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Sasha Grey was the gangbang master. Could effortlessly take multiple GIANT cocks like the good sexy slut she was. She wants your goon seed loser, stroke for Sasha 😈😵‍💫 #nsfwtwtًً #dp #sashagrey #bwc #horny #cumslut #gooning

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Tiffani Time was explaining what happens when she performs with male performers who are significantly bigger, and sometimes the discomfort gets bad enough that her body instinctively tries to move away. “When you're performing with performers with, like, you know, real big…” She explained that it can be hard to control the reaction in the moment, especially when things hit differently depending on the position. “You can't help it. Like, your reaction is to kind of lift yourself up a little.” Then she revealed the most recent time it happened, involving Isaiah Maxwell. “The most recent for me was when Isaiah was real deep and I tried to, like, pop off of it a little bit from the back.” Except she wasn't actually in the position the host assumed. She was on top, with Hollywood Cash standing over her. “I was on top and then Hollywood Cash was standing over me.” “And he's like, ‘Nah, get back on. Get back.’” The host was surprised because he assumed being on top meant she could control everything. Tiffani explained that there were actually two guys there, although it wasn't a double-penetration scene. “There were two guys there though.” “It wasn't a DP. It was just a two man.” And even after she tried to move up again, Hollywood Cash wasn't having it. “Tried to come up a little bit and Hollywood Cash is like, ‘Nah, you get back down there.’” “It was hot.”
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Tiffani Time was explaining what happens when she performs with male performers who are significantly bigger, and sometimes the discomfort gets bad enough that her body instinctively tries to move away. “When you're performing with performers with, like, you know, real big…” She explained that it can be hard to control the reaction in the moment, especially when things hit differently depending on the position. “You can't help it. Like, your reaction is to kind of lift yourself up a little.” Then she revealed the most recent time it happened, involving Isaiah Maxwell. “The most recent for me was when Isaiah was real deep and I tried to, like, pop off of it a little bit from the back.” Except she wasn't actually in the position the host assumed. She was on top, with Hollywood Cash standing over her. “I was on top and then Hollywood Cash was standing over me.” “And he's like, ‘Nah, get back on. Get back.’” The host was surprised because he assumed being on top meant she could control everything. Tiffani explained that there were actually two guys there, although it wasn't a double-penetration scene. “There were two guys there though.” “It wasn't a DP. It was just a two man.” And even after she tried to move up again, Hollywood Cash wasn't having it. “Tried to come up a little bit and Hollywood Cash is like, ‘Nah, you get back down there.’” “It was hot.”

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‼️Erika Kirk PUBLISHED A Grief Op Ed In The Same NYT Charlie DESPISED — That Felt MORE Like An AD For JD Vance. 👀 Erika Kirk published a one-year grief op-ed in the New York Times. Charlie spent his career treating that paper as the other side — he read it in the morning so you did not have to, because he wanted to know what the intelligence line was. Two days after he was killed she opened their apartment to them. A year later she is back in the same pages, behind a paywall, selling a grief the public never saw while she moved to take the CEO chair. Candace read the piece. It is the same recycled lines. Usha Vance on Air Force Two telling her to survive the next fifteen minutes. That line was already in the first speech. It was already on the Turning Point conference call. It is the close of the Times essay. There is almost nothing Charlie said to her. There is a lot of the Vance family. Six days after the shooting she was on a Zoom giggling at merch emojis. Then she told Jesse Waters she did not even need a pill to sleep because God had her. The essay still wants you to believe the fever-dream couch and the tightening chest. If the point was Charlie, she could have written it on a Substack for free. If the point was grief, she could have said something she has not already said on stage. This was a signup machine for a paper he opposed and a soft ad for the ticket she opened AmFest promoting. Surface. Controlled. Fake. Turning Point 2.0 missed another chance to tell the truth about the man they claim to mourn. FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇

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