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Screenwriter David Koepp on writing Steven Spielberg’s #DisclosureDay script after reading 40-pages of notes that Spielberg wrote on his phone’s Notes App. “He [Spielberg] said ‘this is kind of a summation of everything I’ve wanted to say about aliens,’” said Koepp

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Deadline

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Steven Spielberg is returning to UFOs in a few weeks with his release of Disclosure Day. It’s a good time to revisit one of his best films, Close Encounters of the Third Kind. As I’ve said before, I think this film is Spielberg’s best use of sound- sound is so key to this story.
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Disclosure Day's David Koepp: "Aliens are a mathematical certainty" 👽🛸 The screenwriter of Steven Spielberg's new film Disclosure Day told NewsNation that the existence of extraterrestrial life isn't just possible, it's inevitable based on the scale of the universe. "We wanted to make a movie that said, 'Everything you thought is right.'" "We are currently going through a limited UFO disclosure process & a lot is being held back" Koepp shared his personal view: "Aliens outside of Earth exist? I certainly do. The universe isn't just a possibility, it's a mathematical certainty." He also explored deeper ideas about perception and reality: "Yes, other intelligent life forms exist. Yes, they’ve been here. They may even be here now. We can’t perceive them." The film dives into what happens when that truth comes out, blending thriller elements with big questions about faith, humanity, and how we'd react to knowing we're not alone.
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Disclosure Day's David Koepp: "Aliens are a mathematical certainty" 👽🛸 The screenwriter of Steven Spielberg's new film Disclosure Day told NewsNation that the existence of extraterrestrial life isn't just possible, it's inevitable based on the scale of the universe. "We wanted to make a movie that said, 'Everything you thought is right.'" "We are currently going through a limited UFO disclosure process & a lot is being held back" Koepp shared his personal view: "Aliens outside of Earth exist? I certainly do. The universe isn't just a possibility, it's a mathematical certainty." He also explored deeper ideas about perception and reality: "Yes, other intelligent life forms exist. Yes, they’ve been here. They may even be here now. We can’t perceive them." The film dives into what happens when that truth comes out, blending thriller elements with big questions about faith, humanity, and how we'd react to knowing we're not alone.

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Steven Spielberg’s next film #DisclosureDay looks absolutely incredible. I can barely put into words how hyped I am for a summer Spielberg film about aliens. And composed by John Williams? It just feels right. Never take this for granted, people. We have to make the most of this.
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Steven Spielberg’s next film #DisclosureDay looks absolutely incredible. I can barely put into words how hyped I am for a summer Spielberg film about aliens. And composed by John Williams? It just feels right. Never take this for granted, people. We have to make the most of this.

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There’s an audio recording of Steven Spielberg describing a White House screening of E.T. After the movie, Reagan allegedly said: “A lot of you in this room know that everything on that screen… is true.” If that’s real… that’s insane. Kevin Knuth episode dropping in 10 mins.

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#DISCLOSUREDAY is Steven Spielberg’s 4th centered film and the first Spielberg film I’ve seen in theaters since Indiana Jones and The Kingdom of the Crystal Skull. (I might never see a truly Great Spielberg picture in theaters) The Cast on paper is perfect, John Williams orchestrating the score while Spielberg directs the shit out of this film. David Koepp wrote the screenplay here and he is definitely the weakest part of this creation but it’s also on Spielberg because he should be able to see the faults here. The film leaves you wanting more and more and eventually it gives you what you want but takes it away just like that, it results in an underwhelming ending. The film is really well made, the framing and camera choices from Spielberg adds so much to what would be just simple scenes. Blunt, O’Connor, Domingo and Firth are all solid, at times the script lets them down but they do their best to salvage it. The Train sequence was great, but not a whole lot happens in the film other than that. I enjoyed the film for its intriguing storyline, the directing and especially Blunt’s performance but the ending was a big bummer. Definitely a good intriguing watch but I don’t think the film will have much rewatch value. Wanted to love it but just ended up liking it for about 90% of it. Did you see or plan on seeing Disclosure Day ? 👽🛸
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George Lucas initially wanted to start the "Indiana Jones and the Last Crusade" (1989) with a sequence showing Indy as a boy, but Spielberg initially disagreed with the idea. According to Lucas, Spielberg rejected the idea as he had really been trashed by the critics for "Empire of the Sun" (1987) & he had said. "I just don't want to do any more films with kids in them." Lucas also suggested making Indy III “a haunted-house movie.” He had such a script written by screenwriter Diane Thomas before her death in a 1985 car accident, but, Lucas said, “Steven had done 'Poltergeist' (1982), and he didn’t want to do another movie like that.” Menno Meyjes’s draft was about Indy’s quest for the Holy Grail, a plot device suggested by Lucas, left Spielberg dubious. However Spielberg agreed to do the movie about The Holy Grail on one condition. Spielberg said, "I will make the movie about the Holy grail but I want it to be about a father and son. I want to get Indy’s father involved in the thing. I want a quest for the father." "I wanted to do Indy in pursuit of his father, sharing his father’s dream, and in the course of searching for their dreams, they rediscover each other." However, according to screenwriter, Jeffrey Boam the Father-Son story was the idea of George Lucas. ("Steven Spielberg A Biography", Joseph McBride, 2010) P.S: On this day, 37 years ago, "Indiana Jones and the Last Crusade" (1989) was released in the USA & Canada.

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