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Sharing some work in progress on my latest AI short. Here is a rough cut of a dialogue scene where I use Kling 2.6 motion control to capture and transfer my performance to the AI generated characters of both Terry and Carol. No sound design, Carol's voice is just... show more

Uncanny Harry AI

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65,195 görüntüleme • 8 ay önce •via X (Twitter)

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Designed this site in Fable 5 with just a few prompts. And no, this is not a lame post where I attach my actual (not AI) work on an AI post to get views by making fun of a launch. This is actually Fable 5, as you can clearly see (with some of the elements that scream AI generated). But man is it doing a great job!

Designed this site in Fable 5 with just a few prompts. And no, this is not a lame post where I attach my actual (not AI) work on an AI post to get views by making fun of a launch. This is actually Fable 5, as you can clearly see (with some of the elements that scream AI generated). But man is it doing a great job!

Asaad Mahmood - The Small Square

107,162 görüntüleme • 3 ay önce

I have been wanting to test performance transfer in Seadance 2.5 since launch, now I have, I am really impressed by the results. I wrote a short script and recorded myself giving a rallying speech as an orc warlord, then fed this and an image of the orc into Seedance with this prompt "A cinematic close up of an orc warlord giving a rallying speech to his army of orcs. Transfer the performance, movement and audio from Video 1 onto the the character Image 1. Do not add any music" I didn't prompt the dialogue or performance in text. The first video you see is a a final cut of the video, the second is the final cut of the video with my video performance. As you can see it's not an exact like-for-like transfer of the performance and voice but more a interpretation by Seedance. It's made my amateur performance better IMHO, more fitting with the creator but retain the essence, nuance and context. So you don't have to feed in a long prompt to get good performance out of your AI actors you can just show them what you want with a video! I used Seedance Enterprise on bytedances lumina platform Lumina link in the comments!

I have been wanting to test performance transfer in Seadance 2.5 since launch, now I have, I am really impressed by the results. I wrote a short script and recorded myself giving a rallying speech as an orc warlord, then fed this and an image of the orc into Seedance with this prompt "A cinematic close up of an orc warlord giving a rallying speech to his army of orcs. Transfer the performance, movement and audio from Video 1 onto the the character Image 1. Do not add any music" I didn't prompt the dialogue or performance in text. The first video you see is a a final cut of the video, the second is the final cut of the video with my video performance. As you can see it's not an exact like-for-like transfer of the performance and voice but more a interpretation by Seedance. It's made my amateur performance better IMHO, more fitting with the creator but retain the essence, nuance and context. So you don't have to feed in a long prompt to get good performance out of your AI actors you can just show them what you want with a video! I used Seedance Enterprise on bytedances lumina platform Lumina link in the comments!

Uncanny Harry AI

23,517 görüntüleme • 1 ay önce

I screened this latest AI short in Paris for the Prompt Club alongside a great showcase for French AI filmmaking talent. I think we have reached a tipping point where the quality of the models is no longer an obstacle to telling the story. Sure, there are problems with detail at distance, dynamic movement, and more than one character speaking or doing complex movement at the same time but nothing a director with awareness of the models can’t overcome. Kling motion control is a massive unlock, in this short I am playing all the characters so it’s quite broad because I am not an actor, but I have seen it used with professional actors and it captures real nuanced human performance, with everything that brings. I will be employing professional actors for my films in the future. This was made predominantly with Kling 2.5, and 2.6 motion with some seedance shots on the wider 2-shots. We are there, now go make your thing!

I screened this latest AI short in Paris for the Prompt Club alongside a great showcase for French AI filmmaking talent. I think we have reached a tipping point where the quality of the models is no longer an obstacle to telling the story. Sure, there are problems with detail at distance, dynamic movement, and more than one character speaking or doing complex movement at the same time but nothing a director with awareness of the models can’t overcome. Kling motion control is a massive unlock, in this short I am playing all the characters so it’s quite broad because I am not an actor, but I have seen it used with professional actors and it captures real nuanced human performance, with everything that brings. I will be employing professional actors for my films in the future. This was made predominantly with Kling 2.5, and 2.6 motion with some seedance shots on the wider 2-shots. We are there, now go make your thing!

Uncanny Harry AI

10,292 görüntüleme • 8 ay önce

Wow. Kling 2.6 can help create actual dread 🤯🔥 Watch my latest AI super short THE TENANT Using the latest Kling model I was able to not only craft an atmosphere but also prompt specific background sound, ambience, dialogue and inflections. While not perfect, this is one of the first times where a single model was able to consistently produce in the tone I was trying to maintain. Images and consistent characters were created in Nano Banana Pro inside Adobe Firefly, and video is 2.6. This was edited in Premiere Pro. Additional sound from ElevenLabs and Envato.

Wow. Kling 2.6 can help create actual dread 🤯🔥 Watch my latest AI super short THE TENANT Using the latest Kling model I was able to not only craft an atmosphere but also prompt specific background sound, ambience, dialogue and inflections. While not perfect, this is one of the first times where a single model was able to consistently produce in the tone I was trying to maintain. Images and consistent characters were created in Nano Banana Pro inside Adobe Firefly, and video is 2.6. This was edited in Premiere Pro. Additional sound from ElevenLabs and Envato.

Dave Clark

35,760 görüntüleme • 9 ay önce

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,517 görüntüleme • 2 yıl önce

This is a powerful combination: 1) Directing an AI agent to generate characters, locations and all the angles I need for my dialogue shots 2) Using human actors to drive the performance of my characters The agent handles the technical side and I can focus on performance:

This is a powerful combination: 1) Directing an AI agent to generate characters, locations and all the angles I need for my dialogue shots 2) Using human actors to drive the performance of my characters The agent handles the technical side and I can focus on performance:

Halim Alrasihi

51,221 görüntüleme • 6 ay önce

I had to abandon this short due to a lack of time, but will hopefully return to it in the future. Though it worth sharing as it shows where we are in terms of making a conventional film with with AI. It's from a script I wrote over 15 years ago but never made. This was put together with Kling AI Dreamina AI Magnific.ai and Topaz Labs

I had to abandon this short due to a lack of time, but will hopefully return to it in the future. Though it worth sharing as it shows where we are in terms of making a conventional film with with AI. It's from a script I wrote over 15 years ago but never made. This was put together with Kling AI Dreamina AI Magnific.ai and Topaz Labs

Uncanny Harry AI

17,716 görüntüleme • 4 ay önce

Elon Musk explains the deeper reason why SpaceX succeeding in AI matters for humanity’s future "It's important that we have an AI that cares about humanity, that fosters humanity and helps take us to other planets and other star systems This is why I think it's essential that SpaceX succeed not just with AI hardware, but also with AI software. I think an AI that is SpaceX's baby will be a very good AI SpaceX is a collection some of the very best humans on Earth, both in capability and in morality and goodness. We want to have an AI that is born of that capability, that morality and that goodness. I think that's very, very important So I'd like to encourage people to help out with the AI hardware on the ground, the AI software, and of course with the AI satellites Solar is going to be a very important part of that. The Terafab will be a very important part of that”

Elon Musk explains the deeper reason why SpaceX succeeding in AI matters for humanity’s future "It's important that we have an AI that cares about humanity, that fosters humanity and helps take us to other planets and other star systems This is why I think it's essential that SpaceX succeed not just with AI hardware, but also with AI software. I think an AI that is SpaceX's baby will be a very good AI SpaceX is a collection some of the very best humans on Earth, both in capability and in morality and goodness. We want to have an AI that is born of that capability, that morality and that goodness. I think that's very, very important So I'd like to encourage people to help out with the AI hardware on the ground, the AI software, and of course with the AI satellites Solar is going to be a very important part of that. The Terafab will be a very important part of that”

X Freeze

29,787 görüntüleme • 1 ay önce

My entry for Runway's #aiff2025 is an upgraded version of a short I released a few months back. This is a visual poem generated 100% with ai tools and human creativity. I've been working on a new cinematic universe with original IP, this is the first one out the gate, much more to come. ✨S T A R L I G H T ✨ ✔️ Real actors for voice over and dialogue ✔️ Performance capture with Runway Act-One ✔️ Crazy new shots from Higgsfield AI 🧩

My entry for Runway's #aiff2025 is an upgraded version of a short I released a few months back. This is a visual poem generated 100% with ai tools and human creativity. I've been working on a new cinematic universe with original IP, this is the first one out the gate, much more to come. ✨S T A R L I G H T ✨ ✔️ Real actors for voice over and dialogue ✔️ Performance capture with Runway Act-One ✔️ Crazy new shots from Higgsfield AI 🧩

GenMagnetic

71,698 görüntüleme • 1 yıl önce

There's a very small YouTube channel that uses stock footage and narration, where the voice seems to be AI trained on my voice. I was told about it from one of my viewers that said when he started watching this channel he realized it was my voice, but with AI. It for sure doesn't sound perfect, and it still has that "AI" sound to it, but this stuff is going to get a lot more convincing really soon. There's not really any tools to deal with this currently, as there's no reporting system, and it's not an exact copy because the narration is different. But I feel like this may become a much bigger problem for YouTube in the future. They are going to have to adapt their copyright system to include AI voice and video copies of people under impersonation.

There's a very small YouTube channel that uses stock footage and narration, where the voice seems to be AI trained on my voice. I was told about it from one of my viewers that said when he started watching this channel he realized it was my voice, but with AI. It for sure doesn't sound perfect, and it still has that "AI" sound to it, but this stuff is going to get a lot more convincing really soon. There's not really any tools to deal with this currently, as there's no reporting system, and it's not an exact copy because the narration is different. But I feel like this may become a much bigger problem for YouTube in the future. They are going to have to adapt their copyright system to include AI voice and video copies of people under impersonation.

Joseph Carlson

46,024 görüntüleme • 1 yıl önce

ACTORS ARE COOKED WITH GEN AI.... NO! ACTORS WILL COOK WITH GEN AI! Kling Just rolled out Kling 3.0 with Omni and motion control models. The new motion control gives you really detailed performance capture so you can transfer a genuine nuanced human performance onto your AI characters. You can also blend that performance in with AI generated events , using Kling's start and end frame workflow. So your character can interact with the AI generated environment, or fly or transform into something else. Actors now it the time to get involved. Kling AI P.S Sorry for my G.C.S.E level acting, for reference only 😂

ACTORS ARE COOKED WITH GEN AI.... NO! ACTORS WILL COOK WITH GEN AI! Kling Just rolled out Kling 3.0 with Omni and motion control models. The new motion control gives you really detailed performance capture so you can transfer a genuine nuanced human performance onto your AI characters. You can also blend that performance in with AI generated events , using Kling's start and end frame workflow. So your character can interact with the AI generated environment, or fly or transform into something else. Actors now it the time to get involved. Kling AI P.S Sorry for my G.C.S.E level acting, for reference only 😂

Uncanny Harry AI

25,521 görüntüleme • 7 ay önce

Hideo Kojima on AI "A lot of people use AI in creative work to come up with ideas, but I think of AI as more of a friend ... I would lead the creative part and use AI to boost efficiency"

Hideo Kojima on AI "A lot of people use AI in creative work to come up with ideas, but I think of AI as more of a friend ... I would lead the creative part and use AI to boost efficiency"

Pirat_Nation 🔴

173,356 görüntüleme • 11 ay önce

Here is a new story entirely made in AI. I worked a lot upstream with Grok to prepare each shot. The animation was done by Kling AI. We are still very far from a real short film but the progress of AI is important. Please, I need you to make this video seen🙏. Thank you in advance and enjoy 😊 Elon Musk

Here is a new story entirely made in AI. I worked a lot upstream with Grok to prepare each shot. The animation was done by Kling AI. We are still very far from a real short film but the progress of AI is important. Please, I need you to make this video seen🙏. Thank you in advance and enjoy 😊 Elon Musk

Déborah

22,847 görüntüleme • 1 yıl önce

Elon Musk on Grok: “I think an AI that is sort of SpaceX’s baby will be a very good AI. I think SpaceX is a collection of some of the very best humans on Earth, both in capability and morality and goodness, and I think we want to have an AI that is born of that capability and that morality and that goodness. I think that’s very, very important. So I’d like to encourage people to help out, actually, with the AI hardware on the ground and the AI software and, of course, with the AI satellites. Solar is going to be a very important part of that. The TerraFab will be a very important part of that, but we must also succeed on the software front, and we’re going to be training Grok on the sum total of all SpaceX information. So in a way, it will be trained on you. You will effectively be the parents of the AI. It will inherit your thoughts and ideas and beliefs, and I think that’s a good thing. So, yeah, we’ve got to win here on the AI hardware and the AI software. That maybe is the most important message. I think that is actually the most important message I wanted to convey today is that we must win on AI because the future is overwhelmingly AI and robots. So we won’t ultimately be able to control the AI. It’ll be too smart for that. But just like if you have a child that is a super genius child, you can still instill in that child the values and beliefs that you think are good and right. And so that’s why it’s incredibly important that we succeed with Grok. So, yeah, well, Grok 4.5 you’ve tried probably. We’ve got 4.6 coming out in about a week. And then 4.7 should be really pretty special. So I’d like to encourage everyone at SpaceX to use AI and to make it better.”

Elon Musk on Grok: “I think an AI that is sort of SpaceX’s baby will be a very good AI. I think SpaceX is a collection of some of the very best humans on Earth, both in capability and morality and goodness, and I think we want to have an AI that is born of that capability and that morality and that goodness. I think that’s very, very important. So I’d like to encourage people to help out, actually, with the AI hardware on the ground and the AI software and, of course, with the AI satellites. Solar is going to be a very important part of that. The TerraFab will be a very important part of that, but we must also succeed on the software front, and we’re going to be training Grok on the sum total of all SpaceX information. So in a way, it will be trained on you. You will effectively be the parents of the AI. It will inherit your thoughts and ideas and beliefs, and I think that’s a good thing. So, yeah, we’ve got to win here on the AI hardware and the AI software. That maybe is the most important message. I think that is actually the most important message I wanted to convey today is that we must win on AI because the future is overwhelmingly AI and robots. So we won’t ultimately be able to control the AI. It’ll be too smart for that. But just like if you have a child that is a super genius child, you can still instill in that child the values and beliefs that you think are good and right. And so that’s why it’s incredibly important that we succeed with Grok. So, yeah, well, Grok 4.5 you’ve tried probably. We’ve got 4.6 coming out in about a week. And then 4.7 should be really pretty special. So I’d like to encourage everyone at SpaceX to use AI and to make it better.”

DogeDesigner

64,434 görüntüleme • 1 ay önce

here is the basic idea of my ai integration with vim there is a lot to work on, but here is the core concept ultimately i think programming control should remain in the hands of devs, and this makes it feel more like a sniper rifle than the current spray and pray that it is

here is the basic idea of my ai integration with vim there is a lot to work on, but here is the core concept ultimately i think programming control should remain in the hands of devs, and this makes it feel more like a sniper rifle than the current spray and pray that it is

ThePrimeagen

290,182 görüntüleme • 10 ay önce

This could be the trailer for Studio Ghibli's new film "Timeless". But it's actually an AI-generated video. I wanted to show how far AI animation can go with today's tools. There's not much difference between this and a movie from a movie studio, don't you think? But of course, this is not done at the push of a button. There is a lot of craftsmanship behind it. These are the tools I used to create this little piece of art: Midjourney/Niji Kling AI 1.6 MMAudio Elevenlabs CapCut And with that and a lot of time you could create a complete, professional-looking animated film from your home, one person with just a computer. I hope you enjoy the experience 🙂👍

This could be the trailer for Studio Ghibli's new film "Timeless". But it's actually an AI-generated video. I wanted to show how far AI animation can go with today's tools. There's not much difference between this and a movie from a movie studio, don't you think? But of course, this is not done at the push of a button. There is a lot of craftsmanship behind it. These are the tools I used to create this little piece of art: Midjourney/Niji Kling AI 1.6 MMAudio Elevenlabs CapCut And with that and a lot of time you could create a complete, professional-looking animated film from your home, one person with just a computer. I hope you enjoy the experience 🙂👍

OscarAI

13,653 görüntüleme • 1 yıl önce

My Latest AI short was made with Seedance 2.0 the model that has been firing up the internet over the past couple of days. I made this in two and half days and it's an original short that is based on HP Lovecraft's work which is now Public Domain (No Copyright infringement here!). If you are not into period romances then bare with it as it gets a more little action packed in the second half! The model is brilliant at both performance and action, you can now make convincing dialogue and action sequences for AI cinema. With this model we have now reached the stage where we can tell any story we want with AI, the tools are capable. This is only 720p at the moment but I suspect it will be upgraded to 1080p very soon. We stand at the threshold of having broadcast quality tools capable of creating anything we can imagine available to everyone, so lets do new an interesting things with it. Thank you to CapCut for whitelisting me and to Dreamina AI AI for giving me access as part of their CPP. Thanks for watching! 👀

My Latest AI short was made with Seedance 2.0 the model that has been firing up the internet over the past couple of days. I made this in two and half days and it's an original short that is based on HP Lovecraft's work which is now Public Domain (No Copyright infringement here!). If you are not into period romances then bare with it as it gets a more little action packed in the second half! The model is brilliant at both performance and action, you can now make convincing dialogue and action sequences for AI cinema. With this model we have now reached the stage where we can tell any story we want with AI, the tools are capable. This is only 720p at the moment but I suspect it will be upgraded to 1080p very soon. We stand at the threshold of having broadcast quality tools capable of creating anything we can imagine available to everyone, so lets do new an interesting things with it. Thank you to CapCut for whitelisting me and to Dreamina AI AI for giving me access as part of their CPP. Thanks for watching! 👀

Uncanny Harry AI

76,935 görüntüleme • 7 ay önce

Not a plot detail, but I just found this and thought I'd share it. In 2022 I suggested the idea of post-credit scenes for each chapter's killers where they came to terms with their deaths and confronted their regrets, and in CH0 I suggested Cara to appear

Not a plot detail, but I just found this and thought I'd share it. In 2022 I suggested the idea of post-credit scenes for each chapter's killers where they came to terms with their deaths and confronted their regrets, and in CH0 I suggested Cara to appear

Nifast🍀Greentail

126,231 görüntüleme • 5 ay önce

Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman

Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman

Emily Youcis

20,006 görüntüleme • 4 ay önce

A sneak peek of Princess Jane's home world. I know AI is nowhere near to creating perfect movies yet, but this feels like the beginning of something great. Experimenting with AI-generated scripts like this feels like an important first step on the journey towards more human-AI creativity in filmmaking. For those wondering if I use AI to write my scripts, yes and no, I craft the base ideas, then use Anthropic AI to refine and polish it. I have successfully trained Anthropic on my story; it automatically knows and predicts each plot in the story. I do not wish to destroy human creativity but enhance it through AI; I believe a human and AI partnership will transcend anything we have ever seen.

A sneak peek of Princess Jane's home world. I know AI is nowhere near to creating perfect movies yet, but this feels like the beginning of something great. Experimenting with AI-generated scripts like this feels like an important first step on the journey towards more human-AI creativity in filmmaking. For those wondering if I use AI to write my scripts, yes and no, I craft the base ideas, then use Anthropic AI to refine and polish it. I have successfully trained Anthropic on my story; it automatically knows and predicts each plot in the story. I do not wish to destroy human creativity but enhance it through AI; I believe a human and AI partnership will transcend anything we have ever seen.

Rufus

1,968,969 görüntüleme • 3 yıl önce