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SAME WEEK TN TRANS SHOOTER EXECUTED 3 KIDS, JAMALA CELEBRATED TRANS PRIDE Who would wave the Palestinian Pride Flag and shout ‘Free Palestine’ the same week as the graphic kidnap, rape and torture of hundreds of women in Israel by Hamas? Watch Shani Louk before and after woke freedom...

280,432 просмотров • 2 лет назад •via X (Twitter)

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Canadian citizen Adi Vital-Kaploun (33) was sheltering in her home in Kibbutz Holit when Hamas terrorists attacked. They murdered her in front of her sons, Negev (4) and Eshel (4.5 months), and booby-trapped her body in case anyone tried to move it. Six terrorists then broke into Avital Aladjem’s house next door, where she was hiding with another neighbor, US citizen Hayim Katzman (32). The terrorists murdered Hayim and took Avital hostage, and used her, Negev, and Eshel as human shields as they walked through the kibbutz, setting houses and cars on fire. The terrorists then forced Avital to walk to Gaza carrying Eshel while one of the terrorists carried Negev, who had been shot in the leg. For some inexplicable reason, after crossing the Gaza border, the terrorists abandoned them, and Avital managed to make her way back to Holit with the children, hiding from terrorists along the way. There, she reunited the children with their father, and they were evacuated to safety. Hamas tried to exploit the Vital-Kaploun children to promote a blatantly false “humanitarian” narrative. They shared a propaganda video of the two traumatized children being “cared for” by Hamas terrorists, after their mother had been murdered in front of them and before they were kidnapped. Hamas also tried to exploit a video of Avital and the children making their way back from Gaza, claiming they freed a mother and her children out of the goodness of their hearts. In reality, they murdered the children’s mother in front of them and kidnapped the children with their neighbor, and likely abandoned them after getting tired of carrying the screaming children.

Israel War Room

17,044 просмотров • 11 месяцев назад

SCOOP: Sources tell me GOP Conference Chair Chairwoman Lisa McClain Lisa McClain leaked the agenda of tomorrow’s scheduled hearing in the Congressional Committee on Education and Workforce titled “College Presidents to Answer for Sources Inciting Antisemitism” to the Embassy of Qatar when she found out members would be discussing Qatar’s funding of US colleges and universities and pro-Palestinian activities on campus. I have obtained exclusive video footage of Lisa McClain dancing with Qataris at a rooftop party on July 4, 2025 where she hosted the Qataris ON INDEPENDENCE DAY Why did Congresswoman Lisa McClain, who serves in House GOP leadership as Conference Chair, host a party for Qatar on July 4th at the Spy Museum (you can’t make this up!) where she was publicly caught dancing and toasting to the pro-HAMAS, anti-American Qataris on Independence Day? Upon investigating, I discovered that her Chief of Staff Nick Hawatadeh Nick Hawatmeh (who is Jordanian) and Erik Kinney, her Policy Director, have taken numerous trips to Qatar that are publicly disclosed on her staff’s travel documents, FARA records, as well as documented on her own social media. I have also obtained the memo that the Embassy of Qatar Embassy of Qatar in USA prepared and sent out to members of Congress after they were tipped off by Lisa McClain and her staff. Sources on the Hill say that her pro-Qatar office leaked the Education and Workforce Committee memo on antisemitism on college campuses to Qatar before the hearing tomorrow so that the Qataris would have the questions ahead of time, so they could push back on the committee with Qatari talking points. This is illegal, and will likely trigger a major ethics violation. Additionally, why are the staff of top GOP leadership going to Qatar? 🤔 Why is the House GOP Conference Chair hosting a party for Qatar on America’s Independence Day? Why is she dancing with Qatari agents on 4th of July when Qatar supports HAMAS and Hezbollah? Congress is no longer a serious place. Lisa McClain should resign over her betrayal of her fellow Committee Members and the United States in favor of Qatar and the Dancing Qataris. Does Speaker Johnson Speaker Mike Johnson condone this pro-jihadi behavior by Chairwoman Lisa McClain? Here’s the video! 👇🏻

Laura Loomer

4,559,990 просмотров • 1 год назад

She called herself a proud socialist Democrat. Like so many young, college-educated women in blue cities, Barbie believed the world was divided between oppressors and oppressed. She marched for every progressive cause and found real meaning in the protests. The demonstrations filled her life with purpose and moral clarity. Even though she had never seriously studied the Israel-Gaza conflict, the passionate slogans against “occupation,” “oppression,” and “apartheid,” along with calls for “freedom” and “resistance,” sounded righteous to her. The emotional intensity of the activists made her feel she was on the right side of history, so she never asked difficult questions or looked deeper into the facts. Then she met him at a campus protest against Israel. He presented himself as a refugee who had suffered under Western imperialism. Barbie saw a victim, not a threat. She took him in, posted about their relationship as an act of “resistance,” and was celebrated by her activist friends as a symbol of love overcoming hate. After a few months, he convinced her to move into his community—a closed, insular neighborhood where most asylum seekers and migrants from his background lived. In this once-proud patriotic city, they had become the majority in large parts of the urban area. What used to symbolize national identity had transformed into a parallel society where Western norms were no longer dominant. It was there that the violence became more frequent and open. He would scream at her, grab her, and hit her in front of neighbors. No one intervened. No one seemed surprised. Some even looked at her with disapproval, as if she were the problem. Still, Barbie believed he could change. She told herself that with enough love, he would see her pain. She forgave him again and again, convincing herself each time that the next outburst would be the last. But she never dared to call the police or seek help. She was terrified of of being accused of racism or Islamophobia, or labeled “far-right” by her liberal friends. So she stayed silent, isolated, and slowly disappeared from her old life. One day, the man she defended killed her. Barbie is not her real name, but her story is becoming more common. The same political circles in the West that promote open borders and mass immigration refuse to acknowledge a simple truth: not all cultures are equal. They deny it, suppress discussion, and continue flooding the West with people from incompatible societies. In doing so, they brainwash a generation and prevent real protection for the women and girls most at risk from the ideology they imported. In the Muslim world there is very little diversity. Minorities are steadily disappearing, along with traces of pre-Islamic civilizations. Islam is fundamentally totalitarian. While Western cultures were built to protect women, Islam treats them as property—selling girls as child brides, forcing them into marriage, and condemning them to lives of suffering and control. Every year, thousands of women are murdered by their families in so-called “honor killings.” In most cases, these murders are not treated as serious crimes because they align with Islamic teachings. Barbie believed the slogans. She paid for them with her life. How many more women must be sacrificed before the West stops lying to itself about the consequences of importing incompatible cultures? It is time to end mass immigration from societies that do not respect basic Western values—especially regarding women. Asylum must be strictly limited and properly vetted. Anyone who supports violence against women, honor culture, or the supremacy of Sharia over Western law has no place in the West. Anyone who blames her or claims she “brought it on herself” is consciously or unconsciously trying to deny the real threat. If you genuinely care about women’s rights and the future safety of your daughters, you cannot accept this as normal, inevitable, or something to joke about.

Liza Rosen

42,604 просмотров • 1 месяц назад

The story goes that when Paolina Bonaparte, sister of Napoleon, was asked whether it had been uncomfortable to pose nearly naked for Antonio Canova, she answered with a line that has been repeated ever since: "All veils may fall before Canova." She had married into one of the great noble families of Rome, the Borghese, in 1803. Two years later, her husband Camillo commissioned the most celebrated sculptor in Europe to portray her in marble. Canova carved her between 1805 and 1808 as Venus Victrix — Venus the Victorious — reclining on a couch, semi-nude, holding the golden apple given to the goddess in the Judgement of Paris, when she was named the most beautiful of all the goddesses of Olympus. It scandalised Rome. Aristocratic women, especially the sister of an emperor, were not portrayed without drapery. The gossip was relentless, and the reply attributed to her became just as famous as the scandal itself... Canova carved her in white marble so finely that the mattress beneath her appears to give under her weight, and the surface of her skin glows in the light as though the stone were alive. She reclines today in the Galleria Borghese in Rome, where she has not moved in nearly two hundred years. "I can't read or write," Canova used to say, holding up his hammer and chisel, "but with these I can create poetry." If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: And if you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

151,931 просмотров • 2 месяцев назад

Queen Mary signed the order- conflicted about killing her cousin, but in the end listened to her counsel on stifling the threat of Jane. Jane and her husband’s execution was initially scheduled for 9 February 1554, but was postponed for three days to give Jane the opportunity to convert to Catholicism. “Though she would not give in to his( the priests) efforts "to save her soul", she became friends with him and allowed him to accompany her to the scaffold. — Jane refused to convert religions. She even befriended the priest The day before their executions, Guildford (husband) asked Jane to have one last meeting, which she refused, explaining it "would only ... increase their misery and pain, it was better to put it off ... as they would meet shortly elsewhere, and live bound by indissoluble ties."[166] — Her husband asked for one last meeting and she said it would make their pain even worse, and they’ll meet again somewhere better Around ten o'clock on the morning of 12 February, Guildford was executed with one stroke of the axe. Watching the scene from her window, Jane exclaimed: "Oh, Guildford, Guildford!" She was then taken out to Tower Green, inside the Tower, to be beheaded. Jane gave a speech upon ascending the scaffold then recited Psalm 51 (Have mercy upon me, O God) in English, and handed her gloves and handkerchief to her maid. The executioner asked her for forgiveness, which she granted him, pleading: "I pray you dispatch me quickly." Referring to her head. — She forgave the executioner She then blindfolded herself. Jane then failed to find the block with her hands, and cried, "What shall I do? Where is it?" Probably Thomas Brydges, the Deputy Lieutenant of the Tower, helped her find her way. With her head on the block, Jane spoke the last words of Jesus as recounted in the Gospel of Luke: "Lord, into thy hands I commend my spirit!"

autocorrect2.0

98,016 просмотров • 7 месяцев назад

Haircut of a Japanese girl GPT Image 2 and Seedance Prompt : Create an ultra-realistic cinematic lifestyle video featuring the same young East Asian woman throughout the entire sequence. Maintain identical facial features, long soft ash-brown wavy hair, glowing skin, body proportions, and outfit in every shot. She wears a fitted white ribbed crop top, a flowing red pleated skirt, white sneakers, and carries a cream canvas shoulder bag. Bright summer morning, modern Japanese neighborhood, premium hair salon with warm lighting, realistic reflections, elegant interiors, and a relaxed lifestyle aesthetic. The video opens with her checking herself in the bedroom mirror before lightly styling her hair. She smiles naturally, picks up her cream tote bag, grabs her phone and keys, and leaves the apartment. She walks through a peaceful Korean street lined with cafés, flower planters, and boutique stores. The camera follows her with smooth handheld tracking as sunlight filters through the trees and a gentle breeze moves her hair. She arrives at a stylish Japanese salon, warmly greeting the receptionist before browsing a hairstyle lookbook with the stylist. They chat, laugh, and agree on a soft layered haircut. She relaxes in the shampoo chair while her hair is gently washed and massaged. Close-up shots capture flowing water, shampoo bubbles, warm lighting, and her peaceful expression. The stylist carefully trims her hair, blow-dries it with smooth cinematic movements, and finishes with soft curls and a healthy glossy shine. She smiles while watching the transformation in the mirror. After the haircut, she admires the final look from different angles, takes a quick mirror selfie, thanks the stylist with a warm smile, and leaves the salon feeling confident. Outside, she walks through the sunny streets with her refreshed hairstyle flowing naturally in the breeze. She stops at a café window, catches her reflection, smiles happily, then looks toward the camera and gives a small friendly wave as the camera slowly pulls back to reveal the vibrant Japanese street. Natural ambient audio only: footsteps, city ambience, café chatter, salon conversations, scissors cutting hair, hairdryer, running water, shampoo bubbles, hairbrush sounds, door chimes, birds, gentle breeze, distant traffic. No background music, no subtitles, no logos, no watermarks, and no on-screen text. Premium commercial-quality cinematography, smooth handheld and gimbal camera movement, realistic skin texture, detailed hair physics, natural expressions, physically accurate lighting, shallow depth of field, warm golden atmosphere, 16:9 widescreen, 4K HDR.

Synthia

12,645 просмотров • 29 дней назад

I experimented a lot with the prompt until I landed on this version😎 Only face reference + exact 15-second audio. Generated in Higgsfield AI 🧩 Seedance 2.0. Small tip: when uploading reference audio, cut it precisely to whole seconds (6, 8, 10, 15…) with no leftover tails 🎵 Prompt: A cinematic 15-second music video shot in a dark modern dance studio with smooth grey reflective floor, black walls and horizontal neon light tubes. Continuous dynamic camera movement, mostly medium shots and close-ups, never too wide. The woman is constantly moving, no freezes or static poses. Main subject: young woman with messy medium-length wavy brown hair with bangs partially covering her face, freckles on nose and cheeks, blue-grey eyes, full glossy lips. She wears a tight black fishnet bodysuit. She is singing the entire time with clear, precise lip-sync, mouth actively moving, intense emotional expression. Lyrics: "Ye! Ye! You keep a box of names / In the drawer by your bed / Polaroids and ticket stubs / Stuffed under the red / You never take one thing / You take the whole last spark / Leave a little thumbprint / On every private heart". 0-2s: Tight medium close-up. She leans her upper body back, head tilting, singing passionately with strong lip-sync, hair falling over her face, body arching, one hand sliding across her chest. 2-4s: Camera slowly pushes in and circles. She comes out of the deep arch, torso still bent forward, hands on her thighs, lifting her head and looking straight into camera while singing with aggressive lip-sync. Three male dancers of different appearances (different ethnicities, hair styles and builds) wearing black tank tops and black wide pants are already close around her, moving with her in low tense postures. The other two men are visible at the edges of the frame, approaching. 4-7s: Medium close-up. She drops lower, body still in constant motion, hair swinging, singing intensely with clear mouth movements, sharp head turns, eyes locked on camera. Male dancers stay close, their hands lightly touching her as they move together. 8-12s: Medium shot with slow camera drift. Exactly five male dancers of completely different appearances, all wearing black tank tops and black wide pants, surround her tightly on the floor in a dense, intertwined formation. She is in the center, body still moving, upper body rising and shifting, singing with strong lip-sync. All five men move subtly with her, never static. The men never fully obscure her body. 13-15s: Dynamic medium shot. The five diverse male dancers lift her into the air in a powerful deep backbend. Her body is fully extended and arched, head thrown back, still singing with clear lip-sync. While holding her they gently rock her up and down in time with the beat. The camera starts from a clear side view of her arched body and smoothly transitions to a frontal view of her face. At the end they lower her smoothly onto her feet; she lands and immediately continues singing as the five men stay low on the floor around her. The men never fully obscure her. High fashion dance energy, sweaty skin, sharp timing, continuous fluid motion of the woman, priority on accurate lip-sync in every frame. Rules: no hand morphing, no body distortions, clean stable anatomy, fingers and hands remain consistent and natural throughout the entire video. #AIvideo #AIMusicVideo #AIFilmmaking

Kiber Alla

65,262 просмотров • 27 дней назад

Peggy lived alone at the end of Hawthorn Lane, and the only one who really kept an eye on her was a big black Doberman named Bear. People in the neighborhood used to cross the street when they saw him. He looked like the kind of dog you read about in the wrong kind of story, all muscle and sharp ears. But anybody who actually knew Peggy knew that Bear followed her around the house like a shadow and slept on the floor beside her bed every night. Peggy was 79 and stubborn about living on her own. Her son had been after her for a year to move somewhere with people around, and she kept telling him she was fine, that she had Bear and that was plenty. One morning in the kitchen, she reached up for a mug on the top shelf and her legs just went out from under her. She came down hard on the tile and couldn't get herself back up. Her phone was on the counter, way out of reach, and the house was dead quiet except for her own breathing. Bear was at her side before she even finished falling. He nosed at her face and pressed against her, and when she told him to go, he ran to the front window and started barking, the deep kind the whole street could hear. He wouldn't stop, going from the window to Peggy and back again, over and over, until a neighbor two doors down finally came out to see what all the noise was about. She found Peggy on the floor and Bear standing guard over her, and she had the ambulance there within minutes. Peggy came home a week later with a cracked hip and a new respect for that dog. She still won't hear a word about moving. She says she already lives with somebody who looks out tor her.

Gabriele Corno

34,378 просмотров • 27 дней назад