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Same experiment, different book: I gave Opus 5 the first paragraphs of Harry Potter and asked for a Three.js render. It built a 4-minute procedural film, 7.6k lines of TypeScript. Zero assets. Every texture drawn on a 2D canvas at runtime, every character assembled from boxes and cylinders, every... show more

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27,359 Aufrufe • vor 29 Tagen •via X (Twitter)

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I asked Claude Opus 5 to build Minecraft. An infinite procedural world, 15 biomes, caves and ore veins, day/night cycles, survival and creative modes, mining, crafting, smelting, farming, mobs, chests, and world saves. Zero art assets every texture is painted and every sound synthesised at runtime. Cost: 25M tokens. Worth it

I asked Claude Opus 5 to build Minecraft. An infinite procedural world, 15 biomes, caves and ore veins, day/night cycles, survival and creative modes, mining, crafting, smelting, farming, mobs, chests, and world saves. Zero art assets every texture is painted and every sound synthesised at runtime. Cost: 25M tokens. Worth it

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This weekend's project: Fieldtone: a generative instrument that plays a different piece of ambient music for every place on Earth. Every note is synthesized live in your browser from your location, the local time, and the weather.

This weekend's project: Fieldtone: a generative instrument that plays a different piece of ambient music for every place on Earth. Every note is synthesized live in your browser from your location, the local time, and the weather.

Gabriel Valdivia

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Do share. For every broke, struggling passionate filmmaker Dreaming of making a zero budget film: MANN-PISHACH is an 80-minute experimental film built on a home PC. Two actors - Yaaneea Bhardwaj and Deepak Damle - iPhone performance footage, a 60-page screenplay, hand-drawn storyboards, Photoshop, generative AI and After Effects. Total cost: ₹33,000. If this helps even one broke filmmaker create something from nothing, the experiment was worth it. - Rahi Anil Barve

Do share. For every broke, struggling passionate filmmaker Dreaming of making a zero budget film: MANN-PISHACH is an 80-minute experimental film built on a home PC. Two actors - Yaaneea Bhardwaj and Deepak Damle - iPhone performance footage, a 60-page screenplay, hand-drawn storyboards, Photoshop, generative AI and After Effects. Total cost: ₹33,000. If this helps even one broke filmmaker create something from nothing, the experiment was worth it. - Rahi Anil Barve

rahi anil barve

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Everyone is using Fable 5 to build funny little demos so I decided to build something better. Vibe coded a 3D keyboard ecom platform in Three.js and GSAP. Every key. Every switch. Every color. Customizable in real time in 3D. It's really amusing that whole keyboard is built at runtime using Procedural geometry. To achieve that kind of realistic lighting on keyboard, it used a studio environment (gradient sky + softbox panels) rendered into a PMREM cubemap for realistic reflections. Opus helped a bit more here (as Fable was failing in loop in Claude chat) There is also custom GLSL shaders for RGB underflow/skirt and as well sRGB output encoding + explicit convertSRGBToLinear() on every material color so caps render at their exact swatch value. I don't know any of these techniques and concepts but I have had been reading how both Fable and Opus were trying to approach this by digging into their "thinking" phase. Go try it, there is a cool Claude theme keyboard you would want to purchase too :D Live: Code:

Everyone is using Fable 5 to build funny little demos so I decided to build something better. Vibe coded a 3D keyboard ecom platform in Three.js and GSAP. Every key. Every switch. Every color. Customizable in real time in 3D. It's really amusing that whole keyboard is built at runtime using Procedural geometry. To achieve that kind of realistic lighting on keyboard, it used a studio environment (gradient sky + softbox panels) rendered into a PMREM cubemap for realistic reflections. Opus helped a bit more here (as Fable was failing in loop in Claude chat) There is also custom GLSL shaders for RGB underflow/skirt and as well sRGB output encoding + explicit convertSRGBToLinear() on every material color so caps render at their exact swatch value. I don't know any of these techniques and concepts but I have had been reading how both Fable and Opus were trying to approach this by digging into their "thinking" phase. Go try it, there is a cool Claude theme keyboard you would want to purchase too :D Live: Code:

The Bugged Dev

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built a full FPS game with claude opus 5 one HTML file. no assets. no build tools. everything generated. → 4 weapons with ADS, recoil, and reloads → 10 AI enemies that flank, take cover, and call out positions → sniper scope with breath holding and sway → mantle onto containers, double jump, sprint → every texture and sound made from code → runs in the browser at 60fps 290 KB. one file. one model.

built a full FPS game with claude opus 5 one HTML file. no assets. no build tools. everything generated. → 4 weapons with ADS, recoil, and reloads → 10 AI enemies that flank, take cover, and call out positions → sniper scope with breath holding and sway → mantle onto containers, double jump, sprint → every texture and sound made from code → runs in the browser at 60fps 290 KB. one file. one model.

Prasenjit

79,963 Aufrufe • vor 1 Monat

Director Mode in CapCut Video Studio has made creator's lives so much easier. Instead of rebuilding a character for every scene, I created one consistent AI character, managed everything on a single canvas and placed her in completely different worlds while keeping the same look throughout. It feels less like prompting AI and more like directing a real production. #CapCut #DirectorMode #CapCutVideoStudio #AIVideo #AIStorytelling

Director Mode in CapCut Video Studio has made creator's lives so much easier. Instead of rebuilding a character for every scene, I created one consistent AI character, managed everything on a single canvas and placed her in completely different worlds while keeping the same look throughout. It feels less like prompting AI and more like directing a real production. #CapCut #DirectorMode #CapCutVideoStudio #AIVideo #AIStorytelling

Ai Girllie

43,182 Aufrufe • vor 2 Monaten

this is what a 24gb VRAM builds in 2026. one prompt. ten files. 3,483 lines of code. zero handholding. i gave Qwen3.5-35B-A3B a single detailed spec describing the full game architecture and hit enter. enemy types, particle systems, procedural audio, powerups, boss fights, ship upgrades, parallax backgrounds, everything in one message. the model planned the file structure itself, wrote every module in dependency order, wired all the imports, and served the game on port 3001. it ran on first load. when it hit a bug in collision detection it read its own error output, found the issue, fixed it, and kept building. this is pure agent loop running on local hardware. what you're looking at is pixelated octopus aliens with tentacle animations, 4 layer parallax space background with planets at different depths, a full particle system handling explosions and ink splatter and engine trails and bullet impacts, procedural audio through Web Audio API with zero sound files loaded, unleash mode with combo multiplier, boss fights every 5 levels, ship upgrades that unlock as you progress. no libraries. no frameworks. vanilla JS and Canvas. 3B active parameters. single RTX 3090. llama.cpp with q8_0 KV cache at 262K context. Claude Code pointed at localhost:8080 through the native Anthropic endpoint. no API costs. 112 tok/s. a GPU you can buy used for $800. game is called Octopus Invaders and i actually like playing it.

this is what a 24gb VRAM builds in 2026. one prompt. ten files. 3,483 lines of code. zero handholding. i gave Qwen3.5-35B-A3B a single detailed spec describing the full game architecture and hit enter. enemy types, particle systems, procedural audio, powerups, boss fights, ship upgrades, parallax backgrounds, everything in one message. the model planned the file structure itself, wrote every module in dependency order, wired all the imports, and served the game on port 3001. it ran on first load. when it hit a bug in collision detection it read its own error output, found the issue, fixed it, and kept building. this is pure agent loop running on local hardware. what you're looking at is pixelated octopus aliens with tentacle animations, 4 layer parallax space background with planets at different depths, a full particle system handling explosions and ink splatter and engine trails and bullet impacts, procedural audio through Web Audio API with zero sound files loaded, unleash mode with combo multiplier, boss fights every 5 levels, ship upgrades that unlock as you progress. no libraries. no frameworks. vanilla JS and Canvas. 3B active parameters. single RTX 3090. llama.cpp with q8_0 KV cache at 262K context. Claude Code pointed at localhost:8080 through the native Anthropic endpoint. no API costs. 112 tok/s. a GPU you can buy used for $800. game is called Octopus Invaders and i actually like playing it.

Sudo su

153,735 Aufrufe • vor 6 Monaten

i gave the exact same prompt to Opus 5 and Fable 5 and here's what came out Opus 5 dropped yesterday and my feed was instantly full of comparison posts but i wanted to check it myself so i gave it one task build 3d Flappy Bird first thing everyone was saying Opus is 2x cheaper than Fable BUT.. building the game on Max effort cost me 250k tokens and 1 hour on Opus and 130k on Fable but Fable did it in half the time Opus gave me volume control plus 3 separate graphics presets to choose from, Fable gave none of that in Opus the environment shifts dynamically as you play in Fable it's basically the same frame the whole run maybe a day/night change here and there graphics, animations, glow, all of it goes to Opus and now that limits jumped 50% for the near future while Fable went paid for me the call is obvious right now Opus same prompt start to finish zero changes to code or commands want it? i can send it over

i gave the exact same prompt to Opus 5 and Fable 5 and here's what came out Opus 5 dropped yesterday and my feed was instantly full of comparison posts but i wanted to check it myself so i gave it one task build 3d Flappy Bird first thing everyone was saying Opus is 2x cheaper than Fable BUT.. building the game on Max effort cost me 250k tokens and 1 hour on Opus and 130k on Fable but Fable did it in half the time Opus gave me volume control plus 3 separate graphics presets to choose from, Fable gave none of that in Opus the environment shifts dynamically as you play in Fable it's basically the same frame the whole run maybe a day/night change here and there graphics, animations, glow, all of it goes to Opus and now that limits jumped 50% for the near future while Fable went paid for me the call is obvious right now Opus same prompt start to finish zero changes to code or commands want it? i can send it over

savip.

45,764 Aufrufe • vor 1 Monat

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.

Chris

89,724 Aufrufe • vor 28 Tagen

I gave Claude Opus 5 the exact same extreme-ocean challenge I gave GPT-5.6 Sol. The result was honestly on another level. Visually, technically and in sheer ambition, Opus built a substantially better project. But it also spent almost 10x more and worked like a maniac, continuously expanding, refining and adding things even though I never asked it to enter any kind of /loop. That tradeoff is fascinating. Sol felt efficient and deliberate. Opus felt almost creatively unrestrained. And yet... I’m completely enchanted by what it built. The project is already ridiculously promising, and watching a coding model autonomously keep pushing a simulated world further than I asked for is one hell of a glimpse at where this is going.

I gave Claude Opus 5 the exact same extreme-ocean challenge I gave GPT-5.6 Sol. The result was honestly on another level. Visually, technically and in sheer ambition, Opus built a substantially better project. But it also spent almost 10x more and worked like a maniac, continuously expanding, refining and adding things even though I never asked it to enter any kind of /loop. That tradeoff is fascinating. Sol felt efficient and deliberate. Opus felt almost creatively unrestrained. And yet... I’m completely enchanted by what it built. The project is already ridiculously promising, and watching a coding model autonomously keep pushing a simulated world further than I asked for is one hell of a glimpse at where this is going.

Token Gremlin

12,496 Aufrufe • vor 7 Tagen

Kimi K3 just outperformed Claude Fable 5 at a quarter of the price. Kimi K3 $3.11 Claude Fable 5 $12.23 Same prompt: a one-shot MECCHA CHAMELEON, Steam hide-and-seek game. A white chameleon hides in a hand-drawn room, paints itself with the mouse to match the wall behind it, then survives three sweeps of a robot seeker. We asked for a live pixel-diff match %, five procedural zones, synthesized sound, three scored rounds — one HTML file, no libraries. Both models live on AI/ML API

Kimi K3 just outperformed Claude Fable 5 at a quarter of the price. Kimi K3 $3.11 Claude Fable 5 $12.23 Same prompt: a one-shot MECCHA CHAMELEON, Steam hide-and-seek game. A white chameleon hides in a hand-drawn room, paints itself with the mouse to match the wall behind it, then survives three sweeps of a robot seeker. We asked for a live pixel-diff match %, five procedural zones, synthesized sound, three scored rounds — one HTML file, no libraries. Both models live on AI/ML API

AI/ML API

63,586 Aufrufe • vor 1 Monat

$Someone converted the Mandelbrot set into sound by mapping fractal orbits to audio frequencies in real time on a GPU - and accidentally built an infinite synthesizer. Every point in the fractal converges to a repeating orbit with its own period and shape. Map those coordinates to speaker amplitude at 8kHz and you get an instrument where zooming in adds harmonics on top of harmonics - the same principle behind every DSP audio engine ever built. 8 minutes. Bookmark & watch today. The most unexpected use of a GPU you'll see this week.$

Someone converted the Mandelbrot set into sound by mapping fractal orbits to audio frequencies in real time on a GPU - and accidentally built an infinite synthesizer. Every point in the fractal converges to a repeating orbit with its own period and shape. Map those coordinates to speaker amplitude at 8kHz and you get an instrument where zooming in adds harmonics on top of harmonics - the same principle behind every DSP audio engine ever built. 8 minutes. Bookmark & watch today. The most unexpected use of a GPU you'll see this week.

Eron

26,926 Aufrufe • vor 7 Tagen

The Bible isn’t just a book written by man. God used man to hold the pen, but He inspired and gave every single word in this book. 40 different men, in 3 different languages, in 3 separate continents, over a span of 1500 years. It is the literal living word of God and it will change your life.

The Bible isn’t just a book written by man. God used man to hold the pen, but He inspired and gave every single word in this book. 40 different men, in 3 different languages, in 3 separate continents, over a span of 1500 years. It is the literal living word of God and it will change your life.

Ashley Hays

90,006 Aufrufe • vor 1 Jahr

Everyone ships a UI sound kit. 14 sounds, 50 sounds, same tap on every site. So I built one that generates them procedurally instead. Never the same kit as anyone else. Trained on thousands of curated sounds, remixed by engines that learned my taste, synthesized live in the browser. More on how it works below.

Everyone ships a UI sound kit. 14 sounds, 50 sounds, same tap on every site. So I built one that generates them procedurally instead. Never the same kit as anyone else. Trained on thousands of curated sounds, remixed by engines that learned my taste, synthesized live in the browser. More on how it works below.

mi©k

27,145 Aufrufe • vor 16 Tagen

The hardest part of AI storytelling has always been this: the same character sounding like a different person every time you generate a new line. Seed Audio 1.0 fixes that. Feed it reference audio once and the voice identity holds, → same tone → same energy → across a full scene or even a multi part story. This is the first time consistency actually feels solved.

The hardest part of AI storytelling has always been this: the same character sounding like a different person every time you generate a new line. Seed Audio 1.0 fixes that. Feed it reference audio once and the voice identity holds, → same tone → same energy → across a full scene or even a multi part story. This is the first time consistency actually feels solved.

AI Panda

92,146 Aufrufe • vor 1 Monat

I have news to share: after a lot of reflection, I decided to not run in the next election. As a result I will be stepping aside from cabinet. I was first elected in 2006 and have had the journey of a lifetime. I’m grateful for every minute of it

I have news to share: after a lot of reflection, I decided to not run in the next election. As a result I will be stepping aside from cabinet. I was first elected in 2006 and have had the journey of a lifetime. I’m grateful for every minute of it

Omar Alghabra

1,267,232 Aufrufe • vor 3 Jahren

I gave Gemini 3.7 Flash a handful of reference images and a rough idea of what I wanted. Ran /grill-me to align on the vision. Hit /goal & /teamwork-preview and let it cook. A couple of iterations later, this is what came out! An interactive kind of experience.. built with Three.js, WebGL, GLSL shaders, and Web Audio engine. Turn up your volume a bit...

I gave Gemini 3.7 Flash a handful of reference images and a rough idea of what I wanted. Ran /grill-me to align on the vision. Hit /goal & /teamwork-preview and let it cook. A couple of iterations later, this is what came out! An interactive kind of experience.. built with Three.js, WebGL, GLSL shaders, and Web Audio engine. Turn up your volume a bit...

Bee

966,146 Aufrufe • vor 14 Tagen

A heartbeat of hope, delivered on time! For the first time, a 'live human heart' was transported by Vande Bharat Express from Surat to Ahmedabad for a life-saving transplant. A remarkable example of seamless coordination between Indian Railways and State Administration- where every minute mattered, and every effort saved a life.

A heartbeat of hope, delivered on time! For the first time, a 'live human heart' was transported by Vande Bharat Express from Surat to Ahmedabad for a life-saving transplant. A remarkable example of seamless coordination between Indian Railways and State Administration- where every minute mattered, and every effort saved a life.

Ministry of Railways

153,376 Aufrufe • vor 1 Monat

So here's my attempt at a one shot in Opus 5 after skepticism. I asked it to make me a game inspired by Elder Scrolls Daggerfall and to create all the assets. This is what it created in Cowork which took roughly 8 hours as it was making sure every single pixel was perfect. There's some hitching but on the whole I'm surprised that this is just from one paragraph of prompting engineered to produce the best results it could. It even built the indoor church lighting and water reflections.

So here's my attempt at a one shot in Opus 5 after skepticism. I asked it to make me a game inspired by Elder Scrolls Daggerfall and to create all the assets. This is what it created in Cowork which took roughly 8 hours as it was making sure every single pixel was perfect. There's some hitching but on the whole I'm surprised that this is just from one paragraph of prompting engineered to produce the best results it could. It even built the indoor church lighting and water reflections.

𝔊𝔯𝔦𝔪𝔣𝔢𝔩

33,655 Aufrufe • vor 1 Monat