using Higgsfield CLI) here's how to use them, in order: /setup writes which image and video models you run into your project, once, so every skill reads the same stack /studio-init scaffolds the whole studio as a file tree from one question, the project name /film-breakdown walks your script scene by scene and writes a 22-field card for every shot /reference-board locks your references into a visual bible, a caption on every image and a ban list for the rest /asset-passport writes the exhaustive descriptor every later prompt will quote word for word /stress-test combat-tests each asset and flips it to locked only at 10 out of 10 repeatability /shot-prompt refuses to run until everything in frame is locked, then writes the 15-block prompt and logs every attempt get access to the skills and full breakdown of the pipeline in the article below:

Machina

59,905 görüntüleme • 13 gün önce

A little kite, a little adventure, and lots of happy moments. Sometimes the simplest days make the sweetest memories. Created on seedance 2.0 Prompt: Create a cute cinematic 14-second 2D anime-style video featuring two completely new child characters in a sunny park: a girl with long dark-brown hair, expressive brown eyes, a pink dress, white socks and pink shoes, and a boy with messy black hair, dark eyes, a blue hoodie, black shorts and white sneakers. Keep their new faces, hairstyles, outfits and proportions consistent. They happily fly a bright orange-red kite through the colorful park until a strong breeze sends it into a tall tree. The boy uses a fallen branch to free the kite while the girl helps, and they catch it together with happy smiles before running through the park and flying it again in warm golden sunlight. Use beautiful Japanese anime-inspired 2D animation, clean line art, expressive eyes, soft cel shading, vibrant colors, detailed backgrounds, smooth movement, cinematic lighting and natural wind effects. No face changes, character redesign, extra characters, duplicates, distorted faces or hands, flickering, photorealism, 3D style, text, logo or watermark. smooth cinematic anime animation.

liana

29,965 görüntüleme • 11 gün önce

🚀 Unich Network Ambassador Program: Cycle Update! Our weekly training cycles will run from Tuesday to Tuesday - but we are making a special update for our very first Batch! To give everyone enough time to apply and get fully comfortable with the program's workflow, Batch 1 will be extended! 🗓️ Batch 1 Schedule: April 8 – April 21 📢 Participant: We will announce the official list of Batch 1 participants next Tuesday, April 14. (Note: If you join the program after April 14, don't worry! You will automatically be enrolled in Batch 2, which officially kicks off on April 22). ⏳ Haven't registered yet? You still have time to join the movement! 👇 ✅ Step 1: Join the Unich Network Ambassador Global group: ✅ Step 2: Fill out the quick registration form: Let’s build the future of the Unich Network ecosystem together! 🌐💪

🚀 Unich Network Ambassador Program: Cycle Update! Our weekly training cycles will run from Tuesday to Tuesday - but we are making a special update for our very first Batch! To give everyone enough time to apply and get fully comfortable with the program's workflow, Batch 1 will be extended! 🗓️ Batch 1 Schedule: April 8 – April 21 📢 Participant: We will announce the official list of Batch 1 participants next Tuesday, April 14. (Note: If you join the program after April 14, don't worry! You will automatically be enrolled in Batch 2, which officially kicks off on April 22). ⏳ Haven't registered yet? You still have time to join the movement! 👇 ✅ Step 1: Join the Unich Network Ambassador Global group: ✅ Step 2: Fill out the quick registration form: Let’s build the future of the Unich Network ecosystem together! 🌐💪

Unich.com 🆓

36,906 görüntüleme • 4 ay önce

We are stoked to formally announce The Chefs. A fully dynamic PFP collection with art created by Rugdrigo (Artist 2.0). Inspired by what Sanj did with Fomojis 2.0s, we decided to take it a step further and have all of the traits evolve from day to night. So the day time versions of your ordinal will be chefs. The night time versions will evolve into something else entirely. With our 1/1s, we wanted to do something a bit different. I believe 1/1s should really stand out in a collection and so few projects actually succeed in doing that. I reached out to some of my favorite artists and projects in the space to curate an incredibly diverse set of 1/1s. We do the cooking! Mint Date : 11/15 on Magic Eden on Bitcoin 🟧 at 10 AM EST Price : .0009BTC Collection Size : 2392

We are stoked to formally announce The Chefs. A fully dynamic PFP collection with art created by Rugdrigo (Artist 2.0). Inspired by what Sanj did with Fomojis 2.0s, we decided to take it a step further and have all of the traits evolve from day to night. So the day time versions of your ordinal will be chefs. The night time versions will evolve into something else entirely. With our 1/1s, we wanted to do something a bit different. I believe 1/1s should really stand out in a collection and so few projects actually succeed in doing that. I reached out to some of my favorite artists and projects in the space to curate an incredibly diverse set of 1/1s. We do the cooking! Mint Date : 11/15 on Magic Eden on Bitcoin 🟧 at 10 AM EST Price : .0009BTC Collection Size : 2392

Jalapeno Pete

12,657 görüntüleme • 1 yıl önce

🚨 BREAKING… $100K profit in one month with Clawdbot and Polymarket, code did the work This is a REAL setup with REAL outcomes. Relevant for ANYONE trading on Polymarket. He took a small initial position, let Clawdbot handle operations, and grew it into a ~$100K outcome No secret connections No high-profile backing Just a dev who connected Moltbot (Clawdbot) straight to Polymarket Profile → Copytrade → After reviewing the system, I was genuinely surprised No hype-driven plays No subjective calls Everything runs without a human in the loop Execution runs on its own, no manual layer FULL strategy overview: 1. 15-minute BTC & ETH micro-arbitrage The system operates on short-window Bitcoin and Ethereum markets using 15-minute intervals. In these fast-moving contracts, brief mispricings appear when YES and NO combined dip below $1. With Moltbot (Clawdbot) wired directly into Polymarket, those gaps are seized instantly - no forecasting, no directional bets, no bias 2. Execution beats reaction When volatility surges and traders hesitate, the system doesn’t. Orders are placed mechanically, with no pauses, no emotional friction, and no execution lag. By the time humans notice the move, the edge has already closed 3. Autonomy enables scale Each cycle captures pennies, not big wins. But uninterrupted operation allows the process to repeat relentlessly, at high frequency, without burnout or slowdown compounding small edges into meaningful results Scale is the edge 5,978 executions. Each one trivial in isolation. Taken together, they snowballed into just under $100K in profit The takeaway In my view, a low-key bot arms race is already underway on Polymarket Humans debate entries Systems capitalize on mechanics And while structural inefficiencies remain, autonomous setups will continue to extract value-quietly, relentlessly I track this space closely. FOLLOW if you want signal, not noise.

Shelpid.WI3M

485,943 görüntüleme • 6 ay önce

a contractor in Shenzhen priced a ¥12,470,900 hospital contract, about $1.7m, in one afternoon and beat firms carrying forty people he explained how he did it: the bid consultancy he used to pay took three days and ¥46,000 for the same envelope. he did this one alone, off one screen, at 11.4% margin, uploaded before the 17:00 cutoff 214 pages of tender documents read, 68 binding clauses pulled out, 9,485 building parts loaded, 14 places found where a duct and a beam sit in the same cubic metre, deepest one 38mm, all of them fixed, 3,318 lines of quantities priced and the package encrypted and uploaded before the 17:00 cutoff this is Graph Engineering: the job gets cut into small nodes, one narrow task each, wired so that one node's output is the next node's input, and any node is allowed to stop the whole run. it turns a model that answers you into a machine that finishes the job: - give every node one job and one output. a node doing two things fails at both and you cannot tell which one broke - put the cheapest rejection first. his qualification node reads clause 7.4, foreign-owned firms barred, and ends the run four seconds in, before anything expensive touches the model - what moves between nodes is a file. the model travels as a model, the quantities as a table, the price as a number - build exactly one loop: the checker finds 14 collisions, the fixer drops the duct 550mm, the checker runs again, and nothing moves on until the count is zero - cap that loop, or a graph will grind on three impossible clashes until the deadline passes - keep one node whose only job is to say no, and give it authority over everything above it - log each node's output on its own, because when the price comes out wrong you need to know which node believed the wrong thing - run the expensive nodes last, always the catch is that a graph is an extremely confident machine: point it at an outdated rate book and it prices an entire hospital off it without a single node noticing, because no node is asked to doubt the input, only to process it so the nodes that earn their keep are the ones that reject, and almost nobody builds those first bookmark this, the full build with all nine nodes and what each one hands to the next is written out in the article ↓

a contractor in Shenzhen priced a ¥12,470,900 hospital contract, about $1.7m, in one afternoon and beat firms carrying forty people he explained how he did it: the bid consultancy he used to pay took three days and ¥46,000 for the same envelope. he did this one alone, off one screen, at 11.4% margin, uploaded before the 17:00 cutoff 214 pages of tender documents read, 68 binding clauses pulled out, 9,485 building parts loaded, 14 places found where a duct and a beam sit in the same cubic metre, deepest one 38mm, all of them fixed, 3,318 lines of quantities priced and the package encrypted and uploaded before the 17:00 cutoff this is Graph Engineering: the job gets cut into small nodes, one narrow task each, wired so that one node's output is the next node's input, and any node is allowed to stop the whole run. it turns a model that answers you into a machine that finishes the job: - give every node one job and one output. a node doing two things fails at both and you cannot tell which one broke - put the cheapest rejection first. his qualification node reads clause 7.4, foreign-owned firms barred, and ends the run four seconds in, before anything expensive touches the model - what moves between nodes is a file. the model travels as a model, the quantities as a table, the price as a number - build exactly one loop: the checker finds 14 collisions, the fixer drops the duct 550mm, the checker runs again, and nothing moves on until the count is zero - cap that loop, or a graph will grind on three impossible clashes until the deadline passes - keep one node whose only job is to say no, and give it authority over everything above it - log each node's output on its own, because when the price comes out wrong you need to know which node believed the wrong thing - run the expensive nodes last, always the catch is that a graph is an extremely confident machine: point it at an outdated rate book and it prices an entire hospital off it without a single node noticing, because no node is asked to doubt the input, only to process it so the nodes that earn their keep are the ones that reject, and almost nobody builds those first bookmark this, the full build with all nine nodes and what each one hands to the next is written out in the article ↓

Argona

38,189 görüntüleme • 1 ay önce

She wasn't dancing for anyone until the whole street joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.

She wasn't dancing for anyone until the whole street joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.

Jessica Collins

31,799 görüntüleme • 1 ay önce

🎨 Gaussian Splat rigging opens infinite artistic possibilities! Realtime rendering with my VHS effect in VR 1.5M splats running at 80 FPS in VR with bone-based Mixamo rig animation. Travel into the volumetric worlds of Valerian and the City of a Thousand Planets, reimagined in that bold 1980s sci-fi aesthetic ✨ World Labs Theoretically Media Technical • GPU compute shader skinning (256 threads) • Linear Blend Skinning (LBS) with up to 4 bones per splat • Bind pose capture for accurate deformation • CommandBuffer synchronization for frame-perfect timing Why splats are perfect for comic art I think: Each splat is a volumetric 3D ellipsoid that naturally creates crisp edges and flat color regions—the essence of cel-shading. No complex shader tricks needed. The volumetric representation itself gives you that graphic novel aesthetic. #Realtime #GaussianSplatting #VR #GameDev #Unity3D #VolumetricRendering #ComicArt

🎨 Gaussian Splat rigging opens infinite artistic possibilities! Realtime rendering with my VHS effect in VR 1.5M splats running at 80 FPS in VR with bone-based Mixamo rig animation. Travel into the volumetric worlds of Valerian and the City of a Thousand Planets, reimagined in that bold 1980s sci-fi aesthetic ✨ World Labs Theoretically Media Technical • GPU compute shader skinning (256 threads) • Linear Blend Skinning (LBS) with up to 4 bones per splat • Bind pose capture for accurate deformation • CommandBuffer synchronization for frame-perfect timing Why splats are perfect for comic art I think: Each splat is a volumetric 3D ellipsoid that naturally creates crisp edges and flat color regions—the essence of cel-shading. No complex shader tricks needed. The volumetric representation itself gives you that graphic novel aesthetic. #Realtime #GaussianSplatting #VR #GameDev #Unity3D #VolumetricRendering #ComicArt

Daniel Skaale

15,155 görüntüleme • 9 ay önce