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Same experiment, different book: I gave Opus 5 the first paragraphs of Harry Potter and asked for a Three.js render. It built a 4-minute procedural film, 7.6k lines of TypeScript. Zero assets. Every texture drawn on a 2D canvas at runtime, every character assembled from boxes and cylinders, every... show more

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27,359 次观看 • 1 个月前 •via X (Twitter)

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I asked Claude Opus 5 to build Minecraft. An infinite procedural world, 15 biomes, caves and ore veins, day/night cycles, survival and creative modes, mining, crafting, smelting, farming, mobs, chests, and world saves. Zero art assets every texture is painted and every sound synthesised at runtime. Cost: 25M tokens. Worth it

I asked Claude Opus 5 to build Minecraft. An infinite procedural world, 15 biomes, caves and ore veins, day/night cycles, survival and creative modes, mining, crafting, smelting, farming, mobs, chests, and world saves. Zero art assets every texture is painted and every sound synthesised at runtime. Cost: 25M tokens. Worth it

Pankaj Kumar

41,295 次观看 • 2 个月前

I wanted to quickly create a short video with Opus 5.5 about the history of AI, from "Attention is all you need" to AGI. No stock footage, no image or video generators: every frame is rendered from code. This 3-minute film was made 100% in code by Claude in Claude Code: ~7,400 lines of React/TypeScript (Remotion), every image drawn in SVG and Canvas, an open-source TTS voice, and a score synthesized in Python. No stock footage. No image generators. Id say pretty cool! Tookl about 1h and 7% weekly rates.

I wanted to quickly create a short video with Opus 5.5 about the history of AI, from "Attention is all you need" to AGI. No stock footage, no image or video generators: every frame is rendered from code. This 3-minute film was made 100% in code by Claude in Claude Code: ~7,400 lines of React/TypeScript (Remotion), every image drawn in SVG and Canvas, an open-source TTS voice, and a score synthesized in Python. No stock footage. No image generators. Id say pretty cool! Tookl about 1h and 7% weekly rates.

Chubby♨️

196,057 次观看 • 6 天前

This weekend's project: Fieldtone: a generative instrument that plays a different piece of ambient music for every place on Earth. Every note is synthesized live in your browser from your location, the local time, and the weather.

This weekend's project: Fieldtone: a generative instrument that plays a different piece of ambient music for every place on Earth. Every note is synthesized live in your browser from your location, the local time, and the weather.

Gabriel Valdivia

45,892 次观看 • 2 个月前

Do share. For every broke, struggling passionate filmmaker Dreaming of making a zero budget film: MANN-PISHACH is an 80-minute experimental film built on a home PC. Two actors - Yaaneea Bhardwaj and Deepak Damle - iPhone performance footage, a 60-page screenplay, hand-drawn storyboards, Photoshop, generative AI and After Effects. Total cost: ₹33,000. If this helps even one broke filmmaker create something from nothing, the experiment was worth it. - Rahi Anil Barve

Do share. For every broke, struggling passionate filmmaker Dreaming of making a zero budget film: MANN-PISHACH is an 80-minute experimental film built on a home PC. Two actors - Yaaneea Bhardwaj and Deepak Damle - iPhone performance footage, a 60-page screenplay, hand-drawn storyboards, Photoshop, generative AI and After Effects. Total cost: ₹33,000. If this helps even one broke filmmaker create something from nothing, the experiment was worth it. - Rahi Anil Barve

rahi anil barve

111,875 次观看 • 6 个月前

holy shit, opus 5.5 is kind of insane at animation. i didn't write a single line of code. it wrote the story, drew every frame, and made the music. no image assets at all, it's all JS. the story is called "small print": claude gets a pile of requests every day. it circles the human part hidden inside them, like "one hand. baby's asleep", and drops it into a jar. at night, those words turn into stars and join up into a constellation. rendered with hyperframes, all in one index.html. it synthesized the music in python, then went through the render second by second and polished it again.

holy shit, opus 5.5 is kind of insane at animation. i didn't write a single line of code. it wrote the story, drew every frame, and made the music. no image assets at all, it's all JS. the story is called "small print": claude gets a pile of requests every day. it circles the human part hidden inside them, like "one hand. baby's asleep", and drops it into a jar. at night, those words turn into stars and join up into a constellation. rendered with hyperframes, all in one index.html. it synthesized the music in python, then went through the render second by second and polished it again.

Vox

124,314 次观看 • 7 天前

Everyone is using Fable 5 to build funny little demos so I decided to build something better. Vibe coded a 3D keyboard ecom platform in Three.js and GSAP. Every key. Every switch. Every color. Customizable in real time in 3D. It's really amusing that whole keyboard is built at runtime using Procedural geometry. To achieve that kind of realistic lighting on keyboard, it used a studio environment (gradient sky + softbox panels) rendered into a PMREM cubemap for realistic reflections. Opus helped a bit more here (as Fable was failing in loop in Claude chat) There is also custom GLSL shaders for RGB underflow/skirt and as well sRGB output encoding + explicit convertSRGBToLinear() on every material color so caps render at their exact swatch value. I don't know any of these techniques and concepts but I have had been reading how both Fable and Opus were trying to approach this by digging into their "thinking" phase. Go try it, there is a cool Claude theme keyboard you would want to purchase too :D Live: Code:

Everyone is using Fable 5 to build funny little demos so I decided to build something better. Vibe coded a 3D keyboard ecom platform in Three.js and GSAP. Every key. Every switch. Every color. Customizable in real time in 3D. It's really amusing that whole keyboard is built at runtime using Procedural geometry. To achieve that kind of realistic lighting on keyboard, it used a studio environment (gradient sky + softbox panels) rendered into a PMREM cubemap for realistic reflections. Opus helped a bit more here (as Fable was failing in loop in Claude chat) There is also custom GLSL shaders for RGB underflow/skirt and as well sRGB output encoding + explicit convertSRGBToLinear() on every material color so caps render at their exact swatch value. I don't know any of these techniques and concepts but I have had been reading how both Fable and Opus were trying to approach this by digging into their "thinking" phase. Go try it, there is a cool Claude theme keyboard you would want to purchase too :D Live: Code:

The Bugged Dev

98,323 次观看 • 2 个月前

pushing the limits of opus 5.5 been working on this video this weekend, this is not a one-shot and took 5+ takes on every frame because i wanted each one to feel like a painting this mimics cel animation with every stroke drawn by opus like a real artist would

pushing the limits of opus 5.5 been working on this video this weekend, this is not a one-shot and took 5+ takes on every frame because i wanted each one to feel like a painting this mimics cel animation with every stroke drawn by opus like a real artist would

Indra

23,872 次观看 • 2 天前

built a full FPS game with claude opus 5 one HTML file. no assets. no build tools. everything generated. → 4 weapons with ADS, recoil, and reloads → 10 AI enemies that flank, take cover, and call out positions → sniper scope with breath holding and sway → mantle onto containers, double jump, sprint → every texture and sound made from code → runs in the browser at 60fps 290 KB. one file. one model.

built a full FPS game with claude opus 5 one HTML file. no assets. no build tools. everything generated. → 4 weapons with ADS, recoil, and reloads → 10 AI enemies that flank, take cover, and call out positions → sniper scope with breath holding and sway → mantle onto containers, double jump, sprint → every texture and sound made from code → runs in the browser at 60fps 290 KB. one file. one model.

Prasenjit

80,074 次观看 • 2 个月前

this is what a 24gb VRAM builds in 2026. one prompt. ten files. 3,483 lines of code. zero handholding. i gave Qwen3.5-35B-A3B a single detailed spec describing the full game architecture and hit enter. enemy types, particle systems, procedural audio, powerups, boss fights, ship upgrades, parallax backgrounds, everything in one message. the model planned the file structure itself, wrote every module in dependency order, wired all the imports, and served the game on port 3001. it ran on first load. when it hit a bug in collision detection it read its own error output, found the issue, fixed it, and kept building. this is pure agent loop running on local hardware. what you're looking at is pixelated octopus aliens with tentacle animations, 4 layer parallax space background with planets at different depths, a full particle system handling explosions and ink splatter and engine trails and bullet impacts, procedural audio through Web Audio API with zero sound files loaded, unleash mode with combo multiplier, boss fights every 5 levels, ship upgrades that unlock as you progress. no libraries. no frameworks. vanilla JS and Canvas. 3B active parameters. single RTX 3090. llama.cpp with q8_0 KV cache at 262K context. Claude Code pointed at localhost:8080 through the native Anthropic endpoint. no API costs. 112 tok/s. a GPU you can buy used for $800. game is called Octopus Invaders and i actually like playing it.

this is what a 24gb VRAM builds in 2026. one prompt. ten files. 3,483 lines of code. zero handholding. i gave Qwen3.5-35B-A3B a single detailed spec describing the full game architecture and hit enter. enemy types, particle systems, procedural audio, powerups, boss fights, ship upgrades, parallax backgrounds, everything in one message. the model planned the file structure itself, wrote every module in dependency order, wired all the imports, and served the game on port 3001. it ran on first load. when it hit a bug in collision detection it read its own error output, found the issue, fixed it, and kept building. this is pure agent loop running on local hardware. what you're looking at is pixelated octopus aliens with tentacle animations, 4 layer parallax space background with planets at different depths, a full particle system handling explosions and ink splatter and engine trails and bullet impacts, procedural audio through Web Audio API with zero sound files loaded, unleash mode with combo multiplier, boss fights every 5 levels, ship upgrades that unlock as you progress. no libraries. no frameworks. vanilla JS and Canvas. 3B active parameters. single RTX 3090. llama.cpp with q8_0 KV cache at 262K context. Claude Code pointed at localhost:8080 through the native Anthropic endpoint. no API costs. 112 tok/s. a GPU you can buy used for $800. game is called Octopus Invaders and i actually like playing it.

Sudo su

153,735 次观看 • 7 个月前

Director Mode in CapCut Video Studio has made creator's lives so much easier. Instead of rebuilding a character for every scene, I created one consistent AI character, managed everything on a single canvas and placed her in completely different worlds while keeping the same look throughout. It feels less like prompting AI and more like directing a real production. #CapCut #DirectorMode #CapCutVideoStudio #AIVideo #AIStorytelling

Director Mode in CapCut Video Studio has made creator's lives so much easier. Instead of rebuilding a character for every scene, I created one consistent AI character, managed everything on a single canvas and placed her in completely different worlds while keeping the same look throughout. It feels less like prompting AI and more like directing a real production. #CapCut #DirectorMode #CapCutVideoStudio #AIVideo #AIStorytelling

Ai Girllie

43,182 次观看 • 3 个月前

THIS GUY BUILT A HABBO HOTEL CLONE IN 2 HOURS WITH GPT-6 ASTRA he didn't use a game engine, blender, 3d models, or asset packs > astra spun up a local site on his pc > built the entire thing in svgs and javascript > every character, every piece of furniture, the floors, the walls, all vector shapes drawn in code > isometric rooms and animated avatars > lighting, shadows and depth all faked in 2d he ran astra ultra at 2x speed and it ate about 42% of his weekly usage on the $100 pro plan so roughly $42 and one afternoon assets were always the issue in the 3d space (you either learned blender or you paid someone) now you can literally describe it and it draws itself

THIS GUY BUILT A HABBO HOTEL CLONE IN 2 HOURS WITH GPT-6 ASTRA he didn't use a game engine, blender, 3d models, or asset packs > astra spun up a local site on his pc > built the entire thing in svgs and javascript > every character, every piece of furniture, the floors, the walls, all vector shapes drawn in code > isometric rooms and animated avatars > lighting, shadows and depth all faked in 2d he ran astra ultra at 2x speed and it ate about 42% of his weekly usage on the $100 pro plan so roughly $42 and one afternoon assets were always the issue in the 3d space (you either learned blender or you paid someone) now you can literally describe it and it draws itself

Om Patel

20,949 次观看 • 24 天前

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.

Chris

90,258 次观看 • 1 个月前

i gave the exact same prompt to Opus 5 and Fable 5 and here's what came out Opus 5 dropped yesterday and my feed was instantly full of comparison posts but i wanted to check it myself so i gave it one task build 3d Flappy Bird first thing everyone was saying Opus is 2x cheaper than Fable BUT.. building the game on Max effort cost me 250k tokens and 1 hour on Opus and 130k on Fable but Fable did it in half the time Opus gave me volume control plus 3 separate graphics presets to choose from, Fable gave none of that in Opus the environment shifts dynamically as you play in Fable it's basically the same frame the whole run maybe a day/night change here and there graphics, animations, glow, all of it goes to Opus and now that limits jumped 50% for the near future while Fable went paid for me the call is obvious right now Opus same prompt start to finish zero changes to code or commands want it? i can send it over

i gave the exact same prompt to Opus 5 and Fable 5 and here's what came out Opus 5 dropped yesterday and my feed was instantly full of comparison posts but i wanted to check it myself so i gave it one task build 3d Flappy Bird first thing everyone was saying Opus is 2x cheaper than Fable BUT.. building the game on Max effort cost me 250k tokens and 1 hour on Opus and 130k on Fable but Fable did it in half the time Opus gave me volume control plus 3 separate graphics presets to choose from, Fable gave none of that in Opus the environment shifts dynamically as you play in Fable it's basically the same frame the whole run maybe a day/night change here and there graphics, animations, glow, all of it goes to Opus and now that limits jumped 50% for the near future while Fable went paid for me the call is obvious right now Opus same prompt start to finish zero changes to code or commands want it? i can send it over

savip.

45,764 次观看 • 2 个月前

Kimi K3 just outperformed Claude Fable 5 at a quarter of the price. Kimi K3 $3.11 Claude Fable 5 $12.23 Same prompt: a one-shot MECCHA CHAMELEON, Steam hide-and-seek game. A white chameleon hides in a hand-drawn room, paints itself with the mouse to match the wall behind it, then survives three sweeps of a robot seeker. We asked for a live pixel-diff match %, five procedural zones, synthesized sound, three scored rounds — one HTML file, no libraries. Both models live on AI/ML API

Kimi K3 just outperformed Claude Fable 5 at a quarter of the price. Kimi K3 $3.11 Claude Fable 5 $12.23 Same prompt: a one-shot MECCHA CHAMELEON, Steam hide-and-seek game. A white chameleon hides in a hand-drawn room, paints itself with the mouse to match the wall behind it, then survives three sweeps of a robot seeker. We asked for a live pixel-diff match %, five procedural zones, synthesized sound, three scored rounds — one HTML file, no libraries. Both models live on AI/ML API

AI/ML API

63,586 次观看 • 2 个月前

$Someone converted the Mandelbrot set into sound by mapping fractal orbits to audio frequencies in real time on a GPU - and accidentally built an infinite synthesizer. Every point in the fractal converges to a repeating orbit with its own period and shape. Map those coordinates to speaker amplitude at 8kHz and you get an instrument where zooming in adds harmonics on top of harmonics - the same principle behind every DSP audio engine ever built. 8 minutes. Bookmark & watch today. The most unexpected use of a GPU you'll see this week.$

Someone converted the Mandelbrot set into sound by mapping fractal orbits to audio frequencies in real time on a GPU - and accidentally built an infinite synthesizer. Every point in the fractal converges to a repeating orbit with its own period and shape. Map those coordinates to speaker amplitude at 8kHz and you get an instrument where zooming in adds harmonics on top of harmonics - the same principle behind every DSP audio engine ever built. 8 minutes. Bookmark & watch today. The most unexpected use of a GPU you'll see this week.

Eron

27,390 次观看 • 1 个月前

Twitter said I post copied content and do inauthentic spam posts. I almost didn't want to continue making AI game videos, but to hell with it. Here's 3 mins of a Three.js game I have been making with Opus 5.5 Medium. Every 3D model, texture, and animation is made from scratch.

Twitter said I post copied content and do inauthentic spam posts. I almost didn't want to continue making AI game videos, but to hell with it. Here's 3 mins of a Three.js game I have been making with Opus 5.5 Medium. Every 3D model, texture, and animation is made from scratch.

Shikhar

106,760 次观看 • 7 天前

The Bible isn’t just a book written by man. God used man to hold the pen, but He inspired and gave every single word in this book. 40 different men, in 3 different languages, in 3 separate continents, over a span of 1500 years. It is the literal living word of God and it will change your life.

The Bible isn’t just a book written by man. God used man to hold the pen, but He inspired and gave every single word in this book. 40 different men, in 3 different languages, in 3 separate continents, over a span of 1500 years. It is the literal living word of God and it will change your life.

Ashley Hays

90,006 次观看 • 1 年前

Claude Opus 5 drew every frame of this animation using JavaScript. The life of a single poppy flower. I recreated the drawing technique as a standalone SKILL and plan to release it on GitHub.

Claude Opus 5 drew every frame of this animation using JavaScript. The life of a single poppy flower. I recreated the drawing technique as a standalone SKILL and plan to release it on GitHub.

Alexey Fateev

33,663 次观看 • 14 天前

The hardest part of AI storytelling has always been this: the same character sounding like a different person every time you generate a new line. Seed Audio 1.0 fixes that. Feed it reference audio once and the voice identity holds, → same tone → same energy → across a full scene or even a multi part story. This is the first time consistency actually feels solved.

The hardest part of AI storytelling has always been this: the same character sounding like a different person every time you generate a new line. Seed Audio 1.0 fixes that. Feed it reference audio once and the voice identity holds, → same tone → same energy → across a full scene or even a multi part story. This is the first time consistency actually feels solved.

AI Panda

92,146 次观看 • 2 个月前