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Session Zero is a live action interactive D&D show where the audience calls the shots! 🗓️ Fri 28 Nov ⏰ 3:00pm ✨ Included in tickets Buy tickets: Session Zero Josh Strife Hayes Rage | Tech & RPG BillieTrixx Jasper William Cartwright

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MCM Comic Con

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21,989 görüntüleme • 10 ay önce •via X (Twitter)

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ICYMI: One of the biggest names in D&D and TTRPG Live Plays returns to MCM London Comic Con for a special live show set in their original world of Altheya. 📍 Capital Stage (previously named Centre Stage) 🗓️ Sat 25 Oct ⏰ 4:05pm ✨ Included in tickets
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ICYMI: One of the biggest names in D&D and TTRPG Live Plays returns to MCM London Comic Con for a special live show set in their original world of Altheya. 📍 Capital Stage (previously named Centre Stage) 🗓️ Sat 25 Oct ⏰ 4:05pm ✨ Included in tickets

MCM Comic Con

13,216 görüntüleme • 11 ay önce

D-DAY! 💜💙 SEE YOU TODAY AT #MyMagicProphecy FINAL EP. "MY MAGIC PROPHECY LUCKY IN LOVE FAN PARTY" 🔮✨ 📌 Buy Live Streaming Tickets : 🗓️ SUNDAY, 28 SEPTEMBER 2025 📍 MCC HALL FL. 3, THE MALL LIFESTORE BANGKAPI #GMMTV Thapfah Kittipokin, M.D. Deputy Hospital Director Inthu, Tarotist | ปิดรับดูดวงชั่วคราว (ลาพักใจ) 🔮 Save Franc First.kp Acare_ct
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D-DAY! 💜💙 SEE YOU TODAY AT #MyMagicProphecy FINAL EP. "MY MAGIC PROPHECY LUCKY IN LOVE FAN PARTY" 🔮✨ 📌 Buy Live Streaming Tickets : 🗓️ SUNDAY, 28 SEPTEMBER 2025 📍 MCC HALL FL. 3, THE MALL LIFESTORE BANGKAPI #GMMTV Thapfah Kittipokin, M.D. Deputy Hospital Director Inthu, Tarotist | ปิดรับดูดวงชั่วคราว (ลาพักใจ) 🔮 Save Franc First.kp Acare_ct

GMMTV

43,540 görüntüleme • 11 ay önce

D-3️⃣ till ARMY MEMBERSHIP PRESALE ❤️‍🔥 𝐍𝐨 𝐌𝐨𝐫𝐞 𝐃𝐫𝐞𝐚𝐦, BTS is finally returning to Singapore as a complete group this December 😮‍💨 Mark your calendars and don’t miss out on ticketing! ✨ 𝐀𝐑𝐌𝐘 𝐌𝐄𝐌𝐁𝐄𝐑𝐒𝐇𝐈𝐏 𝐏𝐑𝐄𝐒𝐀𝐋𝐄 3 June (Wed), 12PM - 10PM (SGT) Eligible for ARMY MEMBERSHIP (GLOBAL) holders who’ve registered during the registration period. More info here: ✨ 𝐋𝐈𝐕𝐄 𝐍𝐀𝐓𝐈𝐎𝐍 𝐏𝐑𝐄𝐒𝐀𝐋𝐄 4 June (Thu), 12PM - 10PM (SGT) Register for a FREE membership via to access the exclusive presale!⁠ ✨ 𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐎𝐍𝐒𝐀𝐋𝐄 5 June (Fri), 12PM (SGT) onwards via / hotline +65 6018 7645 ✨ 𝐊𝐋𝐎𝐎𝐊 𝐒𝐀𝐋𝐄 (𝐎𝐅𝐅𝐈𝐂𝐈𝐀𝐋 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄 𝐏𝐀𝐑𝐓𝐍𝐄𝐑) 5 June (Fri), 12PM (SGT) onwards KLOOK members can purchase tickets, which come together with an exclusive bundle via KLOOK. For more info, visit —————— 𝐁𝐓𝐒 𝐖𝐎𝐑𝐋𝐃 𝐓𝐎𝐔𝐑 '𝐀𝐑𝐈𝐑𝐀𝐍𝐆' 𝐈𝐍 𝐒𝐈𝐍𝐆𝐀𝐏𝐎𝐑𝐄 📅 17, 19, 20, 22 Dec 2026 (Thu, Sat, Sun, Tue), 7PM 📍National Stadium 🎫: / hotline +65 6018 7645 #방탄소년단 #BTS #BTS_WORLDTOUR_ARIRANG #BTS_WORLDTOUR_ARIRANG_ASIA —————— Buy tickets for concerts in Singapore only through official ticket agents. Resold tickets will not be honoured at the event venue and ticket holders may be turned away.
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D-3️⃣ till ARMY MEMBERSHIP PRESALE ❤️‍🔥 𝐍𝐨 𝐌𝐨𝐫𝐞 𝐃𝐫𝐞𝐚𝐦, BTS is finally returning to Singapore as a complete group this December 😮‍💨 Mark your calendars and don’t miss out on ticketing! ✨ 𝐀𝐑𝐌𝐘 𝐌𝐄𝐌𝐁𝐄𝐑𝐒𝐇𝐈𝐏 𝐏𝐑𝐄𝐒𝐀𝐋𝐄 3 June (Wed), 12PM - 10PM (SGT) Eligible for ARMY MEMBERSHIP (GLOBAL) holders who’ve registered during the registration period. More info here: ✨ 𝐋𝐈𝐕𝐄 𝐍𝐀𝐓𝐈𝐎𝐍 𝐏𝐑𝐄𝐒𝐀𝐋𝐄 4 June (Thu), 12PM - 10PM (SGT) Register for a FREE membership via to access the exclusive presale!⁠ ✨ 𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐎𝐍𝐒𝐀𝐋𝐄 5 June (Fri), 12PM (SGT) onwards via / hotline +65 6018 7645 ✨ 𝐊𝐋𝐎𝐎𝐊 𝐒𝐀𝐋𝐄 (𝐎𝐅𝐅𝐈𝐂𝐈𝐀𝐋 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄 𝐏𝐀𝐑𝐓𝐍𝐄𝐑) 5 June (Fri), 12PM (SGT) onwards KLOOK members can purchase tickets, which come together with an exclusive bundle via KLOOK. For more info, visit —————— 𝐁𝐓𝐒 𝐖𝐎𝐑𝐋𝐃 𝐓𝐎𝐔𝐑 '𝐀𝐑𝐈𝐑𝐀𝐍𝐆' 𝐈𝐍 𝐒𝐈𝐍𝐆𝐀𝐏𝐎𝐑𝐄 📅 17, 19, 20, 22 Dec 2026 (Thu, Sat, Sun, Tue), 7PM 📍National Stadium 🎫: / hotline +65 6018 7645 #방탄소년단 #BTS #BTS_WORLDTOUR_ARIRANG #BTS_WORLDTOUR_ARIRANG_ASIA —————— Buy tickets for concerts in Singapore only through official ticket agents. Resold tickets will not be honoured at the event venue and ticket holders may be turned away.

Live Nation SG

47,874 görüntüleme • 3 ay önce

The National Wrestling Alliance is proud to announce the return of the acclaimed 𝙉𝙒𝘼 𝙀𝙈𝙋𝙊𝙒𝙀𝙍𝙍𝙍, taking place on Friday, August 28, at the Sevierville Civic Center in Sevierville, Tennessee. Presented in association with the Paige Sisters’ Kross Fire Promotion, the event will stream LIVE on the NWA YouTube Channel beginning at 8:00 PM ET for FREE. 𝙉𝙒𝘼 𝙀𝙈𝙋𝙊𝙒𝙀𝙍𝙍𝙍 celebrates the outstanding athletes of the NWA Women’s Division while also featuring top stars from across the National Wrestling Alliance and the NWA Territory System. The return of the event continues the NWA’s commitment to showcasing the best that professional wrestling has to offer while honoring the organization’s rich history that continues into the modern era. “The inspiration for 𝙉𝙒𝘼 𝙀𝙈𝙋𝙊𝙒𝙀𝙍𝙍𝙍 was always about providing a platform for those who need to be heard from, and loudly. And who better than Kylie and Kenzie Paige, NWA champions in their own right, to steward and promote the return of this historic event as the owner-operators of Kross Fire Wrestling. Where together they’ve booked the card and the show, and present it proudly under the vaunted aegis of the National Wrestling Alliance, and we hope you will all join us!” - NWA President, William Patrick Corgan Fans attending live will enjoy an exclusive pre-show experience beginning when doors open at 7:00 PM ET, featuring a live podcast, an interactive fan Q&A, and a special meet-and-greet with the Paige Sisters, Kylie & Kenzie Paige, before the action begins. Tickets are on sale NOW through with General Admission tickets only $20, and first 2 rows Ringside seating at $25. Tickets will also be available at the door day of show, but don’t wait. Get your tickets today at
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The National Wrestling Alliance is proud to announce the return of the acclaimed 𝙉𝙒𝘼 𝙀𝙈𝙋𝙊𝙒𝙀𝙍𝙍𝙍, taking place on Friday, August 28, at the Sevierville Civic Center in Sevierville, Tennessee. Presented in association with the Paige Sisters’ Kross Fire Promotion, the event will stream LIVE on the NWA YouTube Channel beginning at 8:00 PM ET for FREE. 𝙉𝙒𝘼 𝙀𝙈𝙋𝙊𝙒𝙀𝙍𝙍𝙍 celebrates the outstanding athletes of the NWA Women’s Division while also featuring top stars from across the National Wrestling Alliance and the NWA Territory System. The return of the event continues the NWA’s commitment to showcasing the best that professional wrestling has to offer while honoring the organization’s rich history that continues into the modern era. “The inspiration for 𝙉𝙒𝘼 𝙀𝙈𝙋𝙊𝙒𝙀𝙍𝙍𝙍 was always about providing a platform for those who need to be heard from, and loudly. And who better than Kylie and Kenzie Paige, NWA champions in their own right, to steward and promote the return of this historic event as the owner-operators of Kross Fire Wrestling. Where together they’ve booked the card and the show, and present it proudly under the vaunted aegis of the National Wrestling Alliance, and we hope you will all join us!” - NWA President, William Patrick Corgan Fans attending live will enjoy an exclusive pre-show experience beginning when doors open at 7:00 PM ET, featuring a live podcast, an interactive fan Q&A, and a special meet-and-greet with the Paige Sisters, Kylie & Kenzie Paige, before the action begins. Tickets are on sale NOW through with General Admission tickets only $20, and first 2 rows Ringside seating at $25. Tickets will also be available at the door day of show, but don’t wait. Get your tickets today at

Paige Collett

20,707 görüntüleme • 15 gün önce

The official #RenderATL2024 recap is here! Covering every day, every session, every speaker, partner, and entertainment act, we can confidently say this year was one for the books! With over 100+ speakers, 70+ partners, 4500+ attendees, and 5 A+ musical acts including Rotimi, Coco & Breezy, Kamiyah, Danileigh, D Smoke and DJ Wee .Pee AKA Anderson .Paak, we truly became North America’s largest in-person developer-focused conference. THIS is what a TECH conference should be! A limited number of super-early bird tickets for Render 2025 are available now, but they’re going fast. Head to to grab yours today! Thank you to everyone who made Render 2024 unforgettable. See you next year… and around the country until then 😉
1:46

The official #RenderATL2024 recap is here! Covering every day, every session, every speaker, partner, and entertainment act, we can confidently say this year was one for the books! With over 100+ speakers, 70+ partners, 4500+ attendees, and 5 A+ musical acts including Rotimi, Coco & Breezy, Kamiyah, Danileigh, D Smoke and DJ Wee .Pee AKA Anderson .Paak, we truly became North America’s largest in-person developer-focused conference. THIS is what a TECH conference should be! A limited number of super-early bird tickets for Render 2025 are available now, but they’re going fast. Head to to grab yours today! Thank you to everyone who made Render 2024 unforgettable. See you next year… and around the country until then 😉

RenderATL 2026 | August 12 & 13, 2026

36,230 görüntüleme • 2 yıl önce

⏰ Less than 4 weeks away until the Sukeban World Championship at Anime Expo 2026! 💥 Get ready for fierce rivalries, amazing personalities, and nonstop action live! ⚡Which stable are you backing? 👀 💖 Harajuku Stars 🍒 Cherry Bomb Girls 🖤 Dangerous Liaisons 🔪 Vandals 🧸 Tokyo Toys Get ready for fierce rivalries, amazing personalities, and nonstop action live at AX2026! ⚡ 🎟️ GET TICKETS NOW: 🎟️ Ticket Tiers: 💎 VIP Pit — $150 🔥 GA Floor — $50 ✨ Balcony A — $100 🎭 Balcony B — $75 *Price does not include applicable fees. ☑️ Event Name: Sukeban World Championship Fight 📆 Date: Day 2 - Friday, July 3 ⏲️ Time: 8:00PM 📍 Location: The Novo 🔗 Register Now! 🏨 Book a Room! 📱 Download the AX Mobile App! Anime Expo 2026 | July 2-5, 2026 | Los Angeles Convention Center, CA #AnimeExpo #AX2026 #AnimeExpo2026 #Anime #Japan #LosAngeles #Manga #Cosplay #Otaku #Gaming #RPG #AMV #Shoujo #Shounen #Sukeban #HarajukuStars #CherryBombGirls #DangerousLiaisons #Vandals #TokyoToys #Wrestling #JapaneseWrestling #WorldChampionship
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⏰ Less than 4 weeks away until the Sukeban World Championship at Anime Expo 2026! 💥 Get ready for fierce rivalries, amazing personalities, and nonstop action live! ⚡Which stable are you backing? 👀 💖 Harajuku Stars 🍒 Cherry Bomb Girls 🖤 Dangerous Liaisons 🔪 Vandals 🧸 Tokyo Toys Get ready for fierce rivalries, amazing personalities, and nonstop action live at AX2026! ⚡ 🎟️ GET TICKETS NOW: 🎟️ Ticket Tiers: 💎 VIP Pit — $150 🔥 GA Floor — $50 ✨ Balcony A — $100 🎭 Balcony B — $75 *Price does not include applicable fees. ☑️ Event Name: Sukeban World Championship Fight 📆 Date: Day 2 - Friday, July 3 ⏲️ Time: 8:00PM 📍 Location: The Novo 🔗 Register Now! 🏨 Book a Room! 📱 Download the AX Mobile App! Anime Expo 2026 | July 2-5, 2026 | Los Angeles Convention Center, CA #AnimeExpo #AX2026 #AnimeExpo2026 #Anime #Japan #LosAngeles #Manga #Cosplay #Otaku #Gaming #RPG #AMV #Shoujo #Shounen #Sukeban #HarajukuStars #CherryBombGirls #DangerousLiaisons #Vandals #TokyoToys #Wrestling #JapaneseWrestling #WorldChampionship

Anime Expo

13,365 görüntüleme • 2 ay önce

📢 Join us tomorrow morning at our CVPR 2025 poster session (#340, ExHall D, 10:30am–12:30pm) to chat about Project Magma 👉 This is a big team effort to build a multimodal agentic model capable of understanding and acting in both digital and physical environments—just like how we interact with the world every day. 🚀 Even more exciting: we demonstrate the scaling potential of agent pretraining on large-scale human instructional videos through our Set-of-Mark (SoM) and Trace-of-Mark (ToM), showcasing strong zero-shot performance in: 1) multimodal image/video understanding, 2) UI navigation, 3) Real-world robot manipulation and even 4) Gaming! We've received encouraging feedback over the past few days—and this is only the beginning. A small step forward, with exciting things ahead!
1:31

📢 Join us tomorrow morning at our CVPR 2025 poster session (#340, ExHall D, 10:30am–12:30pm) to chat about Project Magma 👉 This is a big team effort to build a multimodal agentic model capable of understanding and acting in both digital and physical environments—just like how we interact with the world every day. 🚀 Even more exciting: we demonstrate the scaling potential of agent pretraining on large-scale human instructional videos through our Set-of-Mark (SoM) and Trace-of-Mark (ToM), showcasing strong zero-shot performance in: 1) multimodal image/video understanding, 2) UI navigation, 3) Real-world robot manipulation and even 4) Gaming! We've received encouraging feedback over the past few days—and this is only the beginning. A small step forward, with exciting things ahead!

Jianwei Yang

13,112 görüntüleme • 1 yıl önce

Why do we still buy stadium tickets without ever seeing what the view from the seat actually looks like? ☠️ So I prototyped an idea. A 3D seat view experience for a football stadium built with Fable 5 + Three.js, where you can preview exactly what you'll see from your seat before buying. The entire 3D experience was working after the first prompt, and the whole prototype came together in just five prompts. This is the kind of 3D experience I'd love to see more of, tbh. Feels so good. Right now, buying a ticket gives you almost no sense of what the experience will actually feel like. We're still relying on static seat maps, charts, and boring UI layouts, when interactive 3D experiences could make that decision so much easier. If you think, 3D development has the potential to create genuinely useful experiences. This feels like the direction we should be heading. 3D is the future. I can already imagine this for cinemas, cricket stadiums, Wimbledon, concerts, and so many other venues. I'm planning to take this further. What should I build next? More stadium features, or should I try another venue? Let me know :D Code: Live:
0:54

Why do we still buy stadium tickets without ever seeing what the view from the seat actually looks like? ☠️ So I prototyped an idea. A 3D seat view experience for a football stadium built with Fable 5 + Three.js, where you can preview exactly what you'll see from your seat before buying. The entire 3D experience was working after the first prompt, and the whole prototype came together in just five prompts. This is the kind of 3D experience I'd love to see more of, tbh. Feels so good. Right now, buying a ticket gives you almost no sense of what the experience will actually feel like. We're still relying on static seat maps, charts, and boring UI layouts, when interactive 3D experiences could make that decision so much easier. If you think, 3D development has the potential to create genuinely useful experiences. This feels like the direction we should be heading. 3D is the future. I can already imagine this for cinemas, cricket stadiums, Wimbledon, concerts, and so many other venues. I'm planning to take this further. What should I build next? More stadium features, or should I try another venue? Let me know :D Code: Live:

The Bugged Dev

1,677,818 görüntüleme • 1 ay önce

🚨 NEW: Marc Andreessen on China's manufacturing dominance "There's three industries that follow phones that the Chinese own the global market at: 1) Drones Something over 90% of all the consumer drones are made in China. Which is what the US Military also uses. It's the whole ecosystem, it's all of the componentry. The Biden FAA has been trying to kill the US drone industry as part of its war on tech. China is now sanctioning our own drone companies for batteries made in China. They have leverage. 2) Cars The drone supply chain is analogous to the car supply chain. The new Chinese cars that are coming out are really good and they have a giant advantage on cost 3) Robots The Chinese are 100% of us in Robots. We have the leading R&D but they have almost complete dominance in manufacturing capability. They have the 1000s of companies that make all the components that go in robots. Our Boston Dynamics SPOT robot cost $50,000. China has a similar product that looks and acts similar and is even hooked up to an LLM and it only costs $1,500. This is all upstream from all the military applications because it's all the same supply chain. We have to confront this. Having this fragmented approach where we hate tech and then somehow think we can develop a competitive response to tech is not coherent. We have no whole of government strategy on technology or China. Zero. It turns out the President matters.
4:45

🚨 NEW: Marc Andreessen on China's manufacturing dominance "There's three industries that follow phones that the Chinese own the global market at: 1) Drones Something over 90% of all the consumer drones are made in China. Which is what the US Military also uses. It's the whole ecosystem, it's all of the componentry. The Biden FAA has been trying to kill the US drone industry as part of its war on tech. China is now sanctioning our own drone companies for batteries made in China. They have leverage. 2) Cars The drone supply chain is analogous to the car supply chain. The new Chinese cars that are coming out are really good and they have a giant advantage on cost 3) Robots The Chinese are 100% of us in Robots. We have the leading R&D but they have almost complete dominance in manufacturing capability. They have the 1000s of companies that make all the components that go in robots. Our Boston Dynamics SPOT robot cost $50,000. China has a similar product that looks and acts similar and is even hooked up to an LLM and it only costs $1,500. This is all upstream from all the military applications because it's all the same supply chain. We have to confront this. Having this fragmented approach where we hate tech and then somehow think we can develop a competitive response to tech is not coherent. We have no whole of government strategy on technology or China. Zero. It turns out the President matters.

Autism Capital 🧩

452,881 görüntüleme • 1 yıl önce

🚨 $KATA FAM – THE STEAM DEMO GOES LIVE TOMORROW! 🔥 💰WIN $250 in $KATA Giveaway below! Tomorrow is the day. The Katana Inu Steam Demo will be live from April 11 to April 21. 🔥 Steam: This is your chance to jump in, play the game, and help us make some real noise around the demo launch. 😍 Once the demo phase is over, we already have a lot planned. We will share all details with you over the coming weeks, but one thing is already clear: 🎮 As a creator, you can expect the chance to win 2x PS5 for your community🎁 - More prizes and giveaways are also coming! Right now, we need your full support! 👉Wishlist the game on Steam & Play it 👉Play the demo as soon as it goes live 👉Leave your feedback on Steam, if you enjoy the game 👉Help us push Katana Inu to a bigger audience Every wishlist, every session, and every piece of feedback helps a lot! Let’s show what this community is made of. 💥 BONUS $KATA GIVEAWAY ALERT! We’re adding EVEN MORE fuel to the fire… 👉 5x $50 in $KATA 💰 Total: $250 in $KATA up for grabs! 🖼 1 Takeru Gensis NFT 🎯 How to participate? Join our Steam Demo between April 11 – April 21 🔥 1. Take a screenshot as proof that you play it 2. Wishlisted on Steam 3. Drop it in the comments below 👇 4. RT/QT this + Like ❤️ 5. Tag 3 person Influencer/Friend! ⚡ That’s it – you’re in! 🔥 More action = more hype 🔥 We choose random winners! Let’s make this event great and show everyone what $KATA FAM is made of 💥
0:49

🚨 $KATA FAM – THE STEAM DEMO GOES LIVE TOMORROW! 🔥 💰WIN $250 in $KATA Giveaway below! Tomorrow is the day. The Katana Inu Steam Demo will be live from April 11 to April 21. 🔥 Steam: This is your chance to jump in, play the game, and help us make some real noise around the demo launch. 😍 Once the demo phase is over, we already have a lot planned. We will share all details with you over the coming weeks, but one thing is already clear: 🎮 As a creator, you can expect the chance to win 2x PS5 for your community🎁 - More prizes and giveaways are also coming! Right now, we need your full support! 👉Wishlist the game on Steam & Play it 👉Play the demo as soon as it goes live 👉Leave your feedback on Steam, if you enjoy the game 👉Help us push Katana Inu to a bigger audience Every wishlist, every session, and every piece of feedback helps a lot! Let’s show what this community is made of. 💥 BONUS $KATA GIVEAWAY ALERT! We’re adding EVEN MORE fuel to the fire… 👉 5x $50 in $KATA 💰 Total: $250 in $KATA up for grabs! 🖼 1 Takeru Gensis NFT 🎯 How to participate? Join our Steam Demo between April 11 – April 21 🔥 1. Take a screenshot as proof that you play it 2. Wishlisted on Steam 3. Drop it in the comments below 👇 4. RT/QT this + Like ❤️ 5. Tag 3 person Influencer/Friend! ⚡ That’s it – you’re in! 🔥 More action = more hype 🔥 We choose random winners! Let’s make this event great and show everyone what $KATA FAM is made of 💥

Katana Inu

25,321 görüntüleme • 4 ay önce

I told Claude I had $1,000 and one week to make something happen. No job. No plan. Just a number and a question. I expected the usual advice. Index funds. Savings accounts. Maybe stocks. Instead, Claude gave me something completely different. Find a bot on GitHub that buys events priced under 3 cents. Deploy it with $1,000. Let it run. Most bets will go to zero. The ones that hit will pay 100x–500x. I laughed. Then Claude added one line that changed everything: Someone is already doing this. Search “planktonXD”. So I did. Copy it here: planktonXD. $95,502 profit. Joined February 2025. Bio: having fun. Starting capital? Just over $1,000. Same number I had. One trade: $15 on “zero earthquakes worldwide” Payout: $1,330 ROI: 8,742% At first it looked like luck. Then I saw the scale. 77,752 bets. $5 to $25 each. Most go to zero. But the rare ones… They don’t just win — they explode. Buying at fractions of a cent. Cashing out at 100x, 300x, sometimes 500x. I asked Claude to explain the logic. It broke it down simply: Bet $15 across 100 events at 1 cent. 99 go to zero. 1 hits — you break even. 2 hit — you double. 3 hit — you start compounding. planktonXD didn’t hit three. He hit way more. $1,000 → $95,502. Not by predicting the future. But by exploiting how people price it. I asked Claude the obvious question: Should I copy this? Claude replied: I can’t give financial advice. But mathematically, the edge exists as long as the crowd overprices fear and underprices chaos. That night I didn’t overthink it. Put in $100. Copied 9 positions under 1 cent. Went to sleep. Woke up. One hit. $100 → $580. No indicators. No charts. No “alpha”. Just asymmetry. I didn’t ask Claude what to buy. I asked where $1,000 goes the furthest. It pointed me to someone who already did it. 77,752 bets later… The bot is still running. The bio still says: having fun. I asked Claude one last question: What would you call this strategy? Claude said: Buying lottery tickets… where the math is on your side.
1:04

I told Claude I had $1,000 and one week to make something happen. No job. No plan. Just a number and a question. I expected the usual advice. Index funds. Savings accounts. Maybe stocks. Instead, Claude gave me something completely different. Find a bot on GitHub that buys events priced under 3 cents. Deploy it with $1,000. Let it run. Most bets will go to zero. The ones that hit will pay 100x–500x. I laughed. Then Claude added one line that changed everything: Someone is already doing this. Search “planktonXD”. So I did. Copy it here: planktonXD. $95,502 profit. Joined February 2025. Bio: having fun. Starting capital? Just over $1,000. Same number I had. One trade: $15 on “zero earthquakes worldwide” Payout: $1,330 ROI: 8,742% At first it looked like luck. Then I saw the scale. 77,752 bets. $5 to $25 each. Most go to zero. But the rare ones… They don’t just win — they explode. Buying at fractions of a cent. Cashing out at 100x, 300x, sometimes 500x. I asked Claude to explain the logic. It broke it down simply: Bet $15 across 100 events at 1 cent. 99 go to zero. 1 hits — you break even. 2 hit — you double. 3 hit — you start compounding. planktonXD didn’t hit three. He hit way more. $1,000 → $95,502. Not by predicting the future. But by exploiting how people price it. I asked Claude the obvious question: Should I copy this? Claude replied: I can’t give financial advice. But mathematically, the edge exists as long as the crowd overprices fear and underprices chaos. That night I didn’t overthink it. Put in $100. Copied 9 positions under 1 cent. Went to sleep. Woke up. One hit. $100 → $580. No indicators. No charts. No “alpha”. Just asymmetry. I didn’t ask Claude what to buy. I asked where $1,000 goes the furthest. It pointed me to someone who already did it. 77,752 bets later… The bot is still running. The bio still says: having fun. I asked Claude one last question: What would you call this strategy? Claude said: Buying lottery tickets… where the math is on your side.

Discover

191,123 görüntüleme • 5 ay önce

Seeing the reaction from Stans whenever Beyoncé’s touring numbers drop is always fun to watch. The reason Stan Twitter tries so hard to downplay Beyoncé’s success is simple: her success doesn’t make sense to them. They grew up in an era where relevance is measured by TikTok trends, monthly listeners, and streaming stats. If you’re not on their “For You” page or trending in their circle, then to them, no one is talking about it. That’s the bubble they live in. But Beyoncé had already been that girl before most of them were even born. She grew up at a time where success was measured differently. Back when albums were bought in stores, played on CD players, and listened to with intention, not just shuffled in the background. People listened when they needed to, when it fit into their lives. That behavior carried into the streaming era. So no, her fans aren’t streaming every hour to inflate numbers or chase chart positions. They stream when it matters, when the moment calls for it. Because they have lives - jobs, families, real responsibilities. Music is part of their world, not their whole identity. To them, if a tour doesn’t sell out in five minutes, it’s a flop. But Beyoncé’s audience isn’t made up of teens with autoplay on. Her fans are grown. They budget. They plan. They coordinate with partners, babysitters, schedules. And yes, sometimes they buy tickets the week and day of the show and the show still sells out. Beyoncé is one of the few artists in history still dominating the mainstream conversation decades into her career. And because she doesn’t fit into their metrics, and they can’t relate to her music, it bothers them. She breaks their reality, so they assume there must be some behind-the-scenes manipulation. But what they fail to understand is this: Beyoncé doesn’t need to chase relevance. She defines it. And her success predating the streaming/social media era, insulates her from negative media and viral posts on social media.
0:30

Seeing the reaction from Stans whenever Beyoncé’s touring numbers drop is always fun to watch. The reason Stan Twitter tries so hard to downplay Beyoncé’s success is simple: her success doesn’t make sense to them. They grew up in an era where relevance is measured by TikTok trends, monthly listeners, and streaming stats. If you’re not on their “For You” page or trending in their circle, then to them, no one is talking about it. That’s the bubble they live in. But Beyoncé had already been that girl before most of them were even born. She grew up at a time where success was measured differently. Back when albums were bought in stores, played on CD players, and listened to with intention, not just shuffled in the background. People listened when they needed to, when it fit into their lives. That behavior carried into the streaming era. So no, her fans aren’t streaming every hour to inflate numbers or chase chart positions. They stream when it matters, when the moment calls for it. Because they have lives - jobs, families, real responsibilities. Music is part of their world, not their whole identity. To them, if a tour doesn’t sell out in five minutes, it’s a flop. But Beyoncé’s audience isn’t made up of teens with autoplay on. Her fans are grown. They budget. They plan. They coordinate with partners, babysitters, schedules. And yes, sometimes they buy tickets the week and day of the show and the show still sells out. Beyoncé is one of the few artists in history still dominating the mainstream conversation decades into her career. And because she doesn’t fit into their metrics, and they can’t relate to her music, it bothers them. She breaks their reality, so they assume there must be some behind-the-scenes manipulation. But what they fail to understand is this: Beyoncé doesn’t need to chase relevance. She defines it. And her success predating the streaming/social media era, insulates her from negative media and viral posts on social media.

IChooseViolence

32,535 görüntüleme • 1 yıl önce

I'm making over $1,000 an hour with one AI offer. The entire thing runs on Claude Opus 4.8. I call it the AI Concierge. Clients pay me $1,500+ a month for two 45-minute calls where we build their AI systems live, on their screen. I have 4 clients. I'm capping at 6. Here's the entire model: 1) The intake form is the audit. A 10-minute JotForm (built by Claude) surfaces their time sinks and hands me 1-3 AI opportunities before call one. 2) Done-with-you, not done-for-you. They share their screen. We build skills, set up Cowork, and write context files together. They learn to drive. (Done-for-you is the upsell.) 3) Every session runs through AOA: Audit, Optimize, Automate. Fix the process first, then turn it into a skill. Automating chaos just gives you faster chaos. 4) Day one has to move the needle. We ship at least one skill or automation on call one. No first-call win, dead engagement. 5) Unlimited Voxer between calls. They send a voice message, I reply in under 12 business hours. A 24/7 partner, not a guy they see twice a month. 6) The Notion hub is the renewal mechanism. Every call logs a quantified list of what we built. "Call one: 2 skills, 3 context files, Cowork live" makes $1.5K a month a no-brainer. 7) I never fill Notion out by hand. Two Claude skills log the call, pull the action items, and draft the recap email. 30 seconds. 8) Pricing ladder: $1,000/month, then $1,500 at 2 clients, then $1,800. At $1,500 you're already at $1,000/hour. If everyone says yes then you're priced too low. Two things that make this work: 1) Build the fulfillment infrastructure once. An afternoon. Then it runs itself outside the calls. 2) The value must be visible. People renew what they can measure. Full breakdown below. Go watch.
15:21

I'm making over $1,000 an hour with one AI offer. The entire thing runs on Claude Opus 4.8. I call it the AI Concierge. Clients pay me $1,500+ a month for two 45-minute calls where we build their AI systems live, on their screen. I have 4 clients. I'm capping at 6. Here's the entire model: 1) The intake form is the audit. A 10-minute JotForm (built by Claude) surfaces their time sinks and hands me 1-3 AI opportunities before call one. 2) Done-with-you, not done-for-you. They share their screen. We build skills, set up Cowork, and write context files together. They learn to drive. (Done-for-you is the upsell.) 3) Every session runs through AOA: Audit, Optimize, Automate. Fix the process first, then turn it into a skill. Automating chaos just gives you faster chaos. 4) Day one has to move the needle. We ship at least one skill or automation on call one. No first-call win, dead engagement. 5) Unlimited Voxer between calls. They send a voice message, I reply in under 12 business hours. A 24/7 partner, not a guy they see twice a month. 6) The Notion hub is the renewal mechanism. Every call logs a quantified list of what we built. "Call one: 2 skills, 3 context files, Cowork live" makes $1.5K a month a no-brainer. 7) I never fill Notion out by hand. Two Claude skills log the call, pull the action items, and draft the recap email. 30 seconds. 8) Pricing ladder: $1,000/month, then $1,500 at 2 clients, then $1,800. At $1,500 you're already at $1,000/hour. If everyone says yes then you're priced too low. Two things that make this work: 1) Build the fulfillment infrastructure once. An afternoon. Then it runs itself outside the calls. 2) The value must be visible. People renew what they can measure. Full breakdown below. Go watch.

Corey Ganim

104,244 görüntüleme • 2 ay önce

It’s time to take your hidden talent beyond the shower! The VentureMind AI Song Generator Contest is live! Create the next big hit, or even a Grammy-winning track, using our AI-powered tool and stand a chance to win: International Winner (1st Place): - 100,000 $VNTR - Livestream of the IRL event - Private 1-on-1 session with the VentureMind AI team. - Merch package - Beta Robot Operator slot US-Based Winners: 1st Place: - 100,000 $VNTR - Merch package (Exclusive "Make AI Great Again" hoodie and hat) - Flight & hotel stay for VentureMind AI IRL event in Texas. - 2 tickets to our IRL event in Texas (food & drinks included). 2nd Place: 50,000 $VNTR + merch package. 3rd Place: 25,000 $VNTR + merch package. 2 Runner-ups: Exclusive merch package. How to participate: - Sign up/Login to VentureMind AI platform - Subscribe to get access to the tools: Click your avatar (top-left) → "Plan & Billing". Select Basic Subscription ($9/month), pay with VNTR, USDC, or SOL. - Use the AI Song Generator Tool to create your track. - Upload your track (MP3) to the contest page, link in the comments. - Submit your AI prompt (screenshot or copy/paste). - Share your song & get votes. All these prizes are for the top 5 songs! Contest runs February 22 – March 22. Show us what you’ve got and win some epic prizes! Note: - Only one submission per participant. - No explicit content. - Song must be original, no copyrighted sample. - Maximum Song length: 3 minutes. This is VentureMind. Submission link in the comments.
0:47

It’s time to take your hidden talent beyond the shower! The VentureMind AI Song Generator Contest is live! Create the next big hit, or even a Grammy-winning track, using our AI-powered tool and stand a chance to win: International Winner (1st Place): - 100,000 $VNTR - Livestream of the IRL event - Private 1-on-1 session with the VentureMind AI team. - Merch package - Beta Robot Operator slot US-Based Winners: 1st Place: - 100,000 $VNTR - Merch package (Exclusive "Make AI Great Again" hoodie and hat) - Flight & hotel stay for VentureMind AI IRL event in Texas. - 2 tickets to our IRL event in Texas (food & drinks included). 2nd Place: 50,000 $VNTR + merch package. 3rd Place: 25,000 $VNTR + merch package. 2 Runner-ups: Exclusive merch package. How to participate: - Sign up/Login to VentureMind AI platform - Subscribe to get access to the tools: Click your avatar (top-left) → "Plan & Billing". Select Basic Subscription ($9/month), pay with VNTR, USDC, or SOL. - Use the AI Song Generator Tool to create your track. - Upload your track (MP3) to the contest page, link in the comments. - Submit your AI prompt (screenshot or copy/paste). - Share your song & get votes. All these prizes are for the top 5 songs! Contest runs February 22 – March 22. Show us what you’ve got and win some epic prizes! Note: - Only one submission per participant. - No explicit content. - Song must be original, no copyrighted sample. - Maximum Song length: 3 minutes. This is VentureMind. Submission link in the comments.

VentureMind AI

129,711 görüntüleme • 1 yıl önce

OpenAI just paid hundreds of millions of dollars for a podcast with 70,000 viewers. At first glance, it makes zero sense. Until you realize what they're actually buying: Control over what gets said about AI before regulators figure out what to regulate. This is literally one of the most aggressive power grabs in tech history... OpenAI just acquired TBPN, the Silicon Valley talk show hosted by John Coogan and Jordi Hays. The show has a tiny audience - 70,000 viewers per episode. But it's the most influential room in tech. It's where Zuckerberg, Satya Nadella, Marc Benioff, and Altman himself go to "chop it up" with friendly hosts who treat executive moves like sports trades. The New York Times called it "Silicon Valley's newest obsession." OpenAI didn't buy it for the revenue. They bought it to control the narrative. And then they put it under Chris Lehane. Lehane isn't a media executive. He's a political assassin. He coined the phrase "vast right-wing conspiracy" to deflect press scrutiny of the Clinton White House. He ran Fairshake, the crypto super PAC that spent hundreds of millions in 2024 to destroy anti-crypto candidates and rewrote the composition of Congress. He joined OpenAI in 2024 and has been whispering in Trump's ear ever since, pushing policies to BLOCK states from regulating AI and ease environmental rules slowing data center construction. That's the man now running OpenAI's new media company. They're promising "editorial independence." But do you think TBPN is going to run a hard-hitting investigation into OpenAI's circular financing? Or the Amazon AWS deal that blew up Microsoft's partnership? Or the $35 billion Amazon payment contingent on OpenAI achieving AGI? Of course not. That's not the point. The point is CONTROL of the room where the conversation happens. Now zoom out: Same week, Anthropic filed paperwork to form AnthroPAC while fighting a lawsuit against the Pentagon after being labeled a "supply chain risk." AI companies have now committed over $300 MILLION to the 2026 midterms. That's more than the entire crypto industry spent in 2024. Leading the Future, backed by Greg Brockman and Andreessen Horowitz: $125M raised. Anthropic: $20M to Public First Action. OpenAI: owns a media company AND has Lehane coordinating with the White House. This isn't about AI safety. It isn't about better products. It isn't about winning benchmarks... It's about who controls the narrative BEFORE the regulation gets written. Every tech mogul is now building their own "propaganda stack." Bezos bought The Washington Post. Benioff bought Time. Patrick Soon-Shiong bought the LA Times. Laurene Powell Jobs took The Atlantic. Elon took Twitter. Now it's AI's turn. But here's the thing: When you combine $300M in political donations, friendly podcasts owned by the companies being discussed, and operatives whispering in a President's ear who ALREADY signed an executive order blocking state AI regulation... You don't have a tech industry anymore. You have a political machine with AI products attached. OpenAI isn't worth $852 billion because of GPT-5.4. It's worth $852 billion because they're buying the referees before the game even starts. The next months aren't going to be about which model is smarter. They're going to be about which AI company captured more politicians, more media outlets, and more of the regulatory apparatus before the public figured out what was happening. And by the time you realize the game is rigged, the rules will already be written.
1:19

OpenAI just paid hundreds of millions of dollars for a podcast with 70,000 viewers. At first glance, it makes zero sense. Until you realize what they're actually buying: Control over what gets said about AI before regulators figure out what to regulate. This is literally one of the most aggressive power grabs in tech history... OpenAI just acquired TBPN, the Silicon Valley talk show hosted by John Coogan and Jordi Hays. The show has a tiny audience - 70,000 viewers per episode. But it's the most influential room in tech. It's where Zuckerberg, Satya Nadella, Marc Benioff, and Altman himself go to "chop it up" with friendly hosts who treat executive moves like sports trades. The New York Times called it "Silicon Valley's newest obsession." OpenAI didn't buy it for the revenue. They bought it to control the narrative. And then they put it under Chris Lehane. Lehane isn't a media executive. He's a political assassin. He coined the phrase "vast right-wing conspiracy" to deflect press scrutiny of the Clinton White House. He ran Fairshake, the crypto super PAC that spent hundreds of millions in 2024 to destroy anti-crypto candidates and rewrote the composition of Congress. He joined OpenAI in 2024 and has been whispering in Trump's ear ever since, pushing policies to BLOCK states from regulating AI and ease environmental rules slowing data center construction. That's the man now running OpenAI's new media company. They're promising "editorial independence." But do you think TBPN is going to run a hard-hitting investigation into OpenAI's circular financing? Or the Amazon AWS deal that blew up Microsoft's partnership? Or the $35 billion Amazon payment contingent on OpenAI achieving AGI? Of course not. That's not the point. The point is CONTROL of the room where the conversation happens. Now zoom out: Same week, Anthropic filed paperwork to form AnthroPAC while fighting a lawsuit against the Pentagon after being labeled a "supply chain risk." AI companies have now committed over $300 MILLION to the 2026 midterms. That's more than the entire crypto industry spent in 2024. Leading the Future, backed by Greg Brockman and Andreessen Horowitz: $125M raised. Anthropic: $20M to Public First Action. OpenAI: owns a media company AND has Lehane coordinating with the White House. This isn't about AI safety. It isn't about better products. It isn't about winning benchmarks... It's about who controls the narrative BEFORE the regulation gets written. Every tech mogul is now building their own "propaganda stack." Bezos bought The Washington Post. Benioff bought Time. Patrick Soon-Shiong bought the LA Times. Laurene Powell Jobs took The Atlantic. Elon took Twitter. Now it's AI's turn. But here's the thing: When you combine $300M in political donations, friendly podcasts owned by the companies being discussed, and operatives whispering in a President's ear who ALREADY signed an executive order blocking state AI regulation... You don't have a tech industry anymore. You have a political machine with AI products attached. OpenAI isn't worth $852 billion because of GPT-5.4. It's worth $852 billion because they're buying the referees before the game even starts. The next months aren't going to be about which model is smarter. They're going to be about which AI company captured more politicians, more media outlets, and more of the regulatory apparatus before the public figured out what was happening. And by the time you realize the game is rigged, the rules will already be written.

Ricardo

25,229 görüntüleme • 4 ay önce

For over a year, Jeremy Howard has been in stealth mode. In this exclusive talk, he showcases what he's been working on. He & Jonathan Whitaker show us SolveIt, a new dev environment and programming paradigm. 🤯 Imagine this workflow: - Build a web app & interact with its UI on the same screen as your code. No more flipping to a separate browser. - Use live variables from your REPL directly in prompts to the AI. The AI knows your current state. - Turn any Python function into an AI tool instantly. No no registering tools or MCP. Just write a function in a cell and tell the AI to use it. This is a live, malleable environment that fuses the best ideas from Literate Programming (Knuth), the live-object world of Smalltalk, and the interactive cells of Jupyter. Who is Solveit for? Jeremy's take: SolveIt is best for programmers who are either very new ( 20 years). Why? Because developers in the middle (3-20 years) often have ingrained workflows and can find this different paradigm confronting. New devs are open-minded and build good habits from scratch, while veterans immediately recognize how this approach solves decades-old problems of complexity and state management. My Thoughts It's early days, but it is super cool. You get all the fun of trying a new programming language without learning new syntax (Python), because it will show you new patterns and ways of doing this. If you are wiling to climb the learning curve it is an extremely powerful tool that you can be productive with on real tasks like writing and coding. I'm personally addicted to it for several workflows and am afraid of losing it tbh. How Can You Try It? Just follow Jeremy Howard - he will announce something in the coming weeks or months (I suspect if this post is popular he might do something soon 🤣 ) TIMESTAMPS (00:00:00) - Introduction (00:00:30) - The SolveIt Method vs. "Vibe Coding" (00:04:00) - Investing in Yourself: Long-Term Skill Building (00:07:45) - Software Engineering vs. Short-Term Gains (00:12:15) - The Problem-Solving Loop: Understand, Plan, Implement, Review (00:18:50) - Example: Literate Programming with the Claudette Library (00:24:15) - First Look at the SolveIt Environment (00:28:34) - Demo Start: Building an Eval for Multimodal Models (00:31:16) - Iterative Development: Exploring the iNaturalist API (00:39:15) - Catching Bugs Instantly by Working Step-by-Step (00:43:37) - Prompting LLMs with Structured Outputs (00:51:54) - Demo: Building a Live Web App Inside SolveIt with FastHTML (01:00:24) - Demo: Exploring a Complex API (Cloudflare) (01:08:45) - Creating Custom AI Agent Tools with Zero Boilerplate (01:19:00) - SolveIt Ergonomics: Modes, Secrets, and Keyboard Shortcuts (01:28:30) - The Power of the SolveIt Community (01:30:45) - Who Should Use SolveIt? (01:34:30) - This is Just the Tip of the Iceberg YT Video and links in reply
1:36:14

For over a year, Jeremy Howard has been in stealth mode. In this exclusive talk, he showcases what he's been working on. He & Jonathan Whitaker show us SolveIt, a new dev environment and programming paradigm. 🤯 Imagine this workflow: - Build a web app & interact with its UI on the same screen as your code. No more flipping to a separate browser. - Use live variables from your REPL directly in prompts to the AI. The AI knows your current state. - Turn any Python function into an AI tool instantly. No no registering tools or MCP. Just write a function in a cell and tell the AI to use it. This is a live, malleable environment that fuses the best ideas from Literate Programming (Knuth), the live-object world of Smalltalk, and the interactive cells of Jupyter. Who is Solveit for? Jeremy's take: SolveIt is best for programmers who are either very new ( 20 years). Why? Because developers in the middle (3-20 years) often have ingrained workflows and can find this different paradigm confronting. New devs are open-minded and build good habits from scratch, while veterans immediately recognize how this approach solves decades-old problems of complexity and state management. My Thoughts It's early days, but it is super cool. You get all the fun of trying a new programming language without learning new syntax (Python), because it will show you new patterns and ways of doing this. If you are wiling to climb the learning curve it is an extremely powerful tool that you can be productive with on real tasks like writing and coding. I'm personally addicted to it for several workflows and am afraid of losing it tbh. How Can You Try It? Just follow Jeremy Howard - he will announce something in the coming weeks or months (I suspect if this post is popular he might do something soon 🤣 ) TIMESTAMPS (00:00:00) - Introduction (00:00:30) - The SolveIt Method vs. "Vibe Coding" (00:04:00) - Investing in Yourself: Long-Term Skill Building (00:07:45) - Software Engineering vs. Short-Term Gains (00:12:15) - The Problem-Solving Loop: Understand, Plan, Implement, Review (00:18:50) - Example: Literate Programming with the Claudette Library (00:24:15) - First Look at the SolveIt Environment (00:28:34) - Demo Start: Building an Eval for Multimodal Models (00:31:16) - Iterative Development: Exploring the iNaturalist API (00:39:15) - Catching Bugs Instantly by Working Step-by-Step (00:43:37) - Prompting LLMs with Structured Outputs (00:51:54) - Demo: Building a Live Web App Inside SolveIt with FastHTML (01:00:24) - Demo: Exploring a Complex API (Cloudflare) (01:08:45) - Creating Custom AI Agent Tools with Zero Boilerplate (01:19:00) - SolveIt Ergonomics: Modes, Secrets, and Keyboard Shortcuts (01:28:30) - The Power of the SolveIt Community (01:30:45) - Who Should Use SolveIt? (01:34:30) - This is Just the Tip of the Iceberg YT Video and links in reply

Hamel Husain

111,916 görüntüleme • 1 yıl önce

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.
0:25

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

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