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She likes it rough and took no breaks 😲 Certified FREAK #GhettoGaggers #Hoodrat #Ebony #FaceFuck #Gagging #Facial #Interracial #Cumdump #Deepthroat #Ghetto

Legendary_gg

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18,997 Aufrufe • vor 21 Tagen •via X (Twitter)

NSFW #GhettoGaggers #Hoodrat #Ebony #FaceFuck #Gagging #Facial #Interracial #Cumdump #Deepthroat #Ghetto

Anya Rossi• Live Now

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🇬🇭 “Those saying Kwaku Bonsam is spoiling Ghana’s image are wrong. I see him as one of the smartest people in Ghana. He saw an opportunity and took it. If it had been a pastor, no one would have complained.” — A Ghanaian woman residing in the USA says she likes what Kwaku Bonsam is doing and that he should ignore the criticism.

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I tested MiniMax M3 so you do not have to. It is free in OpenCode right now and it claims to beat GPT 5.5 on SWE-bench. So I put it on real production code. It broke my push-to-talk. It glitched a game through the floor. It took two tries to render a video and still looked rough. The benchmark said one thing. The real work said another. The one thing it has going for it is price. I ran all of BridgeBench for $4.09. If budget is your only constraint, it is the cheapest Chinese model out there. But cheap is not free when it breaks your codebase. No BridgeMind stamp of approval. Full breakdown in the video.

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*rough trans 🦊: jingjng is someone who is quite open. and she’s like… and she’s the kind of person who doesn’t really have any… what do you call it? she’s not hard to get to know. yeah. like, what she likes or what she doesn’t like, she’ll always just say it 👤: she’ll just tell you directly? 🦊: yes, though of course there are some exceptions here and there. but we can always tell how she’ll react if she dislikes something, or if she likes it… yes 🐯: wait, that… that part i want to know. if i supposedly don’t like something, what do i do? 🦊: no, it depends on the situation. but we can immediately tell that “okay, this is not normal” 🐯: really? 🦊: yes, yes 👤: there’s a certain energy? 🦊: you can just feel it. you can feel that, “ah… she’s starting to dislike this, she’s starting to…” for instance, if she’s talking, she’ll just start blankly smiling, or she’ll start doing less, or she’ll like… talk less or something. yes, she has that side to her. it just so happens that i can read it jan is really observant and she cares about her a lot. their bond feels really close. it’s just so sweet 🥹💗 #JanJingjing

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There was another great April fools prank, even though I’m a day late and a dollar short 🤣 Y’all, this April Fools prank is too good! Granny calls her daughter sounding all serious and worried. She starts going on about how her granddaughter Brandy has been sneaking into her closet and cupboards, taking stuff and loading it straight into her car, then walking back inside like nothing happened. Granny’s whispering that she’s scared to even watch too close in case Brandy catches her! She even mentioned putting up cameras because she didn’t know what to do. The daughter is over there starting to freak out a little, thinking “What in the world is going on?!” Then Granny hangs up real quick when she hears Brandy coming… only to call back saying Brandy just grabbed the family cat Poppy, put him in the car, and took off! The daughter’s arguing back like “Brandy would NEVER do that, and Poppy couldn’t just go with her!” while Granny’s insisting she did because “Poppy’s so special and she likes him so much.” She was half-believing it for a second… until Granny finally yells “April Fools!” and they both burst out laughing. That granny is sneaky for her age—had to give it to her! 😂 Turns out it was Brandy’s idea too. What a crazy family. Best April Fools prank ever. Who else got got yesterday?

There was another great April fools prank, even though I’m a day late and a dollar short 🤣 Y’all, this April Fools prank is too good! Granny calls her daughter sounding all serious and worried. She starts going on about how her granddaughter Brandy has been sneaking into her closet and cupboards, taking stuff and loading it straight into her car, then walking back inside like nothing happened. Granny’s whispering that she’s scared to even watch too close in case Brandy catches her! She even mentioned putting up cameras because she didn’t know what to do. The daughter is over there starting to freak out a little, thinking “What in the world is going on?!” Then Granny hangs up real quick when she hears Brandy coming… only to call back saying Brandy just grabbed the family cat Poppy, put him in the car, and took off! The daughter’s arguing back like “Brandy would NEVER do that, and Poppy couldn’t just go with her!” while Granny’s insisting she did because “Poppy’s so special and she likes him so much.” She was half-believing it for a second… until Granny finally yells “April Fools!” and they both burst out laughing. That granny is sneaky for her age—had to give it to her! 😂 Turns out it was Brandy’s idea too. What a crazy family. Best April Fools prank ever. Who else got got yesterday?

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Orm Kornnaphat spent her early years hesitating about how to begin a story with Lingling Kwong: "I was scared because she was a quiet person. She looked reserved and hard to approach. If I did this or that, I didn't know whether she would be annoyed." Orm Kornnaphat spent 5 years without a single project together with her, without interactions, without being close, without seeing each other for entire years, without even the slightest point of connection. And then, look at what she did for Lingling Kwong: - Every year on her birthday, there would always be a birthday wish "Happy birthday P'Ling". Simple, nothing more and nothing less. - Every anniversary of channel 3, she would invite her to eat together. - She would go all the way to her younger brother's restaurant, even though food wasn't really her favorite and the trip was far, just simply because she wanted to "support a colleague"? A colleague who wouldn't even hear about that thoughtfulness directly until years later? - She would pray and make promises of offerings, just for the chance to act alongside that colleague. Do you really put that much heart into a colleague? She had no idea how TSOU would turn out. It could have been just another project, merely an experimental series for CH3. Nothing was tailor made to guarantee success. Nobody expected it to become what it is today. For a project like that, the thing she wished for was simply the opportunity to act with Lingling Kwong. Orm Kornnaphat spent 2 months filming with her and several more months where seeing her one extra day felt special. And look at how much she treasured this relationship: - On the last day of filming, she was the one who said "I don't know when I'll get to see P'Ling again." - She prayed for 1 project together and asked for nothing more. That alone made her happy. - Even during promotional activities before the series aired, when the person she had wished to work with said "Orm is still young, she will have many chances to meet more people in her life." Orm Kornnaphat didn't automatically accept that as truth "Don't go anywhere too soon, okay?" - Even when TSOU was becoming popular and the series was at the height of its success, she never took it for granted that Lingling would always be there. Her wish remained simple:"Please don't disappear too soon." Orm Kornnaphat didn't get to this point in a day or two. It took her more than 5 years to go from "I don't know if she'll be annoyed" to "that person is going to scold me again." Every day, she observed and remembered what Lingling liked and disliked. She always wanted Lingling to feel as comfortable as possible. It's okay if Lingling dances a little awkwardly. It's okay if she makes mistakes. It's okay if she's having a bad day. Orm Kornnaphat will still be there. She will still say:"Lingling Kwong did great today", "Lingling Kwong kèng-mákkkk" She's not disrespectful enough to keep using a nickname if she knew Lingling disliked it. The reason she can joke like that is because Lingling allows her to. Lingling gave her that safe space to play around and tease her. So could people with no place in this relationship stop having opinions about it? It honestly looks ridiculous. She has countless ways to address her, P'Ling Lingling Kwong Ling Kwong 00K chubby P'Sao, and thousands of other nicknames. Who exactly are outsiders to police that? #LingOrm1stFMinHK 17.08.24 Lingling Kwong once said that she likes it when Orm calls her by name. Even the joke she made was: "She's clearly calling me. Why are all of you shouting?" So today, let me ask again: If she's clearly calling the person she loves, then why are all of you shouting? Take a look at yourselves for a moment. Doesn't this all seem a little ridiculous? #หลิงออม #LingOrm

Orm Kornnaphat spent her early years hesitating about how to begin a story with Lingling Kwong: "I was scared because she was a quiet person. She looked reserved and hard to approach. If I did this or that, I didn't know whether she would be annoyed." Orm Kornnaphat spent 5 years without a single project together with her, without interactions, without being close, without seeing each other for entire years, without even the slightest point of connection. And then, look at what she did for Lingling Kwong: - Every year on her birthday, there would always be a birthday wish "Happy birthday P'Ling". Simple, nothing more and nothing less. - Every anniversary of channel 3, she would invite her to eat together. - She would go all the way to her younger brother's restaurant, even though food wasn't really her favorite and the trip was far, just simply because she wanted to "support a colleague"? A colleague who wouldn't even hear about that thoughtfulness directly until years later? - She would pray and make promises of offerings, just for the chance to act alongside that colleague. Do you really put that much heart into a colleague? She had no idea how TSOU would turn out. It could have been just another project, merely an experimental series for CH3. Nothing was tailor made to guarantee success. Nobody expected it to become what it is today. For a project like that, the thing she wished for was simply the opportunity to act with Lingling Kwong. Orm Kornnaphat spent 2 months filming with her and several more months where seeing her one extra day felt special. And look at how much she treasured this relationship: - On the last day of filming, she was the one who said "I don't know when I'll get to see P'Ling again." - She prayed for 1 project together and asked for nothing more. That alone made her happy. - Even during promotional activities before the series aired, when the person she had wished to work with said "Orm is still young, she will have many chances to meet more people in her life." Orm Kornnaphat didn't automatically accept that as truth "Don't go anywhere too soon, okay?" - Even when TSOU was becoming popular and the series was at the height of its success, she never took it for granted that Lingling would always be there. Her wish remained simple:"Please don't disappear too soon." Orm Kornnaphat didn't get to this point in a day or two. It took her more than 5 years to go from "I don't know if she'll be annoyed" to "that person is going to scold me again." Every day, she observed and remembered what Lingling liked and disliked. She always wanted Lingling to feel as comfortable as possible. It's okay if Lingling dances a little awkwardly. It's okay if she makes mistakes. It's okay if she's having a bad day. Orm Kornnaphat will still be there. She will still say:"Lingling Kwong did great today", "Lingling Kwong kèng-mákkkk" She's not disrespectful enough to keep using a nickname if she knew Lingling disliked it. The reason she can joke like that is because Lingling allows her to. Lingling gave her that safe space to play around and tease her. So could people with no place in this relationship stop having opinions about it? It honestly looks ridiculous. She has countless ways to address her, P'Ling Lingling Kwong Ling Kwong 00K chubby P'Sao, and thousands of other nicknames. Who exactly are outsiders to police that? #LingOrm1stFMinHK 17.08.24 Lingling Kwong once said that she likes it when Orm calls her by name. Even the joke she made was: "She's clearly calling me. Why are all of you shouting?" So today, let me ask again: If she's clearly calling the person she loves, then why are all of you shouting? Take a look at yourselves for a moment. Doesn't this all seem a little ridiculous? #หลิงออม #LingOrm

hanชน์พชรฐากูร 💫🐕🪽🍳🍮🌶

11,787 Aufrufe • vor 3 Monaten

AI slop fading fast, realism taking over. Create a 30-second, 1080p ultra-realistic home video of the same young adult woman spending an unplanned afternoon in a quiet coastal neighborhood. Character: Natural expressive face, warm brown eyes, realistic skin, long dark-brown messy ponytail. Ivory oversized linen shirt, muted-blue camisole, sand-colored trousers, white sneakers, brown crossbody bag, silver hoops and watch. Maintain exact identity, outfit, hairstyle, proportions, and accessories throughout. Setting: Authentic seaside residential streets with weathered homes, narrow lanes, plants, bicycles, laundry, ocean glimpses, and a waterfront path. No brands, landmarks, advertisements, or staged crowds. Camera: Older handheld consumer camera operated by a friend. Imperfect framing, natural shake, autofocus hunting, exposure shifts, motion blur, digital noise, and compression. No gimbal, drone, slow motion, or polished commercial look. Sequence: 0–5s: She exits carrying a paper bag, checks her phone, and laughs when wind catches her shirt. 5–10s: She notices colorful kites, stops to watch, and the camera briefly loses focus. 10–15s: A child's kite catches on a fence; she gently frees it and returns it, creating a natural spontaneous moment. 15–20s: She walks toward the sea and quietly watches the water as wind moves her hair and clothing. 20–25s: Ocean spray surprises her; she laughs, looks toward the camera, and wipes water from her face. 25–30s: Warm sunlight breaks through clouds. She smiles subtly at the camera, then walks away beside the ocean. Hard cut to black at 29.5s. Realism: Accurate physics, natural walking, hair, fabric, paper, kite strings, seawater, lighting, shadows, hands, and facial expressions. No distortions, duplicated objects, disappearing props, wardrobe changes, or anatomy errors. Audio: Natural wind, ocean, birds, footsteps, bicycles, neighborhood ambience, paper rustling, and genuine laughter. No music, narration, subtitles, captions, logos, or watermarks. Final feel: A beautiful but ordinary moment accidentally captured by a friend—intimate, imperfect, spontaneous, and genuinely real.

AI slop fading fast, realism taking over. Create a 30-second, 1080p ultra-realistic home video of the same young adult woman spending an unplanned afternoon in a quiet coastal neighborhood. Character: Natural expressive face, warm brown eyes, realistic skin, long dark-brown messy ponytail. Ivory oversized linen shirt, muted-blue camisole, sand-colored trousers, white sneakers, brown crossbody bag, silver hoops and watch. Maintain exact identity, outfit, hairstyle, proportions, and accessories throughout. Setting: Authentic seaside residential streets with weathered homes, narrow lanes, plants, bicycles, laundry, ocean glimpses, and a waterfront path. No brands, landmarks, advertisements, or staged crowds. Camera: Older handheld consumer camera operated by a friend. Imperfect framing, natural shake, autofocus hunting, exposure shifts, motion blur, digital noise, and compression. No gimbal, drone, slow motion, or polished commercial look. Sequence: 0–5s: She exits carrying a paper bag, checks her phone, and laughs when wind catches her shirt. 5–10s: She notices colorful kites, stops to watch, and the camera briefly loses focus. 10–15s: A child's kite catches on a fence; she gently frees it and returns it, creating a natural spontaneous moment. 15–20s: She walks toward the sea and quietly watches the water as wind moves her hair and clothing. 20–25s: Ocean spray surprises her; she laughs, looks toward the camera, and wipes water from her face. 25–30s: Warm sunlight breaks through clouds. She smiles subtly at the camera, then walks away beside the ocean. Hard cut to black at 29.5s. Realism: Accurate physics, natural walking, hair, fabric, paper, kite strings, seawater, lighting, shadows, hands, and facial expressions. No distortions, duplicated objects, disappearing props, wardrobe changes, or anatomy errors. Audio: Natural wind, ocean, birds, footsteps, bicycles, neighborhood ambience, paper rustling, and genuine laughter. No music, narration, subtitles, captions, logos, or watermarks. Final feel: A beautiful but ordinary moment accidentally captured by a friend—intimate, imperfect, spontaneous, and genuinely real.

Simply Ray

46,543 Aufrufe • vor 24 Tagen

So Jason Aldean is catching A LOT of shit for his new song because of the lyrics in this video. Let’s highlight some music lyrics that aren’t causing any controversy and see why that might be. Shall we? • DMX: ‘If you got a daughter older than 15, I’mma rape her/Take her on the living room floor, right there in front of you/Then ask you seriously, what you wanna do?’ • ICE CUBE: ‘So don't follow me up and down your market/ Or your little chop-suey ass will be a target/ Of the nationwide boycott/ Juice with the people, that's what the boy got/So pay respect to the Black fist/ Or we`ll burn your store right down to a crisp/ And then we`ll see ya/ Cause you can't turn the ghetto into Black Korea.’ • SADAT X: ‘Though I can freak, fly, flow, fuck up a fa#%ot, Don't understand their ways, I ain't down with gays’ • BIGGIE: ‘Then I'm dippin' up the block and I'm robbin' bitches, too/Up the herringbones and bamboos/I wouldn't give a fuck if you're pregnant/Give me the baby rings and the #1 Mom pendant’ • RICK ROSS: ‘Put Molly all in her champagne, she ain’t even know it/I took her home and I enjoyed that, she ain't even know it’ I could go on and on, but you get the idea. Spare me the fucking outrage.

So Jason Aldean is catching A LOT of shit for his new song because of the lyrics in this video. Let’s highlight some music lyrics that aren’t causing any controversy and see why that might be. Shall we? • DMX: ‘If you got a daughter older than 15, I’mma rape her/Take her on the living room floor, right there in front of you/Then ask you seriously, what you wanna do?’ • ICE CUBE: ‘So don't follow me up and down your market/ Or your little chop-suey ass will be a target/ Of the nationwide boycott/ Juice with the people, that's what the boy got/So pay respect to the Black fist/ Or we`ll burn your store right down to a crisp/ And then we`ll see ya/ Cause you can't turn the ghetto into Black Korea.’ • SADAT X: ‘Though I can freak, fly, flow, fuck up a fa#%ot, Don't understand their ways, I ain't down with gays’ • BIGGIE: ‘Then I'm dippin' up the block and I'm robbin' bitches, too/Up the herringbones and bamboos/I wouldn't give a fuck if you're pregnant/Give me the baby rings and the #1 Mom pendant’ • RICK ROSS: ‘Put Molly all in her champagne, she ain’t even know it/I took her home and I enjoyed that, she ain't even know it’ I could go on and on, but you get the idea. Spare me the fucking outrage.

Amiri King

6,090,821 Aufrufe • vor 3 Jahren

We clearly have a different view of the Instagram Live and the fact that Jesy has never even VAGUELY distanced herself from what Nicki said about Leigh-Anne in the 5 years since. Jesy was also happy to throw Leigh under the bus and ONLY didn’t continue talking about her because she was cut off by Nicki. When Jesy WAS talking, she acted like it was the responsibility of the women of colour in Little Mix to educate her about blackfishing, while simultaneously acting irritated that they’d tried to (which, contrary to what Nicki said, happened BEFORE she decided to leave the group). She singled out Leigh-Anne for raising the issue with her (a year prior), despite Little Mix alleging that they’d ALL tried to help inform her about blackfishing “in a very friendly, educational manner.” She downplayed the blackfishing issue regardless, exposed her ignorance, and didn’t take any accountability or apologise once. She essentially tried to gaslight people that her skin tone and wig texture have always been “natural”, despite all of the evidence that this isn’t the case. (If it’s true that she’s so naturally tan, where has her tan gone now?) She acted like her curly wig and tan in the ‘Boyz’ music video were the only issue, therefore dodging criticism of her other instances of blackfishing, and ignoring the arguable racism in the lyrics and video – saying “Diddy saw the video and HE accepted it, HE didn’t have a problem with it.” (If she thought the colour of his skin added weight to his opinion, why didn’t she value Leigh-Anne’s?) She talked about how “hard” it was for HER and how much it “really hurt” HER that people of colour “may have” been offended by the video and song, but if she truly DID care about offending people of colour, she’d have simply listened to them (and her bandmates of colour) in the year(s) prior and never released the song/video in the first place. By singling out Leigh-Anne on the Instagram Live, she treated this like some sort of trivial, tit-for-tat issue and not a loaded racial issue. Not only that, but issues that impacted Leigh while they were in Little Mix together, which Jesy had been made well aware of. But ultimately, she took offence to Leigh-Anne’s offence, and decided that her feelings mattered more than her Black bandmate’s. I don’t know if all of this is because Jesy doesn’t care enough about racial issues to accept criticism and accountability, or if she’s just truly too ignorant to understand, no matter how hard people have tried to educate her. And unfortunately we still don’t know, because she didn’t address the topic satisfactorily in her documentary either, instead just saying she was unaware what she was doing was offensive (“If I had known that was how it [‘Boyz’] was going to ‘play out’, never in a million years would I have put it out. It actually breaks my heart that it, like, upset people.”) This is despite it being well established that her bandmate(s), fans and journalists had made her aware beforehand – just for her to repeatedly plead the same obliviousness she’s feigning now. She does go on to claim that she “learned a lot” from the “controversy” (“It’s just sad. It’s just one of them things, and I’ve learnt a lot from it”) – but doesn’t seem to consider the topic worthy enough to warrant a discussion of what exactly she learned from the experience (other than it teaching her that the music industry is, much like her former spray tans, “quite dark”.) (Part 1 of 2)

We clearly have a different view of the Instagram Live and the fact that Jesy has never even VAGUELY distanced herself from what Nicki said about Leigh-Anne in the 5 years since. Jesy was also happy to throw Leigh under the bus and ONLY didn’t continue talking about her because she was cut off by Nicki. When Jesy WAS talking, she acted like it was the responsibility of the women of colour in Little Mix to educate her about blackfishing, while simultaneously acting irritated that they’d tried to (which, contrary to what Nicki said, happened BEFORE she decided to leave the group). She singled out Leigh-Anne for raising the issue with her (a year prior), despite Little Mix alleging that they’d ALL tried to help inform her about blackfishing “in a very friendly, educational manner.” She downplayed the blackfishing issue regardless, exposed her ignorance, and didn’t take any accountability or apologise once. She essentially tried to gaslight people that her skin tone and wig texture have always been “natural”, despite all of the evidence that this isn’t the case. (If it’s true that she’s so naturally tan, where has her tan gone now?) She acted like her curly wig and tan in the ‘Boyz’ music video were the only issue, therefore dodging criticism of her other instances of blackfishing, and ignoring the arguable racism in the lyrics and video – saying “Diddy saw the video and HE accepted it, HE didn’t have a problem with it.” (If she thought the colour of his skin added weight to his opinion, why didn’t she value Leigh-Anne’s?) She talked about how “hard” it was for HER and how much it “really hurt” HER that people of colour “may have” been offended by the video and song, but if she truly DID care about offending people of colour, she’d have simply listened to them (and her bandmates of colour) in the year(s) prior and never released the song/video in the first place. By singling out Leigh-Anne on the Instagram Live, she treated this like some sort of trivial, tit-for-tat issue and not a loaded racial issue. Not only that, but issues that impacted Leigh while they were in Little Mix together, which Jesy had been made well aware of. But ultimately, she took offence to Leigh-Anne’s offence, and decided that her feelings mattered more than her Black bandmate’s. I don’t know if all of this is because Jesy doesn’t care enough about racial issues to accept criticism and accountability, or if she’s just truly too ignorant to understand, no matter how hard people have tried to educate her. And unfortunately we still don’t know, because she didn’t address the topic satisfactorily in her documentary either, instead just saying she was unaware what she was doing was offensive (“If I had known that was how it [‘Boyz’] was going to ‘play out’, never in a million years would I have put it out. It actually breaks my heart that it, like, upset people.”) This is despite it being well established that her bandmate(s), fans and journalists had made her aware beforehand – just for her to repeatedly plead the same obliviousness she’s feigning now. She does go on to claim that she “learned a lot” from the “controversy” (“It’s just sad. It’s just one of them things, and I’ve learnt a lot from it”) – but doesn’t seem to consider the topic worthy enough to warrant a discussion of what exactly she learned from the experience (other than it teaching her that the music industry is, much like her former spray tans, “quite dark”.) (Part 1 of 2)

JADE tea room ☕️

160,496 Aufrufe • vor 7 Monaten

She's 21. Started with ONE gym video. Now she's making $30k/month off AI girls that never skip leg day — and never existed. 21 years old. No modeling agency. No camera crew. Just Claude, a laptop, and one workout clip. She noticed something: fitness content gets insane engagement, but real creators burn out — no gym breaks, no bad angles, no off days. So she built an AI version instead. Here's exactly what she did: 1. Took one high-quality gym video as a "base" — movement, lighting, vibe — and used it to define the persona's whole aesthetic 2. Used Claude to write the persona's bio, captions, and DM personality — someone people would actually want to follow 3. Used separate AI tools to generate consistent images/clips in that same gym-girl style — always on-brand, always "in character" 4. Posted like a real fitness page: progress updates, workout tips, motivational captions — not obviously AI 5. Built the funnel: free gym content → "form check" DMs → paid subscription → 1-on-1 paid coaching chat 6. Used Claude to A/B test captions and hooks, kept only what actually drove clicks 7. Reinvested profit into more content variety — different workouts, outfits, locations — so the persona felt alive, not repetitive 8. Automated replies for the free tier, kept the paid tier "personal" to boost retention Result: one gym persona, $30k/month, zero actual gym membership. The fitness niche alone is one of the most underrated angles in this whole space — the engagement is already built in, you just need consistency. Save this before it's gone.

DenlitL

4,149,955 Aufrufe • vor 1 Monat

Financially irresponsible Gurgaon couple struggles even after earning ₹4.7L pm (post taxes) 💰 > Woman is 38 and works in IT alongside her husband > She has been working for 11 years + husband for 14 > Home gifted by parents, so no rent or EMI (rent in society costs 1L+ pm) > Renovation took 70L which took up all their savings > Kid school fee is 25kpm but he gets gifts of 25k pm as well > They order groceries of 50kpm but also spend 50k eating in eating out every month > They save 70kpm for 2 international trips every year > They spend 25kpm on haircuts, spa, facial, etc > They also spend 50k pm on designers goods like bags + clothes every month > They also pay 1.2L pm as EMI on Mercedes as they want to drive luxury car Net income (post taxes): 4.7Lpm Net expenses: 4.61Lpm Net monthly savings: 8.5k (likely lower as they didn't include maid + petroleum) C: Anshuman Sharma

Financially irresponsible Gurgaon couple struggles even after earning ₹4.7L pm (post taxes) 💰 > Woman is 38 and works in IT alongside her husband > She has been working for 11 years + husband for 14 > Home gifted by parents, so no rent or EMI (rent in society costs 1L+ pm) > Renovation took 70L which took up all their savings > Kid school fee is 25kpm but he gets gifts of 25k pm as well > They order groceries of 50kpm but also spend 50k eating in eating out every month > They save 70kpm for 2 international trips every year > They spend 25kpm on haircuts, spa, facial, etc > They also spend 50k pm on designers goods like bags + clothes every month > They also pay 1.2L pm as EMI on Mercedes as they want to drive luxury car Net income (post taxes): 4.7Lpm Net expenses: 4.61Lpm Net monthly savings: 8.5k (likely lower as they didn't include maid + petroleum) C: Anshuman Sharma

do'o kappa

79,934 Aufrufe • vor 2 Monaten

I have them Belt Treatment 🥵 Seedance 2.5 action > Hollywood Prompt : GIRL = MAIN CHARACTER: Young Korean woman in her early 20s, natural appearance, black wavy hair loosely tied back, fitted dark short top, loose cargo pants and sneakers. Realistic skin texture, natural makeup, authentic facial expressions and realistic biomechanics. Use the reference image as the exact identity reference and maintain her appearance throughout. LOCATION: Quiet Korean neighborhood street during late afternoon. Narrow concrete road, small convenience store, parked scooters, bicycles, utility poles, apartment buildings, street signs, pedestrians in the distance and warm sunlight. The entire sequence feels like it was accidentally captured by a friend on an old consumer DV camcorder. CAMERA / LOOK: Early-2000s handheld digital camcorder. Strong natural camera shake, imperfect framing, occasional focus hunting, exposure shifts, blown-out highlights, soft 480p/720p digital texture, faded colors, compression noise, lens flare, rolling-shutter wobble and occasional accidental zooms. The camera operator reacts late to sudden movements and sometimes loses her in the frame before quickly finding her again. No polished modern cinematography. SEQUENCE: Opening: She walks casually down the residential street carrying a small shopping bag. Two or three adult men hanging around outside a convenience store notice her and start behaving disrespectfully, blocking part of the sidewalk and making unwanted comments. She ignores them and keeps walking. One steps into her path. She stops and calmly tells him, “Move.” The camcorder shakes slightly as the operator moves closer. One man grabs toward her arm. She quickly pulls away and gives him a warning look. Fight breaks out: He tries to grab her again. She blocks his wrist, pivots away and delivers a quick controlled kick that knocks him backward. The other men rush toward her together rather than attacking one at a time. She ducks the first swing, redirects his arm, spins around the second attacker and pushes him into a parked trash container. The camcorder operator struggles to keep up, briefly losing her behind a parked scooter before swinging back into frame. She immediately steps sideways as another attacker charges, catches his momentum and sends him stumbling across the pavement. A fourth man tries to approach from behind. She notices him through a shop-window reflection, turns instantly and blocks his strike. She counters with a fast combination of parry → body strike → low sweep, sending him safely onto the ground. No exaggerated superpowers, no impossible strength, no gore. FINAL EXCHANGE: The remaining men hesitate. She stands in the middle of the street, breathing heavily, hair slightly messy, watching them cautiously. One makes another aggressive move. She sidesteps, redirects his arm and uses his momentum to throw him onto a pile of empty cardboard boxes. The boxes collapse dramatically. The other men immediately back away. She looks around, straightens her clothes and picks up the shopping bag that fell during the fight. A nearby friend filming her finally catches up. She looks directly into the camcorder and says with a tired expression: “Can we just go home now?” She walks away down the street without looking back. The camcorder operator follows her for a few steps, then accidentally zooms too far into her back before pulling focus. She turns around and waves dismissively at the camera. CUT TO BLACK. FIGHT STYLE: Realistic Taekwondo, Karate and practical self-defense movements. Fast but physically believable. Every strike has readable weight, balance and recovery. No teleportation, flying, energy beams, supernatural powers or impossible physics.

I have them Belt Treatment 🥵 Seedance 2.5 action > Hollywood Prompt : GIRL = MAIN CHARACTER: Young Korean woman in her early 20s, natural appearance, black wavy hair loosely tied back, fitted dark short top, loose cargo pants and sneakers. Realistic skin texture, natural makeup, authentic facial expressions and realistic biomechanics. Use the reference image as the exact identity reference and maintain her appearance throughout. LOCATION: Quiet Korean neighborhood street during late afternoon. Narrow concrete road, small convenience store, parked scooters, bicycles, utility poles, apartment buildings, street signs, pedestrians in the distance and warm sunlight. The entire sequence feels like it was accidentally captured by a friend on an old consumer DV camcorder. CAMERA / LOOK: Early-2000s handheld digital camcorder. Strong natural camera shake, imperfect framing, occasional focus hunting, exposure shifts, blown-out highlights, soft 480p/720p digital texture, faded colors, compression noise, lens flare, rolling-shutter wobble and occasional accidental zooms. The camera operator reacts late to sudden movements and sometimes loses her in the frame before quickly finding her again. No polished modern cinematography. SEQUENCE: Opening: She walks casually down the residential street carrying a small shopping bag. Two or three adult men hanging around outside a convenience store notice her and start behaving disrespectfully, blocking part of the sidewalk and making unwanted comments. She ignores them and keeps walking. One steps into her path. She stops and calmly tells him, “Move.” The camcorder shakes slightly as the operator moves closer. One man grabs toward her arm. She quickly pulls away and gives him a warning look. Fight breaks out: He tries to grab her again. She blocks his wrist, pivots away and delivers a quick controlled kick that knocks him backward. The other men rush toward her together rather than attacking one at a time. She ducks the first swing, redirects his arm, spins around the second attacker and pushes him into a parked trash container. The camcorder operator struggles to keep up, briefly losing her behind a parked scooter before swinging back into frame. She immediately steps sideways as another attacker charges, catches his momentum and sends him stumbling across the pavement. A fourth man tries to approach from behind. She notices him through a shop-window reflection, turns instantly and blocks his strike. She counters with a fast combination of parry → body strike → low sweep, sending him safely onto the ground. No exaggerated superpowers, no impossible strength, no gore. FINAL EXCHANGE: The remaining men hesitate. She stands in the middle of the street, breathing heavily, hair slightly messy, watching them cautiously. One makes another aggressive move. She sidesteps, redirects his arm and uses his momentum to throw him onto a pile of empty cardboard boxes. The boxes collapse dramatically. The other men immediately back away. She looks around, straightens her clothes and picks up the shopping bag that fell during the fight. A nearby friend filming her finally catches up. She looks directly into the camcorder and says with a tired expression: “Can we just go home now?” She walks away down the street without looking back. The camcorder operator follows her for a few steps, then accidentally zooms too far into her back before pulling focus. She turns around and waves dismissively at the camera. CUT TO BLACK. FIGHT STYLE: Realistic Taekwondo, Karate and practical self-defense movements. Fast but physically believable. Every strike has readable weight, balance and recovery. No teleportation, flying, energy beams, supernatural powers or impossible physics.

Synthia

11,930 Aufrufe • vor 1 Monat

Hold up, what the fvck did I do now? People come with their private life on public social media platforms & expect everyone to give opinions they only agree with? At her old age she should know nothing good ever comes from airing out dirty linen about your family on social media She may feel she has achieved something by the attention she's getting. But all she's done is drag her father's name in the mud. The very same name she seeks to benefit from. Now disrespect will be coming from every corner aimed at her father's legacy And as for that emotional cursing nonsense, about how I'll end up in the same situation, back to sender. If anything I have always made it a point, avoid women with daddy issues (like her), they're damaged psychologically But even so, it doesn't justify all this drama, being damaged may not be your fault, but healing is your responsibility. Can't go on, being a victim, wanting public sympathy and all And that's just her side of the story, they're other 2 sides to the story, the step mom & the late man himself. But we all know dead men tell no tales, the late man isn't there to defend himself As for the stepmom it's of no use as well, nobody likes a stepmother, they have bad PR. So whatever evil thing they're accused of, we believe it In the end, the winners of this whole charade are Dj Ollah, he gets his views and smiling all the way to the bank Me & other bloggers as well, free content to create memes & write think pieces, also smiling straight to the bank The loser is the Mtukudzi legacy, due to her theatrics & stories she has managed to destroy a name that took 5 decades to build for 2 hours of attention Learn OR perish!!!

Sensitive content

Hold up, what the fvck did I do now? People come with their private life on public social media platforms & expect everyone to give opinions they only agree with? At her old age she should know nothing good ever comes from airing out dirty linen about your family on social media She may feel she has achieved something by the attention she's getting. But all she's done is drag her father's name in the mud. The very same name she seeks to benefit from. Now disrespect will be coming from every corner aimed at her father's legacy And as for that emotional cursing nonsense, about how I'll end up in the same situation, back to sender. If anything I have always made it a point, avoid women with daddy issues (like her), they're damaged psychologically But even so, it doesn't justify all this drama, being damaged may not be your fault, but healing is your responsibility. Can't go on, being a victim, wanting public sympathy and all And that's just her side of the story, they're other 2 sides to the story, the step mom & the late man himself. But we all know dead men tell no tales, the late man isn't there to defend himself As for the stepmom it's of no use as well, nobody likes a stepmother, they have bad PR. So whatever evil thing they're accused of, we believe it In the end, the winners of this whole charade are Dj Ollah, he gets his views and smiling all the way to the bank Me & other bloggers as well, free content to create memes & write think pieces, also smiling straight to the bank The loser is the Mtukudzi legacy, due to her theatrics & stories she has managed to destroy a name that took 5 decades to build for 2 hours of attention Learn OR perish!!!

𝑻𝒉𝒆 𝑺𝒂𝒍𝒕 𝑶𝒇 𝑻𝒉𝒆 𝑬𝒂𝒓𝒕𝒉

283,902 Aufrufe • vor 2 Jahren