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Russian music artists keep making billions on streaming platforms Deezer, Apple Music, Spotify, YouTube Music. Money they earn are paid to 🇷🇺 state budget or become military donations. Basically music converted into missiles targeting & killing Ukrainians. By UNITED24 Media

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Mykhailo Fedorov

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231,075 görüntüleme • 3 yıl önce •via X (Twitter)

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Mykhailo Fedorov profil fotoğrafı
Mykhailo Fedorov3 yıl önce

Call to action for @Deezer, @AppleMusic, @Spotify and @youtubemusic to ban all the Russian music artists and the ‘art’ they produce. This is the only way possible, since in Russia even music is a tool of bloody state policy. The analytics is provided by @molfar_global.

соня ю ноу ♡🍃 saw seventeen profil fotoğrafı
соня ю ноу ♡🍃 saw seventeen3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media а чому бтс???!!? вони не підтримають рашку і відео дуже старе… не пхайте їх до русні… ви хочете скандал чи що?

❀ ꪜ ictoria ⁷ 🇺🇦 profil fotoğrafı
❀ ꪜ ictoria ⁷ 🇺🇦3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media Пройшло днів, щоб не доїбались до бтс: нуль

марінетті⁷ profil fotoğrafı
марінетті⁷3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media бтс взагалі-то корейці. до чого тут бтс?? бтс з Південної Кореї, яка підтримує нас!!! навіщо ви пхаєте їх до русні?? ви хочте скандал?

ukrained🇺🇦 profil fotoğrafı
ukrained🇺🇦3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media Дорогі @FedorovMykhailo i @United24media , поясніть, що у відео про російських співаків робить корейський бойсбенд??? Момент, який ви вліпили у відео був знятий у 19-ому чи 18-ому роках, задовго до повномасштабного вторгнення! Гурт не підтримує росію! Приберіть це негайно!

Naska 🥢☂️👁️‍🗨️ profil fotoğrafı
Naska 🥢☂️👁️‍🗨️3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media Ви вибрали @bts для отримання хейту, адже момент у відео надто старий для того щоб бути використаним, це по перше , а Південна Корея підтримує українців. Якось несправедливо це.

SunnySope⭐ profil fotoğrafı
SunnySope⭐3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media До чого тут бтс

анвеліна profil fotoğrafı
анвеліна3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media А культура фактчекінгу таки дійсно відсутня! гурт BTS не має реальних підстав згадуватись у відео даного матеріалу!

juong⁷^᪲᪲ profil fotoğrafı
juong⁷^᪲᪲3 yıl önce

@United24media Бл тільки не кажіть що ви не знаєте, що існує Південна і Північна Корея і що Південна нас підтримала звідки і bts

ᯓ★ 𝐣𝐮𝐥𝐢𝐚 vol. 1 | ˗ˏˋ오늘만 i love you ´ˎ˗ 🐶🎀 profil fotoğrafı
ᯓ★ 𝐣𝐮𝐥𝐢𝐚 vol. 1 | ˗ˏˋ오늘만 i love you ´ˎ˗ 🐶🎀3 yıl önce

@Deezer @AppleMusic @Spotify @youtubemusic @United24media Ok, the video is about russian music then what the hell are bts (korean pop group) doing here with the cut from an old video?..

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SYNTHTOPIA

51,777 görüntüleme • 10 ay önce

I find it fascinating how Opulous is using AI to quietly reshape how music is created, marketed, and monetized. It’s not just one tool , it’s an ecosystem where each layer compounds the next. Take Wippit AI, for example. Instead of artists guessing what to post or how to grow, Wippit analyzes past content, audience behavior, and engagement patterns to guide smarter promotion decisions. That adaptability is a huge shift from static marketing tools that don’t learn or evolve. Then there’s Opulous music-first DeFi layer. By connecting on-chain infrastructure to real-world streaming data, Opulous enables transparent royalty tracking and automated payouts. This bridge between static music rights and live performance data is what makes the model sustainable, not speculative. On the creator side, MFTs (Music Fungible Tokens) unlock a new financing model entirely. Artists can raise capital without labels or debt, while fans gain exposure to real revenue streams. It’s a system designed around alignment , creators grow, supporters earn, and the platform scales organically. What really stands out is how AI, DeFi, and music IP converge into a single workflow: • AI helps artists grow • DeFi helps artists fund • Blockchain ensures trust and transparency Each component alone is powerful. Together, they’re disruptive. Of course, building systems like this isn’t trivial. It requires deep understanding of music rights, data pipelines, AI modeling, and financial infrastructure. That’s why Opulous isn’t moving fast for hype , it’s moving deliberately for longevity. And the real-world impact is already visible. Artists gain control. Fans gain access. Royalties become programmable, not opaque. Whether you’re an artist looking for independence, a fan seeking real utility, or someone exploring how AI can power real-world assets, Opulous offers a blueprint that goes beyond theory. This is what happens when technology is built for creators, not platforms. And we’re still early. $OPUL #opulous
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I find it fascinating how Opulous is using AI to quietly reshape how music is created, marketed, and monetized. It’s not just one tool , it’s an ecosystem where each layer compounds the next. Take Wippit AI, for example. Instead of artists guessing what to post or how to grow, Wippit analyzes past content, audience behavior, and engagement patterns to guide smarter promotion decisions. That adaptability is a huge shift from static marketing tools that don’t learn or evolve. Then there’s Opulous music-first DeFi layer. By connecting on-chain infrastructure to real-world streaming data, Opulous enables transparent royalty tracking and automated payouts. This bridge between static music rights and live performance data is what makes the model sustainable, not speculative. On the creator side, MFTs (Music Fungible Tokens) unlock a new financing model entirely. Artists can raise capital without labels or debt, while fans gain exposure to real revenue streams. It’s a system designed around alignment , creators grow, supporters earn, and the platform scales organically. What really stands out is how AI, DeFi, and music IP converge into a single workflow: • AI helps artists grow • DeFi helps artists fund • Blockchain ensures trust and transparency Each component alone is powerful. Together, they’re disruptive. Of course, building systems like this isn’t trivial. It requires deep understanding of music rights, data pipelines, AI modeling, and financial infrastructure. That’s why Opulous isn’t moving fast for hype , it’s moving deliberately for longevity. And the real-world impact is already visible. Artists gain control. Fans gain access. Royalties become programmable, not opaque. Whether you’re an artist looking for independence, a fan seeking real utility, or someone exploring how AI can power real-world assets, Opulous offers a blueprint that goes beyond theory. This is what happens when technology is built for creators, not platforms. And we’re still early. $OPUL #opulous

Deejah_abk

14,275 görüntüleme • 7 ay önce

Artists should get paid for their work. And EVEN Founder & CEO Mag Rodriguez is making it happen. The platform lets artists earn more and own their fan relationships. At Summit, he’ll explain how EVEN uses Avalanche to power both. Tickets: Mag launched EVEN to help artists sell music directly to their biggest fans, earn more from their work, and keep control of the audience relationships they build. Artists on EVEN include J. Cole, Chance the Rapper, 6LACK, Mt. Joy, Smino, French Montana, and thousands more. The platform is also a certified Luminate data reporter, so qualifying sales can count toward the Billboard charts. Come to Summit to learn how this technology is creating a stronger direct-to-fan business model for artists that works alongside streaming. Sept 16–17 | Chelsea Industrial, NYC
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Artists should get paid for their work. And EVEN Founder & CEO Mag Rodriguez is making it happen. The platform lets artists earn more and own their fan relationships. At Summit, he’ll explain how EVEN uses Avalanche to power both. Tickets: Mag launched EVEN to help artists sell music directly to their biggest fans, earn more from their work, and keep control of the audience relationships they build. Artists on EVEN include J. Cole, Chance the Rapper, 6LACK, Mt. Joy, Smino, French Montana, and thousands more. The platform is also a certified Luminate data reporter, so qualifying sales can count toward the Billboard charts. Come to Summit to learn how this technology is creating a stronger direct-to-fan business model for artists that works alongside streaming. Sept 16–17 | Chelsea Industrial, NYC

Avalanche🔺

30,431 görüntüleme • 1 ay önce

🎙️ DJ Akademiks Breaks Down The Weeknd Using His Catalog as Leverage 💰📊 Context: Akademiks explains how The Weeknd is essentially borrowing against the future earnings of his music catalog using streaming revenue math to show why it makes financial sense. Starting With the Math 🧮 Akademiks begins with a rough streaming estimate. •Assumption: 1 million streams ≈ $4,000 •Example: 50 million daily streams •50 × $4,000 = $200,000 per day 📌 This estimate is based on Spotify alone. Accounting for All Platforms 📱 Akademiks expands the calculation. •Spotify is only part of the picture •Adds Apple Music, YouTube, Amazon, etc. •Multiplies by an estimated 2.4x 💡 New estimate: ➡️ About $500,000 per day from the catalog Yearly & Long-Term Earnings 📆 Akademiks zooms out. •$500,000 per day ≈ $182 million per year •To gross $1 billion: •Roughly 5 years •To net $1 billion: •Closer to 8–9 years Key Point: “That’s gross money — not profit.” Why Artists Take Loans on Catalogs 🏦 Akademiks explains the strategy. •Instead of waiting years, artists: •Borrow against predictable revenue •Get large upfront capital •Keep ownership (depending on the deal) 📌 It’s not selling it’s leveraging future cash flow. The Bigger Picture 🧠 Akademiks’ takeaway: •The Weeknd’s catalog prints money daily •Banks and investors see it as low risk •This is why elite artists move like corporations Message: “When your catalog is consistent, it becomes collateral.” FINAL TAKEAWAY 📌 Akademiks’ core lesson: •Streaming catalogs = long term assets •Loans turn slow money into fast money •Power comes from ownership and predictability Closing Line: “At that level, your music isn’t just art it’s infrastructure.”
0:56

🎙️ DJ Akademiks Breaks Down The Weeknd Using His Catalog as Leverage 💰📊 Context: Akademiks explains how The Weeknd is essentially borrowing against the future earnings of his music catalog using streaming revenue math to show why it makes financial sense. Starting With the Math 🧮 Akademiks begins with a rough streaming estimate. •Assumption: 1 million streams ≈ $4,000 •Example: 50 million daily streams •50 × $4,000 = $200,000 per day 📌 This estimate is based on Spotify alone. Accounting for All Platforms 📱 Akademiks expands the calculation. •Spotify is only part of the picture •Adds Apple Music, YouTube, Amazon, etc. •Multiplies by an estimated 2.4x 💡 New estimate: ➡️ About $500,000 per day from the catalog Yearly & Long-Term Earnings 📆 Akademiks zooms out. •$500,000 per day ≈ $182 million per year •To gross $1 billion: •Roughly 5 years •To net $1 billion: •Closer to 8–9 years Key Point: “That’s gross money — not profit.” Why Artists Take Loans on Catalogs 🏦 Akademiks explains the strategy. •Instead of waiting years, artists: •Borrow against predictable revenue •Get large upfront capital •Keep ownership (depending on the deal) 📌 It’s not selling it’s leveraging future cash flow. The Bigger Picture 🧠 Akademiks’ takeaway: •The Weeknd’s catalog prints money daily •Banks and investors see it as low risk •This is why elite artists move like corporations Message: “When your catalog is consistent, it becomes collateral.” FINAL TAKEAWAY 📌 Akademiks’ core lesson: •Streaming catalogs = long term assets •Loans turn slow money into fast money •Power comes from ownership and predictability Closing Line: “At that level, your music isn’t just art it’s infrastructure.”

Cousin Tino ™️

32,988 görüntüleme • 8 ay önce