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Shattered Crash Dummy's (updated) Global Last Robloxian Standing theme. Unofficial visualizer. Please be respectful! (composed by waleter, vocals by El Mimi!!!!!!, skin by hallow) #PWNedBY1400 #PWNedBY14 #ROBLOX

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PWNedCatalogue

2,239 subscribers

16,632 görüntüleme • 8 gün önce •via X (Twitter)

Oyun#PWNedBY1400#PWNedBY14#ROBLOX
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15 Yorum

PWNedCatalogue profil fotoğrafı
PWNedCatalogue8 gün önce

yes the point of the lrs is that its a cover of the tlt song . yes shattered is heavily inspired by the mimic from fnaf . no i will not be fixing any minor issues with the visualizer . bye guys

Tumored Trowel profil fotoğrafı
Tumored Trowel8 gün önce

@one_in_a_mimion @thathallow i don't get the hate for this song

Aubree/Nex profil fotoğrafı
Aubree/Nex8 gün önce

@one_in_a_mimion @thathallow i really love the lyrics i dont get why people bullied mimi for this

dante minecraft avatar profil fotoğrafı
dante minecraft avatar8 gün önce

@one_in_a_mimion @thathallow i feel like the beginning vocals would be perfect if they layered slightly quieter and more melodic ones on top , possibly sampled from the og song (not a complaint , just my thoughts !! i do like it as is)

Super Baloon Mario profil fotoğrafı
Super Baloon Mario8 gün önce

@one_in_a_mimion @thathallow Genuinely hate how people hated on the old one man.. rude for literally NO reason.

💢Kennyjorine profil fotoğrafı
💢Kennyjorine8 gün önce

@one_in_a_mimion @thathallow

ANT- profil fotoğrafı
ANT-8 gün önce

@jrpwnednews @one_in_a_mimion @thathallow I love this skin so much cause I love the mimic, when I saw it was getting love and new things I was soooo hyped. I feel like the vocals could be a bit louder and a tad more tuned but everything looks and sounds amazing

M07 profil fotoğrafı
M077 gün önce

@one_in_a_mimion @thathallow now it's way more in tune and sounds way cooler as an LRS holy wait *bumps this track*

gmdfjg profil fotoğrafı
gmdfjg8 gün önce

@one_in_a_mimion @thathallow this is much better. amazing lrs i gotta use this!!

D.B profil fotoğrafı
D.B8 gün önce

Hey this is coo THE LIVING TOMBSTONE!?

Lost profil fotoğrafı
Lost8 gün önce

@one_in_a_mimion @thathallow the voice is pretty good and fitting its genuinely a nice lrs

Человек простой profil fotoğrafı
Человек простой8 gün önce

@one_in_a_mimion @thathallow GOATTTT

(M3talssonic) Junkbot with Za warudo profil fotoğrafı
(M3talssonic) Junkbot with Za warudo8 gün önce

@one_in_a_mimion @thathallow This is great

#1 SWAGMAN FAN profil fotoğrafı
#1 SWAGMAN FAN8 gün önce

@one_in_a_mimion @thathallow i never got to hear it in-game but this is awesome i love it

worldstar fat bitch knifefights profil fotoğrafı
worldstar fat bitch knifefights8 gün önce

@one_in_a_mimion @thathallow i really like this lrs

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There is a delicious irony in the way our governing centrists, in the UK and in the EU, are lamenting the Trump Shock. They wax lyrical about the globalised, financialised capitalist order which they now mourn. They portray it as a golden age, a natural global system of free trade and benign capital flows. Are they truly oblivious to the facts of recent economic history? Do they not know that the grossly imbalanced, extractive, Ponzi-like financialised global capitalism which has spawned the crises that propelled Trump into the White House was also birthed by a major shock? The Nixon shock? Centrists admonish the Trump boys for having turned on their allies but they forget that the Nixon Shock was equally, if not more so, an intentional devastating assault on Europe, Japan and the UK. 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Since 1971, our economies have been hooked into the same US-centric global surplus recycling mechanism whose deep crisis is steering our politics into the arms of the xenophobic ultra-right – with our electorates increasingly pummelled by nasty undercurrents fuelled by the crisis of this global recycling mechanism that once drove Europe’s and Britain’s growth and relative stability. The essence of this global recycling mechanism (which I once labelled The Global Minotaur) is simple: Since the 1970s, America’s deficits provided Germany, Japan and later China the demand for their factories’ manufactures. In return, the European Union, Japan and later China sent their accumulated profits to Wall Street and its appendage, the City of London, to be recycled into the US rentier sector: private and public debt, some equities, and real estate. A Chinese official once described this mechanism to me as a Dark Deal. “Our Dark Deal with the Americans,” he explained, “turns on the US trade deficit, which keeps demand for our manufactures high. In return, our capitalists invest the bulk of their dollar superprofits into America’s rentier economy - Finance, Insurance, and Real Estate. Once this process got underway”, he concluded, “America shifted much of its industrial production to our shores.” The problem with this global recycling mechanism was that, to function smoothly, it had to generate larger and larger imbalances, greater trade deficits for the US, and more accumulated rents for Northern Europe and East Asia. But, there are limits to how large imbalances can grow, both in terms of trade deficits and in terms of profits versus rents. Ruptures are inevitable. The longer they are delayed the greater the pain they inflict – a truth that centrists never acknowledged, not even when the Crash of 2008 was tearing down their houses. Trump’s boys have dared asked the pressing question that the centrists refuse to countenance: What comes after the Dark Deal once the imbalances built on the US trade deficit proved unsustainably massive? Their proposed solutions may seem wrongheaded, half-baked, even crazy but at least Trump’s team has identified the American ruling class’s problem: How to maintain US hegemony in the face of America’s rapid de-industrialisation, with the Triffin Dilemma hanging over their heads, and now that financial rents are being replaced by what I call cloud rents. In contrast, UK and EU politicians are utterly out of their depth, running around like decapitated chickens, oscillating between vacuous bravado and servility to The Donald. 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7:13

There is a delicious irony in the way our governing centrists, in the UK and in the EU, are lamenting the Trump Shock. They wax lyrical about the globalised, financialised capitalist order which they now mourn. They portray it as a golden age, a natural global system of free trade and benign capital flows. Are they truly oblivious to the facts of recent economic history? Do they not know that the grossly imbalanced, extractive, Ponzi-like financialised global capitalism which has spawned the crises that propelled Trump into the White House was also birthed by a major shock? The Nixon shock? Centrists admonish the Trump boys for having turned on their allies but they forget that the Nixon Shock was equally, if not more so, an intentional devastating assault on Europe, Japan and the UK. They seem unaware that precisely because of the economic devastation caused in the 1970s and 1980s, including in America’s heartlands, the Nixon Shock’s architects, men like Paul Volcker, achieved their main long-term objective: to ensure that American hegemony grew alongside America’s trade and government budget deficits, not to mention on the back of financial rents earned at the expense of real value creation. Many seem puzzled that, while the EU and the Britain differ in important ways - mainly in that the EU is running a huge surplus with the US while the UK remains a deficit economy - our centrist regimes on both sides of the Channel seem equally at a loss. There is a reason for this. Since 1971, our economies have been hooked into the same US-centric global surplus recycling mechanism whose deep crisis is steering our politics into the arms of the xenophobic ultra-right – with our electorates increasingly pummelled by nasty undercurrents fuelled by the crisis of this global recycling mechanism that once drove Europe’s and Britain’s growth and relative stability. The essence of this global recycling mechanism (which I once labelled The Global Minotaur) is simple: Since the 1970s, America’s deficits provided Germany, Japan and later China the demand for their factories’ manufactures. In return, the European Union, Japan and later China sent their accumulated profits to Wall Street and its appendage, the City of London, to be recycled into the US rentier sector: private and public debt, some equities, and real estate. A Chinese official once described this mechanism to me as a Dark Deal. “Our Dark Deal with the Americans,” he explained, “turns on the US trade deficit, which keeps demand for our manufactures high. In return, our capitalists invest the bulk of their dollar superprofits into America’s rentier economy - Finance, Insurance, and Real Estate. Once this process got underway”, he concluded, “America shifted much of its industrial production to our shores.” The problem with this global recycling mechanism was that, to function smoothly, it had to generate larger and larger imbalances, greater trade deficits for the US, and more accumulated rents for Northern Europe and East Asia. But, there are limits to how large imbalances can grow, both in terms of trade deficits and in terms of profits versus rents. Ruptures are inevitable. The longer they are delayed the greater the pain they inflict – a truth that centrists never acknowledged, not even when the Crash of 2008 was tearing down their houses. Trump’s boys have dared asked the pressing question that the centrists refuse to countenance: What comes after the Dark Deal once the imbalances built on the US trade deficit proved unsustainably massive? Their proposed solutions may seem wrongheaded, half-baked, even crazy but at least Trump’s team has identified the American ruling class’s problem: How to maintain US hegemony in the face of America’s rapid de-industrialisation, with the Triffin Dilemma hanging over their heads, and now that financial rents are being replaced by what I call cloud rents. In contrast, UK and EU politicians are utterly out of their depth, running around like decapitated chickens, oscillating between vacuous bravado and servility to The Donald. Guy Standing suggested that, today, I focus on how Europe and the UK should respond to the Trump Shock. I could talk endlessly on this. I could, for example, recommend not just a 10% cloud tax by which to clobber Big Tech but also repealing all regulations that we introduced in Europe to comply with Bill Clinton’s despicable ‘anticircumvention’ Act which is why you can’t buy a jailbreaking tool so your printer is able to recognise and use cheaper, generic ink cartridges. I could recommend that our governments rescind all tariffs imposed at the behest of Washington on excellent Chinese solar panels and electric vehicles, while entering into a serious EU-UK-Chinese dialogue with a view to stimulate our economies in a coordinated fashion so as to stem the recessionary wave coming from Trump’s America. I could recommend that Europe starts its own Peace negotiations with Moscow over Ukraine, rejecting the plunder of Ukraine’s underground wealth by Trump’s boys. But, in all honesty, I can’t find the energy to make these recommendations when I know that the Radical Centre in power, in Britain and in the EU, will do everything they can to not do any of that – in exactly the same way they botched the euro crisis or the opportunities offered by the pandemic. Determined to remain wedded to America’s rentier economy, Europe’s and Britain’s elites will not deviate from current policies – not unless we overthrow them first. But for this we need an agenda bolder than Trump’s and Farage’s and, of course, a radically humanist one – an agenda that is not fearful of radical proposals like a public green investment bank, a trust fund for everyone yielding an unconditional personal income, the termination of all quasi-energy markets, the socialisation of housing and, last but not least, a surge in corporations practising one-employee-one-member-one-vote. Meanwhile, as we stuggle to give political representation to such an agenda, all eyes on China – the only country, for better or for worse, that seems willing and able (though not predestined) to counter Trump’s bullies, to boost green energy production, to work toward turning the BRICS into a new Bretton Woods serving the interests of the Global South. For more thoughts on the world’s response to the Trump Shock, watch this space.

Yanis Varoufakis

78,095 görüntüleme • 1 yıl önce

I just rewatched Mr. Bean at the 2012 London Olympics. 14 years later, it's still the funniest thing I've ever seen at a global event. Here's why comedy is the ultimate status symbol: When Rowan Atkinson walked onto that stadium floor in 2012, something profound happened that we mistook for pure entertainment. The Olympics opening ceremony is one of the few remaining moments where billions of people sit down simultaneously and watch the same thing. For most nations, the instinct is to show strength, history, precision, grandeur. China deployed thousands of synchronized performers. Athens lit the cauldron with ancient mythology. Every country understands the assignment: convince the world you're worth respecting. Britain chose to send out a man in pajamas playing air violin to Chariots of Fire while a massive orchestra played behind him. The decision was actually revolutionary, though nobody framed it that way at the time. We were too busy laughing. But that laugh contained something deeper than we realized. Rowan Atkinson had spent two decades perfecting a form of comedy that required absolutely nothing. No dialogue. No cultural references that needed translation. No setup or punchline structure that depended on language or prior knowledge. Just a body moving through space in ways that revealed the absurdity of everyday human existence. A man trying to park a car. A man with itchy skin. A man confused by a jacket. The comedy worked in Tokyo, in Lagos, in São Paulo because it operated at a biological level beneath language. And in 2012, Britain was essentially saying to the world: we are so secure in our cultural position that we don't need to prove anything through displays of power or technological mastery. We can afford to be ridiculous. We can afford to send one of our greatest cultural exports onto the world's biggest stage to be vulnerable and small and silly in front of everyone. That takes a specific kind of confidence. Most nations were still operating from a Cold War framework where global standing meant military capability, industrial output, technological superiority. Britain had already moved past that calculation. The country understood something that hadn't fully crystallized yet: soft power would eventually matter more than hard power. Cultural resonance would move markets and influence more than conventional strength ever could. By putting Atkinson front and center, Britain was betting on the one resource it had in abundance: the ability to make people laugh and feel something together. What made it work on that scale was the fundamental humanity of physical comedy. You couldn't mock it or be cynical about it the way you could about political messaging or nationalism. Watching someone fail to coordinate their body while attempting something small and specific is something humans recognize across every culture. The vulnerability is real. The effort to maintain dignity while falling apart is universal. The performance lasted only a few minutes. But it changed the grammar of what an opening ceremony could accomplish. After 2012, the calculus shifted. Countries began understanding that audiences didn't want to be impressed by scale or intimidated by precision. They wanted to feel something. They wanted permission to relax and enjoy themselves rather than be lectured about national achievement. Rio understood this. Tokyo understood this. Paris would understand this. But the deeper thing that moment revealed was about Rowan Atkinson himself and what had happened to comedy by that point in history. Physical comedy had essentially disappeared from mainstream culture. Television had moved toward dialogue-driven narrative. Movies had moved toward plot complexity and emotional earnestness. Stand-up comedy had become the dominant form, which meant comedy had become increasingly tied to language, to the personality of the comedian, to cultural specificity. You couldn't export a stand-up routine the way you could export a physical gag. Atkinson represented something nearly extinct: a performer whose entire practice existed in a pre-linguistic space. He was a last living connection to the tradition of Chaplin, Keaton, Lloyd. But unlike those figures, Atkinson had adapted that tradition to television and maintained its purity over decades. He never broke character with dialogue. He never relied on the audience knowing who he was to get the joke. The comedy lived entirely in what his body could communicate. Putting him at the Olympics was implicitly asking the world to remember that laughter doesn't require translation. That humor transcends the categories we use to divide ourselves. That a human body moving through space in ways that violate expectation creates a shared emotional experience across language, culture, and nationality. In an era when global communication was becoming increasingly text-based and digital, when distance was collapsing but we were fragmenting into smaller algorithmic bubbles, Britain presented one man doing something so fundamentally physical and irreducible that it couldn't be subdivided or reinterpreted. It demanded presence. It demanded that you watch. The applause that followed wasn't polite. It wasn't the obligatory standing ovation for state ceremony. It was the genuine roar of billions of people experiencing permission to be joyful together, to value silliness alongside achievement, to recognize that sometimes the most powerful thing a nation can project is the confidence to be genuinely, unselfconsciously playful in front of the world. And perhaps most importantly, it revealed that Rowan Atkinson had spent his entire life perfecting something that the modern world had almost forgotten we needed. Not entertainment. Connection. The specific, irreplaceable experience of watching another human being fail in real time and finding unexpected grace in that failure. That's not something comedy usually accomplishes. That's something only the body can teach us.
4:47

I just rewatched Mr. Bean at the 2012 London Olympics. 14 years later, it's still the funniest thing I've ever seen at a global event. Here's why comedy is the ultimate status symbol: When Rowan Atkinson walked onto that stadium floor in 2012, something profound happened that we mistook for pure entertainment. The Olympics opening ceremony is one of the few remaining moments where billions of people sit down simultaneously and watch the same thing. For most nations, the instinct is to show strength, history, precision, grandeur. China deployed thousands of synchronized performers. Athens lit the cauldron with ancient mythology. Every country understands the assignment: convince the world you're worth respecting. Britain chose to send out a man in pajamas playing air violin to Chariots of Fire while a massive orchestra played behind him. The decision was actually revolutionary, though nobody framed it that way at the time. We were too busy laughing. But that laugh contained something deeper than we realized. Rowan Atkinson had spent two decades perfecting a form of comedy that required absolutely nothing. No dialogue. No cultural references that needed translation. No setup or punchline structure that depended on language or prior knowledge. Just a body moving through space in ways that revealed the absurdity of everyday human existence. A man trying to park a car. A man with itchy skin. A man confused by a jacket. The comedy worked in Tokyo, in Lagos, in São Paulo because it operated at a biological level beneath language. And in 2012, Britain was essentially saying to the world: we are so secure in our cultural position that we don't need to prove anything through displays of power or technological mastery. We can afford to be ridiculous. We can afford to send one of our greatest cultural exports onto the world's biggest stage to be vulnerable and small and silly in front of everyone. That takes a specific kind of confidence. Most nations were still operating from a Cold War framework where global standing meant military capability, industrial output, technological superiority. Britain had already moved past that calculation. The country understood something that hadn't fully crystallized yet: soft power would eventually matter more than hard power. Cultural resonance would move markets and influence more than conventional strength ever could. By putting Atkinson front and center, Britain was betting on the one resource it had in abundance: the ability to make people laugh and feel something together. What made it work on that scale was the fundamental humanity of physical comedy. You couldn't mock it or be cynical about it the way you could about political messaging or nationalism. Watching someone fail to coordinate their body while attempting something small and specific is something humans recognize across every culture. The vulnerability is real. The effort to maintain dignity while falling apart is universal. The performance lasted only a few minutes. But it changed the grammar of what an opening ceremony could accomplish. After 2012, the calculus shifted. Countries began understanding that audiences didn't want to be impressed by scale or intimidated by precision. They wanted to feel something. They wanted permission to relax and enjoy themselves rather than be lectured about national achievement. Rio understood this. Tokyo understood this. Paris would understand this. But the deeper thing that moment revealed was about Rowan Atkinson himself and what had happened to comedy by that point in history. Physical comedy had essentially disappeared from mainstream culture. Television had moved toward dialogue-driven narrative. Movies had moved toward plot complexity and emotional earnestness. Stand-up comedy had become the dominant form, which meant comedy had become increasingly tied to language, to the personality of the comedian, to cultural specificity. You couldn't export a stand-up routine the way you could export a physical gag. Atkinson represented something nearly extinct: a performer whose entire practice existed in a pre-linguistic space. He was a last living connection to the tradition of Chaplin, Keaton, Lloyd. But unlike those figures, Atkinson had adapted that tradition to television and maintained its purity over decades. He never broke character with dialogue. He never relied on the audience knowing who he was to get the joke. The comedy lived entirely in what his body could communicate. Putting him at the Olympics was implicitly asking the world to remember that laughter doesn't require translation. That humor transcends the categories we use to divide ourselves. That a human body moving through space in ways that violate expectation creates a shared emotional experience across language, culture, and nationality. In an era when global communication was becoming increasingly text-based and digital, when distance was collapsing but we were fragmenting into smaller algorithmic bubbles, Britain presented one man doing something so fundamentally physical and irreducible that it couldn't be subdivided or reinterpreted. It demanded presence. It demanded that you watch. The applause that followed wasn't polite. It wasn't the obligatory standing ovation for state ceremony. It was the genuine roar of billions of people experiencing permission to be joyful together, to value silliness alongside achievement, to recognize that sometimes the most powerful thing a nation can project is the confidence to be genuinely, unselfconsciously playful in front of the world. And perhaps most importantly, it revealed that Rowan Atkinson had spent his entire life perfecting something that the modern world had almost forgotten we needed. Not entertainment. Connection. The specific, irreplaceable experience of watching another human being fail in real time and finding unexpected grace in that failure. That's not something comedy usually accomplishes. That's something only the body can teach us.

The Curious Tales

64,927 görüntüleme • 1 ay önce

WHY YOU CAN'T BLAME MRS OLUREMI TINUBU A member of the OVATION MEDIA GROUP team called me from Ile-Ife last night, frantically. I could feel him almost panting. "Sir, your Sister has done it again", he said matter-of-factly... "Who's my Sister and what has she done again?," "Haa, the First Lady MRS OLUREMI TINUBU insulted GOVERNOR ADELEKE today in public..." "Why and how?, I asked, almost rhetorically, knowing what my Sister was capable of doing when angry. I was once a victim, shortly before the family attained full blown power. Please, let me digress a little. We had met at the funeral of CHIEF MRS KEMI NELSON, inside the holy sanctuary of the ARCHBISHOP VINING MEMORIAL CHURCH in Ikeja GRA, Lagos... "Good morning Ma," I said, most repectfully. Standing by were Dr Femi Olowolafe and Senator Tokunbo Abiru. Suddenly, there was an explosion, totally unprovoked. Mrs Tinubu went like, "Bob Dee, you mean you won't campaign for my husband?" I wasted no time in responding: "I can't Ma, I'm in a different party!!" Her Excellency was livid. She said things that were not factual but out of respect for "Uncle Bola" I let it slip... 1. This latest tirade against an elected Governor was totally beneath her for several reasons: She's not an elected officer of government and has no role assigned to her in the Constitution of the Federal Republic. It is totally repugnant to openly disgrace, insult, and bully the Chief Executive of Osun State before a global audience, including his own wife. She went too far. 2. It is unbelievable that a self-professed Pastor of the Redeemed Christian Church of God would frown at a Governor praising God. Her Church should be very embarrassed. 3. Would she have tried this with a Northern Governor reciting the Holy Koran before a speech? 4. Why does she think her family owns Nigeria and can publicly go on rampage as she wishes. 5. Many commentators have said she was lucky that Governor Ademola Adeleke is a perfect gentleman. But I can't really blame MRS OLUREMI TINUBU. I blame the squeamish Nigerians who chose to be voluntary slaves in their own country. Shame on the cowardly people who've sold their inalienable rights for power...
1:08

WHY YOU CAN'T BLAME MRS OLUREMI TINUBU A member of the OVATION MEDIA GROUP team called me from Ile-Ife last night, frantically. I could feel him almost panting. "Sir, your Sister has done it again", he said matter-of-factly... "Who's my Sister and what has she done again?," "Haa, the First Lady MRS OLUREMI TINUBU insulted GOVERNOR ADELEKE today in public..." "Why and how?, I asked, almost rhetorically, knowing what my Sister was capable of doing when angry. I was once a victim, shortly before the family attained full blown power. Please, let me digress a little. We had met at the funeral of CHIEF MRS KEMI NELSON, inside the holy sanctuary of the ARCHBISHOP VINING MEMORIAL CHURCH in Ikeja GRA, Lagos... "Good morning Ma," I said, most repectfully. Standing by were Dr Femi Olowolafe and Senator Tokunbo Abiru. Suddenly, there was an explosion, totally unprovoked. Mrs Tinubu went like, "Bob Dee, you mean you won't campaign for my husband?" I wasted no time in responding: "I can't Ma, I'm in a different party!!" Her Excellency was livid. She said things that were not factual but out of respect for "Uncle Bola" I let it slip... 1. This latest tirade against an elected Governor was totally beneath her for several reasons: She's not an elected officer of government and has no role assigned to her in the Constitution of the Federal Republic. It is totally repugnant to openly disgrace, insult, and bully the Chief Executive of Osun State before a global audience, including his own wife. She went too far. 2. It is unbelievable that a self-professed Pastor of the Redeemed Christian Church of God would frown at a Governor praising God. Her Church should be very embarrassed. 3. Would she have tried this with a Northern Governor reciting the Holy Koran before a speech? 4. Why does she think her family owns Nigeria and can publicly go on rampage as she wishes. 5. Many commentators have said she was lucky that Governor Ademola Adeleke is a perfect gentleman. But I can't really blame MRS OLUREMI TINUBU. I blame the squeamish Nigerians who chose to be voluntary slaves in their own country. Shame on the cowardly people who've sold their inalienable rights for power...

Dele Momodu Ovation

477,209 görüntüleme • 9 ay önce

The Child Who Was Carved Open Before Her Eyes: A Testimony Revealing the Brutality of the UAE Backed Rapid Support Militia She spoke with a steady voice, yet every word carried a shock that could not be concealed. Mona, a young survivor from El Fasher, was not recounting an ordinary incident. She was delivering a direct, living testimony of a crime that reflects the highest level of brutality committed by the UAE backed Rapid Support Militia (Janjaweed), armed and funded with advanced technologies supplied to it in recent years. This power was not used to protect civilians or build stability. It was used to destroy cities and kill children in front of their families. Mona describes the moment she saw a small child seized by one of the fighters. She said, “One of them came and grabbed the boy. He kept stabbing him without mercy. When they got bored, they cut him open. They slashed his entire small body. They did not spare a single part.” The child screamed, then went silent. His tiny body became a deliberate message of terror. People stood frozen, fully aware that any attempt to intervene meant facing the same fate. Mona recounts how women were forced to watch their husbands being killed and carved open before their eyes, unable to speak or defend them. Killing became part of a calculated strategy to tear the community apart and inflict a trauma that would last for generations. Bodies lay in the streets, scattered across the city. The militia did not stop at killing. They used racist slurs to humiliate civilians. Mona said, “They told us: You are slave women and slave children. You are slaves.” These insults were not random. They were a prelude to crimes even more horrific, and a psychological preparation for systematic rape and abuse. Then Mona revealed the part that carries a pain beyond words: “They just kept beating us and raping young girls.” These crimes were not isolated. They were intentional attempts to break the humanity of the victims and destroy the social fabric from the inside. She added, “If you did not go with them, they would kill you in the street.” This was the reality. The rule of weapons. Silent, overwhelming force. A fear that controlled every step the civilians took. Mona lost her parents when they went out to search for food. Shelling struck them, leaving her and her siblings alone in a world collapsing around them. She said, “We had no one standing with us, no one supporting us.” Her words reflect the deep isolation civilians endured under the long siege, an isolation intensified by a global silence that remains unjustifiable. The United Arab Emirates supplied this militia with some of the most advanced technologies available, from military vehicles to weapons to logistical systems, while the world looked away. No one questioned how such heavily equipped forces could use their capabilities against children. No one asked why civilians were abandoned to confront a well funded killing machine on their own. The child Mona saw was not a statistic. He was not a detail in a report. He was a human being, a small boy whose features reflect the universal innocence of childhood. He could have been your child, your nephew or your neighbor’s son. His future ended in one brutal moment, carried out by men wielding foreign funded weapons and advanced technology without restraint or accountability. Mona’s testimony is a painful document, yet an essential one. It reveals the truth and places the world before its responsibility. Silence is not neutrality. Silence is complicity. #Sudan #RSFisTerroristOrganization #UAEKillsSudanesePeople #UAESponsorsTerrorism
2:12

The Child Who Was Carved Open Before Her Eyes: A Testimony Revealing the Brutality of the UAE Backed Rapid Support Militia She spoke with a steady voice, yet every word carried a shock that could not be concealed. Mona, a young survivor from El Fasher, was not recounting an ordinary incident. She was delivering a direct, living testimony of a crime that reflects the highest level of brutality committed by the UAE backed Rapid Support Militia (Janjaweed), armed and funded with advanced technologies supplied to it in recent years. This power was not used to protect civilians or build stability. It was used to destroy cities and kill children in front of their families. Mona describes the moment she saw a small child seized by one of the fighters. She said, “One of them came and grabbed the boy. He kept stabbing him without mercy. When they got bored, they cut him open. They slashed his entire small body. They did not spare a single part.” The child screamed, then went silent. His tiny body became a deliberate message of terror. People stood frozen, fully aware that any attempt to intervene meant facing the same fate. Mona recounts how women were forced to watch their husbands being killed and carved open before their eyes, unable to speak or defend them. Killing became part of a calculated strategy to tear the community apart and inflict a trauma that would last for generations. Bodies lay in the streets, scattered across the city. The militia did not stop at killing. They used racist slurs to humiliate civilians. Mona said, “They told us: You are slave women and slave children. You are slaves.” These insults were not random. They were a prelude to crimes even more horrific, and a psychological preparation for systematic rape and abuse. Then Mona revealed the part that carries a pain beyond words: “They just kept beating us and raping young girls.” These crimes were not isolated. They were intentional attempts to break the humanity of the victims and destroy the social fabric from the inside. She added, “If you did not go with them, they would kill you in the street.” This was the reality. The rule of weapons. Silent, overwhelming force. A fear that controlled every step the civilians took. Mona lost her parents when they went out to search for food. Shelling struck them, leaving her and her siblings alone in a world collapsing around them. She said, “We had no one standing with us, no one supporting us.” Her words reflect the deep isolation civilians endured under the long siege, an isolation intensified by a global silence that remains unjustifiable. The United Arab Emirates supplied this militia with some of the most advanced technologies available, from military vehicles to weapons to logistical systems, while the world looked away. No one questioned how such heavily equipped forces could use their capabilities against children. No one asked why civilians were abandoned to confront a well funded killing machine on their own. The child Mona saw was not a statistic. He was not a detail in a report. He was a human being, a small boy whose features reflect the universal innocence of childhood. He could have been your child, your nephew or your neighbor’s son. His future ended in one brutal moment, carried out by men wielding foreign funded weapons and advanced technology without restraint or accountability. Mona’s testimony is a painful document, yet an essential one. It reveals the truth and places the world before its responsibility. Silence is not neutrality. Silence is complicity. #Sudan #RSFisTerroristOrganization #UAEKillsSudanesePeople #UAESponsorsTerrorism

Sudanese Echo

19,447 görüntüleme • 10 ay önce

I didn’t travel 18 hours just to meet someone. I traveled to witness the beginning of something unforgettable. The first time I saw #linglingkwong‌ was in Chiang Mai. I stood between her and Nong Orm, almost afraid to move, afraid to interrupt their space just listening, observing, absorbing the moment. She was calm, introverted, gentle. The first thing she asked me was, “Did you really fly 18 hours to come here?” than she said "Waww" That small question carried so much warmth. She smiled quietly while Orm spoke more. Watching, listening, present in her own peaceful way. Beauty on screen is one thing… but meeting her in real life is something entirely different. My real miracle moment came at the fancon. I was in a wheelchair, supported by security, struggling to walk. She noticed immediately. She remembered me from Chiang Mai. She asked with concern: “Are you okay? Do you need help? What happened?” Not out of politeness, but out of real care. She was more worried about me than I was about myself 😅 She even spoke to me on stage a lot, and I kept saying, “I’m okay, I’m okay don’t worry.” Later, at LEGO, the introvert side softened She talked more, She laughed.. We spoke for more than 7 minutes in beautiful, professional cute English🫠 I promised her Lebanese chocolate next time, our chocolate ranks among the top in the world 😇 She smiled and said, “Yes please, give it to my manager.” And now I truly believe 2026 must deliver that promise☺️ This is who #linglingkwong‌ truly is. Not only breathtakingly beautiful but emotionally intelligent, respectful, and deeply human. The way she walks, smiles, speaks, dances, listens everything carries elegance, and intelligence. She was born to shine but she also worked for every step. Nothing about her journey feels accidental. Discipline, patience, growth shaped the woman she is today. Her impact built on effort. Confidence built on consistency. A true leader in the making. 2025 was her beginning. A powerful year of visibility, growth, and becoming a #Dior Brand house Ambassador a global statement in itself. But I truly believe 2026 will unlock even greater chapters: more influence, more excellence, more global presence, more legacy😉 Before Thailand, I always said she is the first choice for brands. After meeting her, I am absolutely certain this woman will always be the first choice. Not because of hype. But because of character, I never introduced myself as a director. I didn’t speak about titles or roles. I was simply happy being a fan, standing quietly, witnessing something rare. In one of the Thailand clips you’ll see, my friend asked me, “Why are you smiling?” I replied, “I’m not… you’re the one smiling,” because every time I see Lingling Kwong, I find myself smiling without even realizing it, happy, and full of quiet joy. Lingling has the kind of intelligence that observes before acting. The kind of soul that understands people deeply. The kind of presence that builds trust naturally for brands, for audiences, for the future. She remembers faces. She respects every fan, regardless of background, language, or status. This purity cannot be trained. It is lived. I’m grateful beyond words to witness this journey from the beginning. To grow alongside a woman who carries both grace and power so naturally. To witness a global icon rising quietly, beautifully... Congratulations to Dior you truly chose wisely. See you in Paris. ✨ Here’s to growing, evolving, and shining together. GROWING2026 WITH LINGLING #GrowWithLingling2026 linglingsirilak #linglingkwong‌ #หลิงหลิงคอง
0:55

I didn’t travel 18 hours just to meet someone. I traveled to witness the beginning of something unforgettable. The first time I saw #linglingkwong‌ was in Chiang Mai. I stood between her and Nong Orm, almost afraid to move, afraid to interrupt their space just listening, observing, absorbing the moment. She was calm, introverted, gentle. The first thing she asked me was, “Did you really fly 18 hours to come here?” than she said "Waww" That small question carried so much warmth. She smiled quietly while Orm spoke more. Watching, listening, present in her own peaceful way. Beauty on screen is one thing… but meeting her in real life is something entirely different. My real miracle moment came at the fancon. I was in a wheelchair, supported by security, struggling to walk. She noticed immediately. She remembered me from Chiang Mai. She asked with concern: “Are you okay? Do you need help? What happened?” Not out of politeness, but out of real care. She was more worried about me than I was about myself 😅 She even spoke to me on stage a lot, and I kept saying, “I’m okay, I’m okay don’t worry.” Later, at LEGO, the introvert side softened She talked more, She laughed.. We spoke for more than 7 minutes in beautiful, professional cute English🫠 I promised her Lebanese chocolate next time, our chocolate ranks among the top in the world 😇 She smiled and said, “Yes please, give it to my manager.” And now I truly believe 2026 must deliver that promise☺️ This is who #linglingkwong‌ truly is. Not only breathtakingly beautiful but emotionally intelligent, respectful, and deeply human. The way she walks, smiles, speaks, dances, listens everything carries elegance, and intelligence. She was born to shine but she also worked for every step. Nothing about her journey feels accidental. Discipline, patience, growth shaped the woman she is today. Her impact built on effort. Confidence built on consistency. A true leader in the making. 2025 was her beginning. A powerful year of visibility, growth, and becoming a #Dior Brand house Ambassador a global statement in itself. But I truly believe 2026 will unlock even greater chapters: more influence, more excellence, more global presence, more legacy😉 Before Thailand, I always said she is the first choice for brands. After meeting her, I am absolutely certain this woman will always be the first choice. Not because of hype. But because of character, I never introduced myself as a director. I didn’t speak about titles or roles. I was simply happy being a fan, standing quietly, witnessing something rare. In one of the Thailand clips you’ll see, my friend asked me, “Why are you smiling?” I replied, “I’m not… you’re the one smiling,” because every time I see Lingling Kwong, I find myself smiling without even realizing it, happy, and full of quiet joy. Lingling has the kind of intelligence that observes before acting. The kind of soul that understands people deeply. The kind of presence that builds trust naturally for brands, for audiences, for the future. She remembers faces. She respects every fan, regardless of background, language, or status. This purity cannot be trained. It is lived. I’m grateful beyond words to witness this journey from the beginning. To grow alongside a woman who carries both grace and power so naturally. To witness a global icon rising quietly, beautifully... Congratulations to Dior you truly chose wisely. See you in Paris. ✨ Here’s to growing, evolving, and shining together. GROWING2026 WITH LINGLING #GrowWithLingling2026 linglingsirilak #linglingkwong‌ #หลิงหลิงคอง

justine debs

32,182 görüntüleme • 8 ay önce

🚨#BREAKING: Outrage is erupting in Seattle after a 21-year-old who was SH0T 3 TIMES trying to STOP A ROBBERY walked 2 blocks BLEEDING TO DE*TH, begging for help... ...and a 7-Eleven LOCKED THE DOORS on him and people stood around FILMING him instead of helping. He had to TEXT 911 by himself, alone. Yes, you read that right... ZERO bystanders helped him and he had doors locked in his face while he was bleeding to DE*TH!!! His name is Matthew Lanske, he's a construction worker in Seattle. Last Saturday night, he and his friends had just finished dinner in Belltown when they walked into one of those "street takeovers." His family says a man and two women tried to rob one of Matthew's friends at gunpoint. Matthew tried to stop the gunman and for his trouble, he was SH0T THREE TIMES. Twice in the stomach and a third bullet shattered his pelvis and tore through a major artery. He should have passed away right there on the sidewalk. Instead, this man got up and WALKED two blocks while bleeding out. He was begging for people to help him, no one did. He made it to a 7-Eleven and they locked the doors in his face: Later he said he told his mother: "Mom, they wouldn't let me in. They locked the doors. I begged them to let me, and there was so much blood coming out of my stomach, I thought I was going to die." His mother's said that he begged BYSTANDERS for help and instead... they filmed him: "While my son was fighting for his life, people were standing around filming him, taking pictures instead of helping him." So Matthew sat down on the ground, alone, and did the only thing left. He texted 911 and then he texted his girlfriend. Police eventually found him... he has spent 2 days on life support. He has had two surgeries so far and has two more to go. It'll be MONTHS before he can work again. Please pray for Matthew... you won't hear his story in the mainstream media, it doesn't fit the narrative. Oh, and not a single person has been arrested... WE DO NOT HAVE TO LIVE LIKE THIS!!!!!
3:06

🚨#BREAKING: Outrage is erupting in Seattle after a 21-year-old who was SH0T 3 TIMES trying to STOP A ROBBERY walked 2 blocks BLEEDING TO DE*TH, begging for help... ...and a 7-Eleven LOCKED THE DOORS on him and people stood around FILMING him instead of helping. He had to TEXT 911 by himself, alone. Yes, you read that right... ZERO bystanders helped him and he had doors locked in his face while he was bleeding to DE*TH!!! His name is Matthew Lanske, he's a construction worker in Seattle. Last Saturday night, he and his friends had just finished dinner in Belltown when they walked into one of those "street takeovers." His family says a man and two women tried to rob one of Matthew's friends at gunpoint. Matthew tried to stop the gunman and for his trouble, he was SH0T THREE TIMES. Twice in the stomach and a third bullet shattered his pelvis and tore through a major artery. He should have passed away right there on the sidewalk. Instead, this man got up and WALKED two blocks while bleeding out. He was begging for people to help him, no one did. He made it to a 7-Eleven and they locked the doors in his face: Later he said he told his mother: "Mom, they wouldn't let me in. They locked the doors. I begged them to let me, and there was so much blood coming out of my stomach, I thought I was going to die." His mother's said that he begged BYSTANDERS for help and instead... they filmed him: "While my son was fighting for his life, people were standing around filming him, taking pictures instead of helping him." So Matthew sat down on the ground, alone, and did the only thing left. He texted 911 and then he texted his girlfriend. Police eventually found him... he has spent 2 days on life support. He has had two surgeries so far and has two more to go. It'll be MONTHS before he can work again. Please pray for Matthew... you won't hear his story in the mainstream media, it doesn't fit the narrative. Oh, and not a single person has been arrested... WE DO NOT HAVE TO LIVE LIKE THIS!!!!!

Matt Van Swol

2,419,418 görüntüleme • 20 gün önce

"Checkmate" is Jadakiss’s sharp 2005 diss track aimed at 50 Cent‼️ released as a promotional single on March 9, 2005 (Ruff Ryders/Interscope)‼️. It was a direct response to 50 Cent’s “Piggy Bank” from *The Massacre*‼️. It grew out of 50 Cent’s long-running war with Ja Rule and Murder Inc‼️. In 2004, Jadakiss and Fat Joe appeared on Ja Rule’s song “New York.” 50 Cent saw that as them supporting his enemy while he was trying to bury Ja Rule, so he targeted them on “Piggy Bank.”‼️ Key lines at Jadakiss included mocking him as local (“in New York, niggas like your vocals / But that’s only New York, dawg, yo’ ass is local”) and warning him not to mess with him‼️. 50 also referenced chess with “This is chess not checkers.”‼️ Jadakiss has said he wasn’t initially eager for the feud and felt media hype played a big role, but once people (including friends) kept asking if he’d heard “Piggy Bank” and planned to respond, he did‼️. The track itself was produced by The Alchemist, it flips the instrumental from Big Noyd’s “Air It Out” (a beat 50 had previously used for his own Murder Inc. diss “I’m an Animal”)‼️. The intro sarcastically congratulates 50 on *The Massacre*’s massive first-week sales (~1.1 million) before pivoting hard: “Screw a press conference‼️ Press this on your conscience‼️” Jadakiss goes after 50’s image and credibility with precise, personal bars: - Snitching allegations tied to “Ghetto Qur’an” and the arrest of Kenneth “Supreme” McGriff (“I heard you put a couple good niggas behind bars… I might never sell that much / But you can bet your last two quarters I’ll never tell that much”)‼️. - Mocking the nine-shot survival story that defined 50’s brand (“You had to get shot nine times to be rich”; “Since when has it become cool to get shot and not shoot back⁉️”; questioning what the next album would even be about)‼️. - Calling out Connecticut living vs. New York street claims, lack of originality, and more. - The chorus hammers the “rat/pig/snake… animal” theme‼️. The title itself is a chess response—claiming checkmate after 50’s “chess not checkers” line‼️. It got heavy hip-hop radio rotation and charted at **No. 56 on Billboard’s Hot R&B/Hip-Hop Songs* chart—impressive for a pure diss track‼️. Jadakiss later noted he made “a lot of money” from the whole situation, toured off the buzz, and viewed it positively as a different-era marketing boost while 50 was riding high with *The Massacre*‼️. It’s widely regarded as one of the stronger lyrical clapbacks of that era‼️. Fans and retrospectives often praise its precision, wordplay, and how Jadakiss came off studied and composed rather than chaotic‼️. It’s frequently cited among notable mid-2000s diss tracks (e.g., high placements on various “best diss tracks” lists)‼️. 50 and G-Unit responded with tracks like “I Run New York” (with Tony Yayo) and others, and Jadakiss dropped additional responses, but “Checkmate” is the standout from his side‼️. How it got resolved⁉️ The back-and-forth continued for a stretch in 2005, but it cooled relatively quickly compared to some of 50’s longer, more personal feuds‼️. Jadakiss has recounted that 50 Cent eventually pulled up to the D-Block/Yonkers area **alone** (no big entourage), came to the studio, and they sat and talked for a few hours (with Styles P also there in some accounts)‼️. 50 even had songs for them‼️. They’ve been good since‼️. Jadakiss has described it as never being *that* serious—more media-fueled and competitive, with mutual underlying respect (he noted 50 was a fan of theirs, and they had rooted for his underdog story)‼️. They later performed together (including at 50’s ThisIs50 Festival in 2009) and even collaborated years later‼️. In short: a classic mid-2000s New York lyrical clash sparked by association with Ja Rule, elevated by a tight, well-received Jadakiss response that actually charted, and ended maturely with a face-to-face talk rather than lasting bitterness‼️💯.
2:13

"Checkmate" is Jadakiss’s sharp 2005 diss track aimed at 50 Cent‼️ released as a promotional single on March 9, 2005 (Ruff Ryders/Interscope)‼️. It was a direct response to 50 Cent’s “Piggy Bank” from *The Massacre*‼️. It grew out of 50 Cent’s long-running war with Ja Rule and Murder Inc‼️. In 2004, Jadakiss and Fat Joe appeared on Ja Rule’s song “New York.” 50 Cent saw that as them supporting his enemy while he was trying to bury Ja Rule, so he targeted them on “Piggy Bank.”‼️ Key lines at Jadakiss included mocking him as local (“in New York, niggas like your vocals / But that’s only New York, dawg, yo’ ass is local”) and warning him not to mess with him‼️. 50 also referenced chess with “This is chess not checkers.”‼️ Jadakiss has said he wasn’t initially eager for the feud and felt media hype played a big role, but once people (including friends) kept asking if he’d heard “Piggy Bank” and planned to respond, he did‼️. The track itself was produced by The Alchemist, it flips the instrumental from Big Noyd’s “Air It Out” (a beat 50 had previously used for his own Murder Inc. diss “I’m an Animal”)‼️. The intro sarcastically congratulates 50 on *The Massacre*’s massive first-week sales (~1.1 million) before pivoting hard: “Screw a press conference‼️ Press this on your conscience‼️” Jadakiss goes after 50’s image and credibility with precise, personal bars: - Snitching allegations tied to “Ghetto Qur’an” and the arrest of Kenneth “Supreme” McGriff (“I heard you put a couple good niggas behind bars… I might never sell that much / But you can bet your last two quarters I’ll never tell that much”)‼️. - Mocking the nine-shot survival story that defined 50’s brand (“You had to get shot nine times to be rich”; “Since when has it become cool to get shot and not shoot back⁉️”; questioning what the next album would even be about)‼️. - Calling out Connecticut living vs. New York street claims, lack of originality, and more. - The chorus hammers the “rat/pig/snake… animal” theme‼️. The title itself is a chess response—claiming checkmate after 50’s “chess not checkers” line‼️. It got heavy hip-hop radio rotation and charted at **No. 56 on Billboard’s Hot R&B/Hip-Hop Songs* chart—impressive for a pure diss track‼️. Jadakiss later noted he made “a lot of money” from the whole situation, toured off the buzz, and viewed it positively as a different-era marketing boost while 50 was riding high with *The Massacre*‼️. It’s widely regarded as one of the stronger lyrical clapbacks of that era‼️. Fans and retrospectives often praise its precision, wordplay, and how Jadakiss came off studied and composed rather than chaotic‼️. It’s frequently cited among notable mid-2000s diss tracks (e.g., high placements on various “best diss tracks” lists)‼️. 50 and G-Unit responded with tracks like “I Run New York” (with Tony Yayo) and others, and Jadakiss dropped additional responses, but “Checkmate” is the standout from his side‼️. How it got resolved⁉️ The back-and-forth continued for a stretch in 2005, but it cooled relatively quickly compared to some of 50’s longer, more personal feuds‼️. Jadakiss has recounted that 50 Cent eventually pulled up to the D-Block/Yonkers area **alone** (no big entourage), came to the studio, and they sat and talked for a few hours (with Styles P also there in some accounts)‼️. 50 even had songs for them‼️. They’ve been good since‼️. Jadakiss has described it as never being *that* serious—more media-fueled and competitive, with mutual underlying respect (he noted 50 was a fan of theirs, and they had rooted for his underdog story)‼️. They later performed together (including at 50’s ThisIs50 Festival in 2009) and even collaborated years later‼️. In short: a classic mid-2000s New York lyrical clash sparked by association with Ja Rule, elevated by a tight, well-received Jadakiss response that actually charted, and ended maturely with a face-to-face talk rather than lasting bitterness‼️💯.

(st_ides)

13,491 görüntüleme • 1 ay önce

She is Biden: The ABC Debate Fiasco - Where's the Fair Play? ABC is totally biased against Donald Trump let's dive into why this is the case. She is Biden, and tonight, Kamala Harris proved just that at the ABC debate, standing not as her own candidate but as the shadow of Joe Biden, echoing his policies, his failures, and his vision for America, which has led us astray. The ABC Debate Night Tonight, as millions tuned into ABC, expecting a fair battleground for ideas, what they witnessed instead was a glaring example of media bias. Here's how it unfolded: She is Biden Kamala Harris took the stage, not as a fresh voice for America, but as a mouthpiece for the current administration. "She is Biden," supporters whispered across social media platforms. Her policies? A mirror image of Biden's. From economic strategies to foreign policy, Harris did little to differentiate herself, reinforcing the notion that a vote for her is essentially a vote for a third Biden term. This isn't just a talking point; it's a reality for those who feel the current presidency has not addressed their concerns. The ABC Bias The debate, hosted by ABC, was supposed to be a neutral ground. However, from the outset, the moderators seemed to debate Trump themselves. Questions were loaded, follow-ups were scarce when Harris spoke, but when it came to Trump, it felt like an interrogation rather than a debate. The bias was palpable, with posts on X highlighting every instance where Trump was cut off or challenged more aggressively than Harris. "Quite Please," as Trump used Kamala's own lines against her. Quiet Please is a trending phrase as viewers begged for moderators to let Trump speak without interruption. Quite Please, Let Them Debate! The cry for moderators to step back and "Quite Please" allow the candidates to engage directly with each other was loud among Trump supporters. The constant interjections not only disrupted the flow but also seemed strategically placed to throw Trump off his game. This interference was seen not just as poor moderation but as an active participation against Trump. This debate was 3 on 1! Where is Our President? The sentiment "Where is our President?" echoed through the night. Not only referring to Biden, but to Trump, who many supporters feel was the last true defender of their values in the White House. They yearned for the days when, in their view, America was first, energy was independent, and the economy was booming. Tonight's debate was a stark reminder of what has been lost, with Harris's performance only underscoring the continuity of Biden's policies. Conclusion: A Night of Missed Opportunities For Trump supporters, the ABC debate was less about policy discussion and more about the struggle against what they perceive as entrenched media bias. "She is Biden" wasn't just a critique of Harris but a broader commentary on the lack of new vision from the current administration. The debate left many questions unanswered and reinforced the divide. Where was the fair play? Where was the opportunity for Trump to present his vision without the filter of bias? As the night ended, the conversation on X wasn't about policy wins or losses but about the battle against bias, the call for respect ("Quite Please"), and the longing for what supporters see as strong leadership. Tonight, ABC didn't just host a debate; for many, it staged a showdown between Trump and the establishment, with "She is Biden" as the theme echoing into the night. Trump won the debate because he has truth and an amazing record on his side. Trump won the debate against three people. Kamala sounded scripted like she literally memorized the answers in advance.
0:31

She is Biden: The ABC Debate Fiasco - Where's the Fair Play? ABC is totally biased against Donald Trump let's dive into why this is the case. She is Biden, and tonight, Kamala Harris proved just that at the ABC debate, standing not as her own candidate but as the shadow of Joe Biden, echoing his policies, his failures, and his vision for America, which has led us astray. The ABC Debate Night Tonight, as millions tuned into ABC, expecting a fair battleground for ideas, what they witnessed instead was a glaring example of media bias. Here's how it unfolded: She is Biden Kamala Harris took the stage, not as a fresh voice for America, but as a mouthpiece for the current administration. "She is Biden," supporters whispered across social media platforms. Her policies? A mirror image of Biden's. From economic strategies to foreign policy, Harris did little to differentiate herself, reinforcing the notion that a vote for her is essentially a vote for a third Biden term. This isn't just a talking point; it's a reality for those who feel the current presidency has not addressed their concerns. The ABC Bias The debate, hosted by ABC, was supposed to be a neutral ground. However, from the outset, the moderators seemed to debate Trump themselves. Questions were loaded, follow-ups were scarce when Harris spoke, but when it came to Trump, it felt like an interrogation rather than a debate. The bias was palpable, with posts on X highlighting every instance where Trump was cut off or challenged more aggressively than Harris. "Quite Please," as Trump used Kamala's own lines against her. Quiet Please is a trending phrase as viewers begged for moderators to let Trump speak without interruption. Quite Please, Let Them Debate! The cry for moderators to step back and "Quite Please" allow the candidates to engage directly with each other was loud among Trump supporters. The constant interjections not only disrupted the flow but also seemed strategically placed to throw Trump off his game. This interference was seen not just as poor moderation but as an active participation against Trump. This debate was 3 on 1! Where is Our President? The sentiment "Where is our President?" echoed through the night. Not only referring to Biden, but to Trump, who many supporters feel was the last true defender of their values in the White House. They yearned for the days when, in their view, America was first, energy was independent, and the economy was booming. Tonight's debate was a stark reminder of what has been lost, with Harris's performance only underscoring the continuity of Biden's policies. Conclusion: A Night of Missed Opportunities For Trump supporters, the ABC debate was less about policy discussion and more about the struggle against what they perceive as entrenched media bias. "She is Biden" wasn't just a critique of Harris but a broader commentary on the lack of new vision from the current administration. The debate left many questions unanswered and reinforced the divide. Where was the fair play? Where was the opportunity for Trump to present his vision without the filter of bias? As the night ended, the conversation on X wasn't about policy wins or losses but about the battle against bias, the call for respect ("Quite Please"), and the longing for what supporters see as strong leadership. Tonight, ABC didn't just host a debate; for many, it staged a showdown between Trump and the establishment, with "She is Biden" as the theme echoing into the night. Trump won the debate because he has truth and an amazing record on his side. Trump won the debate against three people. Kamala sounded scripted like she literally memorized the answers in advance.

Thomas Paine Band

73,031 görüntüleme • 2 yıl önce