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Sabrina Online 30th Anniversary Video: Sabrina at Computer Expo Dedicated to Eric W Schwartz as an important artist in Furry Fandom. Also the audio is based from Sabrina Online Radio Play #sabrinaonline #furry #Amiga #aivideo #seedance25 #skunkgirl #90s #furryfandom #cartoon

Ernest

2,254 subscribers

310,311 views • 9 days ago •via X (Twitter)

Arts Education Science & Technology #sabrinaonline #furry #Amiga #aivideo #seedance25 #skunkgirl #90s #furryfandom #cartoon

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45 Comments

Doug8 days ago

Ai slop

NerdyBoi8 days ago

Would’ve been better if you actually made this instead of using AI

Ernest8 days ago

Agreed. I mean Amira instead of having Sabrina saying Amiga is definitely a mistake. Radio Play Episodes are still king, before AI existed.

Jeffrey8 days ago

For anyone interested in the source material I think for a fan effort this isn’t half bad.

Ernest8 days ago

Thank you very much. I try, especially for the 30th Anniversary of Sabrina Online to Tribute. 👍

Stoned Caracal 🇺🇸🇨🇴8 days ago

Eric would appreciate the effort of the artist

Ernest8 days ago

Thank you. I try as best as I can to adapt it.

Murrri8 days ago

so 30th Anniversary Video and thy decided to use A.I. ok...

Hypnotist Lolbytaste8 days ago

They turned Sabrina into IA???

dalekwarrior8 days ago

Is this ai ?

Nickel the Wise, Outskirts Dweller8 days ago

heh, this guy.. and honestly, I was more of a Commodus 64 or ZX-Spectral 91 kinda fella. It was important to upgrade though, that new "Quake" game was previewed. Look, I know a lot of people are against AI off the bat, but this is harmless and done in good spirits. 👍

Ernest8 days ago

I know what you mean, when I read the comic panel and the radio play of this minor character, it felt like he doesn't know Amiga like it was obsolete or not knowledgeable of it.

-kitty- wolf8 days ago

who the hell is this, this isn't sabrina

Technical Monkey8 days ago

It's just me or the art resemble like the one from Ralph Balkshi? Considering the topics touched in Sabrina Online, this is quite fitting.

Ernest8 days ago

You do have a keen on detail, I mostly use that covers image generation and video generation. In a sense it's a workshop platform on my projects I made there.

🔞 Monster Romance Smut Comics ♥️8 days ago

Sabrina’s bringing retro magic 🦨💾

Ernest8 days ago

She does 🥰❤️💖

erain martinez8 days ago

I haven't seen her in years

Ernest8 days ago

Thats why I made this in tribute for 30 years that Sabrina Online made a difference.

fomxfox8 days ago

Wow, must have had to type in a prompt at least ten times.

Ernest8 days ago

Not really, it takes a lot of image uploads and such using as my multipurpose workshop to make it happen.

Atchi Train Wolf8 days ago

Yo this is amazing. Wish we could get a full series.

Ernest8 days ago

I do wish we do. Thats why I made those clips as a test pilot.

lucio8 days ago

Amigo imagínate una serie animada de Sabrina Online

Marav Labs 🔞 (Commissions Open)8 days ago

Looks nice but doesn't look like the Sabrina I know.

Ernest8 days ago

Well at least I made those as test pilot clips for celebrating 30 years of Sabrina Online. Wish Sabrina Online was made as an animated series thou.

Marav Labs 🔞 (Commissions Open)8 days ago

I just mean by design, no offense.

Ernest8 days ago

None taken and totally understandable. I wish there was an animated series by Eric W Schwartz's designs a lot more then mine is. 👍

Project S.W.A.P.8 days ago

Hot. 🥵

Ernest8 days ago

Thank you.

Nicki Tens8 days ago

Why does she call her computer an "Amira"?

Ernest8 days ago

Unfortunately the Video Generation might've soften the name in the rendering process, because the AI is being err of caution on copyrighted names and such. It happens on some of the times and could've altered the audio which I uploaded for reference.

NiCKy8 days ago

omg this looks like absolute shit

XxScaleHealerxX8 days ago

This is some amazing work, great stuff!

Talvin Zvestal's Art Pics8 days ago

Hello again! 🖤🤍

Vickma8 days ago

Seeing Sabrina in an animation, I love this character. I'd say she was one of the first to introduce me to the fandom, and she's animated almost perfectly. Man, it really appreciate the effort, it's not easy to be an animator, and I know that from my own attempts at animation.

Ernest8 days ago

Thank you 👍🥰

Leeperz -The Toaster8 days ago

Oh... this brings back memories. Well done.

Ernest8 days ago

Thank you. I try my best to adapt for the tribute.

Spartan-872 "Anarkhos"8 days ago

AI slop

Mahchine8 days ago

i wanna say it's AI but.. it does and doesn't for some reason

TAMOC-sorta-official8 days ago

only reason ohio state should be allowed to exist btw

Gamehowlers @(BLFC2024)8 days ago

WE NEED A SABRINA ONLINE ANIMATED SERIES!!!!

NessyBoy8 days ago

@mikomoonrider

Hunter Sallee8 days ago

What the heck is Sabrina online

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Sabrina Salerno: From the Shocking 1987 Bikini Mishap to a Resilient Warrior in Her Late 50s⚘️ Hello there! If you happened to come across a short video from 1987 and were captivated by a stunningly hot female singer, that was Sabrina Salerno—one of Italy's most iconic sex symbols of the 20th century. Decades later, the story behind that hit song and her life today—now approaching her sixties—continue to fascinate people. Let’s take a look back at this beauty's impressive journey! The 1987 summer hit and a world-shaking incident In May 1987, Sabrina Salerno took European dance floors by storm with the release of her Euro-disco track, "Boys (Summertime Love)." With its vibrant, energetic melody, the song quickly soared to number one in countries like France, Switzerland, Spain, and Italy, and broke into the top three of the prestigious UK charts. Beyond its catchy tune, what made the song truly unforgettable was its official music video, filmed at an Italian swimming pool. While dancing and frolicking in the water, Sabrina’s skimpy bikini top kept slipping down, resulting in a historic wardrobe malfunction. Although this unintended moment led to broadcast restrictions in some countries at the time, it also served as the catalyst that cemented her status as an enduring sex symbol for fans of the 80s and 90s generations. An enduring and brilliant career approaching the age of 60 Many might assume that 80s pop stars would have long since retired, but Sabrina Salerno is the exception. At 58, she maintains a remarkably enduring, dynamic, and diverse career in Italy and across Europe: **A tireless performer and musician:** Sabrina frequently participates in nostalgia-themed concert tours—such as the "Stars 80" tour in France—and major summer music festivals in Italy. She confidently takes the stage in sizzling outfits, belting out her hit "Boys" with boundless energy. She is also set to release a new dance single titled "Love in Rio" in early 2026. **A sought-after TV personality:** Sabrina is a familiar face on prime-time television in Italy and Spain. She actively participates in major reality shows like *Baila como puedas* and *The Talent Catcher*, serving as a judge or mentor. **Maintaining her stunning looks:** Thanks to a dedicated fitness regimen, Sabrina retains an enviable, toned, and alluring physique. Her Instagram account boasts over a million followers, where she frequently shares youthful glimpses of her daily life. **A resilient warrior in real life** Beyond her brilliant career, Sabrina commands public admiration for her resilience. In September 2024, she alarmed fans by announcing she had to undergo surgery to remove a malignant tumor caused by breast cancer. Following successful treatment, she bravely used her platform to spread a positive message, urging women to prioritize early screening and prevention. Her optimistic attitude in the face of illness and the passage of time has made her a powerful source of inspiration for fans to this day. 🎵

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𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️

326,105 views • 1 month ago

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Why the "Seen You Before" scene in *Sabrina* (1954) still creates attraction after many decades? If we only look at the content level, people might think the appeal of the "Seen You Before" scene lies in Sabrina's change after two years living in Paris. She is no longer the shy girl who silently stood outside the Larrabee family's parties, but has become a confident, elegant, and captivating woman. Therefore, the scene is often viewed as a story about growth, about love, or about a person's transformation. However, that is only what the film tells, not what makes the scene still have enduring appeal after many decades. Those meanings are the result the film wants the audience to realize, while the aesthetic experience is formed from the very way the film leads the audience to that realization. What Billy Wilder builds is not only Sabrina's change, but also the process for the audience to gradually recognize that change. Right from the beginning of the film, Sabrina is placed in a very clear position. She is the chauffeur's daughter, living on the edge of the wealthy world of the Larrabee family. The camera often places her at a distance, observing David from afar or standing outside the lavish parties. Those choices of composition, distance, and point of view not only introduce the character but also gradually form in the audience a stable cognitive model: Sabrina is the "girl next door" who always looks at that world from the outside. Two years in Paris not only changed Sabrina. More importantly, the entire first part of the film has quietly prepared for the change in the very way the audience sees her. What is noteworthy is that the film does not construct that change as a denial of the past. Sabrina does not become a different person, nor does she cut herself off from her origins. She is still the chauffeur's daughter, but two years living in a cultural and artistic environment in Paris have helped her inherent qualities be nurtured by knowledge, self-discipline, and a way of living. Therefore, what the audience witnesses is not a "transformation" of a rebellious nature, but a process of perfection. The character still retains her own essence, but reaches a higher level of maturity and refinement. It is this continuous development that makes the change natural and believable, while creating a feeling of harmony rather than rupture. In the "Seen You Before" scene, David sees Sabrina but does not recognize her immediately. What is noteworthy is that the audience also goes through almost the same process. We know that woman is Sabrina, but the way the film organizes the costume, lighting, editing rhythm, gait, and especially Audrey Hepburn's restrained performance makes the familiar image from before no longer sufficient to explain the person standing in front of us. The audience is forced to readjust their perception. Therefore, this is not simply a "transformation" scene, but a process of reorganizing the way of seeing. The film also does not create attraction by displaying beauty or overwhelming effects. The elegant costume, gentle movements, eyes, smile, and the way Audrey Hepburn restrains every gesture all aim to express a calm and graceful feminine beauty. It is this restraint that creates long-lasting appeal. The form does not aim for immediate stimulation but reveals the character's inner qualities. Beauty therefore does not separate from personality, but becomes the natural expression of that personality. Billy Wilder does not let David recognize Sabrina immediately. He deliberately creates a short delay between the feeling of familiarity and confirmation. David feels he has met this woman before and tries to search his memory, while Sabrina understands that he still has not recognized her. The audience is simultaneously aware of both states. It is this delay that creates a very subtle tension. It is not the tension of conflict or danger, but the mismatch between two images coexisting in perception: Sabrina of memory and Sabrina of the present. The moment David finally recognizes Sabrina not only resolves the character's surprise but also completes the cognitive process that the audience has gone through together. The two previously separate images now merge into one. The feeling of completeness therefore does not stem simply from Audrey Hepburn appearing with striking beauty or from David's surprised reaction, but from a cognitive structure that was previously incomplete finally reaching unity. If we stop here, we can say the scene succeeds because it makes the audience experience the change together with the character. However, the root of the aesthetic experience lies even deeper. What Billy Wilder really organizes is not only the development of the story but the entire cognitive process. In that process, images, performance, dialogue, editing rhythm, actors' movements, music, and silences do not function as separate elements. Each element performs its own function, but all are directed toward the same goal: to guide the audience to adjust their perception according to the exact rhythm the film has arranged. Precisely because each component performs its proper function and all head toward a common purpose, the scene achieves a sense of balance and harmony. The value of the scene does not lie in a beautiful image, a line of dialogue, or an individual surprise, but in the unity of the entire structure. Each detail only truly realizes its meaning when placed in relationship with the whole, and it is this coordination that leads the audience step by step to the final realization. This principle also appears in human life itself. A balanced life is not a life without change, but a life in which changes still head toward a unified purpose. Work, family, study, or relationships can develop at different rhythms, but when each aspect finds its proper place, people will feel harmony. The value of life therefore does not lie in individual successes, but in the way all contribute to creating a meaningful whole. The structure of the scene also operates according to this principle. Each component of cinematic language contributes to a common process, and only when they coordinate with one another do they form a complete whole. It is this coordination that guides the audience to gradually adjust their perception. The audience does not merely observe Sabrina's change from the outside, but directly participates in the process of recognizing that change. What is interesting is that the attraction between David and Sabrina is also built according to the same logic. David is not drawn only by Sabrina's appearance. What appears first is the feeling of familiarity, as if he had known this woman before but could not name the memory. Only when the recognition process gradually completes does affection have a basis to develop. The film therefore does not construct love as an immediate reaction to external beauty, but as the result of a process of recognizing the true person gradually emerging behind the old images. Thus, what the character realizes, the audience also gradually realizes; what rhythm the character changes in, the audience's perception also moves in the same rhythm. The character's cognitive process and the audience's reception process gradually merge into one. That is the aesthetic mechanism of the scene. Its excellence does not lie in a line of dialogue, a surprise, or an individual beautiful image, but in the way the entire cinematic structure is organized into a unified process. When that process moves in correspondence with the way the audience's perception moves, the audience no longer stands outside to observe the work but becomes the one directly experiencing its process of discovery. The moment David recognizes Sabrina is also the moment the audience completes their own perception, and it is this completion that creates the feeling of wholeness we call the aesthetic experience. Therefore, the enduring appeal of the "Seen You Before" scene does not lie first in the love story or Sabrina's growth. Those are the meanings the scene conveys. The deeper foundation lies in the fact that Billy Wilder has organized the entire cinematic structure into a unified cognitive process, in which every component of cinematic language coordinates to guide the way the audience feels and discovers the character. Growth is built as a process of perfection rather than denial of the past; beauty is expressed through the harmony between form and inner qualities; love is formed from recognition and admiration rather than from immediate impression. All these elements converge in a unified cinematic structure, making the audience not only follow the story but also directly experience their own process of discovery. That is also why the "Seen You Before" scene still retains its vitality through many generations of audiences.

Why the "Seen You Before" scene in Sabrina (1954) still creates attraction after many decades? If we only look at the content level, people might think the appeal of the "Seen You Before" scene lies in Sabrina's change after two years living in Paris. She is no longer the shy girl who silently stood outside the Larrabee family's parties, but has become a confident, elegant, and captivating woman. Therefore, the scene is often viewed as a story about growth, about love, or about a person's transformation. However, that is only what the film tells, not what makes the scene still have enduring appeal after many decades. Those meanings are the result the film wants the audience to realize, while the aesthetic experience is formed from the very way the film leads the audience to that realization. What Billy Wilder builds is not only Sabrina's change, but also the process for the audience to gradually recognize that change. Right from the beginning of the film, Sabrina is placed in a very clear position. She is the chauffeur's daughter, living on the edge of the wealthy world of the Larrabee family. The camera often places her at a distance, observing David from afar or standing outside the lavish parties. Those choices of composition, distance, and point of view not only introduce the character but also gradually form in the audience a stable cognitive model: Sabrina is the "girl next door" who always looks at that world from the outside. Two years in Paris not only changed Sabrina. More importantly, the entire first part of the film has quietly prepared for the change in the very way the audience sees her. What is noteworthy is that the film does not construct that change as a denial of the past. Sabrina does not become a different person, nor does she cut herself off from her origins. She is still the chauffeur's daughter, but two years living in a cultural and artistic environment in Paris have helped her inherent qualities be nurtured by knowledge, self-discipline, and a way of living. Therefore, what the audience witnesses is not a "transformation" of a rebellious nature, but a process of perfection. The character still retains her own essence, but reaches a higher level of maturity and refinement. It is this continuous development that makes the change natural and believable, while creating a feeling of harmony rather than rupture. In the "Seen You Before" scene, David sees Sabrina but does not recognize her immediately. What is noteworthy is that the audience also goes through almost the same process. We know that woman is Sabrina, but the way the film organizes the costume, lighting, editing rhythm, gait, and especially Audrey Hepburn's restrained performance makes the familiar image from before no longer sufficient to explain the person standing in front of us. The audience is forced to readjust their perception. Therefore, this is not simply a "transformation" scene, but a process of reorganizing the way of seeing. The film also does not create attraction by displaying beauty or overwhelming effects. The elegant costume, gentle movements, eyes, smile, and the way Audrey Hepburn restrains every gesture all aim to express a calm and graceful feminine beauty. It is this restraint that creates long-lasting appeal. The form does not aim for immediate stimulation but reveals the character's inner qualities. Beauty therefore does not separate from personality, but becomes the natural expression of that personality. Billy Wilder does not let David recognize Sabrina immediately. He deliberately creates a short delay between the feeling of familiarity and confirmation. David feels he has met this woman before and tries to search his memory, while Sabrina understands that he still has not recognized her. The audience is simultaneously aware of both states. It is this delay that creates a very subtle tension. It is not the tension of conflict or danger, but the mismatch between two images coexisting in perception: Sabrina of memory and Sabrina of the present. The moment David finally recognizes Sabrina not only resolves the character's surprise but also completes the cognitive process that the audience has gone through together. The two previously separate images now merge into one. The feeling of completeness therefore does not stem simply from Audrey Hepburn appearing with striking beauty or from David's surprised reaction, but from a cognitive structure that was previously incomplete finally reaching unity. If we stop here, we can say the scene succeeds because it makes the audience experience the change together with the character. However, the root of the aesthetic experience lies even deeper. What Billy Wilder really organizes is not only the development of the story but the entire cognitive process. In that process, images, performance, dialogue, editing rhythm, actors' movements, music, and silences do not function as separate elements. Each element performs its own function, but all are directed toward the same goal: to guide the audience to adjust their perception according to the exact rhythm the film has arranged. Precisely because each component performs its proper function and all head toward a common purpose, the scene achieves a sense of balance and harmony. The value of the scene does not lie in a beautiful image, a line of dialogue, or an individual surprise, but in the unity of the entire structure. Each detail only truly realizes its meaning when placed in relationship with the whole, and it is this coordination that leads the audience step by step to the final realization. This principle also appears in human life itself. A balanced life is not a life without change, but a life in which changes still head toward a unified purpose. Work, family, study, or relationships can develop at different rhythms, but when each aspect finds its proper place, people will feel harmony. The value of life therefore does not lie in individual successes, but in the way all contribute to creating a meaningful whole. The structure of the scene also operates according to this principle. Each component of cinematic language contributes to a common process, and only when they coordinate with one another do they form a complete whole. It is this coordination that guides the audience to gradually adjust their perception. The audience does not merely observe Sabrina's change from the outside, but directly participates in the process of recognizing that change. What is interesting is that the attraction between David and Sabrina is also built according to the same logic. David is not drawn only by Sabrina's appearance. What appears first is the feeling of familiarity, as if he had known this woman before but could not name the memory. Only when the recognition process gradually completes does affection have a basis to develop. The film therefore does not construct love as an immediate reaction to external beauty, but as the result of a process of recognizing the true person gradually emerging behind the old images. Thus, what the character realizes, the audience also gradually realizes; what rhythm the character changes in, the audience's perception also moves in the same rhythm. The character's cognitive process and the audience's reception process gradually merge into one. That is the aesthetic mechanism of the scene. Its excellence does not lie in a line of dialogue, a surprise, or an individual beautiful image, but in the way the entire cinematic structure is organized into a unified process. When that process moves in correspondence with the way the audience's perception moves, the audience no longer stands outside to observe the work but becomes the one directly experiencing its process of discovery. The moment David recognizes Sabrina is also the moment the audience completes their own perception, and it is this completion that creates the feeling of wholeness we call the aesthetic experience. Therefore, the enduring appeal of the "Seen You Before" scene does not lie first in the love story or Sabrina's growth. Those are the meanings the scene conveys. The deeper foundation lies in the fact that Billy Wilder has organized the entire cinematic structure into a unified cognitive process, in which every component of cinematic language coordinates to guide the way the audience feels and discovers the character. Growth is built as a process of perfection rather than denial of the past; beauty is expressed through the harmony between form and inner qualities; love is formed from recognition and admiration rather than from immediate impression. All these elements converge in a unified cinematic structure, making the audience not only follow the story but also directly experience their own process of discovery. That is also why the "Seen You Before" scene still retains its vitality through many generations of audiences.

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56,872 views • 5 months ago

IMPORTANT NOTICE TO ALL INDIE ARTISTS: Hello guys, times fly as it has been 2 full years since the awesome international THE G RADIO LLC got bought from its previous American 🇺🇸 owners by the British 🇬🇧 multi-award winner SuperStar 🌟 Ays London To celebrate this momentous day (1st of May 2023) in the history of the amazing THE G RADIO LLC we have decided to extend our free offer to give all indie artists free radio Airplay & promotion until further notice. So, if you are an indie artist & you believe your music is good enough to be played on our THE G RADIO LLC please use our official business submission email address below to submit it to us and we will spin it for you on our excellent THE G RADIO LLC and also promote it for you completely free of charge. Please hurry up as first come first served. Our G Radio Station official business submission email address is: songsubmission@thegradio.info Very important: We only accept songs in MP3 format & with their Artwork. Also, each artist is allowed to submit up to 3 tracks at any given time and if they are all up to our very high standards we will be spinning and promoting all of them completely free of charge all at the same time on our famous international platform. Thank you, Kind regards, The G Radio LLC Team. Our official website: Please also follow us on our other 3 official verified X pages which are: THE G RADIO LLC_2nd THE G RADIO LLC_3rd Ays London Listen to our G Radio Station here:

IMPORTANT NOTICE TO ALL INDIE ARTISTS: Hello guys, times fly as it has been 2 full years since the awesome international THE G RADIO LLC got bought from its previous American 🇺🇸 owners by the British 🇬🇧 multi-award winner SuperStar 🌟 Ays London To celebrate this momentous day (1st of May 2023) in the history of the amazing THE G RADIO LLC we have decided to extend our free offer to give all indie artists free radio Airplay & promotion until further notice. So, if you are an indie artist & you believe your music is good enough to be played on our THE G RADIO LLC please use our official business submission email address below to submit it to us and we will spin it for you on our excellent THE G RADIO LLC and also promote it for you completely free of charge. Please hurry up as first come first served. Our G Radio Station official business submission email address is: [email protected] Very important: We only accept songs in MP3 format & with their Artwork. Also, each artist is allowed to submit up to 3 tracks at any given time and if they are all up to our very high standards we will be spinning and promoting all of them completely free of charge all at the same time on our famous international platform. Thank you, Kind regards, The G Radio LLC Team. Our official website: Please also follow us on our other 3 official verified X pages which are: THE G RADIO LLC_2nd THE G RADIO LLC_3rd Ays London Listen to our G Radio Station here:

THE G RADIO LLC

254,109 views • 1 year ago

LEGS IN THE DOWNSWING If you are curious about what is happening from the hips down in the downswing, this video is for you. As we start our movement towards the target, it’s important we don’t go into hip extension too early (Early Extension). There should be a phase where we get back into flexion, before extending to the target. It’s essential to know that extension is powerful, especially when it occurs at the right time in the right direction. This clip was taken from an online lesson to one of my Skillest subscribers. Try this out and let me know how it goes! #golf #golfcoaching #golfinstruction #riggsgolf

LEGS IN THE DOWNSWING If you are curious about what is happening from the hips down in the downswing, this video is for you. As we start our movement towards the target, it’s important we don’t go into hip extension too early (Early Extension). There should be a phase where we get back into flexion, before extending to the target. It’s essential to know that extension is powerful, especially when it occurs at the right time in the right direction. This clip was taken from an online lesson to one of my Skillest subscribers. Try this out and let me know how it goes! #golf #golfcoaching #golfinstruction #riggsgolf

Alex Riggs

54,860 views • 2 years ago

Today we're taking a very early look at the progress being made on the Sega Dreamcast's very own port of Runescape Classic! If you weren't already aware of the work that developer, Lobotomy, has been doing, here's some footage captured from an emulator of some online play! It's still extremely early, and as with every ambitious port in the beginning, it still requires the 32MB RAM upgrade, has no audio, and runs like ass... So basically standard procedure! He's currently using our SDL2 back-end with software rendering, which explains the low framerate. Eventually it will move to HW accelerated graphics using the DC's PowerVR GPU, so the current low FPS is to be expected until that time. What IS a big deal is that even in this early stage, it's already able to connect to the online servers for cross-play and is fully playable with the mouse and keyboard! Stay tuned for future updates as Lobotomy continues his work!

Today we're taking a very early look at the progress being made on the Sega Dreamcast's very own port of Runescape Classic! If you weren't already aware of the work that developer, Lobotomy, has been doing, here's some footage captured from an emulator of some online play! It's still extremely early, and as with every ambitious port in the beginning, it still requires the 32MB RAM upgrade, has no audio, and runs like ass... So basically standard procedure! He's currently using our SDL2 back-end with software rendering, which explains the low framerate. Eventually it will move to HW accelerated graphics using the DC's PowerVR GPU, so the current low FPS is to be expected until that time. What IS a big deal is that even in this early stage, it's already able to connect to the online servers for cross-play and is fully playable with the mouse and keyboard! Stay tuned for future updates as Lobotomy continues his work!

Falco Girgis

11,835 views • 1 year ago

If we have yet to see a photo of Lance in a full-blown fursuit, why is he being referred to as a furry? Furthermore, why a "trans furry"? That term has been used so much that it's right up there with the usage of "grieving widow" 😒. What Lance is actually pictured wearing (in that one photo they keep circulating of him) is a kigurumi which happens to be a loose character onesie. Yes, some kigurumi are full mascot-style, but the overwhelming majority is comfort loungewear your niece owns in a Pikachu print. A fursuit is custom-built, plush, and represents an original "fursona." A full-fledged furry isn't calling themselves a furry while wearing a kigurumi. And for the record: not all furries, or kigurumi wearers, are LGBTQ+, though research shows many are. Slapping "trans furry" onto someone based on loungewear photos isn't identifying a pattern. It's inventing one. Also, where is the proof that Lance is transitioning? Has anyone seen evidence of this? Just curious. Like I said before, perhaps he's gay but that wouldn't have the same impact among conservatives as does labeling him as "trans". Did they think that people would just see that one photo of him in the onesie and say "yup, he's soooo trans that guy 👀." We all know that when an unverified label is released by the media, it doesn't stay contained. Once it's attached, it becomes the lens everything else gets filtered through. Sources start looking for things that confirm it instead of testing it & every downstream report inherits the error. We've seen this over & over. A label is supposed to be traceable back to verified fact. "Someone online said it" isn't a source. Mislabeling someone's hobby or identity isn't neutral. It reshapes public perception in ways that are extremely hard to walk back, even after a correction. The correction never travels as far as the original claim did. This was intentional, but sloppy (as I mentioned before). Also remember that they are doing this because they are hiding something bigger from us. Additionally, someone pointed out to me that just two weeks before Charlie was "deleted", there was another case involving a trans furry in Minneapolis. I might have heard this months ago & completely forgot about it, but it's worth mentioning it again. Robin Westman (who media outlets reported as trans & who had an ex-girlfriend who was a furry) killed 2 children & injured 17 adults at a Catholic Church. Robin then died from a self-inflicted wound. Some media outlets like CNN reported that anti-semitic messages were scrawled on the weapons. Interesting. 🤔 Question: What proof do we have that Robin died from a self-inflicted wound? I'm asking because it has been speculated that that is how Tyler Robinson was "expected" to go out, but we all know that it didn't play out that way. And now we recently learned that Charlie's medical examiner's wife is a furry with some very strange interests. Just when you think that things can’t get any weirder 🫪. I don't know that we will ever learn the whole truth about what truly happened to Charlie, but at least we know that we are being lied to & they know we know. Keep applying pressure. Don't let them silence us. (Thank you for your comment Fiona Nunya 🌷)

If we have yet to see a photo of Lance in a full-blown fursuit, why is he being referred to as a furry? Furthermore, why a "trans furry"? That term has been used so much that it's right up there with the usage of "grieving widow" 😒. What Lance is actually pictured wearing (in that one photo they keep circulating of him) is a kigurumi which happens to be a loose character onesie. Yes, some kigurumi are full mascot-style, but the overwhelming majority is comfort loungewear your niece owns in a Pikachu print. A fursuit is custom-built, plush, and represents an original "fursona." A full-fledged furry isn't calling themselves a furry while wearing a kigurumi. And for the record: not all furries, or kigurumi wearers, are LGBTQ+, though research shows many are. Slapping "trans furry" onto someone based on loungewear photos isn't identifying a pattern. It's inventing one. Also, where is the proof that Lance is transitioning? Has anyone seen evidence of this? Just curious. Like I said before, perhaps he's gay but that wouldn't have the same impact among conservatives as does labeling him as "trans". Did they think that people would just see that one photo of him in the onesie and say "yup, he's soooo trans that guy 👀." We all know that when an unverified label is released by the media, it doesn't stay contained. Once it's attached, it becomes the lens everything else gets filtered through. Sources start looking for things that confirm it instead of testing it & every downstream report inherits the error. We've seen this over & over. A label is supposed to be traceable back to verified fact. "Someone online said it" isn't a source. Mislabeling someone's hobby or identity isn't neutral. It reshapes public perception in ways that are extremely hard to walk back, even after a correction. The correction never travels as far as the original claim did. This was intentional, but sloppy (as I mentioned before). Also remember that they are doing this because they are hiding something bigger from us. Additionally, someone pointed out to me that just two weeks before Charlie was "deleted", there was another case involving a trans furry in Minneapolis. I might have heard this months ago & completely forgot about it, but it's worth mentioning it again. Robin Westman (who media outlets reported as trans & who had an ex-girlfriend who was a furry) killed 2 children & injured 17 adults at a Catholic Church. Robin then died from a self-inflicted wound. Some media outlets like CNN reported that anti-semitic messages were scrawled on the weapons. Interesting. 🤔 Question: What proof do we have that Robin died from a self-inflicted wound? I'm asking because it has been speculated that that is how Tyler Robinson was "expected" to go out, but we all know that it didn't play out that way. And now we recently learned that Charlie's medical examiner's wife is a furry with some very strange interests. Just when you think that things can’t get any weirder 🫪. I don't know that we will ever learn the whole truth about what truly happened to Charlie, but at least we know that we are being lied to & they know we know. Keep applying pressure. Don't let them silence us. (Thank you for your comment Fiona Nunya 🌷)

Belle

27,812 views • 2 months ago

"You're full of fucking shit," said TRU student to Jim McMurtry, whose MA thesis at the U of Alberta on indigenous education in Canada was supervised by Residential School scholar Dr. Robert Carney, father of PM Mark Carney. "Ignorance is a dangerous thing," responded McMurtry. McMurtry, who also obtained a PhD from the U of Toronto, was forcibly removed from his Abbotsford BC high-school classroom in 2021 when news of a "mass grave" at the Kamloops Indian Residential School broke. McMurtry told his students, based on his knowledge and scholarship, that the school children died from disease and other non-criminal causes. McMurtry, eventually fired from his teaching job for his views, is seen in this video contending that there is an important distinction between death by sickness & death by murder. McMurtry was at TRU in Kamloops on Nov 12 with Frances Widdowson & Dallas Brodie for what Widdowson called "a reckoning" over the claim that the bodies of 215 murdered children are buried in unmarked graves at Kamloops Indian Residential School. The claim is based on GPR data collected in an area of significant previous disturbance. The GPR data has not yet been ground-truthed. Although subjected to sustained verbal abuse as evidenced by this video, the trio reported that they successfully engaged in meaningful dialogue about an important issue in Canadian public life.

"You're full of fucking shit," said TRU student to Jim McMurtry, whose MA thesis at the U of Alberta on indigenous education in Canada was supervised by Residential School scholar Dr. Robert Carney, father of PM Mark Carney. "Ignorance is a dangerous thing," responded McMurtry. McMurtry, who also obtained a PhD from the U of Toronto, was forcibly removed from his Abbotsford BC high-school classroom in 2021 when news of a "mass grave" at the Kamloops Indian Residential School broke. McMurtry told his students, based on his knowledge and scholarship, that the school children died from disease and other non-criminal causes. McMurtry, eventually fired from his teaching job for his views, is seen in this video contending that there is an important distinction between death by sickness & death by murder. McMurtry was at TRU in Kamloops on Nov 12 with Frances Widdowson & Dallas Brodie for what Widdowson called "a reckoning" over the claim that the bodies of 215 murdered children are buried in unmarked graves at Kamloops Indian Residential School. The claim is based on GPR data collected in an area of significant previous disturbance. The GPR data has not yet been ground-truthed. Although subjected to sustained verbal abuse as evidenced by this video, the trio reported that they successfully engaged in meaningful dialogue about an important issue in Canadian public life.

The New Westminster Times

84,447 views • 10 months ago

🚨NEW🚨 - The two teens arrested in Florida for conspiring to murder a classmate who resembled Sandy Hook school shooter Adam Lanza in a "ritual" to bring the killer back to life were part of the online mass shooter fandom "TCC" and were allegedly active in the self harm community on X. Police released a 30 minute long video of the girls giggling and chatting in the back of a cop car after being arrested at their high school. One of the two girls, who is transgender and identifies as male, was caught with a knife and other ritualistic items in their backpack after another student tipped off police to their plan. The girls laughed and joked about their plan to murder the student in explicit detail on the recording. They also mentioned a plan to spread their story around TCC, discussed self harm groups and fandom drawings they made of the Columbine Killers, and at one point began a sexual role-play of Eric Harris and Dylan Klebold in the back of the cop car. The girls, age 14 and 15, are being held without bail and charged as adults. The kids are absolutely not OK, y'all.

🚨NEW🚨 - The two teens arrested in Florida for conspiring to murder a classmate who resembled Sandy Hook school shooter Adam Lanza in a "ritual" to bring the killer back to life were part of the online mass shooter fandom "TCC" and were allegedly active in the self harm community on X. Police released a 30 minute long video of the girls giggling and chatting in the back of a cop car after being arrested at their high school. One of the two girls, who is transgender and identifies as male, was caught with a knife and other ritualistic items in their backpack after another student tipped off police to their plan. The girls laughed and joked about their plan to murder the student in explicit detail on the recording. They also mentioned a plan to spread their story around TCC, discussed self harm groups and fandom drawings they made of the Columbine Killers, and at one point began a sexual role-play of Eric Harris and Dylan Klebold in the back of the cop car. The girls, age 14 and 15, are being held without bail and charged as adults. The kids are absolutely not OK, y'all.

Bx

103,288 views • 6 months ago

In leaked audio obtained by The Grayzone from an off the record session at the 2025 Congressional Summit of AIPAC, the CEO Elliott Brandt describes top national security Trump administration officials as ‘lifelines’ for his company which is the biggest lobbying group for Israel in the US. Brandt details in the leaked audio that the group has access and influence with key figures in the administration, Secretary of State Marco Rubio, National Security Director Mike Waltz, and CIA Director John Ratcliffe due to cultivating relationships with them in recent years. The full audio also has recordings of Dana Stroul, who worked in the department of defense under the Biden administration. The last speaker who has not yet been identified describes a major concern for the lobbying group which is AI, the speaker expressed concern for the online landscape in the years to come, saying AI chat answers will be formed by what is currently on the internet, vaguely referring to pro-Palestine sentiment that has grown over the course of Israel’s genocide on Gaza. The full audio is available to listen to via The Grayzone

In leaked audio obtained by The Grayzone from an off the record session at the 2025 Congressional Summit of AIPAC, the CEO Elliott Brandt describes top national security Trump administration officials as ‘lifelines’ for his company which is the biggest lobbying group for Israel in the US. Brandt details in the leaked audio that the group has access and influence with key figures in the administration, Secretary of State Marco Rubio, National Security Director Mike Waltz, and CIA Director John Ratcliffe due to cultivating relationships with them in recent years. The full audio also has recordings of Dana Stroul, who worked in the department of defense under the Biden administration. The last speaker who has not yet been identified describes a major concern for the lobbying group which is AI, the speaker expressed concern for the online landscape in the years to come, saying AI chat answers will be formed by what is currently on the internet, vaguely referring to pro-Palestine sentiment that has grown over the course of Israel’s genocide on Gaza. The full audio is available to listen to via The Grayzone

Eye on Palestine

12,523 views • 1 year ago

🚨🚨Liars get far with the Center For Countering Digital Hate (CCDH)! Damian Collins who works as a director at CCDH presently works at Orbis with Christopher Steele! You know the dude that wrote the Trump Russia hoax dossier? Why would a CCDH director of an org that specializes in disinfo align with a hoaxer? Yes, a CCDH director aligned himself with Steele earlier, and now works with this biggest disinfo artist known to the USA. Damian Collins was also Chair of the Joint Committee on the Online Safety Bill during 2021-2022, also while a CCDH director. Damian Collins has multiple times interviewed with Christopher Steele. The Dec 2020 Podcast that I’m showing with Chris Steele and Luke Harding was after Damian started at CCDH. There they discuss Trump like a plague, who emboldens Russian disinfo, and tainting the world. I’ll share the link to the full Podcast below. Recall CCDH worked with Carnegie UK and the Online Safety Act Network while they wrote the Online Safety Bill. Recall CCDH is trying to kill Musks Twitter, some there work for the Trump resistance, and they censor conservatives. The first photo is from Geradin Partners where Damian Collins also works.

🚨🚨Liars get far with the Center For Countering Digital Hate (CCDH)! Damian Collins who works as a director at CCDH presently works at Orbis with Christopher Steele! You know the dude that wrote the Trump Russia hoax dossier? Why would a CCDH director of an org that specializes in disinfo align with a hoaxer? Yes, a CCDH director aligned himself with Steele earlier, and now works with this biggest disinfo artist known to the USA. Damian Collins was also Chair of the Joint Committee on the Online Safety Bill during 2021-2022, also while a CCDH director. Damian Collins has multiple times interviewed with Christopher Steele. The Dec 2020 Podcast that I’m showing with Chris Steele and Luke Harding was after Damian started at CCDH. There they discuss Trump like a plague, who emboldens Russian disinfo, and tainting the world. I’ll share the link to the full Podcast below. Recall CCDH worked with Carnegie UK and the Online Safety Act Network while they wrote the Online Safety Bill. Recall CCDH is trying to kill Musks Twitter, some there work for the Trump resistance, and they censor conservatives. The first photo is from Geradin Partners where Damian Collins also works.

Bad Kitty Unleashed 🦁 💪🏻

19,725 views • 7 months ago

The United Kingdom exports "Gender Affirming Care" to the USA. Dr Helen Webberley (in the video) is the founder of which is now launched in the USA to help support mentally ill people (including children) who cut off their breasts and genitals. She had her medical licence revoked because she has an 'offshore' gender clinic which gives/gave children access to puberty blockers. GenderGP facilitates the provision of puberty blockers via nasal spray or injection to kids as young as eight - in contravention of the Cass Report. Dr Helen Webberley's online GenderGP clinic follows guidance from WPATH (World Professional Association for Transgender Health) which has been exposed for “widespread medical malpractice on children and vulnerable adults” by Robert Clarke who is a leading human rights lawyer and serves as Director of Advocacy at ADF International based in London.

The United Kingdom exports "Gender Affirming Care" to the USA. Dr Helen Webberley (in the video) is the founder of which is now launched in the USA to help support mentally ill people (including children) who cut off their breasts and genitals. She had her medical licence revoked because she has an 'offshore' gender clinic which gives/gave children access to puberty blockers. GenderGP facilitates the provision of puberty blockers via nasal spray or injection to kids as young as eight - in contravention of the Cass Report. Dr Helen Webberley's online GenderGP clinic follows guidance from WPATH (World Professional Association for Transgender Health) which has been exposed for “widespread medical malpractice on children and vulnerable adults” by Robert Clarke who is a leading human rights lawyer and serves as Director of Advocacy at ADF International based in London.

Tommy Robinson 🇬🇧

52,752 views • 10 months ago

Jersey City, New Jersey (1991): Queen Latifah showing MTV her video rental store. In 1991, coming off her second studio album, Latifah decided to open up a video rental store on the first floor of Dixon Mills at 259 Varick Street. MTV News came to Jersey City to document Latifah’s entrepreneurship. She was 21 years old. ⁣ This was only Latifah’s first foray into business. Four years later, in 1995, she restored an old firehouse at 155 Morgan Street in Jersey City where she launched her artist management company with Shakim Compere, Flavor Unit Entertainment. From this headquarters, Latifah managed and represented the careers of actors like Terrence Howard and rappers such as Outkast and Eve. Some of their works include Beauty Shop, Bringing Down the House, and the Vibe Awards. The entertainment company is now based in Miami, Florida. The video rental store was sold in the 90s.

Jersey City, New Jersey (1991): Queen Latifah showing MTV her video rental store. In 1991, coming off her second studio album, Latifah decided to open up a video rental store on the first floor of Dixon Mills at 259 Varick Street. MTV News came to Jersey City to document Latifah’s entrepreneurship. She was 21 years old. ⁣ This was only Latifah’s first foray into business. Four years later, in 1995, she restored an old firehouse at 155 Morgan Street in Jersey City where she launched her artist management company with Shakim Compere, Flavor Unit Entertainment. From this headquarters, Latifah managed and represented the careers of actors like Terrence Howard and rappers such as Outkast and Eve. Some of their works include Beauty Shop, Bringing Down the House, and the Vibe Awards. The entertainment company is now based in Miami, Florida. The video rental store was sold in the 90s.

Sleeping On Gems

202,445 views • 8 months ago

Rabbi David Yosef, Israel's Chief Sephardi Rabbi: "May the Holy One, blessed be He, destroy all of Gaza... (Palestinians) are not a people and have no rights here. The rights are ours... This is a people built, together with Iran, on the sanctity of murder... The meaning of redemption is that the Land of Israel will belong to us again, all of the Land of Israel... Gaza is ours, Nablus is ours, Jenin is ours; they all belong to us..." Yosef, one of the two highest official religious authorities in Israel, said this during an event last Thursday at the Gush Katif Museum in Jerusalem, dedicated to commemorating the so-called "expulsion" of Israeli settlers from the Gaza Strip settlements in 2005. David Yosef is the brother of former chief rabbi Yitzhak Yosef and the son of former chief rabbi Ovadia Yosef, who was one of the most influential religious figures in Israel since its establishment. All three have shared and expressed the same views regarding Palestine and Palestinians, views firmly based in the Jewish religion. Note: unlike a previous subtitled version of this video circulating online, this version includes a full accurate translation. I also added an excerpt not found in the original video.

Rabbi David Yosef, Israel's Chief Sephardi Rabbi: "May the Holy One, blessed be He, destroy all of Gaza... (Palestinians) are not a people and have no rights here. The rights are ours... This is a people built, together with Iran, on the sanctity of murder... The meaning of redemption is that the Land of Israel will belong to us again, all of the Land of Israel... Gaza is ours, Nablus is ours, Jenin is ours; they all belong to us..." Yosef, one of the two highest official religious authorities in Israel, said this during an event last Thursday at the Gush Katif Museum in Jerusalem, dedicated to commemorating the so-called "expulsion" of Israeli settlers from the Gaza Strip settlements in 2005. David Yosef is the brother of former chief rabbi Yitzhak Yosef and the son of former chief rabbi Ovadia Yosef, who was one of the most influential religious figures in Israel since its establishment. All three have shared and expressed the same views regarding Palestine and Palestinians, views firmly based in the Jewish religion. Note: unlike a previous subtitled version of this video circulating online, this version includes a full accurate translation. I also added an excerpt not found in the original video.

B.M.

50,160 views • 1 month ago

A 40-year-old man allegedly died by suicide on Sunday after a woman posted a video on social media accusing him of sexually harassing her on a bus. The man has been identified as Deepak U, a native of #Govindapuram in #Kozhikode. He was found hanging at his residence early morning. According to police, his parents were home at the time. When he did not respond to repeated calls, neighbours were alerted to the situation, and the door was forced open, following which he was found dead. The incident came to light after a woman shared a video on social media alleging that the man had deliberately touched her with sexual intent while travelling on a crowded bus. The video, reportedly recorded during a journey from Payyannur railway station to the bus stand, went viral and garnered over 20 lakh views, triggering widespread online reactions. According to relatives and friends, he was under severe mental stress after the video went viral and was deeply disturbed by the allegations. His family has alleged that he was subjected to character assassination through social media and claimed that the video was created for online publicity. They have maintained that he was a person who generally stayed away from controversies. Relatives further alleged that the man faced intense online abuse following the circulation of the video. At the same time, the woman who posted the video was also reportedly subjected to cyber attacks. Police said the alleged incident took place in #Payyannur. The Kozhikode Medical College police have registered a case of unnatural death and launched an investigation. Further legal steps will be taken after examining all aspects, including the circumstances leading to the death and the viral social media content. The man was working as a sales manager at a textile store in Kozhikode and frequently travelled for work. Family members said he had travelled to #Kannur last Friday, following which the video surfaced online. Police said the investigation is ongoing.

A 40-year-old man allegedly died by suicide on Sunday after a woman posted a video on social media accusing him of sexually harassing her on a bus. The man has been identified as Deepak U, a native of #Govindapuram in #Kozhikode. He was found hanging at his residence early morning. According to police, his parents were home at the time. When he did not respond to repeated calls, neighbours were alerted to the situation, and the door was forced open, following which he was found dead. The incident came to light after a woman shared a video on social media alleging that the man had deliberately touched her with sexual intent while travelling on a crowded bus. The video, reportedly recorded during a journey from Payyannur railway station to the bus stand, went viral and garnered over 20 lakh views, triggering widespread online reactions. According to relatives and friends, he was under severe mental stress after the video went viral and was deeply disturbed by the allegations. His family has alleged that he was subjected to character assassination through social media and claimed that the video was created for online publicity. They have maintained that he was a person who generally stayed away from controversies. Relatives further alleged that the man faced intense online abuse following the circulation of the video. At the same time, the woman who posted the video was also reportedly subjected to cyber attacks. Police said the alleged incident took place in #Payyannur. The Kozhikode Medical College police have registered a case of unnatural death and launched an investigation. Further legal steps will be taken after examining all aspects, including the circumstances leading to the death and the viral social media content. The man was working as a sales manager at a textile store in Kozhikode and frequently travelled for work. Family members said he had travelled to #Kannur last Friday, following which the video surfaced online. Police said the investigation is ongoing.

Hate Detector 🔍

65,313 views • 8 months ago