Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

scratches head...?

aibarisu's profile picture

affie

23,702 subscribers

428,935 Aufrufe • vor 1 Jahr •via X (Twitter)

Comedy
LIVE

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

The ultimate head scratches
0:15

The ultimate head scratches

Nature Clips

10,593 Aufrufe • vor 2 Monaten

Tiger loved Head Scratches.🐯😳
0:14

Tiger loved Head Scratches.🐯😳

ANIMALS WORLD

19,061 Aufrufe • vor 5 Tagen

Baby gators enjoy the head scratches
0:12

Baby gators enjoy the head scratches

Beauty Of Nature 🌳

77,653 Aufrufe • vor 11 Monaten

new claws who want head scratches
0:14

Sensitive content

new claws who want head scratches

claudia ☆

13,113 Aufrufe • vor 1 Jahr

Do you like head scratches? 🥺
0:18

Do you like head scratches? 🥺

emmasonne

30,849 Aufrufe • vor 4 Monaten

When head scratches hit the perfect spot
0:16

When head scratches hit the perfect spot

千ㄖ乂 🦊

21,921 Aufrufe • vor 10 Monaten

When the head scratches are just too good 🦊
0:13

When the head scratches are just too good 🦊

千ㄖ乂 🦊

33,880 Aufrufe • vor 11 Monaten

Turns out Fat Jasper loves getting head scratches from Yujiro.
0:14

Sensitive content

Turns out Fat Jasper loves getting head scratches from Yujiro.

M 🌙💜 | BAKI Fanzine in progress!

38,393 Aufrufe • vor 17 Tagen

When the head scratches hit that one specific spot. 🫠🐾
0:15

When the head scratches hit that one specific spot. 🫠🐾

ANIMALS WORLD

736,024 Aufrufe • vor 2 Monaten

Tiger cub getting blow-dried and head scratches from his caregiver after a bath🐯
0:13

Tiger cub getting blow-dried and head scratches from his caregiver after a bath🐯

ANIMALS WORLD

42,223 Aufrufe • vor 2 Monaten

getting my head scratches in…. u rlly need to make sure u get behind the ossicones
0:10

getting my head scratches in…. u rlly need to make sure u get behind the ossicones

Topeka Zoo

27,842 Aufrufe • vor 6 Monaten

This man has scratches on his truck and people ask him why he doesn’t buff them out. His response- “I could probably buff out the scratches on my truck, but I don't really want to. They're from Gunnar, from all the times he stuck his head out the window, ears back, face in the wind, happy just to be along for the ride. Back then, it was just part of life. Dog hair everywhere. Nose prints on the glass. Scratches on the door. Another drive with him riding shotgun like he owned the truck. Now those little marks feel different. They're not just scratches anymore. They're proof of a time when he was still here. A reminder of the ordinary moments I didn't know I'd miss this much.” Those aren’t scratches, those are memories. 💔 Do you have physical memories of your pet that you refuse to get rid of? Scratches? Nose prints, a bed? Dog house? Do you keep their memory alive?
0:11

This man has scratches on his truck and people ask him why he doesn’t buff them out. His response- “I could probably buff out the scratches on my truck, but I don't really want to. They're from Gunnar, from all the times he stuck his head out the window, ears back, face in the wind, happy just to be along for the ride. Back then, it was just part of life. Dog hair everywhere. Nose prints on the glass. Scratches on the door. Another drive with him riding shotgun like he owned the truck. Now those little marks feel different. They're not just scratches anymore. They're proof of a time when he was still here. A reminder of the ordinary moments I didn't know I'd miss this much.” Those aren’t scratches, those are memories. 💔 Do you have physical memories of your pet that you refuse to get rid of? Scratches? Nose prints, a bed? Dog house? Do you keep their memory alive?

👉M-Û-R-Č-H👈

209,106 Aufrufe • vor 2 Monaten

Itching for #FatBearWeek? 🐻 The #FatBearWeek bracket gets revealed today at 3PM AK/7PM ET here: Video description: A fluffy bear scratches an itch behind its head with its foot, with a snow-covered mountain in the background. Credit: NPS/F. Jimenez
0:15

Itching for #FatBearWeek? 🐻 The #FatBearWeek bracket gets revealed today at 3PM AK/7PM ET here: Video description: A fluffy bear scratches an itch behind its head with its foot, with a snow-covered mountain in the background. Credit: NPS/F. Jimenez

Katmai National Park

364,688 Aufrufe • vor 2 Jahren

A $200M lie is nothing to the Trump family. And this only scratches the surface. My recent YouTube video breaks down the early years of Trump’s persistent lying and corruption. Head the link in my reply to watch the deep-dive.
0:15

A $200M lie is nothing to the Trump family. And this only scratches the surface. My recent YouTube video breaks down the early years of Trump’s persistent lying and corruption. Head the link in my reply to watch the deep-dive.

Adam Kinzinger (Slava Ukraini) 🇺🇸🇺🇦

24,187 Aufrufe • vor 3 Monaten

Try this Grok Imagine prompt. >>> prompt A colossal biomechanical oni-dragon looms over a defiant silver-haired girl. The dragon is covered in matte-black plating layered with frost and battle scars. It has three glowing crimson optic clusters and jagged ivory fangs dripping with icicles. Neon-pink "GROK" lettering and red kanji decals mark its armor. The girl wears a cropped black tech-hoodie and cargo pants. Her pale skin is dusted with snow and she has no smile. The style is an ultra-realistic cyberpunk kaiju portrait with weathered PBR metal, micro-scratches, ice crystals, macro hydraulic detail, and a cinematic 32-bit render look. The environment is an arctic tundra blizzard under a pale cyan sky with swirling snow particles and a faint red glow from the dragon's vents cutting through the whiteout. The lighting uses cold overcast skylight paired with hot crimson optic bloom. There are razor chrome rim highlights on the fangs, long blue shadows on the snow, and subtle subsurface red glowing under cracked plates. The composition is a heroic low-angle wide shot. The dragon's head dominates the left two-thirds of the frame while the girl is anchored in the bottom-right. The jaws hover inches from her face with a diagonal cable sweep and rule-of-thirds optic alignment. The color palette centers on gunmetal black and frost white for the dragon, neon crimson and magenta for its markings, icy cyan for the snow, monochrome black for the girl's outfit, and pale tones for her skin. The camera is a 24 mm at f/1.8 with medium depth of field, tack-sharp focus on the nearest fang and the girl's eyes, and a creamy bokeh blizzard in the background. The mood conveys an ancient guardian awakened, a quiet symbiosis, and a frozen apocalypse. Details include icicles hanging from the lower jaw, micro-hydraulic pistons frozen mid-flex, snowflakes melting on hot optic glass, the girl's breath visible in the cold air, faint red vein pulses under the armor, dangling torn power cables, a single magenta lens flare behind the left horn, and a tiny "xAI" etched on the girl's belt buckle. Output quality is 8K with ray-traced frost, volumetric snow, subsurface optic glow, zero noise, and cinematic grade rendering.
0:10

Try this Grok Imagine prompt. >>> prompt A colossal biomechanical oni-dragon looms over a defiant silver-haired girl. The dragon is covered in matte-black plating layered with frost and battle scars. It has three glowing crimson optic clusters and jagged ivory fangs dripping with icicles. Neon-pink "GROK" lettering and red kanji decals mark its armor. The girl wears a cropped black tech-hoodie and cargo pants. Her pale skin is dusted with snow and she has no smile. The style is an ultra-realistic cyberpunk kaiju portrait with weathered PBR metal, micro-scratches, ice crystals, macro hydraulic detail, and a cinematic 32-bit render look. The environment is an arctic tundra blizzard under a pale cyan sky with swirling snow particles and a faint red glow from the dragon's vents cutting through the whiteout. The lighting uses cold overcast skylight paired with hot crimson optic bloom. There are razor chrome rim highlights on the fangs, long blue shadows on the snow, and subtle subsurface red glowing under cracked plates. The composition is a heroic low-angle wide shot. The dragon's head dominates the left two-thirds of the frame while the girl is anchored in the bottom-right. The jaws hover inches from her face with a diagonal cable sweep and rule-of-thirds optic alignment. The color palette centers on gunmetal black and frost white for the dragon, neon crimson and magenta for its markings, icy cyan for the snow, monochrome black for the girl's outfit, and pale tones for her skin. The camera is a 24 mm at f/1.8 with medium depth of field, tack-sharp focus on the nearest fang and the girl's eyes, and a creamy bokeh blizzard in the background. The mood conveys an ancient guardian awakened, a quiet symbiosis, and a frozen apocalypse. Details include icicles hanging from the lower jaw, micro-hydraulic pistons frozen mid-flex, snowflakes melting on hot optic glass, the girl's breath visible in the cold air, faint red vein pulses under the armor, dangling torn power cables, a single magenta lens flare behind the left horn, and a tiny "xAI" etched on the girl's belt buckle. Output quality is 8K with ray-traced frost, volumetric snow, subsurface optic glow, zero noise, and cinematic grade rendering.

tetsuo

12,932 Aufrufe • vor 5 Monaten

Seedance 2.0 on Higgsfield AI delivers some of the best camera motion, consistency, and creative control I've seen in AI video generation. Full Open-sourced prompts & assets below: SCENE CONTEXT A bright summer afternoon on the coastal road: the young man drives the mint scooter down toward the sea with the young woman riding behind him, arms around his waist — an easy, happy ride past the railway crossing along the water. ACTIVE REFERENCES >> — young woman, 20 years old, 165 cm tall, slender, straight dark brown hair with side-swept bangs pinned by a small black clip, freckles across her cheeks and nose. 100% matches the reference. >> — young man, 22 years old, 178 cm tall, lean, sun-tanned, messy dark hair under a tan baseball cap worn backwards. 100% matches the reference. >> — vehicle: vintage mint-green scooter with a brown leather saddle, chrome mirrors and silver wheels. 100% matches the reference. >> — location: coastal road curving downhill past a railway crossing with yellow-and-black crossbuck signs, utility poles and wires, stone embankment walls, an orange convex traffic mirror on a pole, the open sea with white-capped waves behind. LOCATION MAP The road from >> curves downhill through the midground toward the railway crossing, the sea filling the background beyond it. Stone embankments rise on both sides, the orange convex mirror stands on the right shoulder in the near foreground, utility poles line the curve. Their path: down the curve, past the crossing, along the water toward screen-left. Primary light: bright seaside daylight, sun high, wind off the sea. FIRST FRAME AND SPATIAL BLOCKING The first visible frame already contains >> rolling down the curve with both riders aboard — >> driving, hands on the grips, >> seated close behind him, arms wrapped around his waist, her head just above his shoulder, a full head shorter than him. No empty establishing frame, no delayed reveal. He drives in every segment; she is always the passenger. FORMAT MODE Controlled four-segment multi-shot sequence: one INSERT CUT and two HARD CUTS. Real-time motion at an easy unhurried scooter pace. Every segment is shot handheld — no static shot anywhere in the sequence. OPTICS LENS LOCK SEGMENT 1 = 47° diagonal field of view, standard normal lens character, camera 12 to 15 meters at the roadside, the scooter and both riders full in frame with the crossing and sea behind, straight lines rectilinear, no fisheye. Soft vintage lens rendering: gentle edge softness, mild halation in the bright sky and sea glare, even brightness across the whole frame — no vignette, corners stay as bright as the center. This rendering applies to every segment. LENS LOCK SEGMENT 2 = 29° diagonal field of view, short telephoto character, camera 3 to 4 meters tracking alongside from a following vehicle, close two-shot of their faces and shoulders, the sea streaming soft behind them. LENS LOCK SEGMENT 3 = 29°, camera 1.5 to 2 meters, tight insert on her hands clasped at his stomach, the mint body and brown saddle below, road surface blurring past. LENS LOCK SEGMENT 4 = 47°, camera 10 to 12 meters behind the orange convex mirror on the right shoulder, the mirror large in the near foreground reflecting the road, the real scooter passing through the frame and receding along the sea. No drift mid-segment. CAMERA Handheld in every segment with no exceptions — a real operator at the roadside and in a following vehicle: the frame breathes with shoulder sway and soft micro-tremor visible in every second, small late reframes chasing the scooter and easing back; the tracking shot carries gentle road vibration on top of the hand movement; the insert trembles slightly more; the mirror wide breathes slower but never freezes. No tripod stillness, no gimbal smoothness, no stabilization anywhere. On top, the footage behaves like an old film print running through a projector: constant subtle gate weave, faint exposure flicker, occasional tiny dust specks and hairline scratches, image soft and slightly diffused like an aged 16mm print — never sharp, never digitally clean, no vignette or darkened corners at any moment. ACTION TIMING 0.0s to 3.5s — Roadside wide: the mint scooter putters down the curve at an easy pace, leaning gently with the bend; >> relaxed at the grips, >> pressed close behind him, her hair and skirt hem streaming in the sea wind; they pass the yellow-and-black crossing signs with the white-capped sea glittering beyond. 3.5s HARD CUT 3.5s to 6.5s — Tracking close two-shot: she rests her chin almost on his shoulder and says something teasing into his ear — lips moving without audible words; he barks a laugh, shaking his head, cap holding snug; she grins wide against the wind, bangs whipping, eyes squinting happily. 6.5s INSERT CUT 6.5s to 8.5s — Tight insert: her hands clasped over his stomach, fingers laced, giving a little squeeze as the scooter sways through a bend; the mint body flexes light reflections, the road surface streams underneath in soft blur. 8.5s HARD CUT 8.5s to 12.0s — Wide past the orange convex mirror: the tiny reflection of the scooter slides across the round mirror in the foreground a beat before the real scooter enters and crosses the frame, unhurried, the two of them small against the vast bright sea; she tips her head back and laughs into the wind as they recede along the coast; the engine putter fades. PHYSICS The scooter carries real combined weight: soft suspension compression over road seams, a gentle lean into each bend with both bodies tilting as one, slight throttle sway she counterbalances by gripping tighter; engine vibration trembles through their sleeves; wind at riding speed streams her hair, his tee and her skirt hem backward continuously with fabric flutter; the sea wind adds gusts; the convex mirror reflection tracks their motion with true optics. LIGHTING Bright seaside daylight only — no artificial light. Aged film print look: the sky and the glittering sea bloom into a soft white-gold haze with visible halation rings, gentle glow hanging in the air, creamy highlights rolling off softly. Faded pastel grade of an old print: lifted milky blacks, warm ivory and honey tones over softened sea blues, the mint scooter body reading as a gentle washed pastel green, the orange mirror and yellow-black signs as warm muted accents — never oversaturated; slightly yellowed whites, low contrast, colors gently washed as if the print has aged for twenty years, heavy visible film grain crawling in every frame, delicate haze. Exposure stays natural across the frame — no added vignette, no darkened edges or corners. The whole image reads as an old 2000s Japanese film discovered on a dusty reel. No crisp modern digital look, no cool color cast. AUDIO SFX only, with the worn texture of an old optical soundtrack — slightly muffled, faint constant hiss: the soft putter of the small scooter engine rising and fading with the throttle, wind buffeting past, waves breaking below the road, gull cries, her bright laugh snatched by the wind, the faint tick of the engine at the far end. No music, no intelligible spoken words, no captions, no score. POSITIVE LOCKS Identities lock 100% to >> and >> in every segment — same outfits as their references throughout, her natural 165 cm and his 178 cm with true relative proportions, his cap staying backwards and snug at riding speed in every shot. >> drives in every segment; >> rides pillion with her arms around his waist from first frame to last, hands unclasping never. The scooter stays 100% >> — mint-green body, brown saddle, chrome mirrors — in every shot. Road geography stays consistent with >> across all cuts: downhill curve, crossing signs, embankments, orange mirror on the right shoulder, sea always beyond the road; travel direction constant toward screen-left. Handheld breathing holds in every single segment, and the aged-film texture holds identically throughout: grain, gate weave, flicker, dust, halation and faded grade never weaken, frame stays vignette-free with even corner brightness; no segment turns rigid, stabilized, sharp or digitally clean. Only these two people appear; the road stays otherwise empty, no cars, no train.
0:15

Seedance 2.0 on Higgsfield AI delivers some of the best camera motion, consistency, and creative control I've seen in AI video generation. Full Open-sourced prompts & assets below: SCENE CONTEXT A bright summer afternoon on the coastal road: the young man drives the mint scooter down toward the sea with the young woman riding behind him, arms around his waist — an easy, happy ride past the railway crossing along the water. ACTIVE REFERENCES >> — young woman, 20 years old, 165 cm tall, slender, straight dark brown hair with side-swept bangs pinned by a small black clip, freckles across her cheeks and nose. 100% matches the reference. >> — young man, 22 years old, 178 cm tall, lean, sun-tanned, messy dark hair under a tan baseball cap worn backwards. 100% matches the reference. >> — vehicle: vintage mint-green scooter with a brown leather saddle, chrome mirrors and silver wheels. 100% matches the reference. >> — location: coastal road curving downhill past a railway crossing with yellow-and-black crossbuck signs, utility poles and wires, stone embankment walls, an orange convex traffic mirror on a pole, the open sea with white-capped waves behind. LOCATION MAP The road from >> curves downhill through the midground toward the railway crossing, the sea filling the background beyond it. Stone embankments rise on both sides, the orange convex mirror stands on the right shoulder in the near foreground, utility poles line the curve. Their path: down the curve, past the crossing, along the water toward screen-left. Primary light: bright seaside daylight, sun high, wind off the sea. FIRST FRAME AND SPATIAL BLOCKING The first visible frame already contains >> rolling down the curve with both riders aboard — >> driving, hands on the grips, >> seated close behind him, arms wrapped around his waist, her head just above his shoulder, a full head shorter than him. No empty establishing frame, no delayed reveal. He drives in every segment; she is always the passenger. FORMAT MODE Controlled four-segment multi-shot sequence: one INSERT CUT and two HARD CUTS. Real-time motion at an easy unhurried scooter pace. Every segment is shot handheld — no static shot anywhere in the sequence. OPTICS LENS LOCK SEGMENT 1 = 47° diagonal field of view, standard normal lens character, camera 12 to 15 meters at the roadside, the scooter and both riders full in frame with the crossing and sea behind, straight lines rectilinear, no fisheye. Soft vintage lens rendering: gentle edge softness, mild halation in the bright sky and sea glare, even brightness across the whole frame — no vignette, corners stay as bright as the center. This rendering applies to every segment. LENS LOCK SEGMENT 2 = 29° diagonal field of view, short telephoto character, camera 3 to 4 meters tracking alongside from a following vehicle, close two-shot of their faces and shoulders, the sea streaming soft behind them. LENS LOCK SEGMENT 3 = 29°, camera 1.5 to 2 meters, tight insert on her hands clasped at his stomach, the mint body and brown saddle below, road surface blurring past. LENS LOCK SEGMENT 4 = 47°, camera 10 to 12 meters behind the orange convex mirror on the right shoulder, the mirror large in the near foreground reflecting the road, the real scooter passing through the frame and receding along the sea. No drift mid-segment. CAMERA Handheld in every segment with no exceptions — a real operator at the roadside and in a following vehicle: the frame breathes with shoulder sway and soft micro-tremor visible in every second, small late reframes chasing the scooter and easing back; the tracking shot carries gentle road vibration on top of the hand movement; the insert trembles slightly more; the mirror wide breathes slower but never freezes. No tripod stillness, no gimbal smoothness, no stabilization anywhere. On top, the footage behaves like an old film print running through a projector: constant subtle gate weave, faint exposure flicker, occasional tiny dust specks and hairline scratches, image soft and slightly diffused like an aged 16mm print — never sharp, never digitally clean, no vignette or darkened corners at any moment. ACTION TIMING 0.0s to 3.5s — Roadside wide: the mint scooter putters down the curve at an easy pace, leaning gently with the bend; >> relaxed at the grips, >> pressed close behind him, her hair and skirt hem streaming in the sea wind; they pass the yellow-and-black crossing signs with the white-capped sea glittering beyond. 3.5s HARD CUT 3.5s to 6.5s — Tracking close two-shot: she rests her chin almost on his shoulder and says something teasing into his ear — lips moving without audible words; he barks a laugh, shaking his head, cap holding snug; she grins wide against the wind, bangs whipping, eyes squinting happily. 6.5s INSERT CUT 6.5s to 8.5s — Tight insert: her hands clasped over his stomach, fingers laced, giving a little squeeze as the scooter sways through a bend; the mint body flexes light reflections, the road surface streams underneath in soft blur. 8.5s HARD CUT 8.5s to 12.0s — Wide past the orange convex mirror: the tiny reflection of the scooter slides across the round mirror in the foreground a beat before the real scooter enters and crosses the frame, unhurried, the two of them small against the vast bright sea; she tips her head back and laughs into the wind as they recede along the coast; the engine putter fades. PHYSICS The scooter carries real combined weight: soft suspension compression over road seams, a gentle lean into each bend with both bodies tilting as one, slight throttle sway she counterbalances by gripping tighter; engine vibration trembles through their sleeves; wind at riding speed streams her hair, his tee and her skirt hem backward continuously with fabric flutter; the sea wind adds gusts; the convex mirror reflection tracks their motion with true optics. LIGHTING Bright seaside daylight only — no artificial light. Aged film print look: the sky and the glittering sea bloom into a soft white-gold haze with visible halation rings, gentle glow hanging in the air, creamy highlights rolling off softly. Faded pastel grade of an old print: lifted milky blacks, warm ivory and honey tones over softened sea blues, the mint scooter body reading as a gentle washed pastel green, the orange mirror and yellow-black signs as warm muted accents — never oversaturated; slightly yellowed whites, low contrast, colors gently washed as if the print has aged for twenty years, heavy visible film grain crawling in every frame, delicate haze. Exposure stays natural across the frame — no added vignette, no darkened edges or corners. The whole image reads as an old 2000s Japanese film discovered on a dusty reel. No crisp modern digital look, no cool color cast. AUDIO SFX only, with the worn texture of an old optical soundtrack — slightly muffled, faint constant hiss: the soft putter of the small scooter engine rising and fading with the throttle, wind buffeting past, waves breaking below the road, gull cries, her bright laugh snatched by the wind, the faint tick of the engine at the far end. No music, no intelligible spoken words, no captions, no score. POSITIVE LOCKS Identities lock 100% to >> and >> in every segment — same outfits as their references throughout, her natural 165 cm and his 178 cm with true relative proportions, his cap staying backwards and snug at riding speed in every shot. >> drives in every segment; >> rides pillion with her arms around his waist from first frame to last, hands unclasping never. The scooter stays 100% >> — mint-green body, brown saddle, chrome mirrors — in every shot. Road geography stays consistent with >> across all cuts: downhill curve, crossing signs, embankments, orange mirror on the right shoulder, sea always beyond the road; travel direction constant toward screen-left. Handheld breathing holds in every single segment, and the aged-film texture holds identically throughout: grain, gate weave, flicker, dust, halation and faded grade never weaken, frame stays vignette-free with even corner brightness; no segment turns rigid, stabilized, sharp or digitally clean. Only these two people appear; the road stays otherwise empty, no cars, no train.

WasifAI

14,967 Aufrufe • vor 6 Tagen