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Rudy Gobert on his Flagrant two ejection vs Phoenix “Very surprised because I don’t think there was any intent of getting anybody hurt. There was an intent to foul, but I don’t feel like it was meant to really hit him in the rib to hurt him. It was...

156,101 просмотров • 7 месяцев назад •via X (Twitter)

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Suns guard Grayson Allen on flagrant 2 on Chet Holmgren, ejection: "Felt like I gave a good foul within the physicality of the game and what was going on both ends, especially with the bumps on screens. Some of the hits on blockouts that were happening. It was straight up. He was cutting into me. Definitely a foul, but I thought it was within the physicality of the game. I think the reaction afterwards kind of played into that." On if he was surprised it was a flagrant 2: "When (lead officials James Williams) said the explanation, I thought that was the description of a flagrant 1. They looked at it a bunch of times. I didn't feel like there was wind up. I braced myself. Definitely delivered a bump and a hard foul, but it was straight up. It wasn't like Mark (Williams) last game when he was flying in the air (fouled by T-Wolves big Rudy Gobert that led to flagrant 2, ejection)." On level of physicality reaching a heightened level: "They're obviously a physical team and that's part of their identity. That's part of how when you play against them the game is going to be played. Us as a team, we're a little bit like that, too. Any big games like this, regardless of the score, I feel like physicality is going to build up throughout the game. As players, we just play off of what gets let go and what does/doesn't get called and try to match the lines. I think our game against them got more physical as it went on with us matching their physicality and them matching our physicality. That back-and-forth just kind of builds throughout the game." #Suns #ThunderUp

Duane Rankin

343,719 просмотров • 7 месяцев назад

WILLIAMEST PRESSTOUR #WilliamEstFanconPressTour #Flex1045xWilliamEstFANCON 🎤: so est, if william’s ever angry or sulking, how would you get him to feel better and make up with him? what’s your method? 🦈: i talk to him. because every time he’s like that, i always do. though it’s not that often. but i go talk to him. and i feel like, if we get to talk, he’ll definitely stop sulking because i know him well. but there was this one time he just disappeared. 🎸: when was that? 🦈: at the gym 🎸: oh yes 🦈: yes, there was this time we were working at this building and once we were done, there was this weird tension. and then when work finished, he just disappeared. like, we hadn’t even had a chance to talk. i called, he didn’t pick up. i messaged him, he didn’t reply. and i felt like, okay this time it’s probably serious. probably the most intense he’s ever sulked. really if i count from then till now, that was the biggest one. the most intense. and i felt like it wasn’t something i could just ignore because he had never acted like that before. so i went to find him. i knew where he was. 🎤: how did you know where he was? 🦈: i asked his mom. 🎤: you asked his mom? 🦈: yes. 🎸: but honestly, back then, it was a problem that both of us were facing. i was like i couldn’t handle it anymore. i was starting to feel like i just couldn’t take it anymore. but it was also like, at that time, i told him, “let’s get through this together.” that was something i said. it was at that point like, i was really starting to not be able to handle it anymore and i didn’t know what to do. i just didn’t want to talk to anyone, didn’t want to see anyone at all. at that point, i felt like i was just tired. like i didn’t even know what i wanted in life anymore. i was eating completely zoned out. it was that kind of feeling. i still remember it clearly. i was sitting, eating by the edge somewhere and then this really familiar car drove by. it was p’est’s car. he had driven from the building to the gym to see me 🎤: was the restaurant far from the building? 🎸: umm…not too far. 🦈: about like almost half an hour. but there was traffic that day. 🎤: so you had to push through the traffic too, right? 🎸: and he still got there super fast. 🦈: i was really anxious. really anxious at that time.

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Asked to reflect on navigating a “hellish” public breakup, Perrie acknowledges that she receives criticism for answering questions about it, “[but] I’m like, ‘But it really affected me massively’”: “People are gonna hate me talking about it… I can’t catch a break. If I talk about this, they’re like: ‘Why are you talking about it?!’ But anyway, shut up! Yeah, [it’s my life]. When you go through heartbreak, it is hellish. You can’t eat, you can’t sleep, you feel horrendous. You don’t feel good enough and you feel like you’ve been left for something better, or whatever it is… Then what makes it even worse is, I feel like the world was then looking at me, laughing at me. I felt embarrassed; I felt horrified. I had serious breakdowns. I did. Because it wasn’t just the heartbreak I was dealing with. I was dealing with everybody looking at me, and I felt ridiculed. I just couldn’t cope with it; I hated it. I was breaking down in performances, which isn’t like me at all. I was crying constantly. I think I was depressed… I know that sounds ridiculous! But I think it was this plus this plus this, and everything on top. It was like, I had to be there for the girls; I had to be switched on; I had to power through for Little Mix – but I also just wanted to be left the fuck alone. But I also was getting followed every two seconds and asked about it 24/7, and it was the headlines, it was everywhere, and it was a lot! And this is the thing – when people are like, ‘Stop talking about it!’ I’m like, ‘But it really affected me massively’.”

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242,257 просмотров • 1 месяц назад

Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

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Remote Viewer Warns of a Terrifying Coordinated Attack on a Major US City?! Remote Viewer, Daz Smith, looked at April world events and what he got back is potentially concerning... "...So it was large structures, weirdly higher than any of containership. I shouldn't have looked at that a bit more detail, but I didn't. Maybe I just thought it was appropriate, moved it to one side, but definitely large structures." "And it felt like the structures were on fire. So I, you know, asked the question why here? And I felt like there was a ground based attack, that was going to happen in, in, in this city location. And it felt like it was like a bomb attack. And I had, like, this very strong visual of a, white truck or van that might be involved, which I tried to draw here. So the, you know, they had these kind of, modern looking van in front of a, multi-level structure, almost like this, like the entranceway or something of the structure." "So it felt like it was a kinetic event, of lots of explosive energy. It was very loud. There was wide dispersal. Definitely had a terror attack feel. It feels like it was a driven vehicle parts and then detonated, as an act of retaliation. The vehicle fills, larger than a car. Felt very van like, possibly white, possibly have branding on it as well." "...It was strategically positioned, in front of an important structure. The whole thing felt very US based. Just not that weird kind of U.S filled me, getting targets. And I also have a dang tang feel to this as well, so it felt like it was in a large U.S urban city, which gave me the idea of New York. Because maybe because I've been to New York and, you know, just had that, but definitely had an East Coast feel to this..." "...it was definitely driven, implanted..." "...it felt like it was in planning. So they were planning or rehearsing for a future event, which is, you know, what we're looking for, a month ahead. And I had a weird I had a well here, weirdly, of Holy Cross... it starts with fear and panic, and it's like they're just implanting a message.... Trying to timeline this site here. You know, again, this is all very experimental..."

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